Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four) (84 page)

BOOK: Delphi Complete Works of Jerome K. Jerome (Illustrated) (Series Four)
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I would walk about the streets always till very late. I dreaded the echoing clang of the little front door when I closed it behind me, the climbing of the silent stairs, the solitude that waited for me in my empty room. It would rise and come towards me like some living thing, kissing me with cold lips. Often, unable to bear the closeness of its presence, I would creep out into the streets. There, even though it followed me, I was not alone with it. Sometimes I would pace them the whole night, sharing them with the other outcasts while the city slept.

Occasionally, during these nightly wanderings would come to me moments of exaltation when fear fell from me and my blood would leap with joy at prospect of the fierce struggle opening out before me. Then it was the ghostly city sighing round me that seemed dead, I the only living thing real among a world of shadows. In long, echoing streets I would laugh and shout. Misunderstanding policemen would turn their bull’s-eyes on me, gruffly give me practical advice: they knew not who I was! I stood the centre of a vast galanty-show: the phantom houses came and went; from some there shone bright lights; the doors were open, and little figures flitted in and out, the tiny coaches glided to and fro, manikins grotesque but pitiful crept across the star-lit curtain.

Then the mood would change. The city, grim and vast, stretched round me endless. I crawled, a mere atom, within its folds, helpless, insignificant, absurd. The houseless forms that shared my vigil were my fellows. What were we? Animalcule upon its bosom, that it saw not, heeded not. For company I would mingle with them: ragged men, frowsy women, ageless youths, gathered round the red glow of some coffee stall.

Rarely would we speak to one another. More like animals we browsed there, sipping the halfpenny cup of hot water coloured with coffee grounds (at least it was warm), munching the moist slab of coarse cake; looking with dull, indifferent eyes each upon the wretchedness of the others. Perhaps some two would whisper to each other in listless, monotonous tone, broken here and there by a short, mirthless laugh; some shivering creature, not yet case-hardened to despair, seek, perhaps, the relief of curses that none heeded. Later, a faint chill breeze would shake the shadows loose, a thin, wan light streak the dark air with shade, and silently, stealthily, we would fade away and disappear.

 

CHAPTER II.

 

PAUL, ESCAPING FROM HIS SOLITUDE, FALLS INTO STRANGE COMPANY. AND BECOMES CAPTIVE TO ONE OF HAUGHTY MIEN.

 

All things pass, even the self-inflicted sufferings of shy young men, condemned by temperament to solitude. Came the winter evenings, I took to work: in it one may drown much sorrow for oneself. With its handful of fire, its two candles lighted, my “apartment” was more inviting. I bought myself paper, pens and ink. Great or small, what more can a writer do? He is but the would-be medium: will the spirit voices employ him or reject him?

London, with its million characters, grave and gay; its ten thousand romances, its mysteries, its pathos, and its humour, lay to my hand. It stretched before me, asking only intelligent observation, more or less truthful report. But that I could make a story out of the things I really knew never occurred to me. My tales were of cottage maidens, of bucolic yeomen. My scenes were laid in windmills, among mountains, or in moated granges. I fancy this phase of folly is common to most youthful fictionists.

A trail of gentle melancholy lay over them. Sentiment was more popular then than it is now, and, as do all beginners, I scrupulously followed fashion. Generally speaking, to be a heroine of mine was fatal. However naturally her hair might curl — and curly hair, I believe, is the hall-mark of vitality; whatever other indications of vigorous health she might exhibit in the first chapter, such as “dancing eyes,” “colour that came and went,” “ringing laughter,” “fawn-like agility,” she was tolerably certain, poor girl, to end in an untimely grave. Snowdrops and early primroses (my botany I worked up from a useful little volume, “Our Garden Favourites, Illustrated”) grew there as in a forcing house; and if in the neighbourhood of the coast, the sea-breezes would choose that particular churchyard, somewhat irreverently, for their favourite playground. Years later a white-haired man would come there leading little children by the hand, and to them he would tell the tale anew, which must have been a dismal entertainment for them.

Now and then, by way of change, it would be the gentleman who would fall a victim of the deadly atmosphere of my literature. It was of no particular consequence, so he himself would conclude in his last soliloquy; “it was better so.” Snowdrops and primroses, for whatever consolation they might have been to him, it was hopeless for him to expect; his grave, marked by a rude cross, being as a rule situate in an exceptionally unfrequented portion of the African veldt or amid burning sands. For description of final scenery on these occasions a visit to the British Museum reading-room would be necessary.

Dismal little fledgelings! And again and again would I drive them from the nest; again and again they fluttered back to me, soiled, crumpled, physically damaged. Yet one person had admired them, cried over them — myself.

All methods I tried. Sometimes I would send them forth accompanied by a curt business note of the take-it-or-leave-it order. At other times I would attach to it pathetic appeals for its consideration. Sometimes I would give value to it, stating that the price was five guineas and requesting that the cheque should be crossed; at other times seek to tickle editorial cupidity by offering this, my first contribution to their pages, for nothing — my sample packet, so to speak, sent gratis, one trial surely sufficient. Now I would write sarcastically, enclosing together with the stamped envelope for return a brutally penned note of rejection. Or I would write frankly, explaining elaborately that I was a beginner, and asking to be told my faults — if any.

Not one found a resting place for its feet. A month, a week, a couple of days, they would remain away from me, then return. I never lost a single one. I wished I had. It would have varied the monotony.

I hated the poor little slavey who, bursting joyously into the room, would hold them out to me from between her apron-hidden thumb and finger; her chronic sniff I translated into contempt. If flying down the stairs at the sound of the postman’s knock I secured it from his hands, it seemed to me he smiled. Tearing them from their envelopes, I would curse them, abuse them, fling them into the fire sometimes; but before they were more than scorched I would snatch them out, smooth them, reread them. The editor himself could never have seen them; it was impossible; some jealous underling had done this thing. I had sent them to the wrong paper. They had arrived at the inopportune moment. Their triumph would come. Rewriting the first and last sheets, I would send them forth again with fresh hope.

Meanwhile, understanding that the would-be happy warrior must shine in camp as well as field, I sought to fit myself also for the social side of life. Smoking and drinking were the twin sins I found most difficulty in acquiring. I am not claiming a mental excellence so much as confessing a bodily infirmity. The spirit had always been willing, but my flesh was weak. Fired by emulation, I had at school occasionally essayed a cigarette. The result had been distinctly unsatisfactory, and after some two or three attempts, I had abandoned, for the time being, all further endeavour; excusing my faint-heartedness by telling myself with sanctimonious air that smoking was bad for growing boys; attempting to delude myself by assuming, in presence of contemporaries of stronger stomach, fine pose of disapproval; yet in my heart knowing myself a young hypocrite, disguising physical cowardice in the robes of moral courage: a self-deception to which human nature is prone.

So likewise now and again I had tasted the wine that was red, and that stood year in, year out, decanted on our sideboard. The true inwardness of St. Paul’s prescription had been revealed to me; the attitude — sometimes sneered at — of those who drink it under doctor’s orders, regarding it purely as a medicine, appeared to me reasonable. I had noticed also that others, some of them grown men even, making wry faces, when drinking my mother’s claret, and had concluded therefrom that taste for strong liquor was an accomplishment less easily acquired than is generally supposed. The lack of it in a young man could be no disgrace, and accordingly effort in that direction also had I weakly postponed.

But now, a gentleman at large, my education could no longer be delayed. To the artist in particular was training — and severe training — an absolute necessity. Recently fashion has changed somewhat, but a quarter of a century ago a genius who did not smoke and drink — and that more than was good for him — would have been dismissed without further evidence as an impostor. About the genius I was hopeful, but at no time positively certain. As regarded the smoking and drinking, so much at least I could make sure of. I set to work methodically, conscientiously. Smoking, experience taught me, was better practised on Saturday nights, Sunday affording me the opportunity of walking off the effects. Patience and determination were eventually crowned with success: I learned to smoke a cigarette to all appearance as though I were enjoying it. Young men of less character might here have rested content, but attainment of the highest has always been with me a motive force. The cigarette conquered, I next proceeded to attack the cigar. My first one I remember well: most men do. It was at a smoking concert held in the Islington Drill Hall, to which Minikin had invited me. Not feeling sure whether my growing dizziness were due solely to the cigar, or in part to the hot, over-crowded room, I made my excuses and slipped out. I found myself in a small courtyard, divided from a neighbouring garden by a low wall. The cause of my trouble was clearly the cigar. My inclination was to take it from my mouth and see how far I could throw it. Conscience, on the other hand, urged me to persevere. It occurred to me that if climbing on to the wall I could walk along it from end to end, there would be no excuse for my not heeding the counsels of perfection. If, on the contrary, try as I might, the wall proved not wide enough for my footsteps, then I should be entitled to lose the beastly thing, and, as best I could, make my way home to bed. I attained the wall with some difficulty and commenced my self-inflicted ordeal. Two yards further I found myself lying across the wall, my legs hanging down one side, my head overhanging the other. The position proving suitable to my requirements, I maintained it. Inclination, again seizing its opportunity, urged me then and there to take a solemn vow never to smoke again. I am proud to write that through that hour of temptation I remained firm; strengthening myself by whispering to myself: “Never despair. What others can do, so can you. Is not all victory won through suffering?”

A liking for drink I had found, if possible, even yet more difficult of achievement. Spirits I almost despaired of. Once, confusing bottles, I drank some hair oil in mistake for whiskey, and found it decidedly less nauseous. But twice a week I would force myself to swallow a glass of beer, standing over myself insisting on my draining it to the bitter dregs. As reward afterwards, to take the taste out of my mouth, I would treat myself to chocolates; at the same time comforting myself by assuring myself that it was for my good, that there would come a day when I should really like it, and be grateful to myself for having been severe with myself.

In other and more sensible directions I sought also to progress. Gradually I was overcoming my shyness. It was a slow process. I found the best plan was not to mind being shy, to accept it as part of my temperament, and with others laugh at it. The coldness of an indifferent world is of service in hardening a too sensitive skin. The gradual rubbings of existence were rounding off my many corners. I became possible to my fellow creatures, and they to me. I began to take pleasure in their company.

By directing me to this particular house in Nelson Square, Fate had done to me a kindness. I flatter myself we were an interesting menagerie gathered together under its leaky roof. Mrs. Peedles, our landlady, who slept in the basement with the slavey, had been an actress in Charles Keane’s company at the old Princess’s. There, it is true, she had played only insignificant parts. London, as she would explain to us was even then but a poor judge of art, with prejudices. Besides an actor-manager, hampered by a wife — we understood. But previously in the Provinces there had been a career of glory: Juliet, Amy Robsart, Mrs. Haller in “The Stranger” — almost the entire roll of the “Legitimates”. Showed we any signs of disbelief, proof was forthcoming: handbills a yard long, rich in notes of exclamation: “On Tuesday Evening! By Special Desire!!! Blessington’s Theatre! In the Meadow, adjoining the Falcon Arms!”—”On Saturday! Under the Patronage of Col. Sir William and the Officers of the 74th!!!! In the Corn Exchange!” Maybe it would convince us further were she to run through a passage here and there, say Lady Macbeth’s sleep-walking scene, or from Ophelia’s entrance in the fourth act? It would be no trouble; her memory was excellent. We would hasten to assure her of our perfect faith.

Listening to her, it was difficult, as she herself would frankly admit, to imagine her the once “arch Miss Lucretia Barry;” looking at her, to remember there had been an evening when she had been “the cynosure of every eye.” One found it necessary to fortify oneself with perusal of underlined extracts from ancient journals, much thumbed and creased, thoughtfully lent to one for the purpose. Since those days Fate had woven round her a mantle of depression. She was now a faded, watery-eyed little woman, prone on the slightest provocation to sit down suddenly On the nearest chair and at once commence a history of her troubles. Quite unconscious of this failing, it was an idea of hers that she was an exceptionally cheerful person.

“But there, fretting’s no good. We must grin and bear things in this world,” she would conclude, wiping her eyes upon her apron. “It’s better to laugh than to cry, I always say.” And to prove that this was no mere idle sentiment, she would laugh then and there upon the spot.

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