Hothouse Flower (4 page)

‘These items aren’t included in the actual sale,’ said the woman. ‘It’s general bric-a-brac, really. You can buy them now, they’re all individually priced.’

Julia picked up a dog-eared copy of
The Children’s Own Wonder Book
. She opened it and saw the date inside was 1926.

‘
To Hugo, from Grandmother, with love
.’

There was also a 1932 copy of
Wilfred’s Annual
and a copy of
Marigold Garden
by Kate Greenaway.

There was a poignancy about these books; over eighty years of Crawford children reading the stories inside as they grew up in the nursery somewhere above her. Julia decided to buy them for herself, preserve them for the lost children of Wharton Park.

There was a battered cardboard box full of prints to the left of the table. Julia leafed through them listlessly. Most were pen and ink lithographs, depicting the Fire of London, old ships and ugly houses. In amongst them was a worn brown envelope. She removed it from the box.

Inside the envelope was a set of watercolour paintings, each one depicting a different type of orchid.

The cream vellum on which they were painted was spotted with brown marks, and she surmised that the paintings were by an enthusiastic amateur, rather than a professional. Nevertheless, she thought, framed and mounted, they might look rather special. Each one had the Latin name of the orchid pencilled in below the stem.

‘How much are these?’ she asked the woman.

The woman took the envelope from her. ‘I don’t know. There doesn’t seem to be a price marked on them.’

‘Well, what if I gave you twenty pounds, five pounds for each of them?’ Julia suggested.

The woman looked at the tatty paintings. She shrugged. ‘I think we should say ten pounds for the lot, don’t you?’

‘Thank you.’ Julia took the money out of her purse, paid, then walked back through the room to rendezvous with Alicia, who was already waiting for her.

Alicia’s eyes alighted on the envelope and the books under Julia’s arm.

‘Find something?’ she asked.

‘Yes, I did.’

‘Let me see?’

‘I’ll show you when we get home.’

‘Okay,’ agreed Alicia. ‘I’m going to bid for the urn we saw earlier. It’s Lot Number Six, so hopefully we shouldn’t be here too long. The auction’s starting any minute.’

Julia nodded. ‘I’ll take a walk whilst I’m waiting for you. I need some fresh air.’

‘Right.’ Alicia dug in her handbag for her keys and gave them to Julia. ‘Just in case I’m delayed. Otherwise, I’ll see you by the front door in half an hour. You might have to help me carry my trophy down the steps.’

‘Thanks.’ Julia took the keys. ‘See you later.’

She wandered out of the room, along the corridor and into the entrance hall, which was now deserted. She stood and looked up at the cherubim on the ceiling. She glanced at the door that led towards the drawing room, housing the grand piano on which she had once played. It was standing open on the other side of the hall.

On a whim, she walked towards it, hesitated for a few seconds then stepped through it. The vast room was shrouded in dim January light. The unused furniture was still exactly as she remembered. She walked on through other rooms until eventually she arrived at the door to the drawing room.

There was no sun shining today through the long windows. The room was bitterly cold. She walked past the fireplace and the sofas, an unpleasant smell of mildew emanating from them, and towards the grand piano.

It was only then she noticed the tall figure, standing with his back to her, staring out of the window beyond the piano. Half of him was shrouded by the damask curtain – the outer fabric of which was now so delicate it was reminiscent of innards through paper-thin skin.

She froze where she stood, knowing immediately that she recognised him. He didn’t move; standing, statue-like, in repose. It was obvious he hadn’t heard her.

Understanding she was trespassing on a moment of private contemplation, Julia turned round and attempted to leave the room as quietly as she could.

She had reached the door when she heard him:

‘Can I help you?’

She turned back. ‘I’m sorry, I shouldn’t be in here.’

‘No, you shouldn’t.’ He stared at her. Then his eyebrows furrowed into a frown. ‘Don’t I know you?’

There was a good thirty feet of drawing room between them, but Julia remembered the thick, curly, chestnut hair, the slim body – which had filled out and grown by at least a foot since she had last seen it – and the same crooked mouth.

‘Yes. I … that is, we met many years ago,’ Julia stuttered. ‘I apologise. I’ll go.’

‘Well, well, well.’ His face melted into a smile of recognition. ‘It’s little Julia, the gardener’s granddaughter, now world-renowned concert pianist. I’m right, aren’t I?’

‘Yes, I’m Julia,’ she nodded, ‘though I’m not sure about the “world-renowned” bit …’

Kit raised his eyebrows. ‘Don’t be modest, Julia. I’ve a couple of your recordings. You’re famous! A “celebrity”! What on earth are you doing here? You must spend most of your life living in five-star hotel suites across the globe.’

Julia realised he obviously hadn’t heard.

‘I’m … visiting my father,’ Julia lied.

‘Well, we are honoured.’ Kit feigned a half-bow. ‘You’re my claim to fame. I tell everyone that I was one of the first ever to hear you play “Clair de Lune”. Rather fitting we should meet back in this room, at a time when this house is about to be sold.’

‘Yes. I’m sorry about that,’ she answered stiffly.

‘Don’t be. It’s all for the best. Aunt Crawford let it go to rack and ruin whilst she was living here, and my father hadn’t the money or the interest to sort it out. To be honest, I’m lucky I’ve found someone prepared to take it off my hands. It’s going to cost a fortune to restore.’

‘The Wharton Park Estate is yours, then?’ she asked.

‘Yes, for my sins, I’m afraid so. With Aunt Crawford and then my father dying recently, I’m next in line. The trouble is, all I inherit is a shedload of debts and a shitload of hassle. Anyway,’ he shrugged, ‘sorry to be so negative.’

‘I’m sure there must be a part of you that’s sad?’

They were still standing thirty feet apart. Kit dug his hands into his trouser pockets and walked over to her. ‘To be frank, on a personal level, no. I only came here for holidays when I was a kid so there’s no big emotional tie to the place. And playing Lord of the Manor isn’t really my thing. However, being the one who’s had to take the decision to sell up three hundred years of family history has admittedly given me a few sleepless nights. But what choice do I have? The estate’s in serious debt and I have to sell it to pay the creditors off.’

‘Are you selling the whole lot?’ she asked.

Kit swept a hand through his unruly hair and sighed. ‘I’ve managed to negotiate the old stable quadrangle where some of the workers used to live, plus a few meagre acres. There’s a separate path out on to the road which I can make usable, so I won’t have to use the main entrance to get in and out. My new home is a rather shabby cottage that has no central heating and a bad damp problem,’ he smiled. ‘But it’s better than nothing and I am renovating it. I think it’ll be okay when it’s finished.’

‘That’s where my grandparents lived and my mother was born,’ Julia said. ‘I never saw the cottages in the Quad as shabby or noticed the damp, but I suppose they were really.’

‘Of course!’ Kit reddened. ‘Christ, that makes me sound arrogant. Sorry to be patronising about them. Actually, the reason I fought to keep the Quad out of the sale is because I think it’s a very beautiful spot. Really,’ he emphasised, ‘I’m looking forward to living there. And hoping that, when I’ve finished renovating the rest of the barns and cottages around me, I can rent them out to provide some income.’

‘Don’t you have anywhere else to live?’

‘Like you, I’ve been abroad for a long time. I never quite got round to sorting out a home, somehow …’ Kit’s voice trailed off and he averted his gaze to the view out of the window. ‘And this neck of the woods doesn’t hold particularly good memories for me. I spent some pretty miserable summers here during my childhood.’

‘I used to love it here at Wharton Park.’

‘Well, it’s a fine old house, and the setting is magnificent,’ Kit agreed with reticence.

Julia studied him. She could see he had a deep tan but looked drawn and exhausted. Not knowing what else to say, she replied, ‘Well, I hope you’ll be happy in your new home. I’d better be going.’

‘And I suppose I must come and lurk at the back of the saleroom.’

They walked side by side through the darkened rooms towards the hall.

‘So,’ asked Kit companionably, ‘where are you living these days? Some vast penthouse overlooking Central Park, I shouldn’t doubt.’

‘Hardly. I’m staying in Blakeney, in a small, damp cottage I bought years ago, when everyone told me I had to put some money into property. I’ve been renting it out for the past eight years to holidaymakers.’

‘Surely you must have another home somewhere else?’ Kit frowned. ‘Celebrities don’t appear on the pages of glossy mags sitting in damp cottages in North Norfolk.’

‘I don’t do “glossy mags”,’ Julia countered defensively, ‘and it’s a … long story,’ she added, realising they were approaching the main entrance hall. There was an urgent question she needed to ask. ‘Are the hothouses still here?’

‘I don’t know,’ Kit shrugged. ‘To be honest, I haven’t been into the kitchen garden yet. There’s been rather a lot to do elsewhere.’

As they entered the hall, Julia could see her sister standing by the door with her urn, looking impatient.

‘There you are, Kit!’ A large woman with chestnut hair and deep-brown eyes just like his accosted them. ‘Where have you been? The auctioneer wants an urgent word with you about a vase. He thinks it might be Ming dynasty or some-such, and you should pull it out of the sale and have it valued by Sotheby’s.’

Julia saw a hint of irritation appear on Kit’s face. ‘Julia, meet Bella Harper, my sister.’

Bella’s eyes swept Julia up and down without much interest. ‘Hi,’ she said absently as she tucked her arm through Kit’s. ‘You need to speak to the auctioneer now,’ she told him firmly and pulled him off across the hall.

He turned back and gave Julia a fleeting smile. ‘Good to see you,’ he called and was gone.

Julia followed in his wake and walked across the hall to Alicia, who was staring at the departing figures.

‘How do you know
her
?’ Alicia asked curiously.

‘Who?’ asked Julia as she took the other end of the proffered urn and they carted it down the steps towards the car.

‘The ghastly Bella Harper, of course. I saw you talking to her just a few moments ago.’

‘I don’t. I only know her brother, Kit.’

They had reached the car and Alicia opened the boot to stow the urn inside. ‘You mean Lord Christopher Wharton, the heir to all this?’

‘Yes, I suppose that’s who he is now,’ Julia agreed. ‘But I met him years ago in this house, and bumped into him again just now.’

‘You’re a dark horse, Julia; you never said you’d met him when we were kids,’ frowned Alicia, moving an old mac to swaddle the urn and wedging it into the side. ‘Let’s hope this makes it home,’ she said, slamming the boot. They both climbed in and Alicia started the engine.

‘Fancy a quick drink and a sandwich at the pub?’ Alicia asked. ‘You can tell me all about how you met the delectable Lord Kit. Hope he’s more pleasant than his sister. I’ve met her a couple of times at local dinner parties and she treats me as though I’m still the gardener’s granddaughter. Thank heavens the closest male heir inherits the title. If Bella had been a man, there’d have been no stopping her!’

‘No … I don’t think Kit’s like that at all,’ said Julia softly. She turned to her sister. ‘Thanks for the offer, but if you don’t mind, I’d just like to go home now.’

Alicia read the exhaustion in her sister’s eyes. ‘Okay,’ she replied, ‘but we’re stopping at the shop on the way back and I’m buying you some supplies.’

Julia acquiesced, too weak to argue.

Alicia insisted that Julia sit on the sofa whilst she lit the fire and stowed away the food she had bought from the local Spar. For once, Julia didn’t mind being fussed around. The trip out – her first in weeks – had drained her. And returning to Wharton Park and seeing Kit had unsettled her.

Alicia appeared from the kitchen with a tray, which she placed in front of Julia. ‘I’ve made you some soup. Please drink it.’ She picked up the brown envelope that Julia had placed on the coffee table. ‘May I?’ she asked.

‘Of course.’

Alicia drew the paintings out of the envelope, laid them on the table and studied them. ‘They’re lovely,’ she said, ‘and the perfect gift for Dad. Will you frame them?’

‘If I can do it in time, yes.’

‘You are coming to us for his birthday lunch next Sunday, aren’t you?’ said Alicia.

Julia nodded reluctantly as she picked up her soup spoon.