Authors: Gunter Grass
The car had already passed the big bend on Hohenfriedberger Weg and was jogging from stop to stop on a stretch that was straight as a die. They had agreed to get out at "White Lamb." Right after "Friedensschluss," Tulla stood up and directly behind Harry pushed her way through winter coats to the rear platform. Even before the trailer reached the traffic island at "White Lamb" -- so called after an inn favored by excursionists -- Tulla was standing on the bottom most running board, screwing up her eyes in the head wind.
"Don't be a fool," said Harry above her.
Tulla had always like to jump off streetcars.
"Wait till it stops," Harry had to say from above.
From way back, jumping on and off had been Tulla's favorite sport.
"Don't do it, Tulla, watch out, be careful!" But Harry didn't hold her back.
Beginning roughly in her eighth year, Tulla had jumped from moving streetcars. She had never fallen. Never, as stupid, foolhardy people do, had she risked jumping against the motion of the car; and now, on the trailer of the Number 2, which had been running between Main Station and the suburb of Oliva since the turn of the century, she did not jump from the front platform, but from the rear platform. Nimbly and light as a cat, she jumped with the motion of the car and landed with an easy flexing of the knees and gravel-scraping soles.
Tulla said to Harry, who had jumped off right behind her: "Watcha always nagging for? You think I'm dumb?"
They took a dirt road to one side of the White Lamb Inn. Turning off through the fields at right angles to the rectilinear streetcar line, it led toward the dark forest, huddled on hills. The sun was shining with spinsterish caution. Rifle practice somewhere near Saspe punctuated the afternoon with irregular dots. The White Lamb, haven of excursionists, was closed, shuttered, boarded. The owner, it seemed, had been jailed for economic subversion -- buying canned fish on the black market. The furrows of the field and the frozen ruts of the road were filled with wind-blown snow. Ahead of them hooded crows were shifting from stone to stone. Small, under a sky too high and too blue, Tulla clutched her belly first over, then under, the material of her coat. For all the fresh December air, her face couldn't produce a healthy color: two nostrils dilated with fright in a shrinking, chalky phiz. Luckily Tulla was wearing ski pants.
"Something's gone wrong."
"What's wrong? I don't get it. You feel sick? You want to sit down? Or can you make it to the woods? What is it, anyway?"
Harry was frightfully excited, knew nothing, understood nothing, half suspected and didn't want to know. Tulla's nose crinkled, the bridge sprouted beads of sweat that didn't want to fall off. He dragged her to the nearest stone -- the crows abandoned it -- then to a farm roller, its shaft spitting the December air. Then at the edge of the woods, after crows had had to move another few times, Harry leaned his cousin against the trunk of a beech tree. Her breath flew white. Harry's breath too came in puffs of white steam. Distant rifle practice was still putting sharp pencil points on nearby paper. From crumbly furrows ending just before the woods, crows peered out with cocked heads. "It's good I got pants on, or I wouldn't have made it this far. It's all running off!"
Their breath at the edge of the woods rose up and blew away. Undecided. "Should I?" First Tulla let her Navy serge coat slip off. Harry folded it neatly. She herself undid her waistband, Harry did the rest with horrified curiosity: the finger-size two-months-old fetus lay there in her panties. Made manifest: there. Sponge in gelatin: there. In bloody and in colorless fluids: there. Through world onset: there. A small handful: unkept, beforelike, partly there. Dismal in sharp December air. Grounding as fostering steamed and cooled off quickly. Grounding as taking root, and Tulla's handkerchief as well. Unconcealed into what? By whom attuned? Space-taking never without world-disclosure. Therefore: panties off. Ski pants up, no child, but. What a vision of essence! Lay there warm, then cold: Withdrawal provides the commitment of the enduring project with a hole at the edge of Oliva Forest: "Don't stand there! Do something. Dig a hole. Not there, that's a better place." Ah, are we ourselves ever, is mine ever, now under the leaves, in the ground, not deeply frozen; for higher than reality is potentiality: here manifested: what primarily and ordinarily does not show itself, what is hidden but at the same time is an essential part of what does primarily and ordinarily show itself, namely, its meaning and ground, which is not frozen but loosened with heels of shoes from the Air Force supply room, in order that the baby may come into its there. There into its there. But only project there. Shorn of its essence: there. A mere neuter, a mere impersonal pronoun -- and the impersonal pronoun not there in the same sense as the there in general. And happening-to-be-present confronts being-there with the facticity of its there and without disgust sets it down with bare fingers, unprotected by gloves: Ah, the ecstatic-horizontal structure! There only toward death, which means: tossed in layers, with a few leaves and hollow beechnuts on top, lest the crows, or if foxes should come, the forester, diviners, vultures, treasure seekers, witches, if there are any, gather fetuses, make tallow candles out of them or powder to strew across thresholds ointments for everything and nothing. And so: fieldstone on it. Grounding in the ground. Placedness and abortion. Matter and work. Mother and child. Being and time. Tulla and Harry. Jumps off the streetcar into her there, without stumbling. Jumps shortly before Christmas, nimbly but too overarchingly: pushed in two moons ago, out through the same hole. Bankrupt! The nihilating Nothing. Lousy luck. Come-to-be in errancy. Spitting cunt. Not even transcendental but vulgar ontic unconcealed ungrinded unstörtebekert. Washed up. Error fostered. Empty egg. Wasn't a pre-Socratic. A bit of care. Bullshit. Was a latecomer. Vaporized, evaporated, cleared out. "You shut your trap. Stinking luck. Why did it have to happen to me? Beans. I was going to call him Konrad or after
him.
After who? After him. Come on, Tulla. Let's go. Yes, come on, let's go."
And cousin and cousin left after securing the site with one large and several small stones against crows, foresters, foxes, treasure seekers, and witches.
A little lighter, they left; and at first Harry was allowed to support Tulla's arm. Distant practice shots continued irregularly to punctuate the written-off afternoon. Their mouths were fuzzy. But Harry had a roll of raspberry drops in his breast pocket.
When they were standing at the "White Lamb" car stop and the car coming from Oliva grew yellow and larger, Tulla said out of gray face into his rosy face: "We'll wait till it starts to move. Then you jump in front and me on the rear platform."
There was once an abortion
named Konrad, and no one heard about him, not even Jenny Brunies, who, under the name of Jenny Angustri, was dancing in Salonika, Athens, Belgrade, and Budapest in pointed slippers for sound and convalescent soldiers and knitting little things from unraveled wool, pink and blue, intended for a girl friend's baby who was supposed to be named Konrad, the name by which they had called the girl friend's little brother before he drowned while swimming.
In every letter that came fluttering Harry Liebenau's way -- four in January, in February only three -- Jenny wrote some thing about slowly growing woolies: "In between I've been working hard. Rehearsals drag out dreadfully, because there's always something wrong with the lighting and the stage hands here act as if they didn't understand a word. Sometimes, when they take forever to shift scenes, one's tempted to think of sabotage. At any rate the routine here leaves me lots of time for knitting. One pair of rompers is done and I've finished the first jacket except for crocheting the scallops on the collar. You can't imagine how I enjoy doing it. Once when Herr Haseloff caught me in the dressing room with an almost finished pair of rompers, he had a terrible scare, and I've kept him on the hook by not telling him whom I was knitting for.
"He certainly thinks I'm expecting. In ballet practice, for instance, he sometimes stares at me for minutes on end, in the weirdest way. But otherwise he's nice and ever so considerate. For my birthday he gave me a pair of fur-lined gloves, though I never wear anything on my fingers, no matter how cold it is. And about other things, too, he's as kind as he could be: for instance, he often talks about Papa Brunies, in the most natural way, as if we were expecting him back any minute. When we both know perfectly well that it will never be."
Every week Jenny filled a letter with her babbling. And in the middle of February she announced, apart from the completion of the third pair of rompers and the second jacket, the death of Papa Brunies. Matter-of-factly and without making a new paragraph, Jenny wrote: "The official notice has finally come. He died in Stutthof camp on November 12, 1943. Stated cause of death: heart failure."
The signature, the unvarying "As ever, your faithful and somewhat tired Jenny," was followed by a postscript with a bit of special news for Harry: "Incidentally, the newsreel came, the one with the Führer's Headquarters and your Harras' pup in it. Herr Haseloff ran the scene off at least ten times, even in slow motion, so as to sketch the dog. Twice was as much as I could bear. Don't be cross with me, but the news of Papa's death -- the announcement was so awfully official -- has affected me quite a lot. Sometimes I feel like crying the whole time, but I can't."
There was once a dog,
his name was Perkun, and he belonged to a Lithuanian miller's man who had found work on the Vistula delta. Perkun survived the miller's man and sired Senta. The bitch Senta, who belonged to a miller in Nickelswalde, whelped Harras. The stud dog, who belonged to a carpenter in Danzig-Langfuhr, covered the bitch Thekla, who belonged to a Herr Leeb, who died early in 1942, shortly after the bitch Thekla. But the dog Prinz, sired by the shepherd male Harras and whelped by the shepherd bitch Thekla, made history: he was given to the Führer and Chancellor for his birthday and, because he was the Führer's favorite dog, shown in the newsreels.
When dog breeder Leeb was buried, the carpenter attended his funeral. When Perkun died, a normal canine ailment was entered on the studbook. Senta had to be shot because she grew hysterical and did damage. According to an entry in the studbook, the bitch Thekla died of old age. But Harras, who had sired the Führer's favorite dog Prinz, was poisoned on political grounds with poisoned meat, and buried in the dog cemetery. An empty kennel was left behind.
There was once a kennel
which had been inhabited by a black shepherd by the name of Harras until he was poisoned. Since then the kennel had stood empty in the yard of the carpenter shop, for carpenter Liebenau had no desire to acquire a new dog; as far as he was concerned, Harras had been the one and only.
Often on his way to the machine shop, the imposing man could be seen to hesitate outside the kennel, long enough to draw a few puffs from his cigar or even longer. The wall of earth which Harras, on taut chain, had thrown up with his two forepaws had been leveled by the rain and the apprentices' wooden shoes. But the open kennel still gave off the smell of a dog who, in love with his own smell, had deposited his spent marks in the yard and all over Langfuhr. Especially under the piercing August sun or in the damp spring air, the kennel smelled pungently of Harras and attracted flies. Not a suitable ornament for an active carpenter shop. The tar paper of the kennel roof had begun to fray around roofing nails, which seemed to be coming loose. A sad sight, empty and full of memories: once when Harras still lay keen and chained, the carpenter's little niece had lived beside him in the kennel for a whole week. Later, photographers and news papermen came, snapped the dog's picture and described him. Numerous papers termed the yard of the carpenter shop a historical site because of the celebrated kennel. Celebrities, even foreigners, came and tarried as much as five minutes on the memorable spot. Later a fatso by the name of Amsel spent hours drawing the dog with pen and brush. He didn't call Harras by his right name, he called him Pluto; the carpenter's little niece didn't call Amsel by his right name, but reviled him as "Sheeny." Then Amsel was turned out of the yard. And once a disaster was barely averted. But an article of clothing belonging to a piano teacher, who lived in the right-hand rear apartment on the ground floor, was badly ripped and had to be paid for. And once, or several times, somebody came around reeling drunk and insulted Harras in political terms, louder than buzz saw and lathe could scream to high heaven. And one time somebody who was good at grinding his teeth tossed poisoned meat from the roof of the lumber shed and it landed right in front of the kennel. The meat was not left lying.
Memories. But let no one try to read the thoughts of a carpenter who hesitates in front of an empty kennel and stops in his tracks. Maybe he's thinking back. Maybe he's thinking about lumber prices. Maybe he isn't thinking about anything in particular, but losing himself, while smoking his fifteen-pfennig cigar, between memories and lumber prices. And this for half an hour until the machinist cautiously calls him back: time to cut panels for prefabricated Navy barracks. Empty and full of memories, the kennel doesn't run away.
No, the dog had never been sick, only black: coat and undercoat. Short-haired like the five other members of his litter, who were doing well in police work. The lips closed dry. Neck taut and without dewlap. Croup long and gently sloping. Ears always erect and slightly tilted. And once again now: every single Harras hair straight, smooth, harsh, and black.
The carpenter finds a few stray hairs, now dull and brittle, between the floorboards of the kennel. Sometimes, after closing time, he bends down and pokes about in the moldy warm hole, paying no attention to the tenants hanging out the windows.