Goodnight Sweet Prince (6 page)

‘£200,000 is an astronomical sum of money, Francis.’ Vignobles, sun-drenched fields dripping with noble grapes swam before Lord Johnny’s eyes. You could buy yourself
entire villages in Bordeaux or Burgundy with that, St Estèphe or Margaux, le Montrachet or Pommard.

‘William says that the richest man in England, who is a massive coal owner, or one of those shopping magnates like Maples or Lipton, has well over £100,000 a year in income, maybe
even more. So the Prince owes twice as much as that. And William said the debt had not accumulated overnight. It had grown over a period of time, rather like a tree, getting bigger and bigger every
year.’

‘You don’t suppose . . .’ Fitzgerald and Powerscourt always discussed their cases in this way, throwing out the most fantastic ideas, some of which later turned out to be true.
‘You don’t suppose he’s been paying this blackmailer for years and years, do you?’

‘Well, he might have been,’ said Powerscourt thoughtfully, ‘or it may just be that he can’t live within his income. I don’t suppose Daisy Brooke is cheap to run.
And there’s something else. Rosebery told me that twelve or thirteen years ago Prince Eddy and his younger brother Prince George were sent round the world on a cruise, a cruise that lasted
two whole years.’

‘Was there any suggestion of scandal about that, Francis?’

‘Rosebery couldn’t remember. But he’s going to find out for me. That means he’ll probably ask the First Sea Lord himself . . . But I must reply to His Royal Private
Secretaryship down the road.’

‘Can you be as pompous as he is, Francis?’ Lord Johnny had nearly finished his Chablis.

‘Let me try, Johnny, just let me try. “Dear Sir William.”’ Powerscourt began writing at the little desk by the window, with the lamps being lit in St James’s Square
below. ‘“Thank you for your letter of 21st inst. I regret to have to inform you that it has never been my custom to set out possible avenues of inquiry on paper. Such documents have a
habit of ending up in the wrong hands. I believe that such circumspection is also followed in your own establishment. I am, of course, only too happy to come and discuss matters with you or your
colleagues at your convenience. I am anxious that the matters under discussion should proceed with all due despatch.” Is that pompous enough, Johnny?’

‘I don’t think that man Suter would know pomposity if it came and stroked his beard. He’s steeped in it, Francis. Positively marinated in pomposity.’

‘Do you know,’ Powerscourt was laughing now, ‘I might just see if I can get a special dispensation to put my memorandum in for the Suter Prize this year.’

Trafalgar Square was jammed. The press of traffic was so great that every single vehicle, cart, carriage and coach had come to a full stop. A furniture remover’s
enormous van had toppled over by the edge of the fountain, its contents spilling out on to the road under the astonished gaze of a Landseer lion.

Waiting for Lady Lucy on the portico leading into the National Gallery, Powerscourt wondered if the whole of London would come to a complete halt one day. High on his column, ignoring the chaos
below, his plinth festooned with pigeon droppings as the sails of his great ships had once been festooned with round shot holes, Horatio Nelson gazed imperturbably towards Big Ben and Parliament
Square and the river that could carry him away.

Then she was beside him. Lady Lucy Hamilton, looking demure in grey but with a slightly raffish hat. Lady Lucy had wondered about the hat, even as she put it on. A little too fast? A trifle
ostentatious for a morning rendezvous by the pictures in the National Gallery? It was pink. It was undoubtedly fashionable, and it certainly showed off her blue eyes. Never mind, if I dither about
in front of this mirror any longer, thought Lady Lucy, I shall be late.

‘Good morning to you, Lady Lucy.’ Powerscourt wrenched himself happily away from the chaos in the square without. Looking at Lady Lucy, so charming with that smile of welcome, he
felt suddenly that it might be replaced by a different chaos within. ‘Shall we go inside? What would you like to look at this morning?’

‘Do you have any favourites you would like to visit, Lord Francis?’

A party of art students rushed past them, sketch books in hand, pencils dropping out of their pockets.

‘Well, I would quite like to look at a couple of Raphaels. Do you like Raphael, Lady Lucy?’

‘Oh yes, I do.’ She smiled broadly at him, wondering yet again about her hat. ‘And I should like to look at some of the Turners.’

A curvaceous St Catherine, the curves of her dress suggesting the curves of her wheel, was followed by an austere Raphael Madonna, flanked by pillars and a couple of obscure saints.

‘Do you think, Lord Francis, that there were conventions for what all these saints actually looked like? I mean, do you think there was some sort of artists’ guidebook, only
available to a select few of course, which said that St Jerome always looked sad and St Bartholomew happy? I know St Sebastian always appears with those beastly arrows and the four Evangelists
usually have a book to write, but what about the rest?’

‘It is a pretty thought, Lady Lucy. I have to confess that I don’t know the answer.’

Behind them was a great rolling of wheels. A large trolley was conveying a full-length portrait of some seventeenth-century gentleman through the gallery. He was a sombre figure, painted in
black with a Bible in his hand and a small dog at his feet. Behind the trolley an anxious curator repeated instructions to the bearers to go more slowly, to mind the bumps in the floor.

‘Where are they taking that Dutch gentleman? Are they throwing him out, do you suppose?’ whispered Lady Lucy as the strange cortège passed within a few feet of them.

‘Maybe the Last Trump has sounded for him,’ said Powerscourt. ‘His maker, or rather his restorer, is probably making the call not for the last judgement, but for his paint to
be restored. I fancy he is going to the workshops for cleaning, that sort of thing.’

‘It must be rather upsetting, if you’re a picture,’ said Lady Lucy, gazing at the retreating trolley as it rolled off towards the basement. ‘One minute you’re
sitting happily on the wall, minding your own business, and then some horrid men come and take you away.’

‘It’s the same with people, don’t you think?’ replied Powerscourt. ‘One minute you’re sitting happily under the pictures on your wall at home, then Death
comes with his trolley, and you’re on your way. Down to the basement with you.’

‘I don’t like that at all,’ said Lady Lucy, laughing. ‘Let me take you to some Turners.’ She steered Powerscourt away to a different part of the gallery. There were
storms, shipwrecks, deaths at sea, blazing seconds of steam, sunsets, romantic ruins of ravaged Italian landscapes. Lady Lucy felt light-headed, dizzy, as she looked at them all.

‘But look . . .’ She planted Powerscourt on a bench looking out at
The Fighting Temeraire
. ‘Is this not the finest of them all?’

At the far end of the room a party of students were rolling up their sketches and collecting their equipment. Two curators looked solemnly on, their faces bored or impassive. Outside the bells
of St Martin in the Fields called the hour of twelve.

‘They say,’ said Powerscourt, stretching out his legs until they became a hazard for unwary passers-by, ‘that this is one of the most reproduced paintings in England. There are
nearly as many
Fighting Temeraires
hanging on the walls of Britain as there are portraits of Queen Victoria.’

‘I know which one I would rather have,’ said Lady Lucy disloyally, checking that her hat had not got completely out of hand. ‘What do you think it means, Lord
Francis?’

‘What did Turner mean? Or what does it mean to the spectator? I’ve always thought that paintings, like people’s faces, can have multiple meanings.’ He stole a quick
glance at Lady Lucy’s face, mesmerized by the iridescent sunset, Turner’s golds and coppers gleaming over the Thames. ‘They say it has to do with the coming of the age of steam,
don’t they? This is the valediction to sail, condemned to be pulled by that ugly black tug on its final voyage to the breaker’s yard. Farewell romance, hello smoke, farewell sail, hello
mighty engines.’

‘I don’t think it means that at all.’ Lady Lucy was quite vehement. ‘I mean people may think it means that. But I think it’s much more about Turner himself.’
She leant back on the bench, combing her memory for the other Turners she had seen which would help her case.

‘Turner, the Turner who painted this, this glory, was an old man when he did it. But when he was young, he made his name and his fame painting the ships and the battles of the great war
against the French. This ship, the
Temeraire
,’ she pointed dramatically at the ghostly vessel, ‘took years and years to build in Rochester or somewhere like that.’ Lady
Lucy would have been the first to admit that her knowledge of naval construction yards was not that extensive. ‘It sails the Mediterranean. It patrols in the Pacific. Its life is entirely
peaceful, in spite of the guns on board and the fearful death toll of its broadsides. It only fights for one day, Lord Francis. Just one day. But that one day was at Trafalgar when the
Temeraire
was closely involved in the action right beside the
Victory
and our friend Nelson on his column outside, one day of everlasting glory. And Turner painted it at the time.

‘After that, more patrols, more routine voyages, and then bit by bit, spar by spar, sail by sail, the great ship is taken to pieces. Then finally in 1834 or whenever it was, she is to be
taken up or down the river by that horrid little tug to be broken up.

‘But for Turner, for Turner, Lord Francis’ – Powerscourt was bewitched by Lady Lucy’s eloquence and her feeling for the painting – ‘this was a symbol, a
reminder of his own life, his past, his present, his future. Here was this ship of all ships, which he had painted as a young man so many years ago in her hour of glory. By the time the
Temeraire
made this last journey, she would have been a hulk, she would have had no rigging, she would have had no masts. Turner has put them all back. That’s why the painting is
called
The Fighting Temeraire
. This ship, Turner’s ship, his beloved
Temeraire
, has to make her last journey decked out as she was in her days of pomp and power, not like some
beggar being dumped in the workhouse.’

Even the curators were listening intently now, staring spellbound at Lady Lucy.

‘This is Turner’s tribute to his vanished youth. The sunset is not just for the beautiful ship but for Turner himself. He knows that for him too the last journey will be coming soon.
The crossing not of the Thames but of Jordan river cannot be very far away. This is Turner’s last elegy to his youth, his past life, his own career, gliding unstoppably away from him. After
the sunset comes the dark. Death. Oblivion. No more
Temeraire
, no more Turner. But we have this to remember them both.’

Lady Lucy stopped suddenly, as if worn out by so much emotion.

‘I cannot tell you how impressed I am by your learning, Lady Lucy.’ Powerscourt gazed at her with a new respect, with more feelings than he had brought with him into this gallery.
Could she describe all the paintings with such eloquence?

Lady Lucy was grateful to him for listening. It makes such a change, she thought. So often when she wanted to talk about paintings or about books, men changed the subject to horses or cricket or
fishing. But this was a man who could listen. She remembered her mother saying to her when she was just eighteen, ‘Don’t be taken in by their looks or how well the young men whirl you
round the dance floors of London, my girl. Find yourself a man who appreciates your mind as well as your pretty looks.’

She turned to look at Powerscourt, who seemed to be inspecting the
Temeraire
’s rigging. Had she found such a man?

Christmas came and Powerscourt was still no further with the courtiers in Marlborough House. It was a long tennis match of letters from the baseline, neither player prepared
to go to the net.

‘What on earth are they doing?’ Powerscourt had asked Rosebery in his library in Berkeley Square.

‘The Prince of Wales can’t make up his mind, I suspect,’ said Rosebery, pouring them both a seasonal glass of white port. ‘He wants to know who the blackmailer is. But
he’s terrified of what might come out of any investigations. Anyway, the Prime Minister has nearly settled the row with the Beresfords. Salisbury told me the Treaty of Berlin had probably
been easier to negotiate.’

Rosebery had bought himself a racehorse for Christmas which he was convinced would win the Derby.

Prince Eddy became engaged to Princess May of Teck, to the delight and relief of both sets of parents.

Powerscourt bought Lord Johnny Fitzgerald a case of Chassagne-Montrachet.

His sisters clubbed together to buy Powerscourt a first edition of Gibbon’s
The Decline and Fall of the Roman Empire
.

But Powerscourt’s Christmas present to his nephews was the one closest to his heart.

The Voltigeurs were moving steadily down the slope, skirmishers who represented the advance guard of the French Army. Behind them, deployed behind and around La Belle Alliance,
were the glory of Napoleon’s Grande Armée, headgear glittering with the colours of different lands. There was a martial kaleidoscope, Lancers in red shapkas with a brass plate bearing
the letter N and a white plume, Chasseurs in kolbachs with headgear of green and scarlet, Hussars with multi-coloured plumes, Dragoons with brass casques over tigerskin turbans, Cuirassiers in
steel helmets with copper crests, Carabiniers in dazzling white and the Grenadiers of the Old Guard in massive, plain bearskins.

Across the valley the British, a motley army in motley uniform, waited for their fate.

‘Fire!’ said a small voice. ‘Fire!’

‘Bang! Bang! Bang! Bang!’ shouted two other small voices.

‘If I take a big puff on my cigar,’ said Lord Francis Powerscourt, who normally loathed cigars but felt that sacrifices had to be made in the interests of history, ‘we can have
smoke all over the battlefield.’