Flowers for Algernon (26 page)

The Welberg Foundation

September 1
—I must not panic. Soon there will be signs of emotional instability and forgetfulness, the first symptoms of the burnout. Will I recognize these in myself? All I can do now is keep recording my mental state as objectively as possible, remembering that this psychological journal will be the first of its kind, and possibly the last.

This morning Nemur had Burt take my report and the statistical data down to Hallston University to have some of the top men in the field verify my results and the application of my formulas. All last week they had Burt going over my experiments and methodological charts. I shouldn't really be annoyed by their precautions. After all, I'm just a Charlie-come-lately, and it is difficult for Nemur to accept the fact that my work might be beyond him. He had come to believe in the myth of his own authority, and after all I am an outsider.

I don't really care any more what he thinks, or what any of them think for that matter. There isn't time. The work is done, the data is in, and all that remains is to see whether I have accurately projected the curve on the Algernon figures as a prediction of what will happen to me.

Alice cried when I told her the news. Then she ran out. I've got to impress on her that there is no reason for her to feel guilty about this.

September 2
—Nothing definite yet. I move in a silence of clear white light. Everything around me is waiting. I dream of being alone on the top of a mountain, surveying the land around me, greens and yellows—and the sun directly above, pressing my shadow into a tight ball around my legs. As the sun drops into the afternoon sky, the shadow undrapes itself and stretches out toward the horizon, long and thin, and far behind me....

I want to say here again what I've said already to Dr. Strauss. No one is in any way to blame for what has happened. This experiment was carefully prepared, extensively tested on animals, and statistically validated. When they decided to use me as the first human test, they were reasonably certain that there was no physical danger involved. There was no way to foresee the psychological pitfalls. I don't want anyone to suffer because of what happens to me.

The only question now is: How much can I hang on to?

September 15
—Nemur says my results have been confirmed. It means that the flaw is central and brings the entire hypothesis into question. Someday there might be a way to overcome this problem, but that time is not yet. I have recommended that no further tests be made on human beings until these things are clarified by additional research on animals.

It is my own feeling that the most successful line of research will be that taken by the men studying enzyme imbalances. As with so many other things, time is the key factor—speed in discovering the deficiency, and speed in administering hormonal substitutes. I would like to help in that area of research, and in the search for radioisotopes that may be used in local cortical control, but I know now that I won't have the time.

September 17
—Becoming absent minded. Put things away on my desk or in the drawers of the lab tables, and when I can't find them I lose my temper and flare up at everyone. First signs?

Algernon died two days ago. I found him at four thirty in the morning when I came back to the lab after wandering around down at the waterfront—on his side, stretched out in the corner of his cage. As if he were running in his sleep.

Dissection shows that my predictions were right. Compared to the normal brain, Algernon's had decreased in weight and there was a general smoothing out of the cerebral convolutions as well as a deepening and broadening of brain fissures.

It's frightening to think that the same thing might be happening to me right now. Seeing it happen to Algernon makes it real. For the first time, I'm afraid of the future.

I put Algernon's body into a small metal container and took him home with me. I wasn't going to let them dump him into the incinerator. It's foolish and sentimental, but late last night I buried him in the back yard. I wept as I put a bunch of wild flowers on the grave.

September 21
—I'm going to Marks Street to visit my mother tomorrow. A dream last night triggered off a sequence of memories, lit up a whole slice of the past and the important thing is to get it down on paper quickly before I forget it because I seem to forget things sooner now. It has to do with my mother, and now—more than ever—I want to understand her, to know what she was like and why she acted the way she did. I mustn't hate her.

I've got to come to terms with her
before
I see her so that I won't act harshly or foolishly.

September 27
—I should have written this down right away, because it's important to make this record complete.

I went to see Rose three days ago. Finally, I forced myself to borrow Burt's car again. I was afraid, and yet I knew I had to go.

At first when I got to Marks Street I thought I had made a mistake. It wasn't the way I remembered it at all. It was a filthy street. Vacant lots where many of the houses had been torn down. On the sidewalk, a discarded refrigerator with its face ripped off, and on the curb an old mattress with wire intestines hanging out of its belly. Some houses had boarded up windows, and others looked more like patched-up shanties than homes. I parked the car a block away from the house and walked.

There were no children playing on Marks Street—not at all like the mental picture I had brought with me of children everywhere, and Charlie watching them through the front window (strange that most of my memories of the street are framed by the window, with me always inside watching the children play). Now there were only old people standing in the shade of tired porches.

As I approached the house, I had a second shock. My mother was on the front stoop, in an old brown sweater, washing the ground floor windows from the outside even though it was cold and windy. Always working to show the neighbors what a good wife and mother she was.

The most important thing had always been what other people thought—appearances before herself or her family. And righteous about it. Time and again Matt had insisted that what others thought about you wasn't the only thing in life. But it did no good. Norma had to dress well; the house had to have fine furniture; Charlie had to be kept inside so that other people wouldn't know anything was wrong.

At the gate, I paused to watch as she straightened up to catch her breath. Seeing her face made me tremble, but it was not the face I had struggled so hard to recall. Her hair had become white and streaked with iron, and the flesh of her thin cheeks was wrinkled. Perspiration made her forehead glisten. She caught sight of me and stared back.

I wanted to look away, to turn back down the street, but I couldn't—not after having come so far. I would just ask directions, pretending I was lost in a strange neighborhood. Seeing her had been enough. But all I did was stand there waiting for her to do something first. And all she did was stand there and look at me.

"Do you want something?" Her voice, hoarse, was an unmistakable echo down the corridors of memory.

I opened my mouth, but nothing came out. My mouth worked, I know, and I struggled to speak to her, to get something out, because in that moment I could see recognition in her eyes. This was not at all the way I wanted her to see me. Not standing there in front of her, dumbly, unable to make myself understood. But my tongue kept getting in the way, like a huge obstruction, and my mouth was dry.

Finally, something came out. Not what I had intended (I had planned something soothing and encouraging, to take control of the situation and wipe out all the past and pain with a few words) but all that came out of my cracked throat was: "Maaa..."

With all the things I had learned—in all the languages I had mastered—all I could say to her, standing on the porch staring at me, was, "
Maaaa.
" Like a dry-mouthed lamb at the udder.

She wiped her forehead with the back of her arm and frowned at me, as if she could not see me clearly. I stepped forward, past the gate to the walk, and then toward the steps. She drew back.

At first, I wasn't sure whether or not she really recognized me, but then she gasped: "
Charlie!..
" She didn't scream it or whisper it. She just gasped it as one might do coming out of a dream.

"Ma..." I started up the steps. "It's me..."

My movement startled her, and she stepped backwards, kicking over the bucket of soapy water, and the dirty suds rushed down the steps. "What are you doing here?"

"I just wanted to see you ... talk to you..."

Because my tongue kept getting in my way, my voice came out of my throat differently, with a thick whining tone, as I might have spoken a long time ago. "Don't go away," I begged. "Don't run away from me."

But she had gone inside the vestibule and locked the door. A moment later I could see her peering at me from behind the sheer white curtain of the door window, her eyes terrified. Behind the window her lips moved soundlessly. "Go away! Leave me alone!"

Why? Who was she to deny me this way? By what right did she turn away from me?

"Let me in! I want to talk to you! Let me in!" I banged on the door against the glass so hard it cracked, and the crack spread a web that caught my skin for a moment and held it fast. She must have thought I was out of my mind and had come to harm her. She let go of the outer door and fled down the hallway that led into the apartment.

I pushed again. The hook gave way and, unprepared for the sudden yielding, I fell into the vestibule, off balance. My hand was bleeding from the glass I had broken, and not knowing what else to do, I put my hand into my pocket to prevent the blood from staining her freshly scrubbed linoleum.

I started in, past the stairs I had seen so often in my nightmares. I had often been pursued up that long, narrow staircase by demons who grabbed at my legs and pulled me down into the cellar below, while I tried to scream without voice, strangling on my tongue and gagging in silence. Like the silent boys at Warren.

The people who lived on the second floor—our landlord and landlady, the Meyers—had always been kind to me. They gave me sweets and let me come to sit in their kitchen and play with their dog. I wanted to see them, but without being told I knew they were gone and dead and that strangers lived upstairs. That path was now closed to me forever.

At the end of the hallway, the door through which Rose had fled was locked, and for a moment I stood—undecided.

"Open the door."

The answer was the high-pitched yapping of a small dog. It took me by surprise.

"All right," I said. "I don't intend to hurt you or anything, but I've come a long way, and I'm not leaving without talking to you. If you don't open the door, I'm going to break it down."

I heard her saying: "Shhhh, Nappie ... Here, into the bedroom you go." A moment later I heard the click of the lock. The door opened and she stood there staring at me.

"Ma," I whispered, "I'm not going to do anything. I just want to talk to you. You've got to understand, I'm not the same as I was. I've changed. I'm normal now. Don't you understand? I'm not retarded any more. I'm not a moron. I'm just like anyone else. I'm normal—just like you and Matt and Norma."

I tried to keep talking, babbling so she wouldn't close the door. I tried to tell her the whole thing, all at once. "They changed me, performed an operation on me and made me different, the way you always wanted me to be. Didn't you read about it in the newspapers? A new scientific experiment that changes your capacity for intelligence, and I'm the first one they tried it on. Can't you understand? Why are you looking at me that way? I'm smart now, smarter than Norma, or Uncle Herman, or Matt. I know things even college professors don't know. Talk to me! You can be proud of me now and tell all the neighbors. You don't have to hide me in the cellar when company comes. Just talk to me. Tell me about things, the way it was when I was a little boy, that's all I want. I won't hurt you. I don't hate you. But I've got to know about myself, to understand myself before it's too late. Don't you see, I can't be a complete person unless I can understand myself, and you're the only one in the world who can help me now. Let me come in and sit down for a little while."

It was the way I spoke rather than what I said that hypnotized her. She stood there in the doorway and stared at me. Without thinking, I pulled my bloody hand out of my pocket and clenched it in my pleading. When she saw it her expression softened.

"You hurt yourself..." She didn't necessarily feel sorry for me. It was the sort of thing she might have felt for a dog that had torn its paw, or a cat that had been gashed in a fight. It wasn't because I was her Charlie, but in spite of it.

"Come in and wash it. I've got some bandage and iodine."

I followed her to the cracked sink with the corrugated drainboard at which she had so often washed my face and hands after I came in from the back yard, or when I was ready to eat or go to sleep. She watched me roll up my sleeves. "You shouldn't have broke the window. The landlord's gonna be sore, and I don't have enough money to pay for it." Then, as if impatient with the way I was doing it, she took the soap from me and washed my hand. As she did it, she concentrated so hard that I kept silent, afraid of breaking the spell. Occasionally she clucked her tongue, or sighed, "Charlie, Charlie, always getting yourself into a mess. When are you going to learn to take care of yourself?" She was back twenty-five years earlier when I was her little Charlie and she was willing to fight for my place in the world.

When the blood was washed off and she had dried my hands with paper toweling, she looked up into my face and her eyes went round with fright. "Oh, my God!" she gasped, and backed away.

I started talking again, softly, persuasively to convince her that nothing was wrong and I meant no harm. But as I spoke I could tell her mind was wandering. She looked around vaguely, put her hand to her mouth and groaned as she looked at me again. "The house is such a mess," she said. "I wasn't expecting company. Look at those windows, and that woodwork over there."