Authors: J. Robert Janes
âThen she wasn't on her way here?'
âShe ⦠she said she had to meet someone.'
âWho?'
âCéline, I think, but ⦠but she must have known Céline had already gone to work at the Theatre de Casino.'
The girl was desperate. âAs one of its dancers?' he asked. Had the sister read the note Céline had left for Lucie on Saturday and said this simply to protect her brother? he wondered.
âThe piano also,' she said. âAn ⦠an operetta.
La Bayadère.
All I know about it is that it's the one that Dr Ménétrel thought would most please the Maréchal. It was only to run for a few nights, a week at most, and is still on, I think, or ⦠or has it finished its run, Paul?'
The brother didn't answer. Ignoring her, he tried to find a cigarette but finally gave it up. âYou're not going to take those, are you?' he demanded spitefully.
âThese?' Herr Kohler indicated the shoes. âNo. They're all yours for now.' And coming round to her side of the bed, took to examining the wooden soles of her shoes, then those of the others and of her boots. In summer it would be so hot in that bed, so cold in winter â was this what he was thinking, that they must hold each other, comfort each other, see and touch each other when naked? Satisfy each other?
âI think you both know that early on Saturday morning she was murdered in that room of hers,' he said. âI think the whole damned hotel knows by now, but what I want are answers.'
âMurdered?' bleated Paul, throwing her a glance of alarm, not being able to stop himself, poor darling.
âHere,' said the Detektiv, and then ⦠then, on noticing above the baseboard the hole in the plaster that she had plugged, âYou don't have a problem with rats in this hotel, do you? You ought to, from what I've seen of it.'
â
Rats
?' said Blanche. âWhy ⦠why, yes, we do, but ⦠but Albert comes and ⦠and takes care of them.'
âAlbert.'
âThat is so,' she heard herself saying. âHe's very good at it and studies each problem thoroughly before setting his snares â¦'
In a rush, Kohler left them. Louis wasn't in any of the corridors or on any of the staircases, nor was he still in Lucie Trudel's room, which was locked.
He was with the concierge deep in the cellars, was jammed head and shoulders between two ceiling joists and the floor above, and bent double over the top of a stone wall, his feet no longer touching the backless chair he had used to get up there.
âI heard you talking in that room, Hermann,' he managed. âI knew then that you were all right. Earth,' he grunted, his voice still muffled. âVery fine earth has been mixed with the powdered white sugar that's been dusted over the tripwire and noose. I'm certain it's sugar and not potassium cyanide.'
âRats,' confided Rigaud, cradling the Sûreté's overcoat and fedora, the Lebel also and suit jacket. âHe's curious about how ours are caught.'
âAnd butchered,' came the tunneller's voice. âButchered and sorted as to their sex, then saved.'
The metal doors to the service lift from the furnace room opened on to the pavement outside the Hotel du Parc. Still smoking, the ashes and clinkers overflowed their metal drums, carrying the acrid stench of sulphur. A waiting
gazogène
lorry intermittently banged and roared as its engine fought to suck into its cylinders enough of the wood-gas to keep itself running. The tank and gas-producer's tubing were up there on the roof of the cab, the firebox in front, and God help anyone if the lorry should happen to run into them, thought Kohler.
âInspectors,' said the elder Grenier cautiously, âmy son always sorts them. So many males, so many females. It does no harm, and helps him to keep track of how much he should charge each client.'
Louis crowded him, putting his back to one of the assistant groundsmen. âAnd the livers?' he asked, hands jammed deeply into those overcoat pockets of his, collar up, breath billowing and fedora yanked down. Frost on the thick and bushy brown moustache too. âThey were, I believe, absent from the little corpses we found.'
âThe livers,' murmured Grenier, only to hear the Sûreté breathe, âMystery meat?'
âAlbert sells them, yes, to ⦠to others.'
âRestaurants?'
âSometimes. The meat is ⦠is as good as chicken, Inspector. When boiled for ten minutes and marinated in a little wine with herbs and a little salt, one can't tell â¦'
âYes, yes. These days especially. The British have even issued such instructions to their aircrews in case of their being shot down. The cellars, I think. You and I. Hermann, please ask the concierge for the keys to our vehicle.'
Following the elder Grenier, Louis stepped off the pavement to take the service lift slowly down into the cellar. As it descended, those same hands were still crammed deeply into the pockets of that shabby overcoat, the shoulders still squared. âHe may look grim but he's happy,' confided Kohler to an assistant groundsman. âWe're making progress. Where are the rats kept after they're taken?'
âIn the shed behind the Grenier house. Now that it's winter, Albert can dress them when he has the time, though he usually sees to this right away.'
âTen francs apiece â that's what they're asking for crows in Paris.'
âThe rats are evidently much tastier. Albert does quite well with them but only charges five for those he traps; ten if the client wishes to keep them, as some do. The rest he sells for twenty. There are always buyers.'
Down in the furnace room, the elder Grenier pulled off his asbestos gauntlet gloves and said, âSome coffee, Chief Inspector? A little something to warm us up?'
âA cognac? Ah,
merci
, that would be perfect, as would the coffee, but alas we haven't time. Your son, monsieur?'
âIs out on a job. The racing stables again. Monsieur Deschambeault, Sous-directeur of the Bank of France, came to tell us. His son â¦'
âRuns the stables, yes. And your Albert?'
âWent with the sous-directeur and the Mademoiselle Charpentier, she to see the horses, my Albert to set more snares.'
âAnd the sculptress? How did she â¦?'
âAlbert was showing Mademoiselle Charpentier his books, Inspector,' said Grenier, indicating them.
Both were open, the fairy tale to the illustrations of Pétain sitting under that giant oak with the little children dutifully attentive to his
all the rats, the wasps and worms that had done so much damage
â¦
the termites, too, and spiders
â¦
âMy son believes he's helping the Maréchal, Inspector. That not quite all of the rats disappeared as our Head of State says, but that a few of the really bad ones managed to stay behind.'
In Vichy.
Among the scattered newspapers that had been perused over lunch were copies of
L'Humanité
destined for the furnace, but Grenier was far too polite to let him know he'd read the Black List.
âThe sculptress has left her valise,' said St-Cyr. Opening it revealed what he'd seen before, except for the absence of the perfume. Lifting out the tray, he found a clutch of white table napkins, cushioned by still others, and inside this, the face of Pétain in wax. Flesh-toned, the grey hair and moustache carefully woven strand by strand into the wax, the eyes of that same china blue.
âShe showed it to my Albert, Inspector. It's really very good and only needs a little touching up.'
âBrought like this from Paris?'
â
Oui.
There is a bust in clay that she's been working on at the Musée Grévin. First they do that, then they make a plaster cast of the bust, the cast in pieces so that it can be easily removed when the plaster has set. This then becomes their mould, and into it they pour beeswax, making a layer a centimetre or two in thickness. Then carefully â very carefully, she said â they take the plaster mould apart and
voilÃ
, they have a bust in wax of the Maréchal. Surgical glass eyes are used, their shape and size exactly matching those of the subject. Albert ⦠my Albert was speechless, Inspector.'
âAnd the sculptress?'
âApparently the Ãcole de Dressage in Paris is at the end of the street on which she rents a small studio. Like my Albert, she's fascinated by horses and often likes to help groom them, so was looking forward to seeing those at our racing stables. Dr Ménétrel had told her it would be impossible for her to see the Maréchal today.'
Merde
, what the hell was she up to?
It was only as they were on the stairs to the lobby that Grenier stopped him to say, âInspector, that knife my son found. Will it really be possible for your partner to replace it? You see, he's ⦠Well, Albert's counting on Herr Kohler's finding another. If he's to be disappointed, could I ask that you inform me first? The tears, the anger, the frustration ⦠All such things are much easier to cope with if my wife and I know ahead of time. He's a good boy, and we want only what's best for him.'
âThe knife â¦'
Grenier nodded.
Taking it out of his overcoat pocket, the inspector looked at it, felt it, thought about it and ran a forefinger slowly over the design on its spine. âWould Albert know whose this was?' he asked. âYou see, if he does, my concern is that the assassin or assassins may be all too aware of it.'
He opened the knife. There was a sharp click, a snap as the blade fixed itself in place.
It would have to be said. âAlbert may know, Inspector. He's very alert to such things and has quite a remarkable memory which he often keeps hidden in fear that people will only ridicule him if he says anything.'
âThere was white sugar in that van he got the coffee from, wasn't there?'
âAnd cognac. A Rémy-Martin VSOP. Louis XIII, the 1925. There were, apparently, cases of it. Champagne also from that same year, the Bollinger Cuvée Spéciale, the Clicquot.'
âAnd when did your son find them?'
âWell back in December, I believe, but Albert, feeling he had been bad, didn't say a thing about it for weeks, and only at the end of that month produced them. A bottle of the champagne for his dear
maman
and one of the cognac for his
papa.
Both were magnificent and allowed us to ring in the New Year as never before, the coffee and sugar also.'
âAnd the chocolates?'
âAnd those as well as the scented handsoap, the candles, the flour and the ginger.'
âNow tell me about the wire he uses for his snares.'
âThe wire â¦? It's just some he found at the chateau where his grand-uncle is now the custodian. Ordinary wire, but fine and pliable so that it's very easy to work with. Why do you ask?'
âSimply routine. One always asks. It's in the nature of detectives to do so.'
5
Snow filtered down, and as the light over the Allier River and the hills beyond it became a deeper grey in the gathering dusk, the line of waiting traffic moved ahead a few metres. Homeward-bound farm wagons and
gazogène
lorries that had obviously hauled firewood and other produce into Vichy were ahead of them and, at the very end, this lonely Peugeot.
â
Merde
,' swore Louis bitterly. âThe nation that expects the Blitzkrieg from us at all times provides delays that can only impede progress! Deschambeault cuts short an important meeting to visit a racing stable but makes certain he takes along the resident rat catcher? Inés Charpentier insists on joining them and wears Shalimar when first encountered but no longer does so, and no longer carries the
flacon
in her valise because I was foolish enough to have mentioned it? The 1925, Hermann, and, as you well know, the same as Céline Dupuis was wearing when killed! That dress, the necklace and earrings could all be from the same year!'
And Marie-Jacqueline had had three-fifths of a bottle of the Bollinger Cuvée Spéciale in her, the 1925.
âOur sculptress worries me, Hermann. She's like a leech that has to draw blood, only with her it's a fascination with what we are about that is so troubling. Did she once possess a knife like this?'
Louis dragged the thing out. âDoes she know Paul Varollier and his sister, Blanche?' asked Kohler. âThe soles of Monsieur Paul's shoes matched those the
flics
circled in the snow.'
âAnd you let me wait in this line-up? You don't tell me things like that right away?
Sacré
nom de nom
, how could you not have done so?'
âI just did. Blanche had keys to both Céline's and Lucie's rooms but says she returned the latter.'
âAnd was able to come and go at will, leaving love letters presumably to taunt Ménétrel; the identity card to warn Bousquet that
les gars
are indeed being watched?'
âThose letters are to Céline, aren't they?' asked Kohler.
âOf course they are! Ah
mon Dieu
, you doubt my word? Look, then!'
Madame Dupuis, Hôtel. d'Allier
was written on the top envelope, the hand firm enough, the cancellation stamp dated Monday, 1 February 1943.
âRead it,' said Kohler. âGo on, don't be shy. Since when did you owe the Maréchal any privacy?'
âMust I?'
âAnd spoken like a loyal
poilu
! I might have known!'
They were both exhausted and bitchy. Kohler yanked the packet from him and tore it open, freeing the envelope to let him have it verbatim. â
Ma ch
è
re Ange
,' â my dear angel â â
your eyes are like the blue of the finest sapphires, your breath the soft, sweet nectar to whose scent the bee finds he must come.
'
âForagers are females!' snorted St-Cyr. âDoesn't the old drone know anything about bees?'
They'd just come off the case of a Parisian beekeeper â¦
â
When I see you dancing, I want to make you my Goddess of the Water Sprites
. More bullshit, and even more of it,' said Kohler, flipping impatiently through the thing until ⦠â
There are places we can meet where no one else will know. Please say the word and still the quivering of a heart that longs to kiss its little flower and caress its soft and exquisite petals
. Oh-oh, the horny old goat, eh, Louis?'