Death of the Liberal Class (12 page)

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Authors: Chris Hedges

Tags: #Political Culture, #Political Ideologies, #General, #Conservatism & Liberalism, #Political Science, #Liberalism

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“We have been doing the best we know to make known to the President and the Congressmen alternatives to war,” Jordan reported:
There would be no difficulty in the matter if the people concerned really wanted peace. Meanwhile, it is very evident that the Wall St. people are running this thing in their own interest, and that the thousands of conscientious men who think we . . . [should] do something for France or England are mere flies on the wheel by the side of the great prospects of having Uncle Sam endorse billions of European bonds and throw his money with Morgan & Company into the bottomless pit of war. . . . The Germans have behaved like sin, for such is the nature of war—but the intolerance and tyranny with which we are being pushed into war far eclipses [
sic
] the riotous methods which threw the Kaiser off his feet and brought on the crash in 1914.
3
 
 
 
By the time war was declared by Congress, most of these last hold-outs, including Jordan, let nationalism overcome principle and backed the war effort. There were still significant pockets of opposition within the population, but the antiwar movement had been decapitated.
 
“An intellectual class gently guiding a nation through sheer force of ideas into what the other nations entered only through predatory craft or popular hysteria or militarist madness!” Bourne wrote:
A war free from any taint of self-seeking, a war that will secure the triumph of democracy and internationalize the world! This is the picture which the more self-conscious intellectuals have formed of themselves, and which they are slowly impressing upon a population which is being led no man knows whither by an indubitably intellectualized President. And they are right, in that the war certainly did not spring from either the ideals or the prejudices, from the national ambitions or hysterias, of the American people, however acquiescent the masses prove to be, and however clearly the intellectuals prove their putative intuition.
4
 
 
 
Wilson easily pushed through draconian laws to squelch dissent, but he hardly needed to have bothered. Congress passed the Espionage Act in 1917, which criminalized not only espionage but also speech deemed critical of the government. Wilson had hoped to include a provision for direct censorship of newspapers, but Congress denied his request. Next year Congress passed an amendment, known as the Sedition Act, that made it a crime to use “disloyal” or “profane” language that could encourage contempt for the Constitution or the flag. The Espionage Act and the Sedition Act became the coarse legal tools used by the Wilson administration to silence isolated progressives and the dwindling populist forces that questioned the war. Postmaster General Albert Burleson, empowered by the Espionage Act, cancelled the special mailing privileges of journals he condemned as unpatriotic, instantly hiking their postal rates and putting about a hundred out of business. A few thousand people, including the Socialist politician Eugene Debs, were arrested for their continued denunciation of the war and calls for draft resistance and strikes. Debs was imprisoned after making an antiwar speech in Canton, Ohio, in June 1918. The
Washington Post
wrote after his sentencing that “Debs is a public menace, and the country will be better off with him behind bars.”
5
Debs spent more than two years in the Atlanta Federal Penitentiary until President Warren Harding commuted his sentence on Christmas Day 1921. Vigilante groups, roused by the enflamed war propaganda and nationalist call to arms, physically attacked and at times lynched war opponents.
 
Progressive politics had enjoyed an upsurge before the war, bringing on a golden era of American journalism and social reform, but that was now ended. Progressivism would flicker to life again in the 1930s with the Great Depression and then be crushed in the next war. Progressives in World War I shifted from the role of social critics to that of propagandists. They did this seamlessly. The crusades undertaken for the working poor in mill towns and urban slums were transformed into an abstract crusade to remake the world through violence, a war to end all wars. Addams acidly pointed out that “it is hard for some of us to understand upon what experience this pathetic belief in the regenerative results of war could be founded; but the world had become filled with fine phrases and this one, which afforded comfort to many a young soldier, was taken up and endlessly repeated with an entire absence of critical spirit.”
 
The former socialists and activists were, perhaps, the most susceptible to Wilson’s utopian dreams of a democratic League of Nations that would end warfare forever. Wilson, after all, came from the ranks of the liberal class. He was articulate and literate, knew many of them and was comfortable in the world of political theory and abstract thought. He wrote his own speeches. He reflected their high ideals. These intellectuals, once on the margins of society, became trusted allies in Wilson’s crusade to recreate the world through violence. They were lauded and praised in public ways that were new and seductive. They no longer felt alienated from power but rather felt valued and appreciated by the elite. They lent their considerable skill to war propaganda and, in an intellectual and moral sense, committed suicide. Very few found the moral fortitude to resist. And their combined effort to sell the war fatally corrupted the liberal class.
 
“The intellectuals, in other words, have identified themselves with the least democratic forces in American life,” Bourne lamented.
They have assumed the leadership for war of those very classes whom the American democracy has been immemorially fighting. Only in a world where irony was dead could an intellectual class enter war at the head of such illiberal cohorts in the avowed cause of world liberalism and world democracy. No one is left to point out the undemocratic nature of this war liberalism. In a time of faith, skepticism is the most intolerable of all insults.
 
 
 
Arthur Bullard was a former history student of Wilson’s at Princeton who went on to work as a reporter and foreign correspondent, including in Russia. He was typical of the intellectuals and activists who embraced the war and shifted their energy from social reform to state propaganda. Bullard, who often wrote under the pseudonym Albert Edwards for the pro-Bolshevik publication
The Masses
as well as
Harper’s
, had sterling credentials as a muckraker and social activist. He had left Hamilton College after two years to serve as a probation officer for the New York Prison Association, spurred by the muckrackers’ reports of the squalid conditions of the working class, and moved into University House on the Lower East Side. University House when he arrived was filled with radical writers as well as settlement house workers. It included the socialist writer William English Walling (a founder of the NAACP); Pulitzer Prize winner Ernest Poole; Howard Brubaker, who later became a columnist for the
New Yorker
; journalist Hamilton Hold, the editor of the weekly
Independent
, and author Walter Weyl, a founding editor of the
New Republic
. These writers produced articles and books on the housing and employment situation of workers on the Lower East Side, particularly the effects of inhuman working conditions and poverty on women and children. They were avowed socialists and fellow travelers with the revolutionaries seeking to topple the Russian Tsar Nicholas II. Poole, Walling, and Bullard, who was a press agent for the Friends of Russian Freedom in America, traveled to Russia in 1905 to cover the abortive revolution and its aftermath. They established contacts with radical Russian intellectuals, writers, artists, and revolutionaries. Bullard contributed a series of articles on Russia—he spoke some Russian—to
Harper’s
and
Collier’s.
In a report he wrote for
Collier’s
in April 1906 under the pseudonym Albert Edwards, he told readers:
My object in making this trip was to see how well the Russian troops could succeed in suppressing a revolutionary movement by sheer terrorism. I am convinced they cannot do it. They have failed to capture the leaders. They have failed to disarm the people. They have not succeeded in stamping out the revolutionary fire among the mass of the peasants. The indiscriminate executions, floggings, and burnings have only poured oil on the fire; it has turned the indignation into a personal determination for vengeance for murdered kindred; it has turned discontent into desperation, and hostility into hatred.
 
 
 
“General Orloff is a military man,” he concluded, “and he was given orders to suppress the rebellion in these provinces. He did, and is doing it, as far as he can, but he has not enough soldiers, nor enough cartridges to do it thoroughly. The position of the Government has been perfectly logical—except for its premise, which is that this is the middle of the Dark Ages and that a state exists by the fear of its subjects.”
6
 
Bullard, who witnessed the power of revolutionary idealism and propaganda, believed that heavy censorship and secrecy laws that Wilson advocated would backfire, especially with many Americans viewing the war as one pushed down the throats of the nation by bankers and industrialists. The bankers and industrialists wanted to ensure that the massive loans to the European powers would be repaid, something that would not happen if Germany won the war. He grasped that a more potent weapon than overt repression could be found in mass propaganda. Propaganda could, he understood, feed the dark sentiments of nationalism and the lust for violence that made war possible. The public, he grasped, would, with the right kind of guidance, become enthusiastic war supporters. He sent a copy of his book
Mobilizing America
to Wilson in early 1917 in an effort to influence the president’s management of the war. In it he argued that if the government controlled all the mechanisms of information, and used the creative arts to bolster its message, the country could be indoctrinated to support the war without resorting to overt forms of control.
 
“Truth and Falsehood are arbitrary terms,” Bullard wrote. “There is nothing in experience to tell us that one is always preferable to the other. . . . There are lifeless truths and vital lies. . . . The force of an idea lies in its inspirational value. It matters very little whether it is true or false.”
 
Bullard proposed to Wilson that the government form a large “publicity bureau, which would constantly keep before the public the importance of supporting the men at the front. It would requisition space on the front page of every newspaper; it would call for a ‘draft’ of trained writers to feed ‘army stories’ to the public; it would create a Corps of Press Agents. . . . In order to make democracy fight wholeheartedly,” he said, “it is necessary to make them understand the situation.”
 
Bullard, whose papers I sifted through one afternoon at the Seeley G. Mudd Manuscript Library at Princeton University, argued strenuously against Wilson’s desire for overt censorship. Walter Lippmann, in a private letter to the president on March 11, reiterated Bullard’s call for a government publicity bureau. He told Wilson the war had to be sold to a skeptical public by fostering “a healthy public opinion.”
7
Lippmann, especially in his 1922 book
Public Opinion,
emerges as perhaps the darkest figure of the period. He assumes the intellectual role of the Grand Inquisitor, fearful of popular rule and brilliant enough to know how to manipulate public opinion. The war would prove him to be extremely prescient, and
Public Opinion
became a bible to the new power elite.
 
Wilson got the message. He agreed to set up the bureau Lippmann and Bullard proposed and turn it over to progressives and artists. “It is not an army we must shape and train for war, it is a nation,” he stated.
8
A week after the war was declared, the president established the Committee for Public Information (CPI). The CPI, headed by a former muckraker named George Creel, which became popularly known as the Creel Commission, would become the first modern mass propaganda machine. Its goal was not, as Creel confessed, simply to impart pro-war messages but to discredit those who attempted to challenge the nation’s involvement in the conflict. And Creel, who knew the world of journalism, set out to demolish decentralized and diverse systems of information. He recalled that during the period of neutrality before the war, the nation
had been torn by a thousand divisive prejudices, with public opinion stunned and muddled by the pull and haul of Allied and German propaganda. The sentiment in the West was still isolationist; the Northwest buzzed with talk of a “rich man’s war,” waged to salvage Wall Street loans; men and women of Irish stock were “neutral,” not caring who whipped England, and in every stage demagogues raved against “warmongers,” although the Du Ponts and other so-called “merchants of death” did not have enough powder on hand to arm squirrel hunters.
9
 
 
 
News, which had previously grown out of local discourses and public discussions, which reflected local public sentiment and concerns upward, would be dictated from above. It would have to deliver a consistent drumbeat of propaganda, a consistent pro-war narrative, and shut out or discredit dissenting views. It would have to leech off the news pages into every aspect of the nation’s cultural life, from theater to film to novels to advertisements. The wide diversity of newspapers, and with them the diversity of opinions, concerns, and outlooks, had to be managed and controlled. All information about the war would come from one source, a practice that in later generations would be codified as “staying on message.” There would be a total uniformity of ideas. Creel’s efforts—his bureau would employ thousands by the war’s end—had the twin effect of saturating the country with propaganda and dismantling the local, independent press. The committee would, by the time the war ended, see the president lionized by Secretary of State Robert Lansing as “the greatest propagandist the modern world has ever known.”
10
No other president in American history did more to damage the independence and freedom of the press, or set back the cause of social reform, than Wilson.

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