Delphi Complete Works of Oscar Wilde (Illustrated) (74 page)

MYRRHINA. Honorius, farewell. No, no, do not go.

. . . . .

I have cursed my beauty for what it has done, and cursed the wonder of my body for the evil that it has brought upon you.

Lord, this man brought me to Thy feet. He told me of Thy coming upon earth, and of the wonder of Thy birth, and the great wonder of Thy death also. By him, O Lord, Thou wast revealed to me.

HONORIUS. You talk as a child, Myrrhina, and without knowledge. Loosen your hands. Why didst thou come to this valley in thy beauty?

MYRRHINA. The God whom thou worshippest led me here that I might repent of my iniquities and know Him as the Lord.

HONORIUS. Why didst thou tempt me with words?

MYRRHINA. That thou shouldst see Sin in its painted mask and look on Death in its robe of Shame.

This play fragment concerns Simone, a wealthy 16th century Florentine merchant who finds his wife Bianca in the arms of a local prince, Guido Bardi. In 1917, Inspired by Wilde’s fragment, Alexander Zemlinsky wrote an opera based on a German translation of the play, entitled
Eine florentinische Tragödie
.

Wilde, c. 1895

A FLORENTINE TRAGEDY

SIMONE: My good wife, you come slowly; were it not better
To run to meet your lord? Here, take my cloak.
Take this pack first. ’Tis heavy. I have sold nothing:
Save a furred robe unto the Cardinal’s son,
Who hopes to wear it when his father dies,
And hopes that will be soon.
          
    But who is this?
Why you have here some friend. Some kinsman doubtless,
Newly returned from foreign lands and fallen
Upon a house without a host to greet him?
I crave your pardon, kinsman. For a house
Lacking a host is but an empty thing
And void of honour; a cup without its wine,
A scabbard without steel to keep it straight,
A flowerless garden widowed of the sun.
Again I crave your pardon, my sweet cousin.

BIANCA: This is no kinsman and no cousin neither.

SIMONE: No kinsman, and no cousin! You amaze me.
Who is it then who with such courtly grace
Deigns to accept our hospitalities?

GUIDO: My name is Guido Bardi.

SIMONE: What! The son
Of that great Lord of Florence whose dim towers
Like shadows silvered by the wandering moon
I see from out my casement every night!
Sir Guido Bardi, you are welcome here,
Twice welcome. For I trust my honest wife,
Most honest if uncomely to the eye,
Hath not with foolish chatterings wearied you,
As is the wont of women.

GUIDO: Your gracious lady,
Whose beauty is a lamp that pales the stars
And robs Diana’s quiver of her beams
Has welcomed me with such sweet courtesies
That if it be her pleasure, and your own,
I will come often to your simple house.
And when your business bids you walk abroad
I will sit here and charm her loneliness
Lest she might sorrow for you overmuch.
What say you, good Simone?

SIMONE: My noble Lord,
You bring me such high honour that my tongue
Like a slave’s tongue is tied, and cannot say
The word it would. Yet not to give you thanks
Were to be too unmannerly. So, I thank you,
From my heart’s core.
          
  It is such things as these
That knit a state together, when a Prince
So nobly born and of such fair address,
Forgetting unjust Fortune’s differences,
Comes to an honest burgher’s honest home
As a most honest friend.
          
       And yet, my Lord,
I fear I am too bold. Some other night
We trust that you will come here as a friend;
To-night you come to buy my merchandise.
Is it not so? Silks, velvets, what you will,
I doubt not but I have some dainty wares
Will woo your fancy. True, the hour is late,
But we poor merchants toil both night and day
To make our scanty gains. The tolls are high,
And every city levies its own toll,
And prentices are unskilful, and wives even
Lack sense and cunning, though Bianca here
Has brought me a rich customer to-night.
Is it not so, Bianca? But I waste time.
Where is my pack? Where is my pack, I say?
Open it, my good wife. Unloose the cords.
Kneel down upon the floor. You are better so.
Nay not that one, the other. Despatch, despatch!
Buyers will grow impatient oftentimes.
We dare not keep them waiting. Ay! ’tis that,
Give it to me; with care. It is most costly.
Touch it with care. And now, my noble Lord -
Nay, pardon, I have here a Lucca damask,
The very web of silver and the roses
So cunningly wrought that they lack perfume merely
To cheat the wanton sense. Touch it, my Lord.
Is it not soft as water, strong as steel?
And then the roses! Are they not finely woven?
I think the hillsides that best love the rose,
At Bellosguardo or at Fiesole,
Throw no such blossoms on the lap of spring,
Or if they do their blossoms droop and die.
Such is the fate of all the dainty things
That dance in wind and water. Nature herself
Makes war on her own loveliness and slays
Her children like Medea. Nay but, my Lord,
Look closer still. Why in this damask here
It is summer always, and no winter’s tooth
Will ever blight these blossoms. For every ell
I paid a piece of gold. Red gold, and good,
The fruit of careful thrift.

GUIDO: Honest Simone,
Enough, I pray you. I am well content;
To-morrow I will send my servant to you,
Who will pay twice your price.

SIMONE: My generous Prince!
I kiss your hands. And now I do remember
Another treasure hidden in my house
Which you must see. It is a robe of state:
Woven by a Venetian: the stuff, cut-velvet:
The pattern, pomegranates: each separate seed
Wrought of a pearl: the collar all of pearls,
As thick as moths in summer streets at night,
And whiter than the moons that madmen see
Through prison bars at morning. A male ruby
Burns like a lighted coal within the clasp
The Holy Father has not such a stone,
Nor could the Indies show a brother to it.
The brooch itself is of most curious art,
Cellini never made a fairer thing
To please the great Lorenzo. You must wear it.
There is none worthier in our city here,
And it will suit you well. Upon one side
A slim and horned satyr leaps in gold
To catch some nymph of silver. Upon the other
Stands Silence with a crystal in her hand,
No bigger than the smallest ear of corn,
That wavers at the passing of a bird,
And yet so cunningly wrought that one would say,
It breathed, or held its breath.
          
        Worthy Bianca,
Would not this noble and most costly robe
Suit young Lord Guido well?
          
   Nay, but entreat him;
He will refuse you nothing, though the price
Be as a prince’s ransom. And your profit
Shall not be less than mine.

BIANCA: Am I your prentice?
Why should I chaffer for your velvet robe?

GUIDO: Nay, fair Bianca, I will buy the robe,
And all things that the honest merchant has
I will buy also. Princes must be ransomed,
And fortunate are all high lords who fall
Into the white hands of so fair a foe.

SIMONE: I stand rebuked. But you will buy my wares?
Will you not buy them? Fifty thousand crowns
Would scarce repay me. But you, my Lord, shall have them
For forty thousand. Is that price too high?
Name your own price. I have a curious fancy
To see you in this wonder of the loom
Amidst the noble ladies of the court,
A flower among flowers.
          
       They say, my lord,
These highborn dames do so affect your Grace
That where you go they throng like flies around you,
Each seeking for your favour.
          
      I have heard also
Of husbands that wear horns, and wear them bravely,
A fashion most fantastical.

GUIDO: Simone,
Your reckless tongue needs curbing; and besides,
You do forget this gracious lady here
Whose delicate ears are surely not attuned
To such coarse music.

SIMONE: True: I had forgotten,
Nor will offend again. Yet, my sweet Lord,
You’ll buy the robe of state. Will you not buy it?
But forty thousand crowns— ’tis but a trifle,
To one who is Giovanni Bardi’s heir.

GUIDO: Settle this thing to-morrow with my steward,
Antonio Costa. He will come to you.
And you shall have a hundred thousand crowns
If that will serve your purpose.

SIMONE: A hundred thousand!
Said you a hundred thousand? Oh! be sure
That will for all time and in everything
Make me your debtor. Ay! from this time forth
My house, with everything my house contains
Is yours, and only yours.
          
      A hundred thousand!
My brain is dazed. I shall be richer far
Than all the other merchants. I will buy
Vineyards and lands and gardens. Every loom
From Milan down to Sicily shall be mine,
And mine the pearls that the Arabian seas
Store in their silent caverns.
          
   Generous Prince,
This night shall prove the herald of my love,
Which is so great that whatsoe’er you ask
It will not be denied you.

GUIDO: What if I asked
For white Bianca here?

SIMONE: You jest, my Lord;
She is not worthy of so great a Prince.
She is but made to keep the house and spin.
Is it not so, good wife? It is so. Look!
Your distaff waits for you. Sit down and spin.
Women should not be idle in their homes,
For idle fingers make a thoughtless heart.
Sit down, I say.

BIANCA: What shall I spin?

SIMONE: Oh! spin
Some robe which, dyed in purple, sorrow might wear
For her own comforting: or some long-fringed cloth
In which a new-born and unwelcome babe
Might wail unheeded; or a dainty sheet
Which, delicately perfumed with sweet herbs,
Might serve to wrap a dead man. Spin what you will;
I care not, I.

BIANCA: The brittle thread is broken,
The dull wheel wearies of its ceaseless round,
The duller distaff sickens of its load;
I will not spin to-night.

SIMONE: It matters not.
To-morrow you shall spin, and every day
Shall find you at your distaff. So Lucretia
Was found by Tarquin. So, perchance, Lucretia
Waited for Tarquin. Who knows? I have heard
Strange things about men’s wives. And now, my lord,
What news abroad? I heard to-day at Pisa
That certain of the English merchants there
Would sell their woollens at a lower rate
Than the just laws allow, and have entreated
The Signory to hear them.
          
         Is this well?
Should merchant be to merchant as a wolf?
And should the stranger living in our land
Seek by enforced privilege or craft
To rob us of our profits?

GUIDO: What should I do
With merchants or their profits? Shall I go
And wrangle with the Signory on your count?
And wear the gown in which you buy from fools,
Or sell to sillier bidders? Honest Simone,
Wool-selling or wool-gathering is for you.
My wits have other quarries.

BIANCA: Noble Lord,
I pray you pardon my good husband here,
His soul stands ever in the market-place,
And his heart beats but at the price of wool.
Yet he is honest in his common way.
[To Simone]
And you, have you no shame? A gracious Prince
Comes to our house, and you must weary him
With most misplaced assurance. Ask his pardon.

SIMONE: I ask it humbly. We will talk to-night
Of other things. I hear the Holy Father
Has sent a letter to the King of France
Bidding him cross that shield of snow, the Alps,
And make a peace in Italy, which will be
Worse than a war of brothers, and more bloody
Than civil rapine or intestine feuds.

GUIDO: Oh! we are weary of that King of France,
Who never comes, but ever talks of coming.
What are these things to me? There are other things
Closer, and of more import, good Simone.

BIANCA
[To Simone]
. I think you tire our most gracious guest.
What is the King of France to us? As much
As are your English merchants with their wool.

SIMONE: Is it so then? Is all this mighty world
Narrowed into the confines of this room
With but three souls for poor inhabitants?
Ay! there are times when the great universe,
Like cloth in some unskilful dyer’s vat,
Shrivels into a handbreadth, and perchance
That time is now! Well! let that time be now.
Let this mean room be as that mighty stage
Whereon kings die, and our ignoble lives
Become the stakes God plays for.
          
             I do not know
Why I speak thus. My ride has wearied me.
And my horse stumbled thrice, which is an omen
That bodes not good to any.
          
   Alas! my lord,
How poor a bargain is this life of man,
And in how mean a market are we sold!
When we are born our mothers weep, but when
We die there is none weeps for us. No, not one.
[Passes to back of stage.]

BIANCA: How like a common chapman does he speak!
I hate him, soul and body. Cowardice
Has set her pale seal on his brow. His hands
Whiter than poplar leaves in windy springs,
Shake with some palsy; and his stammering mouth
Blurts out a foolish froth of empty words
Like water from a conduit.

GUIDO: Sweet Bianca,
He is not worthy of your thought or mine.
The man is but a very honest knave
Full of fine phrases for life’s merchandise,
Selling most dear what he must hold most cheap,
A windy brawler in a world of words.
I never met so eloquent a fool.

BIANCA: Oh, would that Death might take him where he stands!

SIMONE
[turning round]
: Who spake of Death? Let no one speak of Death.
What should Death do in such a merry house,
With but a wife, a husband, and a friend
To give it greeting? Let Death go to houses
Where there are vile, adulterous things, chaste wives
Who growing weary of their noble lords
Draw back the curtains of their marriage beds,
And in polluted and dishonoured sheets
Feed some unlawful lust. Ay! ’tis so
Strange, and yet so. YOU do not know the world.
YOU are too single and too honourable.
I know it well. And would it were not so,
But wisdom comes with winters. My hair grows grey,
And youth has left my body. Enough of that.
To-night is ripe for pleasure, and indeed,
I would be merry as beseems a host
Who finds a gracious and unlooked-for guest
Waiting to greet him.
[Takes up a lute.]
          
 But what is this, my lord?
Why, you have brought a lute to play to us.
Oh! play, sweet Prince. And, if I am too bold,
Pardon, but play.