Discworld 26 - The Thief of Time (28 page)

BOOK: Discworld 26 - The Thief of Time
5.15Mb size Format: txt, pdf, ePub

 
 
  
'Pay attention, will you? The way to the main door was back there! This place is full of
Auditors!'
'But it's just an old art gallery! There's nothing for them here, is there?'
They slid to a stop on the marble slabs. A wide staircase led up to the next floor.
'We'll be trapped up there,' said Lobsang.
'There're balconies all round,' said Susan. 'Come on!' She dragged him up the stairs and
through an archway. And stopped.
The galleries were several storeys high. On the first floor, visitors could look down on to the
floor below. And, in the room below, the Auditors were very busy.
'What the hell are they doing now?' whispered Lobsang.
'I think,' said Susan grimly, 'that they are appreciating Art.'
Miss Tangerine was annoyed. Her body kept making strange demands of her, and the work
with which she had been entrusted was going so very badly.
The frame of what once had been Sir Robert Cuspidor's Waggon Stuck In River was leaning
against a wall in front of her. It was empty. The bare canvas was neatly rolled beside it. In
front of the frame, carefully heaped in order of size, were piles of pigment.
Several dozen Auditors were breaking these down into their component molecules.
'Still nothing?' she said, striding along the line.
'No, Miss Tangerine. Only known molecules and atoms so far,' said an Auditor, its voice
shaking slightly.
'Well, is it something to do with the proportions? The balance of molecules? The basic
geometry?'
'We are continuing to-'
'Get on with it!'
The other Auditors in the gallery, clustered industriously in front of what had once been a
painting and in fact still was, insofar as every single molecule was still present in the room,
glanced up and then bent again to their tasks.
Miss Tangerine was getting even angrier because she couldn't work out why she was angry.
One reason was probably that, when he gave her this task, Mr White had looked at her in a
funny way. Being looked at was an unfamiliar experience for an Auditor in any case - no
Auditor bothered to look at another Auditor very often because all Auditors looked the same -
and neither were they used to the idea that you could say things with your face. Or even have
a face. Or have a body that reacted in strange ways to the expression on another face

 
 
  
belonging to, in this case, Mr White. When he looked at her like that she felt a terrible urge to
claw his face off.
Which made absolutely no sense at all. No Auditor should feel like that about another
Auditor. No Auditor should feel like that about anything. No Auditor should feel.
She felt livid. They'd all lost so many powers. It was ridiculous to have to communicate by
flapping bits of your skin, and as for the tongue... Yuerkkk ...
As far as she knew, in the whole life of the universe, no Auditor had ever experienced the
sensation of yuerkkk. This wretched body was full of opportunities for yuerkkk. She could
leave it at any time and yet, and yet... part of her didn't want to. There was this horrible
desire, second by second, to hang on.
And she felt hungry. And that also made no sense. The stomach was a bag for digesting food.
It wasn't supposed to issue commands. The Auditors could survive quite well by exchanging
molecules with their surroundings and making use of any local source of energy. That was a
fact.
Try telling that to the stomach. She could feel it. It was sitting there, grumbling. She was
being harassed by her internal organs. Why the ... why the. . why had they copied internal
organs? Yuerkkk.
It was all too much. She wanted to... she wanted to... express herself by shouting some, some,
some terrible words...
'Discord! Confusion!'
The other Auditors looked around in terror.
But the words didn't work for Miss Tangerine. They just didn't have the same force that they
used to. There had to be something worse. Ah, yes...
'Organs!' she shouted, pleased to have found it at last. 'And what are all you... organs looking
at?' she added. 'Get on with it!'
'They're taking everything apart,' whispered Lobsang.
'That's the Auditors for you,' said Susan. 'They think that's how you find out about things.
You know, I loathe them. I really do.'
Lobsang glanced sideways at her. The monastery was not a single-sex institution. That is to
say, it was, but corporately it had never thought of itself like that because the possibility of
females working there had never crossed even minds capable of thinking of sixteen
dimensions. But the Thieves' Guild had recognized that girls were at least as good as boys in
all areas of thieving - he had, for example, fond memories of his classmate Steff, who could
steal the small change out of your back pocket and climb better than an Assassin. He was at
home around girls. But Susan scared the life out of him. It was as if some secret place inside
her boiled with wrath, and with the Auditors she let it out.

 
 
  
He remembered her hitting that one with the wrench. There had been just a faint frown of
concentration, as if she was making certain the job was done properly.
'Shall we go?' he ventured.
'Look at them,' continued Susan. 'Only an Auditor would take a picture apart to see what
made it a work of art.'
'There's a big pile of white dust over there,' said Lobsang.
'Man with Huge Figleaf' said Susan absently, her eyes still intent on the grey figures. 'They'd
dismantle a clock to search for the tick.'
'How do you know its Man with Huge Figleaf?'
'I just happen to remember where it is, that's all.'
'You, er, you appreciate art?' Lobsang ventured.
'I know what I like,' said Susan, still staring at the busy grey figures. 'And right now I'd like
quite a lot of weaponry.'
'We'd better move-'
'The bastards get into your head if you let them,' said Susan, not moving. 'When you find
yourself thinking “There ought to be a law” or “I don't make the rules, after all” or-'
'I really think we should leave,' said Lobsang carefully. 'And I think this because there are
some of them coming up the stairs.'
Her head jerked around. 'What are you standing about for, then?' she said.
They ran through the next arch and into a gallery of pottery, turning to look only when they
reached the far end. Three Auditors were following them. They weren't running, but there
was something about their synchronized step that had a horrible we'll-keep-on-coming
quality.
'All right, let's go this way-'
'No, let's go this way,' said Lobsang.
'That's not the way we need to go!' Susan snapped.
'No, but the sign up there says “Arms and Armour”!'
'So? Are you any good with weapons?'
'No!' said Lobsang proudly, and then realized she'd taken this the wrong way. 'You see, I've
been taught to fight without-'

 
 
  
'Maybe there's a sword I can use,' Susan growled, and strode forward.
By the time the Auditors entered the gallery there were more than three of them. The grey
crowd paused.
Susan had found a sword, part of a display of Agatean armour. It had been blunted by disuse,
but anger flared along the blade.
'Should we keep running?' said Lobsang.
'No. They always catch up. I don't know if we can kill them here, but we can make them wish
we could. You still haven't got a weapon?'
'No, because, you see, I've been trained to-'
'Just keep out of my way, then, okay?'
The Auditors advanced cautiously, which struck Lobsang as odd.
'We can't kill them?' said Lobsang.
'It depends on how alive they've let themselves become.'
'But they look scared,' he said.
'They're human-shaped,' said Susan over her shoulder. 'Human bodies. Perfect copies. Human
bodies have had thousands and thousands of years of not wanting to be cut in half. That sort
of leaks into the brain, don't you think?'
And then the Auditors were circling and moving in. Of course they would all attack at once.
No one would want to be first.
Three made a grab at Lobsang.
He'd enjoyed the fighting, back in the training dojos. Of course, everyone was padded, and no
one was actually trying to kill you, and that helped. But Lobsang had done well because he
was good at slicing. He could always find that extra edge. And if you had that edge, you
didn't need quite so much skill.
There was no edge here. There was no time to slice.
He adopted a mixture of sna-fu and okidoki and anything that worked, because you were dead
if you treated a real fight like the dojo. The grey men were no contest, in any case. They just
attempted to grab and hug. A granny would have been able to fend them off.
He sent two reeling and turned to the third, which was trying to grab him around the neck. He
broke the hold, spun around ready to chop, and hesitated.
'Oh, good grief!' said a voice.

 
 
  
Susan's blade whirled past Lobsang's face.
The head in front of him was parted from its former body in a shower not of blood but of
coloured, floating dust. The body evaporated, became very briefly a grey-robed shape in the
air, and vanished.
Lobsang heard a couple of thumps behind him, and then Susan grabbed his shoulder.
'You're not supposed to hesitate, you know!' she said.
'But it was a woman!'
'It was not! But it was the last one. Now let's go, before the rest get here.' She nodded at a
second group of Auditors that were watching them very carefully from the end of the hall.
'They weren't much of a contest anyway,' said Lobsang, getting his breath. 'What are those
doing?'
'Learning. Can you fight better than that?'
'Of course!'
'Good, because next time they'll be as good as you just were. Where to now?'
'Er, this way!'
The next gallery was full of stuffed animals. There'd been a vogue for it a few centuries
before. These weren't the sad old hunting-trophy bears or geriatric tigers whose claws had
faced a man armed with nothing more than five crossbows, twenty loaders and a hundred
beaters. Some of these animals were arranged in groups. Quite small groups, of quite small
animals.
There were frogs, seated around a tiny dining table. There were dogs, dressed in hunting
jackets, in pursuit of a fox wearing a cap with feathers in it. There was a monkey playing a
banjo.
'Oh, no, it's an entire band,' said Susan in tones of horrified astonishment. 'And just look at
the little kittens dancing...'
'Horrible!'
'I wonder what happened when the man who did this met my grandfather.'
'Would he have met your grandfather?'
'Oh, yes,' said Susan. 'Oh, yes. And my grandfather is rather fond of cats.'
Lobsang paused at the foot of a staircase, half hidden behind a luckless elephant. A red rope,
now hard as a bar, suggested that this wasn't part of the public museum. There was an added
hint in the shape of a notice saying: 'Absolutely No Admittance'.

 
 
  
'I should be up there,' he said.
'Let's not hang around, then, eh?' said Susan, leaping over the rope.
The narrow stairs led up onto a large, bare landing. Boxes were stacked here and there.
'The attics,' said Susan. 'Hold on... What's that sign for?'
'“Keep left”,' Lobsang read. 'Well, if they have to move heavy items around-'
'Look at the sign, will you?' said Susan. 'Don't see what you expect to see, see what's in front
of you!'
Lobsang looked.
>> KEEP LEFT >>
'What a stupid sign,' he said.
'Hmm. Interesting, certainly,' said Susan. 'Which way do you think we should go? I don't
think it'll take them too long to decide to follow us.'
'We're so close! Any passage might do!' said Lobsang.
'Any passage it is, then.' Susan headed for a narrow gap between packing cases.
Lobsang followed. 'What do you mean, decide?' he said, as they entered the gloom.
'The sign on the stairs said there was no admittance.'
'You mean they'll disobey it?' He stopped.
'Eventually. But they'll have a terrible feeling that they ought not to. They obey rules. They
are the rules, in a way.'
'But you can't obey the Keep Left/Right sign, no matter what you do... oh, I see...'
'Isn't learning fun? Oh, and here's another one.'
DO NOT FEED THE ELEPHANT.
'Now that,' said Susan, 'is good. You can't obey it...'
'... because there's no elephant,' said Lobsang. 'I think I'm getting the hang of this...'
'It's an Auditor trap,' said Susan, peering at a packing case.
'Here's another good one,' said Lobsang.
IGNORE THIS SIGN. By order

 
 
  
'Nice touch,' Susan agreed, 'but I'm wondering... who put up the signs?'
There were voices somewhere behind them. They were low, but then one was suddenly
raised.
'-says Left but points Right! It has no sense!'
'The fault is yours! We disobeyed the first sign! Woe to them that stray onto the pathway of
irregularity!'
'Don't you give me that, you organic thing! I raise my voice at you, you-'
There was a soft sound, a choking noise, and a scream that dopplered into nothing.
'Are they fighting one another?' said Lobsang.
'We can only hope so. Let's move,' said Susan. They crept on, weaving through the maze of
spaces between the crates, and past a sign saying:
DUCK
'Ah... now we're getting metaphysical,' said Susan.
'Why duck?' said Lobsang.
'Why indeed?'
Somewhere amongst the cases a voice reached the end of its tether.
'What organic damn elephant? Where is the elephant?'
'There is no elephant!'
'How can there be a sign, then?'
It is a-'
... and once again the little choke, and the vanishing scream. And then... running footsteps.
Susan and Lobsang backed into the shadows, and then Susan said, 'What have I put my foot
in?'
She reached down and picked up the soft, sticky mess. And as she rose, she saw the Auditor
come round the corner.
It was wild-eyed and frantic. It focused on the pair of them with difficulty, as if trying to
remember who and what they were. But it was holding a sword, and holding it correctly.
A figure rose up behind it. One hand grabbed it by the hair and jerked its head back. The
other was thrust over its open mouth.

 
 
  
The Auditor struggled for a moment, and then went rigid. And then disintegrated, tiny
particles spinning away and disappearing into nothing.
For a moment the last few handfuls tried to form, in the air, the shape of a small cowled
figure. Then it too was dragged apart, with a faint scream that was heard via the hairs on the
back of the neck.
Susan glared at the figure in front of her. 'You're a... you can't be a... what are you?' she
demanded.
The figure was silent. This might have been because thick cloth covered its nose and mouth.
Heavy gloves encased its hands. And this was odd, because most of the rest of it was wearing
a sequinned evening gown. And a mink stole. And a knapsack. And a huge picture hat with
enough feathers to make three rare species totally extinct.
The figure rummaged in the knapsack, and then thrust out a piece of dark brown paper, as if
proffering holy writ. Lobsang took it with care.
'It says here “Higgs & Meakins Luxury Assortment”,' he said. 'Caramel Crunch, Hazelnut
Surprise... They're chocolates?'
Susan opened her hand and looked at the crushed Strawberry Whirl she had picked up. She
gave the figure a careful look.
'How did you know that would work?' she said.
'Please! You have nothing to fear from me,' said the muffled voice through the bandages. 'I'm
down to the ones with the nuts in now, and they don't melt very quickly.'
'Sorry?' said Lobsang. 'You just killed an Auditor with a chocolate?'
'My last Orange Creme, yes. We are exposed here. Come with me.'
'An Auditor...' Susan breathed. 'You're an Auditor too. Aren't you? Why should I trust you?'
'There isn't anyone else.'
'But you are one of them,' said Susan. 'I can tell, even under all that... that stuff!'
'I was one of them,' said Lady LeJean. 'Now I rather think I'm one of me.'
People were living in the attic. There was a whole family up there. Susan wondered if their
presence was official or unofficial or one of those in-between states that were so common in
Ankh-Morpork, where there was always a chronic housing shortage. So much of the city's
life took place on the street because there was no room for it inside. Whole families were
raised in shifts, so that the bed could be used for twenty-four hours a day. By the look of it,
the caretakers and men who knew the way to Caravati's Three Large Pink Women and One
Piece of Gauze had moved their families in to the rambling attics.

Other books

Paper Covers Rock by Jenny Hubbard
Blood and Daring by John Boyko
The Seeds of Man by William C. Dietz
A Flaw in the Blood by Barron, Stephanie
Unfaithfully Yours by Nigel Williams
The Perfect Stroke by Jordan Marie
Sapphire: A Paranormal Romance by Alaspa, Bryan W.
Black Vodka by Deborah Levy