Delphi Complete Works of Oscar Wilde (Illustrated) (280 page)

BOOK: Delphi Complete Works of Oscar Wilde (Illustrated)
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The days went swiftly by and my powerlessness to influence him filled me with self-contempt. Of course, I said to myself, if I knew him better I should be able to help him. Would vanity do anything? It was his mainspring; I could but try. He might be led by the hope of making Englishmen talk of him again, talk of him as one who had dared to escape; wonder what he would do next. I would try, and I did try. But his dejection foiled me: his dislike of the struggle seemed to grow from day to day.

He would scarcely listen to me. He was counting the days to the trial: willing to accept an adverse decision; even punishment and misery and shame seemed better than doubt and waiting. He surprised me by saying:

“A year, Frank, they may give me a year? half the possible sentence: the middle course, that English Judges always take: the sort of compromise they think safe?” and his eyes searched my face for agreement.

I felt no such confidence in English Judges; their compromises are usually bargainings; when they get hold of an artist they give rein to their intuitive fear and hate.

But I would not discourage him. I repeated:

“You can win, Oscar, if you like:— “ my litany to him. His wan dejected smile brought tears to my eyes.

“Don’t you want to make them all speak of you and wonder at you again? If you were in France, everyone would be asking: will he come back or disappear altogether? or will he manifest himself henceforth in some new comedies, more joyous and pagan than ever?”

I might as well have talked to the dead: he seemed numbed, hypnotised with despair. The punishment had already been greater than he could bear. I began to fear that prison, if he were condemned to it, would rob him of his reason; I sometimes feared that his mind was already giving way, so profound was his depression, so hopeless his despair.

The trial opened before Mr. Justice Wills on the 21st of May, 1895. The Treasury had sent Sir Frank Lockwood, Q.C., M.P., to lead Mr. C.F. Gill, Mr. Horace Avory, and Mr. Sutton. Oscar was represented by the same counsel as on the previous occasion.

The whole trial to me was a nightmare, and it was characterised from the very beginning by atrocious prejudice and injustice. The High Priests of Law were weary of being balked; eager to make an end. As soon as the Judge took his seat, Sir Edward Clarke applied that the defendants should be tried separately. As they had already been acquitted on the charge of conspiracy, there was no reason why they should be tried together.

The Judge called on the Solicitor-General to answer the application.

The Solicitor-General had nothing to say, but thought it was in the interests of the defendants to be tried together; for, in case they were tried separately, it would be necessary to take the defendant Taylor first.

Sir Edward Clarke tore this pretext to pieces, and Mr. Justice Wills brought the matter to a conclusion by saying that he was in possession of all the evidence that had been taken at the previous trials, and his opinion was that the two defendants should be tried separately.

Sir Edward Clarke then applied that the case of Mr. Wilde should be taken first as his name stood first on the indictment, and as the first count was directed against him and had nothing to do with Taylor.... “There are reasons present, I am sure, too, in your Lordship’s mind, why Wilde should not be tried immediately after the other defendant.”

Mr. Justice Wills remarked, with seeming indifference, “It ought not to make the least difference, Sir Edward. I am sure I and the jury will do our best to take care that the last trial has no influence at all on the present.”

Sir Edward Clarke stuck to his point. He urged respectfully that as Mr. Wilde’s name stood first on the indictment his case should be taken first.

Mr. Justice Wills said he could not interfere with the discretion of the prosecution, nor vary the ordinary procedure. Justice and fair play on the one side and precedent on the other: justice was waved out of court with serene indifference. Thereupon Sir Edward Clarke pressed that the trial of Mr. Oscar Wilde should stand over till the next sessions. But again Mr. Justice Wills refused. Precedent was silent now but prejudice was strong as ever.

The case against Taylor went on the whole day and was resumed next morning. Taylor went into the box and denied all the charges. The Judge summed up dead against him, and at 3.30 the jury retired to consider their verdict: in forty-five minutes they came into court again with a question which was significant. In answer to the judge the foreman stated that “they had agreed that Taylor had introduced Parker to Wilde, but they were not satisfied with Wilde’s guilt in the matter.”

Mr. Justice Wills: “Were you agreed as to the charge on the other counts?”

Foreman: “Yes, my Lord.”

Mr. Justice Wills: “Well, possibly it would be as well to take your verdict upon the other counts.”

Through the foreman the jury accordingly intimated that they found Taylor guilty with regard to Charles and William Parker.

In answer to his Lordship, Sir F. Lockwood said he would take the verdict given by the jury of “guilty” upon the two counts.

A formal verdict having been entered, the judge ordered the prisoner to stand down, postponing sentence. Did he postpone the sentence in order not to frighten the next jury by the severity of it? Other reason I could find none.

Sir Edward Clarke then got up and said that as it was getting rather late, perhaps after the second jury had disagreed as to Mr. Wilde’s guilt —

Sir F. Lockwood here interposed hotly: “I object to Sir Edward Clarke making these little speeches.”

Mr. Justice Wills took the matter up as well.

“You can hardly call it a disagreement, Sir Edward,” though what else he could call it, I was at a loss to imagine.

He then adjourned the case against Oscar Wilde till the next day, when a different jury would be impanelled. But whatever jury might be called they would certainly hear that their forerunners had found Taylor guilty and they would know that every London paper without exception had approved the finding. What a fair chance to give Wilde! It was like trying an Irish Secretary before a jury of Fenians.

The next morning, May 23d, Oscar Wilde appeared in the dock. The Solicitor-General opened the case, and then called his witnesses. One of the first was Edward Shelley, who in cross-examination admitted that he had been mentally ill when he wrote Mr. Wilde those letters which had been put in evidence. He was “made nervous from over-study,” he said.

Alfred Wood admitted that he had had money given him quite recently, practically blackmailing money. He was as venomous as possible. “When he went to America,” he said, “he told Wilde that he wanted to get away from mixing with him (Wilde) and Douglas.”

Charlie Parker next repeated his disgusting testimony with ineffable impudence and a certain exultation. Bestial ignominy could go no lower; he admitted that since the former trial he had been kept at the expense of the prosecution. After this confession the case was adjourned and we came out of court.

When I reached Fleet Street I was astonished to hear that there had been a row that same afternoon in Piccadilly between Lord Douglas of Hawick and his father, the Marquis of Queensberry. Lord Queensberry, it appears, had been writing disgusting letters about the Wilde case to Lord Douglas’s wife. Meeting him in Piccadilly Percy Douglas stopped him and asked him to cease writing obscene letters to his wife. The Marquis said he would not and the father and son came to blows. Queensberry it seems was exasperated by the fact that Douglas of Hawick was one of those who had gone bail for Oscar Wilde. One of the telegrams which the Marquis of Queensberry had sent to Lady Douglas I must put in just to show the insane nature of the man who could exult in a trial which was damning the reputation of his own son. The letter was manifestly written after the result of the Taylor trial:

Must congratulate on verdict, cannot on Percy’s appearance. Looks like a dug up corpse. Fear too much madness of kissing. Taylor guilty. Wilde’s turn to-morrow.

Queensberry.

In examination before the magistrate, Mr. Hannay, it was stated that Lord Queensberry had been sending similar letters to Lady Douglas “full of the most disgusting charges against Lord Douglas, his wife, and Lord Queensberry’s divorced wife and her family.” But Mr. Hannay thought all this provocation was of no importance and bound over both father and son to keep the peace — an indefensible decision, a decision only to be explained by the sympathy everywhere shown to Queensberry because of his victory over Wilde, otherwise surely any honest magistrate would have condemned the father who sent obscene letters to his son’s wife — a lady above reproach. These vile letters and the magistrate’s bias, seemed to me to add the final touch of the grotesque to the horrible vileness of the trial. It was all worthy of the seventh circle of Dante, but Dante had never imagined such a father and such judges!

Next morning Oscar Wilde was again put in the dock. The evidence of the Queensberry trial was read and therewith the case was closed for the Crown.

Sir Edward Clarke rose and submitted that there was no case to go to the jury on the general counts. After a long legal argument for and against, Mr. Justice Wills said that he would reserve the question for the Court of Appeal. The view he took was that “the evidence was of the slenderest kind”; but he thought the responsibility must be left with the jury. To this judge “the slenderest kind” of evidence was worthful so long as it told against the accused.

Sir Edward Clarke then argued that the cases of Shelley, Parker and Wood failed on the ground of the absence of corroboration. Mr. Justice Wills admitted that Shelley showed “a peculiar exaltation” of mind; there was, too, mental derangement in his family, and worst of all there was no corroboration of his statements. Accordingly, in spite of the arguments of the Solicitor-General, Shelley’s evidence was cut out. But Shelley’s evidence had already been taken, had already prejudiced the jury. Indeed, it had been the evidence which had influenced Mr. Justice Charles in the previous trial to sum up dead against the defendant: Mr. Justice Charles called Shelley “the only serious witness.”

Now it appeared that Shelley’s evidence should never have been taken at all, that the jury ought never to have heard Shelley’s testimony or the Judge’s acceptance of it!

When the court opened next morning I knew that the whole case depended on Oscar Wilde, and the showing he would make in the box, but alas! he was broken and numbed. He was not a fighter, and the length of this contest might have wearied a combative nature. The Solicitor-General began by examining him on his letters to Lord Alfred Douglas and we had the “prose poem” again and the rest of the ineffable nonsensical prejudice of the middle-class mind against passionate sentiment. It came out in evidence that Lord Alfred Douglas was now in Calais. His hatred of his father was the
causa causans
of the whole case; he had pushed Oscar into the fight and Oscar, still intent on shielding him, declared that he had asked him to go abroad.

Sir Edward Clarke again did his poor best. He pointed out that the trial rested on the evidence of mere blackmailers. He would not quarrel with that and discuss it, but it was impossible not to see that if blackmailers were to be listened to and believed, their profession might speedily become a more deadly mischief and danger to society than it had ever been.

The speech was a weak one; but the people in court cheered Sir Edward Clarke; the cheers were immediately suppressed by the Judge.

The Solicitor-General took up the rest of the day with a rancorous reply. Sir Edward Clarke even had to remind him that law officers of the Crown should try to be impartial. One instance of his prejudice may be given. Examining Oscar as to his letters to Lord Alfred Douglas, Sir Frank Lockwood wanted to know whether he thought them “decent”?

The witness replied, “Yes.”

“Do you know the meaning of the word, sir?” was this gentleman’s retort.

 

I went out of the court feeling certain that the case was lost. Oscar had not shown himself at all; he had not even spoken with the vigour he had used at the Queensberry trial. He seemed too despairing to strike a blow.

The summing up of the Judge on May 25th was perversely stupid and malevolent. He began by declaring that he was “absolutely impartial,” though his view of the facts had to be corrected again and again by Sir Edward Clarke: he went on to regret that the charge of conspiracy should have been introduced, as it had to be abandoned. He then pointed out that he could not give a colourless summing up, which was “of no use to anybody.” His intelligence can be judged from one crucial point: he fastened on the fact that Oscar had burnt the letters which he bought from Wood, which he said were of no importance, except that they concerned third parties. The Judge had persuaded himself that the letters were indescribably bad, forgetting apparently that Wood or his associates had selected and retained the very worst of them for purposes of blackmail and that this Judge himself, after reading it, couldn’t attribute any weight to it; still he insisted that burning the letters was an act of madness; whereas it seemed to everyone of the slightest imagination the most natural thing in the world for an innocent man to do. At the time Oscar burnt the letters he had no idea that he would ever be on trial. His letters had been misunderstood and the worst of them was being used against him, and when he got the others he naturally threw them into the fire. The Judge held that it was madness, and built upon this inference a pyramid of guilt. “Nothing said by Wood should be believed, as he belongs to the vilest class of criminals; the strength of the accusation depends solely upon the character of the original introduction of Wood to Wilde as illustrated and fortified by the story with regard to the letters and their burning.”

BOOK: Delphi Complete Works of Oscar Wilde (Illustrated)
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