Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four) (31 page)

George requested that we would not talk about these things, at all events until he had finished his cold boiled beef without mustard.

We played penny nap after supper. We played for about an hour and a half, by the end of which time George had won fourpence — George always is lucky at cards — and Harris and I had lost exactly twopence each.

We thought we would give up gambling then. As Harris said, it breeds an unhealthy excitement when carried too far. George offered to go on and give us our revenge; but Harris and I decided not to battle any further against Fate.

After that, we mixed ourselves some toddy, and sat round and talked. George told us about a man he had known, who had come up the river two years ago and who had slept out in a damp boat on just such another night as that was, and it had given him rheumatic fever, and nothing was able to save him, and he had died in great agony ten days afterwards. George said he was quite a young man, and was engaged to be married. He said it was one of the saddest things he had ever known.

And that put Harris in mind of a friend of his, who had been in the Volunteers, and who had slept out under canvas one wet night down at Aldershot, “on just such another night as this,” said Harris; and he had woke up in the morning a cripple for life. Harris said he would introduce us both to the man when we got back to town; it would make our hearts bleed to see him.

This naturally led to some pleasant chat about sciatica, fevers, chills, lung diseases, and bronchitis; and Harris said how very awkward it would be if one of us were taken seriously ill in the night, seeing how far away we were from a doctor.

There seemed to be a desire for something frolicksome to follow upon this conversation, and in a weak moment I suggested that George should get out his banjo, and see if he could not give us a comic song.

I will say for George that he did not want any pressing. There was no nonsense about having left his music at home, or anything of that sort. He at once fished out his instrument, and commenced to play “Two Lovely Black Eyes.”

I had always regarded “Two Lovely Black Eyes” as rather a commonplace tune until that evening. The rich vein of sadness that George extracted from it quite surprised me.

The desire that grew upon Harris and myself, as the mournful strains progressed, was to fall upon each other’s necks and weep; but by great effort we kept back the rising tears, and listened to the wild yearnful melody in silence.

When the chorus came we even made a desperate effort to be merry. We re-filled our glasses and joined in; Harris, in a voice trembling with emotion, leading, and George and I following a few words behind:

     ”Two lovely black eyes;
     Oh! what a surprise!
Only for telling a man he was wrong,
     Two—”

There we broke down. The unutterable pathos of George’s accompaniment to that “two” we were, in our then state of depression, unable to bear. Harris sobbed like a little child, and the dog howled till I thought his heart or his jaw must surely break.

George wanted to go on with another verse. He thought that when he had got a little more into the tune, and could throw more “abandon,” as it were, into the rendering, it might not seem so sad. The feeling of the majority, however, was opposed to the experiment.

There being nothing else to do, we went to bed — that is, we undressed ourselves, and tossed about at the bottom of the boat for some three or four hours. After which, we managed to get some fitful slumber until five a.m., when we all got up and had breakfast.

The second day was exactly like the first. The rain continued to pour down, and we sat, wrapped up in our mackintoshes, underneath the canvas, and drifted slowly down.

One of us — I forget which one now, but I rather think it was myself — made a few feeble attempts during the course of the morning to work up the old gipsy foolishness about being children of Nature and enjoying the wet; but it did not go down well at all. That —

“I care not for the rain, not I!”

was so painfully evident, as expressing the sentiments of each of us, that to sing it seemed unnecessary.

On one point we were all agreed, and that was that, come what might, we would go through with this job to the bitter end. We had come out for a fortnight’s enjoyment on the river, and a fortnight’s enjoyment on the river we meant to have. If it killed us! well, that would be a sad thing for our friends and relations, but it could not be helped. We felt that to give in to the weather in a climate such as ours would be a most disastrous precedent.

“It’s only two days more,” said Harris, “and we are young and strong. We may get over it all right, after all.”

At about four o’clock we began to discuss our arrangements for the evening. We were a little past Goring then, and we decided to paddle on to Pangbourne, and put up there for the night.

“Another jolly evening!” murmured George.

We sat and mused on the prospect. We should be in at Pangbourne by five. We should finish dinner at, say, half-past six. After that we could walk about the village in the pouring rain until bed-time; or we could sit in a dimly-lit bar-parlour and read the almanac.

“Why, the Alhambra would be almost more lively,” said Harris, venturing his head outside the cover for a moment and taking a survey of the sky.

“With a little supper at the — to follow,” I added, half unconsciously.

“Yes it’s almost a pity we’ve made up our minds to stick to this boat,” answered Harris; and then there was silence for a while.

“If we
hadn’t
made up our minds to contract our certain deaths in this bally old coffin,” observed George, casting a glance of intense malevolence over the boat, “it might be worth while to mention that there’s a train leaves Pangbourne, I know, soon after five, which would just land us in town in comfortable time to get a chop, and then go on to the place you mentioned afterwards.”

Nobody spoke. We looked at one another, and each one seemed to see his own mean and guilty thoughts reflected in the faces of the others. In silence, we dragged out and overhauled the Gladstone. We looked up the river and down the river; not a soul was in sight!

Twenty minutes later, three figures, followed by a shamed-looking dog, might have been seen creeping stealthily from the boat-house at the “Swan” towards the railway station, dressed in the following neither neat nor gaudy costume:

Black leather shoes, dirty; suit of boating flannels, very dirty; brown felt hat, much battered; mackintosh, very wet; umbrella.

We had deceived the boatman at Pangbourne. We had not had the face to tell him that we were running away from the rain. We had left the boat, and all it contained, in his charge, with instructions that it was to be ready for us at nine the next morning. If, we said —
if
anything unforeseen should happen, preventing our return, we would write to him.

We reached Paddington at seven, and drove direct to the restaurant I have before described, where we partook of a light meal, left Montmorency, together with suggestions for a supper to be ready at half-past ten, and then continued our way to Leicester Square.

We attracted a good deal of attention at the Alhambra. On our presenting ourselves at the paybox we were gruffly directed to go round to Castle Street, and were informed that we were half-an-hour behind our time.

We convinced the man, with some difficulty, that we were
not
“the world-renowned contortionists from the Himalaya Mountains,” and he took our money and let us pass.

Inside we were a still greater success. Our fine bronzed countenances and picturesque clothes were followed round the place with admiring gaze. We were the cynosure of every eye.

It was a proud moment for us all.

We adjourned soon after the first ballet, and wended our way back to the restaurant, where supper was already awaiting us.

I must confess to enjoying that supper. For about ten days we seemed to have been living, more or less, on nothing but cold meat, cake, and bread and jam. It had been a simple, a nutritious diet; but there had been nothing exciting about it, and the odour of Burgundy, and the smell of French sauces, and the sight of clean napkins and long loaves, knocked as a very welcome visitor at the door of our inner man.

We pegged and quaffed away in silence for a while, until the time came when, instead of sitting bolt upright, and grasping the knife and fork firmly, we leant back in our chairs and worked slowly and carelessly — when we stretched out our legs beneath the table, let our napkins fall, unheeded, to the floor, and found time to more critically examine the smoky ceiling than we had hitherto been able to do — when we rested our glasses at arm’s-length upon the table, and felt good, and thoughtful, and forgiving.

Then Harris, who was sitting next the window, drew aside the curtain and looked out upon the street.

It glistened darkly in the wet, the dim lamps flickered with each gust, the rain splashed steadily into the puddles and trickled down the water-spouts into the running gutters. A few soaked wayfarers hurried past, crouching beneath their dripping umbrellas, the women holding up their skirts.

“Well,” said Harris, reaching his hand out for his glass, “we have had a pleasant trip, and my hearty thanks for it to old Father Thames — but I think we did well to chuck it when we did. Here’s to Three Men well out of a Boat!”

And Montmorency, standing on his hind legs, before the window, peering out into the night, gave a short bark of decided concurrence with the toast.

THREE MEN ON THE BUMMEL

The success of
Three Men in a Boat
inspired Jerome to pen a sequel, which was released in 1900, eleven years after the first novel. The book reunites the three protagonists for a cycling tour through Germany’s Black Forest – an excursion that proves just as hapless as the boating trip of the first novel. ‘Bummel’ is a German word meaning a circular journey of little structure. This reflects the structure of the book itself which, unlike the first novel with its linking thread of the River Thames, wanders aimlessly from one hilarious incident to the next.

Like the first novel, the sequel consists of a series of humorous set pieces interspersed with comic meditations on various trivial topics. A new element, however, is Jerome’s comic observations on German culture. Although superficial, these provide an insight into how British writers viewed Germany at that time and much fun is had with the stereotype of a society orderly to the point of paranoia and obsessed with apparently trivial laws.