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Authors: Lauren Oliver

Tags: #Dystopian, #Fiction, #Juvenile Fiction, #Retail, #Romance

Delirium: The Complete Collection (40 page)

BOOK: Delirium: The Complete Collection
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Lena and Alex.

I have Lena back again, but she is changed, and it seems that every day she grows a little more different, a little more distant, as though I am watching her walk down a darkening hallway. Even when we are alone—which is rare now; Alex is almost always with us—there is a vagueness to her, as though she is floating through her life in the middle of a daydream. And when we are with Alex, I might as well not be there. They speak in a language of whispers and giggles and secrets; their words are like a fairy-tale tangle of thorns, which place a wall between us.

I am happy for her. I am.

And sometimes, just before going to sleep, when I am at my most vulnerable, I am jealous.

What else will I remember, if I remember anything at all?

The first time Fred Hargrove kisses my cheek, his lips are dry on my skin.

Racing with Lena to the buoys at Back Cove; the way she smiled when she confessed she’d done the same thing with Alex; and discovering when we got back to the beach that my soda had turned warm, syrupy, undrinkable.

Seeing Angelica, post-cure, helping her mother clip roses in their front yard; the way she smiled and waved cheerfully, her eyes unfocused, as though they were fixated on some imaginary spot above my head.

Not seeing Steve Hilt at all.

And rumors, persistent rumors: of Invalids, of resistance, of the growth of the disease, spreading its blackness among us. Every day, streets papered with more and more flyers.
Reward, reward, reward.

Reward for information.

If you see something, say something.

A paper town, a paper world: paper rustling in the wind, whispering to me, hissing out a message of poison and jealousy.

If you know something, do something.

I’m sorry, Lena.

HANA
. Copyright © 2012 by Laura Schechter. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

ISBN 978-0-06-212436-4

Cover design by Erin Fitzsimmons

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FIRST EDITION

EPub Edition © 2012 ISBN: 9780062124364

Dedication

To my parents:
Thank you for all the books, phone calls,
free meals, endless patience, and boundless love.

Contents

Dedication

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

then

now

Credits

Copyright

now

A
lex and I are lying together on a blanket in the backyard of 37 Brooks. The trees look larger and darker than usual. The leaves are almost black, knitted so tightly together they blot out the sky.

“It probably wasn’t the best day for a picnic,” Alex says, and just then I realize that yes, of course, we haven’t eaten any of the food we brought. There’s a basket at the foot of the blanket, filled with half-rotten fruit, swarmed by tiny black ants.

“Why not?” I say. We are staring at the web of leaves above us, thick as a wall.

“Because it’s snowing.” Alex laughs. And again I realize he’s right: It is snowing, thick flakes the color of ash swirling all around us. It’s freezing cold, too. My breath comes in clouds, and I press against him, trying to stay warm.

“Give me your arm,” I say, but Alex doesn’t respond. I try to move into the space between his arm and his chest but his body is rigid, unyielding. “Alex,” I say. “Come on, I’m cold.”

“I’m cold,” he parrots, from lips that barely move. They are blue, and cracked. He is staring at the leaves without blinking.

“Look at me,” I say, but he doesn’t turn his head, doesn’t blink, doesn’t move at all. A hysterical feeling is building inside me, a shrieking voice saying
wrong, wrong, wrong,
and I sit up and place my hand on Alex’s chest, as cold as ice. “Alex,” I say, and then, a short scream: “Alex!”

“Lena Morgan Jones!”

I snap into awareness, to a muted chorus of giggles.

Mrs. Fierstein, the twelfth-grade science teacher at Quincy Edwards High School for Girls in Brooklyn, Section 5, District 17, is glaring at me. This is the third time I’ve fallen asleep in her class this week.

“Since you seem to find the Creation of the Natural Order so exhausting,” she says, “might I suggest a trip to the principal’s office to wake you up?”

“No!” I burst out, louder than I intended to, provoking a new round of giggles from the other girls in my class. I’ve been enrolled at Edwards since just after winter break—only a little more than two months—and already I’ve been labeled the Number-One Weirdo. People avoid me like I have a disease—like I have the disease.

If only they knew.

“This is your final warning, Miss Jones,” Mrs. Fierstein says. “Do you understand?”

“It won’t happen again,” I say, trying to look obedient and contrite. I’m pushing aside the memory of my nightmare, pushing aside thoughts of Alex, pushing aside thoughts of Hana and my old school, push, push, push, like Raven taught me to do. The old life is dead.

Mrs. Fierstein gives me a final stare—meant to intimidate me, I guess—and turns back to the board, returning to her lecture on the divine energy of electrons.

The old Lena would have been terrified of a teacher like Mrs. Fierstein. She’s old, and mean, and looks like a cross between a frog and a pit bull. She’s one of those people who makes the cure seem redundant—it’s impossible to imagine that she would ever be capable of loving, even without the procedure.

But the old Lena is dead too.

I buried her.

I left her beyond a fence, behind a wall of smoke and flame.

then

I
n the beginning, there is fire.

Fire in my legs and lungs; fire tearing through every nerve and cell in my body. That’s how I am born again, in pain: I emerge from the suffocating heat and the darkness. I force my way through a black, wet space of strange noises and smells.

I run, and when I can no longer run, I limp, and when I can’t do that, I crawl, inch by inch, digging my fingernails into the soil, like a worm sliding across the overgrown surface of this strange new wilderness.

I bleed, too, when I am born.

I’m not sure how far I’ve traveled into the Wilds, and how long I’ve been pushing deeper and deeper into the woods, when I realize I’ve been hit. At least one regulator must have clipped me while I was climbing the fence. A bullet has skimmed me on the side, just below my armpit, and my T-shirt is wet with blood. I’m lucky, though. The wound is shallow, but seeing all the blood, the missing skin, makes everything real: this new place, this monstrous, massive growth everywhere, what has happened, what I have left.

What has been taken from me.

There is nothing in my stomach, but I throw up anyway. I cough up air and spit bile into the flat, shiny leaves on either side of me. Birds twitter above me. An animal, coming to investigate, scurries quickly back into the tangle of growth.

Think, think. Alex. Think of what Alex would do.

Alex is here, right here. Imagine.

I take off my shirt, rip off the hem, and tie the cleanest bit tightly around my chest so it presses against my wound and helps stanch the bleeding. I have no idea where I am or where I’m going. My only thought is to move, keep going, deeper and deeper, away from the fences and the world of dogs and guns and—

Alex.

No. Alex is here. You have to imagine.

Step by step, fighting thorns, bees, mosquitoes; snapping back thick, broad branches; clouds of gnats, mists hovering in the air. At one point, I reach a river: I am so weak, I am nearly taken under by its current. At night, driving rain, fierce and cold: huddled between the roots of an enormous oak, while around me unseen animals scream and pant and rattle through the darkness. I’m too terrified to sleep; if I sleep, I’ll die.

I am not born all at once, the new Lena.

Step by step—and then, inch by inch.

Crawling, insides curled into dust, mouth full of the taste of smoke.

Fingernail by fingernail, like a worm.

That is how she comes into the world, the new Lena.

When I can no longer go forward, even by an inch, I lay my head on the ground and wait to die. I’m too tired to be frightened. Above me is blackness, and all around me is blackness, and the forest sounds are a symphony to sing me out of this world. I am already at my funeral. I am being lowered into a narrow, dark space, and my aunt Carol is there, and Hana, and my mother and sister and even my long-dead father. They are all watching my body descend into the grave, and they are singing.

I am in a black tunnel filled with mist, and I am not afraid.

Alex is waiting for me on the other side; Alex standing, smiling, bathed in sunlight.

Alex reaching out his arms to me, calling—

Hey. Hey.

Wake up.

“Hey. Wake up. Come on, come on, come on.”

The voice pulls me back from the tunnel, and for a moment I’m horribly disappointed when I open my eyes and see not Alex’s face, but some other face, sharp and unfamiliar. I can’t think; the world is all fractured. Black hair, a pointed nose, bright green eyes—pieces of a puzzle I can’t make sense of.

“Come on, that’s right, stay with me. Bram, where the hell is that water?”

A hand under my neck, and then, suddenly, salvation. A sensation of ice, and liquid sliding: water filling my mouth, my throat, pouring over my chin, melting away the dust, the taste of fire. First I cough, choke, almost cry. Then I swallow, gulp, suck, while the hand stays under my neck, and the voice keeps whispering encouragement. “That’s right. Have as much as you need. You’re all right. You’re safe now.”

Black hair, loose, a tent around me: a woman. No, a girl—a girl with a thin, tight mouth, and creases at the corners of her eyes, and hands as rough as willow, as big as baskets. I think,
Thank you
. I think,
Mother
.

“You’re safe. It’s okay. You’re okay.”

That’s how babies are born, after all: cradled in someone else’s arms, sucking, helpless.

After that, the fever pulls me under again. My waking moments are few, and my impressions disjointed. More hands, and more voices; I am lifted; a kaleidoscope of green above me, and fractal patterns in the sky. Later there is the smell of campfire, and something cold and wet pressed against my skin, smoke and hushed voices, searing pain in my side, then ice, relief. Softness sliding against my legs.

BOOK: Delirium: The Complete Collection
5.52Mb size Format: txt, pdf, ePub
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