Hurricane Dancers (5 page)

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Authors: Margarita Engle

BOOK: Hurricane Dancers
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like a madman,

with his endless,

rambling speeches

about swords

and ghosts.

Alonso de Ojeda

Talavera still thinks of me

as his helpless captive,

but once I conquer

these phantoms,

they will be glad to fight

at my side,

instead of battling

within me

and against me.

The pirate will soon

find himself

outnumbered.

Caucubú

While Naridó tries to catch

a few river fish for dinner,

I squeeze the bitter juice

from wild manioc tubers,

so that we can eat

toasted cassava bread

and live like humans

in our wild little village

of two.

We are happy together,

yet lonely also,

aware of distance

and time.

Our families are so far away,

and the sea of days we knew

when we were younger

has grown tangled with chores

and exhaustion.

Naridó

Without a canoe,

I have lost my rough power.

I lack the magic of swiftness,

the ability to glide toward fish

that can never swim fast enough

to escape.

So I sit by a stream, wondering

how we will survive on our own,

and then I see him, the storm-boy,

my born-of-wind friend.

He races on towering legs.

He has grown two-headed,

with a feathery crest and flowing tail.

He seems to fly—he must be

part bird or part spirit.

Quebrado

Turey is the one who finds them

with her sensitive nose

and swiveling ears.

I leap off her back,

to help my friends understand

that I have not changed.

At first, Caucubú looks frightened,

but Naridó reminds her that my father

rode a marvelous four-legged beast

in the tale I chanted when the pirate

first appeared in the cave of dancers.

Caucubú smiles and agrees

that hurricane songs are often filled

with impossible dreams

that turn out to be real.

Caucubú

The storm-boy and his sky beast

make the forest seem even more

remote and eerie than before,

but a little less lonely too,

and more exciting.

He teaches us how to ride Turey,

and she carries all three of us

on her sturdy back to a red tree

that resembles

an upright canoe.

Yearning fills Naridó's eyes

as soon as he sees the tree

and hears the leaves whisper.

He is eager to carve a new boat,

to keep our hopes

from sinking.

Quebrado

I long to stay hidden forever,

carving boats and dreaming

of safety.

On clear nights,

I climb to the highest branch

of the tallest tree.

I perch like a hawk,

close to the pictures

made by stars.

The glittering shapes

of mermaids and centaurs

help me imagine

distant life.

Quebrado

Imagining

turns into a circle

of possibilities

that leap and spin

in my mind.

Are there villages

beyond the eastern swamp?

What if the pirate and Ojeda

survived?

Would a song-story hero

race to warn the people

who live in that land

of far light?

I have a horse.

I can fly.…

Part Six

Far Light

Bernardino de Talavera

When we are hovering

on the very edge of starvation,

natural
warriors appear

like spear-bearing angels.

They lead us

out of the swamp

and into their heaven

of thatched huts.

We are joyful with feasting

and magical cures.

Alonso de Ojeda

The coral cuts on Talavera's hands

are quickly mended, and even

my poisoned leg is healing.

Each evening, we sit around

the
barbacoa
fire, where natives

offer us our fill of lobster, shark,

and crocodile.

I still wear my armor

and my amulet, along with fangs

and claws from all the beasts

I have swallowed.

Soon, I will seize a canoe

from this generous tribe,

and the ghosts will serve

as my oarsmen.…

Quebrado

Balanced on Turey's back,

I creep through forests

and canter across grasslands,

skirting swamps until I finally reach

an open coast

of leaping waves

and twirling dolphins.

As I gallop

along sandy beaches,

the land, sea, and air

feel like one.

My fear of the shore

has been transformed

into exhilaration.

No one can capture

and cage

a horseman.

Alonso de Ojeda

Voices, vultures, faces, hands …

and now an avenging phantom

galloping toward me …

All the ghosts are happy to see

this mounted specter.

They must know that he will speak

in their language of sighs,

revealing my past to the village,

announcing that I am a killer

of chieftains.

So I rush, I charge, I clasp

the horseback phantom's

narrow wrist.

He twirls away

from my weakened grip,

and when he glances

into my eyes,

I see that he is real,

just the broken boy

from the pirate's

storm-swallowed ship.

Without my sword,

all I have is a sliver of shell

from the beach,

so I struggle

to use its sharp edge

as a knife blade,

to slice away

the boy's

defiant fingers.

Without hands,

he will never be able to hold

reins to guide horses

meant for knights.…

Bernardino de Talavera

I yank Ojeda away from the boy,

but it is too late to stop

this disaster.

Warriors surround me,

even though the boy is unharmed,

his hand intact.

Ojeda's rough madness

has turned our rescuers

into attackers.

With spears at my throat

I remain silent, hoping to evade

any appearance of sharing

the madman's

useless rage.

Quebrado

Villagers subdue both men

at spear point, while I canter

wide circles

around the edge

of chaos.

I never imagined that the pirate

would try to protect me,

not even in a futile attempt

to protect himself.

All around me,

there is turmoil.

No one in this village

has ever seen any creature

the size of a horse.

Alonso de Ojeda

The boy displays a mounted dance

of horseback leaps and pirouettes

that convince me he is a master

of spells.

If I ever reach any Spanish town,

I will see this strange boy

and all my other

natural
phantoms

burned at the stake.

I will see Talavera

hanged by the neck.

I will see my own name

on every proud map

of impossible islands

and perilous continents.

Bernardino de Talavera

The prancing mare

and the broken boy's

two languages

must seem like magic

to the chieftain

and the healers.

While Ojeda and I

are held prisoner,

the boy is free

to tell the same tale

that condemned us

once before.

This time, I fear

his words might kill us.

Quebrado

After dancing and sphere games,

the village
cacique
is willing

to execute my enemies,

or banish them forever.

The choice is mine.

Heroes in songs make easy decisions.

They kill without conscience,

but in real life, deciding is torment.

I think of my father at the moment

when he resolved to leave the army.

I remember my mother's people,

who settled disputes by trading names,

a peace pact that turned rivals into friends,

offering everyone a fresh start.

I think of the quiet times

between hurricanes.

I dream of the peace

in a forest.

Bernardino de Talavera

We row away from the island,

arguing about who will be captain.

I imagine Ojeda thinks

he has captured the whole world

in this tiny canoe,

but we are alone

in our exile.

We have nothing left

but oars and the sea,

endless distance …

endless time.…

Yacuyo

As soon as I am alone

on a sunlit beach,

I shed all my old names,

both the gentle ones

given by my parents,

and the rough names

I received from my life

as a ship's slave

in hurricane season.

I choose the name

of a place—Yacuyo,

“Far Light.”

The name glows brightly.

It carries me galloping

on my sky horse

all the way back

to the sheltering forests

of high mountains

where I have friends

and a home.

I no longer feel

like Quebrado,

a broken place,

half floating isle

and half

wandering wind.

I am free

of all those old

shattered ways

of seeing myself.

I am whole.

AUTHOR'S NOTE

I became fascinated by the first Caribbean pirate shipwreck while researching my own family history. One of my ancestors was a Cuban pirate who used his treasure to buy the cattle ranch where many generations of my mother's family were born. It was a ranch I loved visiting when I was a child. I especially loved riding horses.

The 1511 Spanish conquest of Cuba came so close to genocide that most historians regard Cuban Indians as extinct.

While researching this story, I learned that throughout the sixteenth and seventeenth centuries, the region around my ancestors' ranch was known as
un pueblo indio
, “an Indian community.” I became a subject of the Cuban DNA Project, and discovered that I carry a genetic marker verifying tens of thousands of years of maternal Amerindian ancestry.

I am a descendant of countless generations of women like Caucubú. Indigenous Cubans do survive in body, as well as spirit.

HISTORICAL NOTE

Characters and Events

This book is a fictional account of historical events that were variously recorded by early chroniclers as having taken place in 1509 or 1510. Quebrado is an invented character. The others are historical figures, but I have imagined numerous details.

During the Age of Exploration, an estimated one of every seven vessels that left Europe sank or was wrecked by storms.

In the early years of the Spanish conquest, horsemanship was forbidden to natives of the Americas, who were only allowed to ride donkeys. Indians who defied the ban became some of the world's finest horsemen. The speed offered by horses allowed some to reach mountain hideouts, where they had a chance of survival.

Bernardino de Talavera was an impoverished conquistador who had worked all the Indians on his land grant to death. To avoid debtors' prison, he stole a ship and became the first pirate of the Caribbean Sea.

Alonso de Ojeda (also spelled Hojeda) arrived in the New World on the second voyage of Columbus in 1493. Ojeda led the brutal conquest of Hispaniola, and became notorious for his cruelty. He was one of the first Europeans to capture Indians and sell them as slaves. He led an expedition to South America that included Amerigo Vespucci, for whom the Americas are named. As governor of Venezuela, Ojeda was wounded by a poisoned arrow. Desperate for help, he accepted a ride from Talavera, who took him prisoner. The pirate and his hostage were shipwrecked together off the south coast of Cuba. After encounters with Indians and an ordeal in the swamps, they reached Jamaica in a canoe. Talavera was hanged for piracy, and Ojeda settled in Santo Domingo. According to legend, Ojeda ended his days as a mad pauper who asked to be buried under the doorway of a monastery, so that all who entered would step on his bones.

Caucubú was the daughter of a Ciboney (also spelled Siboney) chieftain. When she fell in love with a fisherman called Naridó, her father disapproved. She hid in a cave to avoid an arranged marriage.

Some of the caves of Trinidad de Cuba are now nightclubs for modern salsa dancers. In La Cueva Maravillosa (The Cave of Marvels) there is a fountain honoring Caucubú, who is said to grant wishes. People claim that on moonlit nights she can be seen near the mouth of the cavern, surrounded by fruit and flowers as she waits for Naridó.

Culture and Language

Cuba's Taíno and Ciboney Indians spoke closely related dialects, performed ceremonial round dances, and shared a belief in spirits of the forest, sea, and sky. Peace between neighboring tribal groups was maintained through diplomatic marriages, a ritual precursor of soccer, and name trading, a practice that gave enemies a fresh start.

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