Generosity: An Enhancement

ALSO BY RICHARD POWERS

Three Farmers on Their Way to a Dance

Prisoner’s Dilemma

The Gold Bug Variations

Operation Wandering Soul

Galatea 2.2

Gain

Plowing the Dark

The Time of Our Singing

The Echo Maker

GENEROSITY

AN ENHANCEMENT

RICHARD POWERS

A FRANCES COADY BOOK
FARRAR, STRAUS AND GIROUX    NEW YORK

Farrar, Straus and Giroux

18 West 18th Street, New York 10011

Copyright © 2009 by Richard Powers

All rights reserved

Distributed in Canada by Douglas & McIntyre Ltd.

Printed in the United States of America

First edition, 2009

A portion of this work was published in slightly different form in
A Public Space
.

What “the scientist says,” on
page 295
, is a paraphrase from Antonio Damasio’s
Looking for Spinoza.

Grateful acknowledgment is made for permission to reprint the following previously published material: Excerpts from
Exuberance
, by Kay Redfield Jamison, and
A History of the World in 10½ Chapters
, by Julian Barnes, both courtesy of Alfred A. Knopf / Random House, Inc.

Library of Congress Cataloging-in-Publication Data

Powers, Richard, 1957–

    Generosity : an enhancement / Richard Powers.—1st ed.

        p. cm.

    ISBN: 978-0-374-16114-9 (alk. paper)

    1. College teachers—Fiction. 2. Genetics—Research—Fiction. I. Title.

PS3566.O92 G46 2009

813'.54—dc22

2008054249

Designed by Jonathan D. Lippincott

www.fsgbooks.com

10 9 8 7 6 5 4 3 2 1

For JTK—

La vraie générosité envers l’avenir consiste à tout donner au présent.

—Camus

Exuberance carries us places we would not otherwise go—across the savannah, to the moon, into the imagination—and if we ourselves are not so exuberant we will, caught up by the contagious joy of those who are, be inclined collectively to go yonder.

—Kay Redfield Jamison,
Exuberance

A
man rides backward in a packed subway car. This must be almost fall, the season of revision. I picture him in the thick of bequest, tunneling beneath the
I Will
City, the world’s twenty-fifth biggest urban sprawl, one wedged in the population charts between Tianjin and Lima. He hums some calming mantra to himself, a song with the name
Chicago
in it, but the train drowns out the tune.

He’s just thirty-two, I know, although he seems much older. I can’t see him well, at first. But that’s my fault, not his. I’m years away, in another country, and the El car is so full tonight that everyone’s near invisible.

Look again: the whole point of heading out anywhere tonight. The blank page is patient, and meaning can wait. I watch until he solidifies. He cowers in the scoop seat, knees tight and elbows hauled in. He’s dressed for being overlooked, in rust jeans, maroon work shirt, and blue windbreaker with broken zipper: the camouflage of the non-aligned, circa last year. He’s as white as anyone on this subway gets. His own height surprises him. His partless hair waits for a reprimand and his eyes halt midway between hazel and brown. His face is about six centuries out of date. He would make a great Franciscan novice in one of those mysteries set in a medieval monastery.

He cups a bag of ratty books on his lap. No; look harder: a ruggedized plastic sack inscribed with bright harvest cornucopia that issues the trademarked slogan,
Total Satisfaction . . . plus so much more!

His spine curls in subway contrition, and his shoulders apologize for taking up any public space at all. His chin tests the air for the inevitable attack that might come from any direction. I’d say he’s
headed to his next last chance. He tries to give his seat to a young Latina in a nurse’s uniform. She just smirks and waves him back down.

Early evening, four dozen feet below the City on the Make: every minute, the train tunnels underneath more humans than would fit in a fundamentalist’s heaven. Aboveground, it must be rainy and already dark. The train stops and more homebound workers press in, trickling September drizzle. This is the fifth year since the number of people living in cities outstripped those who don’t.

I watch him balance a yellow legal pad on his toppling book sack. He checks through the pages, curling each back over the top of the pad. The sheets fill with blocks of trim handwriting. Red and green arrows, nervous maneuvers and counter-maneuvers, swarm over the text.

A forest of straphangers hems him in. Many are wired for sound. A damp man next to him drips on his shoes. Humanity engulfs him: phone receptionists for Big Four accounting firms. Board of Trade pit bulls, burned out by twenty-eight. Market researchers who’ve spent days polling focus groups on the next generation of portable deionizers. Purveyors and contractors, drug dealers, number crunchers, busboys, grant writers. Just brushing against them in memory makes me panic.

Advertisements crown the car’s walls:
Outpsych your tyke. Want to know what makes the planet tick? Make your life just a little perfecter.
Every few minutes, a voice calls over the speakers: “If you observe any suspicious behavior or unattended packages . . .”

I force my eyes back down over the scribbler’s left shoulder, spying on his notes. The secret of all imagination: theft. I stare at his yellow legal pages until they resolve. They’re full of lesson plans.

I know this man. He’s been fished from the city’s adjunct-teacher pool, an eleventh-hour hire, still working on his first night’s class even as the train barrels toward his South Loop station. The evidence is as clear as his all-caps printing: ethics has wrecked his life, and this fluke part-time night job is his last hope for rehabilitation. He never expected to land such a plum again. Death and resurrection: I know this story, like I wrote it myself.

The train wags, he pitches in his seat, and I don’t know anything. I stop deciding and return to looking. A heading on the top of his
pad’s first page reads: Creative Nonfiction 14, Sect. RS: Journal and Journey.

A heavy teen in a flak jacket bumps him. He squeezes out a retreating smile. Then he resumes drawing red arrows, even now, two subway stops from his first night’s class. As I always say: It’s never too late to overprepare. His pen freezes in midair; he looks up. I glance away, caught spying. But his hand just hovers. When I look back, he’s the one who’s spying on someone else.

He’s watching a dark-haired boy across the aisle, a boy with a secret quickening in his hands. Something yellow floats on the back of the boy’s curled fist. His two knuckles pin a goldfinch by the ankles. The boy quiets the bird, caressing in a foreign tongue.

My adjunct’s hand holds still, afraid that his smallest motion will scatter this scene. The boy sees him looking, and he hurries the bird back into a bamboo cylinder. My spy flushes crimson and returns to his notes.

I watch him shuffle pages, searching for a passage in green highlighter that reads
First Assignment
. The words have been well worked over. He strikes them out once more and writes:
Find one thing in the last day worth telling a total stranger
.

Clearly he’s terrified there may be no such thing. I see it in his spine: he’ll bother no one with his day’s prize, least of all a total stranger.

It’s up to me to write his assignment for him. To describe the thing that this day will bring, the one that will turn life stranger than total.

He gets out at Roosevelt, the Wabash side. He struggles up the stairs against the evening human waterfall. Remnants of the day shift still pour underground, keen on getting home tonight at a reasonable hour. Home before the early autumn rains wash away their subdivision. Home before Nikkei derivatives trigger a Frankfurt DAX panic. Before a rogue state sails a quick-breeding bioweapon through the St. Lawrence Seaway into Lake Michigan.

At street level, my adjunct is hit by the downtown’s stagecraft. The granite gorges, the glass towers with their semaphores of light he’s too
close to read. To the northeast, the skyline mounts up in stunning ziggurats. His heart pumps at the blazing panorama, as it did when he was a boy gazing at World’s Fair futures he would inhabit, any year now. Someone in the crowd clips his back, and he moves on.

Down a canyon to the east, he glimpses a sliver of lakefront: the strip of perfected coast that passes for
Chicago
. He has stood on the steps of the fabulous nineteenth-century Palace of Taxidermy and gazed north up the sheer city face—the boats in the marina, the emerald park, the epic cliff of skyscrapers curling into the two blues—and felt, despite everything, this place pushing toward something sublime.

Off to his left, dumpsters the size of sperm whales swarm a block-long abyss, each overflowing with last century’s smashed masonry. One more angel giant rises from the pit, its girders taking on a sapphire skin. Luxury skybox living: late throes of a South Loop renaissance. Last year’s homeless are all hidden away in shelters on the city’s perimeter. Chicago hasn’t looked better since the fire. The place is after something, a finish line beyond any inhabitant’s ability to see, let alone afford.