Flowers for Algernon (28 page)

Norma screamed at her: "Mother! Put down that knife!"

Seeing Rose standing there with the knife brought back the picture of that night she had forced Matt to take me away. She was reliving that now. I couldn't speak or move. The nausea swept over me, the choking tension, the buzzing in my ears, my stomach knotting and stretching as if it wanted to tear itself out of my body.

She had a knife, and Alice had a knife, and my father had a knife, and Dr. Strauss had a knife....

Fortunately, Norma had the presence of mind to take it away from her, but she couldn't erase the fear in Rose's eyes as she screamed at me. "Get him out of here! He's got no right to look at his sister with sex in his mind!"

Rose screamed and sank back into the chair, weeping.

I didn't know what to say, and neither did Norma. We were both embarrassed. Now she knew why I had been sent away.

I wondered if I had ever done anything to justify my mother's fear. There were no such memories, but how could I be sure there weren't horrible thoughts repressed behind the barriers of my tortured conscience? In the sealed-off passageways, beyond blind alleys, that I would never see. Possibly I will never know. Whatever the truth is, I must not hate Rose for protecting Norma. I must understand the way she saw it. Unless I forgive her, I will have nothing.

Norma was trembling.

"Take it easy," I said. "She doesn't know what she's doing. It wasn't me she was raving at. It was the old Charlie. She was afraid of what
he
might do to you. I can't blame her for wanting to protect you. But we don't have to think about it now, because he's gone forever isn't he?"

She wasn't listening to me. There was a dreamy expression on her face. "I've just had one of those strange experiences where something happens, and you have the feeling you know it's going to happen, as if it all took place before, the exact same way, and you watch it unfold again.... "

"A very common experience."

She shook her head. "Just now, when I saw her with that knife, it was like a dream I had a long time ago."

What was the use of telling her she had undoubtedly been awake that night as a child, and had seen the whole thing from her room—that it had been repressed and twisted until she imagined it as a fantasy. No reason for burdening her with the truth. She would have enough sadness with my mother in the days to come. I would gladly have taken the burden and the pain off her hands, but there was no sense in starting something I couldn't finish. I would have my own suffering to live with. There was no way to stop the sands of knowledge from slipping through the hourglass of my mind.

"I've got to go now," I said. "Take care of yourself, and of her." I squeezed her hand. As I went out, Napoleon barked at me.

I held it in for as long as I could, but when I reached the street it was impossible. It's hard to write it down, but people turned to look at me as I walked back to the car, crying like a child. I couldn't help myself, and I didn't care.

As I walked, the ridiculous words drummed themselves into my head over and over again, rising to the rhythm of a buzzing noise:

Three blind mice ... three blind mice,
See how they run! See how they run!
They all run after the farmer's wife,
She cut off their tails with a carving knife,
Did you ever see such a sight in your life,
As three ... blind ... mice?

I tried to shut it out of my ears, but I couldn't, and once when I turned to look back at the house and the porch, I saw the face of a boy, staring at me, his cheek pressed against the window pane.

PROGRESS REPORT 17

October 3
—Downhill. Thoughts of suicide to stop it all now while I am still in control and aware of the world around me. But then I think of Charlie waiting at the window. His life is not mine to throw away. I've just borrowed it for a while, and now I'm being asked to return it.

I must remember I'm the only person this ever happened to. As long as I can, I've got to keep putting down my thoughts and feelings. These progress reports are Charlie Gordon's contribution to mankind.

I have become edgy and irritable. Having fights with people in the building about playing the hi-fi set late at night. I've been doing that a lot since I've stopped playing the piano. It isn't right to keep it going all hours, but I do it to keep myself awake. I know I should sleep, but I begrudge every second of waking time. It's not just because of the nightmares; it's because I'm afraid of letting go.

I tell myself there'll be time enough to sleep later, when it's dark.

Mr. Vernor in the apartment below never used to complain, but now he's always banging on the pipes or on the ceiling of his apartment so that I hear the pounding beneath my feet. I ignored it at first, but last night he came up in his bathrobe. We quarreled, and I slammed the door in his face. An hour later he was back with a policeman who told me I couldn't play records that loudly at 4
A.M.
The smile on Vernor's face so enraged me that it was all I could do to keep from hitting him. When they left I smashed all the records and the machine. I've been kidding myself anyway. I don't really like that kind of music any more.

October 4
—Strangest therapy session I ever had. Strauss was upset. It was something he hadn't expected either.

What happened—I don't dare call it a memory—was a psychic experience or a hallucination. I won't attempt to explain or interpret it, but will only record what happened.

I was touchy when I came into his office, but he pretended not to notice. I lay down on the couch immediately, and he, as usual, took his seat to one side and a little behind me—just out of sight—and waited for me to begin the ritual of pouring out all the accumulated poisons of the mind.

I peered back at him over my head. He looked tired, and flabby, and somehow he reminded me of Matt sitting on his barber's chair waiting for customers. I told Strauss of the association and he nodded and waited.

"
Are
you waiting for customers?" I asked. "You ought to have this couch designed like a barber's chair. Then when you want free association, you could stretch your patient out the way the barber does to lather up his customer, and when the fifty minutes are up, you could tilt the chair forward again and hand him a mirror so he can see what he looks like on the outside after you've shaved his ego."

He said nothing, and while I felt ashamed at the way I was abusing him, I couldn't stop. "Then your patient could come in at each session and say, 'A little off the top of my anxiety, please,' or 'Don't trim the super-ego too close, if you don't mind,' or he might even come in for an egg shampoo—I mean,
ego shampoo.
Aha! Did you notice that slip of the tongue, doctor? Make a note of it. I said I wanted an
egg shampoo
instead of an
ego shampoo. Egg ... ego...
close, aren't they? Does that mean I want to be washed clean of my sins? Reborn? Is it baptism symbolism? Or are we shaving too close? Does an
idiot
have an
id?
"

I waited for a reaction, but he just shifted in his chair.

"Are you awake?" I asked.

"I'm listening, Charlie."

"Only listening? Don't you ever get angry?"

"Why do you want me to be angry with you?"

I sighed. "Stolid Strauss—unmovable. I'll tell you something. I'm sick and tired of coming here. What's the sense of therapy any more? You know as well as I do what's going to happen."

"But I think you don't want to stop," he said. "You want to go on with it, don't you?"

"It's stupid. A waste of my time and yours."

I lay there in the dim light and stared at the pattern of squares on the ceiling ... noise-absorbing tiles with thousands of tiny holes soaking up every word. Sound buried alive in little holes in the ceiling.

I found myself becoming lightheaded. My mind was a blank, and that was unusual because during therapy sessions I always had a great deal of material to bring out and talk about. Dreams ... memories ... associations ... problems ... But now I felt isolated and empty.

Only Stolid Strauss breathing behind me.

"I feel strange," I said.

"You want to talk about it?"

Oh, how brilliant, how subtle he was! What the hell was I doing there anyway, having my associations absorbed by little holes in the ceiling and big holes in my therapist?

"I don't know if I want to talk about it," I said. "I feel unusually hostile toward you today." And then I told him what I had been thinking.

Without seeing him, I could tell he was nodding to himself.

"It's hard to explain," I said. "A feeling I've had once or twice before, just before I fainted. A lightheadedness ... everything intense ... but my body feels cold and numb..."

"Go on." His voice had an edge of excitement. "What else?"

"I can't feel my body any more. I'm numb. I have the feeling that Charlie is close by. My eyes are open—I'm sure of that—are they?"

"Yes, wide open."

"And yet I see a blue-white glow from the walls and the ceiling gathering into a shimmering ball. Now it's suspended in midair. Light ... forcing itself into my eyes ... and my brain ... Everything in the room is aglow ... I have the feeling of floating ... or rather
expanding
up and out... and yet without looking down I know my body is still here on the couch.... "

Is this a hallucination?

"Charlie, are you all right?"

Or the things described by the mystics?

I hear his voice but I don't want to answer him. It annoys me that he is there. I've got to ignore him. Be passive and let this—whatever it is—fill me with the light and absorb me into itself.

"What do you see, Charlie? What's the matter?"

***

Upward, moving, like a leaf in an upcurrent of warm air. Speeding, the atoms of my body hurtling away from each other. I grow lighter, less dense, and larger ... larger ... exploding outward into the sun. I am an expanding universe swimming upward in a silent sea. Small at first, encompassing with my body, the room, the building, the city, the country, until I know that if I look down I will see my shadow blotting out the earth.

Light and unfeeling. Drifting and expanding through time and space.

And then, as I know I am about to pierce the crust of existence, like a flying fish leaping out of the sea, I feel the pull from below.

It annoys me. I want to shake it off. On the verge of blending with the universe I hear the whispers around the ridges of consciousness. And that ever-so-slight tug holds me to the finite and mortal world below.

Slowly, as waves recede, my expanding spirit shrinks back into earthly dimensions—not voluntarily, because I would prefer to lose myself, but I am pulled from below, back to myself, into myself, so that for just one moment I am on the couch again, fitting the fingers of my awareness into the glove of my flesh. And I know I can move this finger or wink that eye—if I want to. But I don't want to move. I will not move!

I wait, and leave myself open, passive, to whatever this experience means. Charlie doesn't want me to pierce the upper curtain of the mind. Charlie doesn't want to know what lies beyond.

Does he fear seeing God?

Or seeing nothing?

As I lie here waiting, the moment passes during which I
am
myself
in
myself, and again I lose all feeling of body or sensation. Charlie is drawing me down into myself. I stare inward in the center of my unseeing eye at the red spot that transforms itself into a multipetaled flower—the shimmering, swirling, luminescent flower that lies deep in the core of my unconscious.

I am shrinking. Not in the sense of the atoms of my body becoming closer and more dense, but a fusion—as the atoms of my-
self
merge into microcosm. There will be great heat and unbearable light—the hell within hell—but I don't look at the light, only at the flower,
un
multiplying,
un
dividing itself back from the many toward one. And for an instant the shimmering flower turns into the golden disk twirling on a string, and then to the bubble of swirling rainbows, and finally I am back in the cave where everything is quiet and dark and I swim the wet labyrinth searching for one to receive me ... embrace me ... absorb me ... into
it
self.

That I may begin.

In the core I see the light again, an opening in the darkest of caves, now tiny and far away—through the wrong end of a telescope—brilliant, blinding, shimmering, and once again the multipetaled flower (swirling lotus—that floats near the entrance of the unconscious). At the entrance of that cave I will find the answer, if I dare go back and plunge through it into the grotto of light beyond.

Not yet!

I am afraid. Not of life, or death, or nothingness, but of wasting it as if I had never been. And as I start through the opening, I feel the pressure around me, propelling me in violent wavelike motions toward the mouth of the cave.

It's too small! I can't get through!

And suddenly I am hurled against the walls, again and again, and forced through the opening where the light threatens to burst my eyes. Again, I know I will pierce the crust into that holy light. More than I can bear. Pain as I have never known, and coldness, and nausea, and the great buzzing over my head flapping like a thousand wings. I open my eyes, blinded by the intense light. And flail the air and tremble and scream.

***

I came out of it at the insistence of a hand shaking me roughly. Dr. Strauss.

"Thank God," he said, when I looked into his eyes. "You had me worried."

I shook my head. "I'm all right."

"I think maybe that's all for today."

I got up and swayed as I regained my perspective. The room seemed very small. "Not only for today," I said. "I don't think I should have any more sessions. I don't want to see any more."

He was upset, but he didn't try to talk me out of it. I took my hat and coat and left.