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Authors: Alan Hunter

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Gently With the Painters

BOOK: Gently With the Painters
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Gently with the Painters

Alan Hunter

To
THE NORWICH TWENTY GROUP OF PAINTERS

Who suggested, but are not portrayed as, the Palette Group of the novel.

HUSBAND AT POLICE STATION FOR THREE HOURS
Victim’s Picture in Exhibition Yard to be called?

F
OR THREE MORNINGS
now Gently had been turning to this news item with an eagerness which, in spite of himself, had continued to grow steadily. And now, for the first time, the ominous words had been invoked: at last they had mentioned Scotland Yard.

He folded back the paper and propped it against his teapot. Of the two photographs reproduced one was a print which had been heavily retouched. This depicted the husband being escorted into the police station; he was a burly, heavy-featured man, with fair wavy hair and a Bomber Command moustache. The other showed a watercolour with a number on its frame – a pale, somewhat indefinite picture of a figure striding through driving rain.

‘Mr Johnson Arriving At The Police Station Yesterday.’

‘The Last Picture Painted By Shirley Johnson.’

At the foot of the column a smaller photograph was cut in. It was of St John Mallows, RA, with whose features Gently was familiar. He was the chairman of the Palette Group of which Shirley Johnson had been a member, and he had gone to press with the statement that her picture would certainly remain on show. Why not, when it was guaranteed to treble the attendance …?

About Gently the established routine of his morning continued its methodical course. After twenty years in his Finchley rooms he went through the ritual with little conscious direction. When he had bathed and shaved he took a walk down the garden – it wasn’t very far, up there in Finchley! – and then he would stand for a moment in Mrs Jarvis’s kitchen, exchanging a few words of domestic commonplace.

‘There’s a bit of fly on those roses of yours …’

‘I know, Mr Gently, Fred was only saying last night …’

‘Have you been to the Golder’s Green Hip this week?’

‘Oh yes, Mr Gently. Me and Olive went on Tuesday.’

Then he went to his room, where the table was set. His mail and his papers always lay beside his plate. There were the usual bills and perhaps a letter from his sister; he would conscientiously read it first before turning to the news.

For six days in the week it went on like that, whenever he wasn’t called out on a case. It formed a sort of hors d’oeuvre, an appetizer to the day, and he was always irritable if something interrupted it. And now, very delicately, something had. That business about the Johnsons had taken a hold on his imagination. It had occurred in the district on which he was regarded as a specialist, and more and more he had the feeling that the case belonged to him.

It belonged to him – but he wasn’t going to get it! At least, that was the impression he’d received since Tuesday. There was nothing in the press reports to suggest that the local police were flagging, and really, it looked an open and shut case against the husband. He didn’t have an alibi that held any water. He was admittedly estranged from his arty wife. They lived together in a flat about a mile from the scene of the crime, but they lived in separation, sleeping and eating in separate rooms …

‘What would you like to follow, Superintendent?’

That was something else which took a little swallowing. Though he had known it was coming for several months in advance, his promotion had nevertheless caught him off-balance. In a number of subtle ways it was affecting his personality. He no longer felt entirely at home with himself. Shamefacedly, he had bought some new suits and an expensive trilby, while he was thinking of parting with the old Riley in the garage. How was it that an external like rank had this effect on him?

‘Some of the liver you were frying … were there any letters for me?’

‘Go on, Mr Gently! You’ve put your grapefruit on them.’

And also, he remembered, he had cut his outing in the garden. With his mind fixed on the Johnsons he’d gone straight down to the breakfast table, barely pausing at the door to wish Mrs Jarvis a good morning. Was it intuition, perhaps? He read the relevant passage again. The local police had not committed themselves, but the reporter had smelt a rat. That case, apparently so watertight, had somewhere sprung a leak.

As he ate his liver and bacon he let his eye stray down the column. After the hottest news, as usual, there came a résumé of the affair.

‘The questioning of Johnson follows the grim discovery on Tuesday. The body of his wife, pretty Shirley Johnson, was found behind dustbins on the City Hall car park. She was stabbed with a steel letter opener which was found still plunged in the body. The discovery was made by an old-age pensioner as he returned from the early morning fruit and vegetable auction held at the cattle market. He informed the City Police who have placed Chief Inspector Hansom, CID, in charge of the investigation.

‘It is established that the victim was attacked shortly after leaving a meeting of the Palette Group on the Monday evening. The Palette Group is composed of a number of local artists under the chairmanship of the well-known landscape painter, Charles St John Mallows, RA. The members meet on the first Monday of each month in the cellar of the George III public house, only a short distance from the scene of the crime. At the meetings they exhibit their work for criticism. They hold an annual exhibition in the nearby Castle Gardens.

‘Charles St John Mallows, RA, interviewed by our reporter, described Mrs Johnson as being one of the most talented members of the Group. Asked about the meeting on Monday, he declined to make any statement other than that it contained ‘the average amount of cut and thrust’. According to an independent source, the Palette Group meetings are noted for their frankness and forthright opinions.

‘Derek Paul Johnson, the husband, is an estate agent in the city. During the war he served in the RAF and was
shot down over Cologne while piloting a Lancaster bomber. He was a prisoner of war in Germany for two years.’

It wasn’t difficult to see where the reporter’s fancy was leading him. He was selling the notion of a blood feud at the Palette Group. Johnson’s grilling was news and had to make up the headline, but the pedal of sympathy had been touched in the last paragraph. Was it the Palette Group that was worrying Inspector Hansom, too?

For a moment Gently was tempted to put a call through to Hansom, then he shrugged and hurried up with his marmalade and toast. It wasn’t his business yet, and perhaps it wasn’t going to be. Since they’d made him a Super he was being kept more at home; he had seen several likely jobs being handed on to his juniors.

‘I’ve ordered a joint for tonight, Superintendent. Do you know if you’ll be home for dinner?’

He shouldn’t have been irritated by that reasonable question, and yet he wanted to snap at Mrs Jarvis. All the way on the Tube he was brooding over the Johnsons. They clogged him up the Embankment from Charing Cross Station.

It was the beginning of July, and fine weather to boot, with the surface of the Thames a-dazzle in a bright sun. Several of Gently’s colleagues were away on vacation, and his own was due in a fortnight’s time. For the first week he was going to Bridgit in Wiltshire – a family sacrifice this, since his brother-in-law bored him. But the second week he was spending at a fishing inn in the Fens, near where, according to report, there were big bream and plenty.

A whole week of fishing! He’d been dreaming about it since Easter, when, while out on a case, he’d first heard about the spot. He had made a few inquiries and booked a room at the Fenman’s Arms. A local angler who had figured in the case was going to join him for the weekend.

He thought about it now as he walked by the morning Thames, but somehow a little of the glamour seemed to have departed from the prospect. He knew he was being childish to want the Johnson case made over to him: he couldn’t help it, the habit was stuck there – once, he would have got it automatically.

On the stairs he was passed by Pagram, who carried a box-file under his arm.

‘The AC’s looking for you – he wants the dope on Jimmy Fisher.’

‘Anything come in from the country?’

‘If it has I haven’t heard about it. Hoskins was briefed for that job at Plymouth, but I dare say you heard that yesterday.’

‘It shouldn’t be too difficult.’

‘Hoskins has got a flair for hold-ups.’

Gently went grumpily on his way. Hoskins was a young-and-coming Inspector. He had made a name for himself in a case where a sub-postmistress had been coshed to death, since when he was number one for any business of that description. And there were several young-
and-coming
Inspectors in Homicide, all eager to grab any plums that were going …

He banged into his office and pulled down the file on Fisher. This was the sort of job which they were finding for him these days! A long, complicated affair that revolved
round the warehouse rackets, becoming Homicide’s pigeon only when a hot suspect was shot. It had been going on now for a couple of months, raids, tip-offs and a few unimportant arrests. Pagram and he were both working on it, and, it seemed, half the Metropolitan Police besides. Routine wasn’t his strong point, and the AC ought to know it … How did they expect him to get his teeth into a diffuse business of this kind?

‘Ah, Gently. Is that the Fisher file?’

The Assistant Commissioner was looking pleased with himself. He was a spare, genial man with horn-rimmed spectacles, and had always reminded Gently of an amiable schoolmaster.

‘You know, I think we’re going to crack that case at last. Limehouse had a tip-off last night, and it’s really put our hands on something. You remember Herbie the Fence? The little man with all the answers? Well, just look out that report, will you, and the interrogations of Wilbright and Sharp …’

In effect it had been a tip-off that Herbie had got the goods on him, and Limehouse Division had raided his premises. In a cellar they had discovered some of the furs which had been stolen, furs originating from the
warehouse
where Jimmy Fisher had been shot. Herbie was sitting in the cooler waiting for Gently’s expert attention: he hadn’t been charged with anything and so was free meat for the chopper.

‘Take your time over him, Gently, take all the time in the world. If we can crack Herbie we’ll have the whole consignment sewn up …’

So there it was, his day mapped out for him, another day
with Jimmy Fisher. Not a word about jobs in the country, not a whisper of Inspector Hansom …

Gently returned to his office dourly and made
arrangements
for the interrogation. Herbie and he had had previous engagements, and even equipped with a lever, he knew what he was in for. At lunchtime he handed the business over to Pagram, with Herbie, still uncracked, going as strongly as ever. From the canteen he sent out for the lunchtime papers. They contained mostly rehashes, but there was one fresh development.

P
UBLIC SEE THE JOHNSON PICTURE

Angry Scene At Exhibition

With his fork in his hand, Gently skimmed the column of letterpress. Only one paper had got it, and judging from the misprints it had been a rush job:

Ruction and tumult disturbed this old Cathedral City when the Palette Group’s Summer Exhibition was opened this morning. Cause of the contention was Shirley Johnson’s ‘Dark Destroyer’, the last picture she was known to have painted before she was murdered.

The exhibition was opened by the Lord Mayor, Mr Ted Brownlow. He recalled that the district had produced the only provincial school of painting.

Almost before he had finished speaking a noisy argument broke out, apparently between one or two members of the Group.

Others joined in and the argument became a row. Fists were waved and there was threatening behaviour.
Police intervened to prevent a probable fight, and the most heated of the participants were escorted from the exhibition.

One of them told our reporter that the trouble arose from the Johnson exhibit. He refused to explain how it had caused the dispute.

A public apology for the members’ behaviour was made by Chairman St John Mallows, RA, who observed that it was not unknown for artists to hold strong opinions.

Not very hopefully Gently turned to the stop-press, but his luck was in and there was an intriguing postscript:

J
OHNSON PICTURE – LATEST
. Police have taken possession of picture [See Page One for full report].

He read it through again to make sure that he had missed nothing, but this was all that the paper could tell him. Again he was on the point of putting through a call to Hansom, but shamed himself from doing it when it came to the push. Hansom, he knew, wouldn’t be too pleased to hear from him; he had twice in the past stolen the local man’s thunder.

Back in the office Pagram took him to one side:

‘I think our friend Herbie is contemplating a deal. He’s harping now on how dangerous it would be for him to talk – he loves the police like brothers, of course, but he’s got to think of his widowed mother. His get-out is still that another man rents his cellar.’

‘I wish they’d given him a bath before they brought him up here.’

It was two hours later when Herbie laid out his cards. The procedure was delicate, though understood by both sides. In return for certain facts Herbie wanted his story accepted, but Gently wanted the facts before he agreed to consider the story. At last Herbie consented to give an outline of those facts, and Gently, with Pagram, had a huddle with the Assistant Commissioner. It then remained to get Herbie’s statement and to set the wheels in motion. Within twenty-four hours, perhaps, they would know if the
coup
had been successful.

In his office, now cleared of Herbies, Gently drank coffee and filled his pipe. He would have given a lot to have known what they had finally done with Jimmy Fisher. He had been put on the case almost as soon as he had been promoted: the whole of his superintending seemed to have been linked with that epic inquiry. And was this how it was going to go on now that he had reached administrative rank? Until the day of his
retirement
, was he to be crucified on routine?

BOOK: Gently With the Painters
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