Read How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life Online
Authors: Scott Adams
One day a
friend’s three-year-old was playing around on our tennis court
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along with a bunch of teenagers. Some kids were shooting baskets at the hoop on one end. A few kids were firing tennis balls at one another, and others were slapping volleyballs around. But the three-year-old was intensely practicing the art of hitting a tennis ball. He would bounce it once, lock his eyes on it, and swing the racket. He hit the ball a lot more often than you’d expect for a three-year-old, but that wasn’t the interesting part. I watched for several minutes as he worked alone, ignoring the older kids around him. He’s an otherwise social kid, but this simple task of hitting a tennis ball had all of his focus. He hit it again and again and again.
Then it got stranger. I decided to give him an impromptu lesson on the proper way to swing a racket. Remember, he was three. He barely had language skills. I asked for the racket, saying I wanted to show him how to swing, and amazingly—for a three-year-old—he handed it over. He looked at me and absorbed every word I said. I demonstrated how to hold the racket and how to swing. He tried it, and with some coaching he duplicated my swing, more or less. He was fully coachable at the age of three. Some adults—maybe most—never
have that capability. As I walked away, he went back to his solitary practice amid a foaming sea of teenagers. Again. Again. Again.
I know this kid well, and tennis is the fourth or fifth sport he’s picked up the same way. He watches how it’s done, on television or in person, and then he imitates and practices endlessly. I’ve never seen him get bored while practicing.
There’s no denying the importance of practice. The hard part is figuring out
what
to practice.
When I was a kid I spent countless bored hours in my bedroom on winter nights trying to spin a basketball on one finger. Eventually I mastered that skill, only to learn later that it has no economic value. In a similar vein, none of my past bosses has ever been impressed with my ability to juggle up to three objects for as long as fifteen seconds or to play Ping-Pong left-handed. I can also flip a pen in the air with one hand while swiping my other hand under it just as it takes off—which looks cooler than it sounds—then catch it cleanly after a full rotation. These and other skills have not served me well. It matters what you practice.
My observation is that some people are born with a natural impulse to practice things and some people find mindless repetition without immediate reward to be a form of torture. Whichever camp you’re in, it probably won’t change. It’s naive to expect the average person to embrace endless practice in pursuit of long-term success. It makes more sense to craft a life plan for yourself that embraces your natural inclinations, assuming you’re not a cannibal. Most natural inclinations have some sort of economic value if you channel them right.
The first filter in deciding where to spend your time is an honest assessment of your ability to practice. If you’re not a natural “practicer,” don’t waste time pursuing a strategy that requires it. You know you won’t be a concert pianist or a point guard in the NBA. That’s not necessarily a bad thing. You’re not doomed to mediocrity. You simply need to pick a life strategy that rewards novelty seeking more than mindless repetition. For example, you might want to be an architect, designer, home builder, computer programmer, entrepreneur, Web site designer, or even doctor.
All of those professions require disciplined study, but every class
will be different, and later on all of your projects will be different. Your skills will increase with experience, which is the more fun cousin of practice. Practice involves putting your consciousness in suspended animation. Practicing is not living. But when you build your skills through an ever-changing sequence of experiences, you’re alive.
The primary purpose
of schools is to prepare kids for success in adulthood. That’s why it seems odd to me that schools don’t have required courses on the systems and practices of successful people. Success isn’t magic; it’s generally the product of picking a good system and following it until luck finds you. Unfortunately, schools barely have the resources to teach basic course work. Students are on their own to figure out the best systems for success.
If we can’t count on schools to teach kids the systems of success, how will people learn those important skills? The children of successful people probably learn by observation and parental coaching. But most people are not born to highly successful parents. The average kid spends almost no time around highly successful people, and certainly not during the workday, when those successful people are applying their methods. The young are intentionally insulated from the
adult world of work. At best, kids see the television and movie versions of how to succeed, and that isn’t much help.
Books about success can be somewhat useful. But for marketing reasons, a typical book is focused on a single topic to make it easier to sell and packed with filler to get the page count up. No one has time to sort through that much filler.
When I speak to young people on the topic of success, as I often do, I tell them there’s a formula for it. You can manipulate your odds of success by how you choose to fill out the variables in the formula. The formula, roughly speaking, is that every skill you acquire doubles your odds of success.
Notice I didn’t say anything about the level of proficiency you need to achieve for each skill. I didn’t mention anything about excellence or being world-class. The idea is that you can raise your market value by being
merely good
—not extraordinary—at more than one skill.
In California, for example, having one common occupational skill plus fluency in Spanish puts you at the head of the line for many types of jobs. If you’re also a skilled public speaker (good but not great) and you know your way around a PowerPoint presentation, you have a good chance of running your organization. To put the success formula into its simplest form:
Good + Good > Excellent
Successwise, you’re better off being good at two complementary skills than being excellent at one. I’m ignoring the outlier possibility that you might be one of the best performers in the world at some skill or another. That can obviously be valuable too. But realistically, you wouldn’t be reading this book if you could throw a baseball a hundred miles per hour or compose hit songs in your head.
When I say each skill you acquire will double your odds of success, that’s a useful simplification. Obviously some skills are more valuable than others, and the twelfth skill you acquire might have less value than each of the first eleven. But if you think of each skill in terms of doubling
your chances of success, it will steer your actions more effectively than if you assume the benefit of learning a new skill will get lost in the rounding. Logically, you might think it would make more sense to have either an accurate formula for success or none at all. But that’s not how our brains are wired. Sometimes an entirely inaccurate formula is a handy way to move you in the right direction if it offers the benefit of simplicity. I realize that’s not an obvious point, so allow me to give you an example.
When writing a résumé, a handy trick you’ll learn from experts is to ask yourself if there are any words in your first draft that you would be willing to remove for one hundred dollars each. Here’s the simple formula:
Each Unnecessary Word = $100
When you apply the formula to your résumé, you surprise yourself by how well the formula helps you prune your writing to its most essential form. It doesn’t matter that the hundred-dollar figure is arbitrary and that some words you remove are more valuable than others. What matters is that the formula steers your behavior in the right direction. As is often the case, simplicity trumps accuracy. The hundred dollars in this case is not only inaccurate; it’s entirely imaginary. And it still works.
Likewise, I think it’s important to think of each new skill you acquire as a doubling of your odds of success. In a literal sense, it’s no more accurate than the imaginary hundred dollars per deleted word on your résumé, but it still helps guide your behavior in a productive direction. If I told you that taking a class in Web site design during your evenings might double your odds of career success, the thought would increase the odds that you would act. If instead I only offered you a vague opinion that acquiring new skills is beneficial, you wouldn’t feel particularly motivated. When you
accept without necessarily believing
that each new skill doubles your odds of success, you effectively hack (trick) your brain to be more proactive in your pursuit of success. Looking at the familiar in new ways can change your behavior even when the new point of view focuses on the imaginary.
I’m a perfect example of the power of leveraging multiple mediocre skills. I’m a rich and famous cartoonist who doesn’t draw well. At
social gatherings I’m usually not the funniest person in the room. My writing skills are good, not great. But what I have that most artists and cartoonists do not have is years of corporate business experience plus an MBA from Berkeley’s Haas School of Business. In the early years of
Dilbert
my business experience served as the fodder for the comic. Eventually I discovered that my business skills were essential in navigating
Dilbert
from a cult hit to a household name. My combined mediocre skills are worth far more than the sum of the parts. If you think extraordinary talent and a maniacal pursuit of excellence are necessary for success, I say that’s just one approach, and probably the hardest. When it comes to skills, quantity often beats quality.
This would be a good time to tell you what kind of student I was in Berkeley’s MBA program. In my first semester I often had the lowest grades in the class. I worked hard and rose to scholastic mediocrity through brute force. In the end, all that mattered is that I learned skills that complemented my other meager talents.
When I combined my meager business skills with my bad art skills and my fairly ordinary writing talent, the mixture was powerful. With each new skill, my odds of success increased substantially. But there was still one more skill I acquired in my day job at Pacific Bell that ended up mattering a lot: I knew about the Internet before most people had even heard of it.
My day job at Pacific Bell involved demonstrating a new thing called the World Wide Web, later known as the Internet, to potential customers. I saw the possibilities early, and when
Dilbert
stalled in newspaper sales, I suggested moving it to the Internet to generate more exposure, as sort of a backdoor marketing plan. I wanted people to read
Dilbert
online, then request it in their local newspapers. And that’s what happened.
Dilbert
was the first syndicated comic to run for free on the Internet, although in the beginning it ran a week behind newspapers. Today it’s hard to imagine that it ever seemed a huge risk to put
Dilbert
on the Internet for free. There were concerns that piracy would go through the roof (it did) and that newspapers would see the Internet as competition and cancel (none did). In the days when more exposure was a good thing, the piracy helped far more than it hurt.
My early comfort with technology helped me in another big way too. I was the first syndicated cartoonist to include my e-mail address in every strip. E-mail was still a geeky novelty in the early nineties,
and some of my business associates worried that client newspapers would consider my e-mail address a form of advertisement. But my business training told me I needed to open a direct channel to my customers and modify my product based on their feedback. That’s exactly what I did,
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making it a workplace-focused strip, as readers requested, and from there it took off.
Recapping my skill set: I have poor art skills, mediocre business skills, good but not great writing talent, and an early knowledge of the Internet. And I have a good but not great sense of humor. I’m like one big mediocre soup. None of my skills are world-class, but when my mediocre skills are combined, they become a powerful market force.
My sixteen years in corporate America added half a dozen other useful skills to the mix as well. I managed people, did contract negotiations, made commercial loans, wrote business plans, designed software, managed projects, developed systems to track performance, contributed to technology strategies, and more. I took company-paid classes in public speaking, time management, managing difficult people, listening, business writing, and lots of other useful topics. During my corporate career I finished my MBA classes in the evening while working full time. I was a learning machine. If I thought something might someday be useful, I tried to grasp at least the basics. In my cartooning career I’ve used almost every skill I learned in the business world.
Another huge advantage of learning as much as you can in different fields is that the more concepts you understand, the easier it is to learn new ones. Imagine explaining to an extraterrestrial visitor the concept of a horse. It would take some time. If the next thing you tried to explain were the concept of a zebra, the conversation would be shorter. You would simply point out that a zebra is a lot like a horse but with black and white strips. Everything you learn becomes a shortcut for understanding something else.
One of my lifelong practices involves reading about world events every day, sometimes several times a day. Years ago that meant reading a newspaper before work. Now it usually involves reading news
aggregator sites on my phone or tablet computer whenever I have a minute or two of downtime. The great thing about reading diverse news from the fields of business, health, science, technology, politics, and more is that you automatically see patterns in the world and develop mental hooks upon which you can hang future knowledge. The formula for knowledge looks something like this:
If your experience of reading the news is that it’s always boring, you’re doing it wrong. The simple entry point for developing a news-reading habit is that you read only the topics that interest you, no matter how trivial they might be. That effectively trains you to enjoy the time you spend reading the news, even if the only thing you look at involves celebrity scandals and sports. In time, your happy experience reading the news will make you want to enjoy it longer. You’ll start sampling topics that wouldn’t have interested you before. At first perhaps you’ll do little more than skim the headlines. But in time you’ll find yourself drawn in. It will feel easy and natural, which is the sign of a good system. If I had suggested starting every morning by reading the hard news in the
Wall Street Journal,
it would feel daunting for many people, and it’s unlikely you would follow through. A smarter approach is to think of learning as a system in which you continually expose yourself to new topics, primarily the ones you find interesting.
My one caution about reading the news every day is that it can be a huge downer if you pick the wrong topics. Personally, I try to avoid stories involving tragic events and concentrate on the more hopeful topics in science, technology, and business. I don’t ignore bad news, but I don’t dwell on it. The more time you spend exposing yourself to bad news, the more it will weigh on you and sap your energy. I prefer stories about breakthroughs in green technology, even knowing that 99 percent of those stories are pure bullshit. I don’t read the news to find truth, as that would be a foolish waste of time. I read the news to broaden my exposure to new topics and patterns that make my brain more efficient in general and to enjoy myself, because learning interesting things increases my energy and makes me feel optimistic. Don’t think of the news as information. Think of it as a source of energy.