Jane Austen (8 page)

Read Jane Austen Online

Authors: Andrew Norman

BOOK: Jane Austen
7.74Mb size Format: txt, pdf, ePub

On 26 October 1813 Jane, in a letter to Cassandra from Godmersham Park, clearly believed that Edward had made a bad match:

We have had another of Edward Bridges’ Sunday visits. – I think the pleasantest part of his married Life, must be the Dinners & Breakfasts & Luncheons & Billiards that he gets in this way at Gm [Godmersham Park]. Poor Wretch! He is quite the Dregs of the Family as to luck.
8

Notes

1.­
Letter from Caroline Austen to James E. Austen-Leigh, 1 April 1869, in R.W. Chapman,
Jane Austen’s Letters to her Sister Cassandra
, p. 57.

2.­
Letter from Jane Austen to Cassandra Austen, 17 November 1798.

3.­
James E. Austen-Leigh,
A Memoir of Jane Austen
, p. 186.

4.­
Jane Austen Society,
Collected Reports
, 1982, p. 210.

5.­
Letter from Jane Austen to Cassandra Austen, 5 September 1796.

6.­
Letter from Jane Austen to Cassandra Austen, 27 August 1805.

7.­
Letter from Jane Austen to Cassandra Austen, 20 November 1808.

8.­
Letter from Jane Austen to Cassandra Austen, 26 October 1813.

The novel began life as
First Impressions
(written by Jane between October 1796, when she was aged 21, and August 1797). It was revised in 1812, renamed
Pride and Prejudice
and published in January 1813 by Thomas Egerton.

Mr Bennet and his wife have five daughters and it is Elizabeth, the second of them, who is the principal character in the story. Of the other daughters, Jane, the eldest, makes the acquaintance of a Mr Bingley who rents a neighbouring country house and Lydia meets army officer Mr Wickham of the local militia. The book begins with the famous line, ‘It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife’.

There is an abundance of humour in the story, beginning in the very first chapter with Mrs Bennet telling Mr Bennet that he has no compassion on her ‘poor nerves’. To which he replies:

You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.

At a ball, Mr Bingley introduces the assembled company to Mr Darcy who:

… soon drew the attention of the room by his fine, tall person, handsome features, noble mien; and the report which was in
general circulation within five minutes after his entrance, of his having ten thousand [pounds] a year.

However:

his manners gave a disgust which turned the tide of his popularity; for he was discovered to be proud, to be above his company, and above being pleased.

This is Jane Austen laying down the acceptable standards of good manners by which a prospective husband should be judged. Meanwhile, Lydia pursues the officers of the local militia with gusto. ‘If we make haste, perhaps we may see something of Captain Carter before he goes’.

Mr Bennet’s cousin and heir to the estate – which includes the abode of the Bennets (property in those days always descending through the male line) – is Mr Collins, a clergyman whose patroness is Lady Catherine de Bourgh, Darcy’s aunt. Collins is described as having originally possessed ‘great humility of manner’, but this was now ‘a good deal counteracted by the self-conceit of a weak head’. He declares admiringly that, ‘he had never in his life witnessed such behaviour in a person of rank – such affability and condescension, as he had himself experienced from Lady Catherine’.

A favourite device of Jane Austen’s is to place her hero – e.g. Darcy – in the position of being wrongly accused of some misdemeanour. This is so in
Pride and Prejudice
, where Wickham confides to Elizabeth Bennet that Darcy had failed to honour a promise he made; the promise being that he would provide for Wickham after his father’s death. (Mr Darcy Senior being Wickham’s godfather).

 

When Mr Collins makes a proposal of marriage to the unsuspecting Elizabeth, he gives his reasons for marrying as:

… first, that I think it a right thing for every clergyman in easy circumstances to set the example of matrimony in his parish. Secondly, that I am convinced it will add very greatly to my happiness; and thirdly … that it is the particular advice and recommendation of the very noble lady whom I have the honour of calling patroness [i.e. Lady Catherine de Bourgh].

Needless to say, Elizabeth summarily declines his offer. Elizabeth’s mother, who is extremely disappointed by her daughter’s decision, now gives her an ultimatum in regard to her refusal of Mr Collins. Upon this ultimatum Elizabeth’s father makes the following comment:

An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. – Your mother will never see you again if you do not marry Mr Collins, and I will never see you again if you do.

Mr Collins speaks in glowing terms about Lady Catherine’s home ‘Rosings’, and in sycophantic terms about the lady herself. When the Bennets are invited to ‘Rosings’ for a meal, he expresses the hope that ‘so many servants, and so splendid a dinner might not wholly overpower them’. As for their attire:

I would advise you merely to put on whatever of your clothes is superior to the rest, there is no occasion for any thing more. Lady Catherine will not think the worse of you for being simply dressed. She likes to have the distinction of rank preserved.

When the Bennets are introduced to Lady Catherine they find her to be a highly opinionated woman. Elizabeth, however, is not to be put down. When her ladyship expresses astonishment that the younger Bennet sisters are ‘out’ [i.e. have entered
society] before the elder ones are married, Elizabeth argues that this was not a sufficient reason for the younger ones to be denied ‘their share of society and amusement’. When Lady Catherine tells Elizabeth that she will never play the pianoforte really well unless she practises more, even Darcy looks ‘a little ashamed of his aunt’s ill-breeding’. In other words, simply because Lady Catherine is who she is, this does not excuse her for being ill-mannered.

Elizabeth shows a similar determination not to be intimidated, this time by Darcy who approaches the pianoforte as she is playing and singing:

You mean to frighten me, Mr Darcy, by coming in all this state to hear me? But I will not be alarmed … There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.

Darcy falls in love with Elizabeth and tells her ‘how ardently I admire and love you’. He also declares that, ‘his sense of her [social] inferiority’ causes him to be apprehensive and anxious. This, to Elizabeth, is like a red rag to a bull:

I might as well enquire why with so elegant a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character?

Needless to say, Elizabeth refuses his proposal, just as previously she had refused the proposal of Mr Collins. However:

the tumult of her mind was now painfully great. She knew not how to support herself, and from actual weakness sat down and cried for half an hour.

In discussing marriage, Elizabeth gives the relationship between her father and mother, Mr and Mrs Bennet, as an example of the pitfalls which may be encountered on entering that state of union:

Her father, captivated by youth and beauty, and that appearance of good humour which youth and beauty generally give, had married a woman whose weak understanding and illiberal mind, had very early in their marriage put an end to all [of his] real affection for her. Respect, esteem, and confidence, had vanished forever, and all his views of domestic happiness were overthrown.

Meanwhile, Elizabeth’s sister Jane, who has formed a romantic attachment to Bingley, learns that the latter has gone to London and will not be returning for some time. When Elizabeth discovers that Darcy has ‘lately saved a friend’ from a young lady against whom he [Darcy] had ‘strong objections’, she guesses that this is a reference to Bingley and her sister Jane, and she is greatly distressed.

When Darcy writes to Elizabeth explaining the truth about Wickham – that the latter had behaved extravagantly and dissolutely, and had attempted to elope with Darcy’s sister Georgiana – she sees the error of her ways. Her behaviour, she says, has been ‘blind, partial, prejudiced, absurd. How despicably have I acted! I, who have prided myself on my discernment!’

Elizabeth learns that her younger sister Lydia has eloped with Wickham and she feels guilty that she had been blind to the latter’s true character. Not only that, but the event has wider implications:

Her [Elizabeth’s] power was sinking; every thing must sink under such a proof of family weakness, such an assurance of the deepest disgrace.

And because of this disgrace, she honestly feels that even though she could have loved Darcy, in these new and tragic circumstances ‘all love must be in vain’. Mr Collins does not make matters easier when he writes to Mr Bennet about the elopement in a most unchristian way: ‘The death of your daughter would have been a blessing in comparison of this.’ When Lydia and Wickham are finally located, they consent to be married under the terms of an arrangement to be made with Mr Bennet, whereby the latter is to make a financial settlement on his daughter. It later transpires that Darcy had played a key role in persuading Wickham to marry, by purchasing for him a commission in the regular army, and also providing the sum of
£
1,000 for Lydia’s dowry.

A subsequent meeting between Elizabeth and Wickham is cordial, in accordance with Jane Austen’s philosophy that there is no such thing as a permanent enemy and life must go on, wherever possible, in peaceful co-existence. Elizabeth says, ‘Come, Mr Wickham, we are brother and sister, you know. Do not let us quarrel about the past. In future, I hope we shall be always of one mind’, whereupon he kisses her proffered hand ‘with affectionate gallantry’.

A meeting with Lady Catherine provides Elizabeth with another opportunity of demonstrating her independence of spirit. When Elizabeth is asked to promise that she will never enter into an engagement with Darcy her response is: ‘I will make no promise of the kind. I am not to be intimidated into anything so wholly unreasonable.’ Her ladyship then tells her that she is an ‘unfeeling and selfish girl’. To which Elizabeth retorts:

I am only resolved to act in that manner, which will, in my own opinion, constitute my happiness, without reference to
you
, or to any person so wholly unconnected with me.

When Darcy and Elizabeth take a walk together it is he who now expresses regret. The recollection of his conduct and manners, he says:

… has been many months, inexpressibly painful to me. Your reproof, so well applied, I shall never forget: ‘Had you behaved in a more gentleman like manner.’ Those were your words. You know not, you can scarcely conceive, how they have tortured me …

Darcy also confesses to Elizabeth what she had already guessed: that he
had
interfered in the courtship of Bingley and her sister Jane; an interference which he now describes as ‘absurd and impertinent’. Darcy had, at first, thought that Jane was indifferent to Bingley. However, he later changed his mind and now, being convinced of their affection he ‘felt no doubt of their happiness together’. The story ends happily with the marriage of the two sisters: Elizabeth to Darcy, and Jane to Bingley.

 

In
Pride and Prejudice
, the heroine Elizabeth, highly conventional in many ways, is highly avant-garde in others. She sees no reason to suppose that Darcy is in any way her superior, simply because he is an aristocratic and landed person. Neither does she consider that his aunt, Lady Catherine de Bourgh, simply because of her status in society, has any right to make judgements about Elizabeth’s younger sisters, or to interfere in her choice of a partner. In other words, a mere difference in social status should not take precedence over the love which two people feel for one another.

Other books

Seven Point Eight by Marie A. Harbon
Zeus (Frozen Origin) by Dawn, Crystal
Stealing Time by Elisa Paige
Dead By Nightfall by Beverly Barton
The Trojan Colt by Mike Resnick
Gideon's Redemption by Maddie Taylor
Jungle Crossing by Sydney Salter
The End of the Point by Elizabeth Graver