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Authors: Karyn Langhorne

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Audra Marks.”

DIARY OF AN UGLY DUCKLING

331

“You mind if things get . . . a little . . . freaky?”

Now Art’s features relaxed again. “I knew you

were the woman for me, Audra Marks.”

Now it was Audra’s turn to grin. “Then do me,

baby. Do me, good.”

“Consider yourself done,” Art replied.

There wasn’t the slightest bit of awkwardness be-

tween them, as though they’d been together a thou-

sand times before and knew each other body and

soul.

“Strip!” Audra commanded, laughing.

“I will, if you will,” he said already rolling down

the waist of her slacks.

“Hey.” Audra smacked him lightly on his broad

cheek. “I didn’t say strip
me
!

“Well, ’scuse me,” he teased back and grabbed at

his own trousers, which immediately puddled

around his ankles. “Better now?”

Audra had barely removed her blouse when he

stood naked and proud before her, posing and

preening like a gigolo earning a paycheck. At Au-

dra’s applause, he grabbed her hands and sat her

down, a naked audience at the edge of the bed, and

adopted a runway strut that seemed incongruent

with his impassive exterior but totally in keeping

with the man she knew in her heart. He struck pose

after pose, some coy, some racy—all showing his to-

tal confidence in his large, masculine body—until

tears of laughter rolled down Audra’s face.

“Your turn,” he growled into her ear.

“Oh please, I’ve had enough runways to last a

lifetime,” Audra protested, but he was already

332

Karyn Langhorne

pulling her up off the bed. He pushed her toward

the mirror and stood behind her, his skin dark

against her bright skin. Scars, in various stages of

healing, crisscrossed her naked body. Audra averted

her eyes, the playfulness disappearing from the mo-

ment. “Art . . . don’t . . .”

“Look,” he urged gently.

“I don’t want to—”

“Don’t tell me you’ve gone to all the trouble to re-

make yourself, and you can’t even stand to look at

yourself.”

“Not exactly, it’s just—”

“Then
look
!”

Audra sighed and dragged her eyes to the mirror.

“What do you see?” Art whispered, planting a

kiss along the side of her neck.

“I don’t know . . .” Audra sighed. “I don’t wear

Petra as well as she does. And after finally getting

the truth from my mother, I can’t help but wonder if

I’ve made a mistake.”

“Forget that stuff. Find
you
, Audra. Find some-

thing beautiful.”

Audra stared at herself. Without elaborate

makeup—just a little mascara and lip gloss—she

saw the face of a pretty-enough woman, but one she

still barely recognized with her fair skin and long

hair. But the eyes . . . the lips . . . those were her own.

“My eyes . . .” she said softly.

Art’s arms tightened around her as he turned her

slightly and kissed both of her eyelids in a way that

made warmth stir from Audra’s ears to her crotch.

“What else?” he murmured, his breath a hot rush

of desire.

DIARY OF AN UGLY DUCKLING

333

“My . . . lips . . .”

And immediately he caught them with his own,

pulling a feeling out of her that left Audra breath-

less. But when she leaned into him for more, he

turned her back to the mirror and continued in a

ragged voice, “Go on.”

But now that she knew that every part she named

would be due for treatment from Art’s lips and

tongue, she closed her eyes and murmured, “My

breasts.”

To her surprise, Art brought her own hands up to

her nipples, guiding her fingers around the curves

of flesh. “Love them,” he told her in that same sexy

whisper that sent another thrill of desire through

her, as he encouraged her timid fingers to stroke the

buds hard while his own hands slid down to her

belly and hips. “What else?” he murmured roughly,

planting kisses along her derriere. “Here?” His big

hands parted her legs, kissing the insides of her

thighs. “Here?” Then his tongue found the softness

of her female center, and with a single flick of it, he

set her completely afire. “Here?” he asked.

“Yes,” Audra muttered, barely able to speak for

the sensations coursing through her body.

“You like your body . . . here . . .” he kissed her

thighs again. “And here?” Another thrust of his

tongue down deep where no surgeon had touched.

“Mmmm,” Audra moaned, knowing she could no

longer withstand the teasing torture of his touch.

“Say it!” he growled, his voice gruff with impa-

tient command. “Say you like it!”

“I like it!” Audra shouted like a new recruit at ba-

sic training. “I like it! Just—just—”

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Karyn Langhorne

She didn’t have to say more. Art let loose a feral

shout and dove his tongue into her, tasting her until

Audra’s legs shuddered, barely able to hold her

weight. She grabbed his head, pressing him deeper

between her thighs, while the mirror recorded pas-

sion and release playing across her face.

“Art . . .” she hissed, breathless and ready. “I need

you . . . inside me . . .”

“Your wish is my command,” he muttered,

pulling her down on the floor beside him and cover-

ing her with himself. Audra spread herself wide and

he plunged deep, so deep Audra reacted, arching

herself to accommodate the size and thickness

of him. He hesitated just a moment, but when Audra

groaned, “Harder, deeper . . .” he grabbed her be-

hind between his two hands and pounded himself

into her with an energy and passion that brought

her to an explosion so complete, Audra forgot

everything but the feeling of the man’s hardness

against her softness. She was no longer a body, but a

soul, in union with a kindred soul.

Art was insatiable. He bent her body in ways she

hadn’t known it would move, bringing waves of fresh

desire with every position, every angle, until at last,

he muttered, “I’m coming . . . I’m . . .” and she felt

him release the last of his energy deep inside her,

while she shuddered against him, accepting his pas-

sion and returning it with a passion all her own.

Audra didn’t remember later how they moved

from the floor to the bed. But she remembered the

feeling of complete satisfaction and the comfort of

their two sweaty, spent bodies, entwined.

DIARY OF AN UGLY DUCKLING

335

I love Art Bradshaw
, she thought as his arms slid

around her and she felt his breath on her neck, even

and slow with sleep.
I love Art Bradshaw . . . and he

loves me
.

Chapter 28

October 27

Dear Petra,

My Ugly Duckling show airs tonight. I was really

hoping you’d be here to watch it with us. It sucks

that your discharge date has been delayed
again
.

Kiana’s miserable. I don’t know how much more

disappointment she can stand. She really misses you

both.

Art and Penny are coming over, and so is Laine, the

cousin I told you about. Penny is bringing a couple of

girls from her school. In a weird sort of way I’ve

actually helped her make a few friends. Ma has a

couple of her stylists coming, and one or two of her

“special” clients. It should be a regular party. This is

the last episode, so there will be voting for the Top

Three after my “package” airs. I really don’t expect to

make it, but who knows?

DIARY OF AN UGLY DUCKLING

337

I called Shamiyah and asked her about her

promises to Ma, and the whole telephone thing. She

said the phone was disconnected briefly while I was

out of it during the first few days of surgery. I asked her

what to expect on the show and she laughed. She said

“Nothing to do now but wait and see.” Then she

started on how “great” it all was, and how her “career”

is “made” . . .

Somehow none of that made me feel any better. But

then, I have lots of things on my mind.

After the latest incident with Haines at the prison,

I’ve really been thinking. I’d like to do some work with

girls on body image. I was thinking about asking Dr.

Goddard and maybe using some of the show’s

publicity to help me get started. Shamiyah always said

I could be the voice for some of the sisters out there

who have issues. Maybe I really could be. Then it really

would be like
Now, Voyager
wouldn’t it? Remember

how at the end, Bette Davis helps Paul Henreid’s

daughter break out of her shell and discover her

beauty? Well, just call me Bette . . .

Be careful out there,

Audra

“I’m sick and tired of being fat, black and ugly,”

the woman on the TV was saying earnestly on

an obviously inexpert video tape. There was a sort

of loping grin on her face that did little to conceal

her obvious pain. “Just once, I want to be the

woman who everyone looks at, everyone desires.

Just once I’d like to be pursued, sought after. I’d

like to preen around.” The woman in the video

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Karyn Langhorne

assumed an exaggerated strut, but her legs rubbed

together, making a whistling sound that would

have been funny if it weren’t so pathetic. “I’d like

to toss my hair.” She shook the short curls of her

natural. “I’d like to know what it feels like to be a

swan.”

Audra sank a little deeper into her sofa, covering

her face with her hands. The living room of her

mother’s apartment had been lively with conversa-

tion only a few moments before, as the assembled

group prepared for Audra’s television debut. Now

the room had gone deadly silent. Audra didn’t dare

glance around at any of them, didn’t want to see the

pity in their faces. She looked ridiculous up there:

not funny or clever or amusing as she’d always

imagined. Just ridiculous.

“It’s okay,” Art rumbled into her ear, his arm

tightening around her shoulders. “That’s the old

stuff . . . you’re a different person now . . .”

But the
Ugly Duckling
people had chosen to air a

good deal of her original tape, including the embar-

rassing confessions about her pants ripping at the

jail, and the ugly names the inmates called her as

she went about her job. Even Penny Bradshaw’s

words were repeated, but in a voice-over as Audra

emerged from a car and walked alone into the

building that housed the offices of her plastic sur-

geons.

“Wait and see.” That’s what Shamiyah had said.

And now Audra understood. There was no way she

wanted to admit to this. No way she didn’t know

how angry Audra would be.

But was this Shamiyah’s doing?
Audra wondered,

DIARY OF AN UGLY DUCKLING

339

thinking about how she’d complained about the ed-

iting ahead.
Or had she been pressured to change it by

the evil, ratings-hungry Camilla?

She pushed aside her questions and focused on

the next segment and saw herself, seated at the long

conference table, marking up the photographs with

the experts who had become her friends.

But so little of that long afternoon had made the fi-

nal package. In the end, the world saw Dr. Bremmar

drawing purple lines over a hefty Audra’s body, out-

lining procedures, and Dr. Jamison explaining the

process of skin lightening, while Audra appeared to

listen eagerly. But somehow, none of her questions or

reservations about the process had made the final

cut—not even the whole discussion about scarring—

because when the man finished speaking, the cam-

eras quickly cut to her face and the only words that

fell out of her mouth were, “I’m in.”

Several of her mother’s customers groaned in dis-

pleasure. Audra bit back the impulse to shout out,

“There was more! They cut it!” and gripped Art’s

hand even more tightly.

“Do you realize you’d be changing your cultural

identity? That decision will impact how you will be

viewed in the African-American community.

Friends, family—”

“I don’t think I have any friends or family whose

opinion holds much influence,” the Audra on tape

replied, and the Audra in her home living room,

surrounded by friends and family, could have

crawled into a hole and died.

Then Camilla Jejune’s made-for-TV-voice took

over as the camera zoomed tight on Audra’s face.

340

Karyn Langhorne

“And so, Audra Marks made the choice to leave

behind fat, black and ugly for a new image: one she

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