Authors: Stefan Ekman
Brooks, Terry: Magic Kingdom of Landover,
27
,
182
â
83
,
215
; Shannara,
10
,
259n48
Browning, Robert, “Childe Roland to the Dark Tower Came,”
196
â
97
,
200
,
207
â
9
,
212
Brust, Steven,
12
,
70
,
72
â
82
,
86
,
93
,
98
,
100
,
220
Butler, Andrew M.,
117
Canavan, Trudy,
Last of the Wilds
,
25
â
26
cartographers,
19
,
30
,
38
,
40
,
44
,
50
,
62
; fictional,
31
,
45
,
51
,
54
â
55
; implied,
45
,
51
,
54
â
55
.
See also
mapmakers
Cauldron of Story,
6
â
7
,
219
â
20
,
236n35
Celtic ideas of kingship,
188
,
258n39
center and periphery: in cities,
136
â
37
,
139
â
42
,
146
,
148
,
150
â
51
,
165
â
66
,
174
; of landscapes of evil,
196
,
212
; on
maps,
28
,
31
â
32
,
47
,
51
â
52
,
62
â
64
,
66
; in polders,
112
â
17
,
125
; of the story,
101
,
109
,
117
,
128
,
158
â
59
,
178
,
185
,
205
center.
See
center and periphery
Cherryh, C. J.,
Faery in Shadow
,
71
chÅrographica
,
42
Chrétien de Troyes,
Perceval
,
187
,
258n34
Cicero, Marcus Tullius,
131
â
32
cities: Amaz (Goldstein),
190
â
94
; Armada (Miéville),
154
,
162
â
65
; Caras Galadhon (Tolkien),
105
,
108
,
135
â
36
,
138
,
140
â
41
; in fantasy,
129
,
134
â
35
; Instruere (Kirkpatrick),
30
â
32
; Las Vegas (Powers),
188
â
89
; Minas Tirith (Tolkien),
12
,
135
â
41
,
173
â
76
,
218
;as nature/culture interfaces,
12
,
129
,
134
,
161
,
173
; New Crobuzon (Miéville),
12
,
135
,
154
â
62
,
165
â
67
,
173
â
76
,
218
; Newford (de Lint),
12
,
71
,
135
,
141
â
54
,
155
,
159
â
61
,
167
,
173
â
76
,
218
; Ombria (McKillip),
12
,
135
,
166
â
76
,
218
; uncommon in Middle-earth,
58
â
59
,
135
â
36
Clarke, Susanna,
Jonathan Strange & Mr. Norrell
,
71
Clute, John,
2
,
90
,
135
,
175
,
233n2
,
241n47
,
249n63
,
250n98
; on polders,
100
,
121
,
125
; on the Ryhope Wood series,
111
,
113
; on thresholds,
68
â
69
,
75
,
77
,
98
; on water margins,
26
,
28
,
173
Cogswell, Theodore, “The Wall Around the World,”
72
Coleridge, Samuel Taylor,
235n26
Conan the Barbarian,
10
,
15
,
24
,
231
,
240
â
41n46
Conrad, Joseph,
Heart of Darkness
,
43
contours,
39
â
40
,
42
,
242n70
.
See also
hill signs
Cook, Glen,
The Black Company
,
197
â
98
,
212
Cooper, Louise,
Aisling
,
32
Cooper, Rich Paul,
155
Cornish, D. M., Monster-Blood Tattoo/The Foundling's Tale series,
38
crosshatches,
69
,
71
,
75
â
77
,
86
â
87
,
90
,
94
Crowley, John,
Little, Big
,
71
culture: controlling nature,
132
; definitions of,
130
â
33
; feral,
158
,
164
.
See also
Darwinism; nature;
scala naturae
; second nature
damnatio memoriae
,
191
â
92
,
194
,
214
Dante Alighieri,
7
,
14
,
18
,
20
,
74
,
115
,
196
â
97
,
209
,
212
Dark Realms.
See
landscapes of evil
Darwinism,
133
Dayton, Gail,
The Barbed Rose
,
28
de Lint, Charles,
12
,
71
,
135
,
141
â
55
,
159
â
61
,
167
,
173
â
76
,
218
,
220
Dickerson, Matthew,
141
,
198
,
202
,
261n70
Dickson, Gordon R.,
The Dragon and the George
,
236n34
Discworld.
See
Pratchett, Terry
Divina Commedia
.
See
Dante Alighieri
docemes,
21
â
22
,
31
â
32
,
35
,
39
,
45
,
59
,
67
; definition of,
21
domains, definition of,
10
â
11
Donaldson, Stephen R.,
13
,
28
,
178
,
198
â
99
,
204
â
8
,
210
â
12
,
215
Duane, Diane,
15
Dunsany, Lord,
The King of Elfland's Daughter
,
71
â
72
,
105
ecocriticism,
3
â
4
.
See also
topofocal
Eddings, David and Leigh: The Belgariad,
259n48
; The Dreamers,
134
; The Mallorean,
28
Elgin, Don D.,
2
,
8
â
9
,
255n83
,
256
â
57n11
Eliot, T. S.,
The Waste Land
,
185
â
86
Elmore, Larry and Robert,
Runes of Autumn
,
41
â
42
empty map space.
See
blank spaces
Ende, Michael,
The Neverending Story
,
92
,
181
â
83
,
215
eucatastrophe,
107
,
179
.
See also
happy ending
Evans, Jonathan,
141
,
198
,
202
,
261n70
evil lands.
See
landscapes of evil
Faerie,
6
,
11
,
71
â
72
,
85
,
219
,
246
â
47n25
,
247n38
; in
Stardust
(Gaiman and Vess),
12
,
82
â
92
,
98
â
100
,
128
; Lothlórien, related to,
101
â
2
,
105
,
109
;in Newford (de Lint),
141
,
143
â
44
,
147
â
148
,
151
; in
War of the Flowers
(Williams),
183
.
See also
mundanity, descriptions of
fantastic, definition of,
4
â
5
,
234n20
fantasy, definitions of,
4
â
7
,
126
â
27
.
See also
high fantasy, low fantasy
Farthest Shore, The
(Le Guin),
180
â
81
Feist, Raymond E.:
A Darkness at Sethanon
,
70
;
The King's Buccaneer
,
28
;
Magician
,
17
,
38
Fforde, Jasper,
Something Rotten
,
70
Fisher King figure,
13
,
178
,
183
â
91
,
219
,
258n30
,
258nn34
â
35
,
258n37
,
258
â
59n39
Fletcher, Charlie,
Stoneheart
,
23
Flieger, Verlyn,
106
â
7
,
138
,
140
folktales,
6
,
71
,
85
,
90
,
179
,
246n25
Ford, Jeffrey, “The Annals of Eelin-Ok,”
247n25
fuzzy set, fantasy as,
4
,
6
â
9
,
219
,
221
,
236n28
,
250n98
Gaiman, Neil,
23
,
71
,
222
,
236n33
,
247n38
;
Stardust
,
12
,
72
,
82
â
93
,
95
,
98
,
247n36
Gardner, Martin,
Visitors from Oz
,
27
,
241n57
Garner, Alan:
Elidor
,
178
;
The Weirdstone of Brisingamen
,
23
Garth, John,
200
Gate of Ivory
(also
Gate of Ivory, Gate of Horn
; Holdstock).
See
Holdstock, Robert
Genette, Gérard,
20
â
21
.
See also
paratexts
Gentle, Mary,
Grunts
,
259n50
Glotfelty, Cheryll,
3
Goldstein, Lisa,
13
,
178
,
190
â
94
,
214
,
236n33
Goodkind, Terry,
259n48
Granström, Erik,
Svavelvinter
,
236n34
Groos, Arthur,
258n34
hachures,
40
,
42
,
242n70
.
See also
hill signs
Hambly, Barbara,
The Magicians of Night
,
195
â
97
Hammond, Wayne G.,
108
happy endings,
64
,
179
,
182
.
See also
eucatastrophe
Hardy, Lyndon,
Master of the Sixth Magic
,
251n104
healing,
103
,
138
; and rulers,
139
â
40
,
179
â
80
,
182
,
187
,
190
,
256
â
57n11
Hedrick, Charles W., Jr.,
191
hells,
72
,
91
,
196
â
97
; in Dante,
14
,
18
,
20
,
74
,
196
â
97
,
212
; in Milton,
196
â
97
,
209
,
212
“Here be dragons” (expression),
39
,
85
â
86
Hickman, Tracy, Dragonlance Chronicles,
236n34
high fantasy,
2
,
42
,
250n98
; definition of,
10
; maps in:
14
â
15
,
22
â
23
,
65
,
223
; as pseudomedieval,
41
,
66
.
See also
portal-quest fantasy; immersive fantasy; secondary worlds