Just One Look (2004) (12 page)

Carl Vespa had arrived.

Despite his rumored vocation, Carl Vespa did not dress in Sopranos-style velour or shiny, sealant-coated suits. He preferred khakis, Joseph Abboud sports coats, and loafers sans socks. He was mid-sixties but looked a solid decade younger. His hair was tickling-the-shoulders long, the color a distinguished shade of blond-gone-to-gray. His face was tanned and had the sort of waxy smoothness that suggests Botox. His teeth were aggressively capped, as if the front cuspids had taken growth hormones.

He nodded an order at the whippetlike driver and approached the house on his own. Grace opened the door to greet him. Carl Vespa gave her the toothy dazzler. She smiled back, glad to see him. He greeted her with a kiss on the cheek. No words were exchanged. They didn't need them. He held both her hands and looked at her. She could see his eyes start to well up.

Max moved to his mother's right. Vespa let go and took a step back.

"Max," Grace began, "this is Mr. Vespa."

"Hello, Max."

"That your car?" Max asked.

"Yes."

Max looked at the car, then at Vespa. "Got a TV inside?"

"It does."

"Whoa."

Cora cleared her throat.

"Oh, and this is my friend, Cora."

"Charmed," Vespa said.

Cora looked at the car, then at Vespa. "You single?"

"I am."

"Whoa."

Grace repeated the baby-sitting instructions for the sixth time. Cora pretended to listen. Grace gave her twenty dollars to order pizza and that cheesy bread Max had become enamored with of late. A classmate's mom would bring Emma home in an hour.

Grace and Vespa headed toward the limousine. The rat-faced driver had the door opened and at the ready. Vespa said, "This is Cram," gesturing to the driver. When Cram shook her hand, Grace had to bite back a scream.

"A pleasure," Cram said. His smile brought on visions of a Discovery Channel documentary on sea predators. She slid in first and Carl Vespa followed.

There were Waterford glasses and a matching decanter half-filled with a liquid that appeared both caramel and luxurious. There was, as noted, a television set. Above her seat was a DVD player, multiple CD player, climate controls, and enough buttons to confuse an airline pilot. The whole thing--the crystal, the decanter, the electronics--was overstated, but maybe that was what you wanted in a stretch limousine.

"Where are we going?" Grace asked.

"It's a little hard to explain." They were sitting next to each other, both facing forward. "I'd rather just show it to you, if that's okay."

Carl Vespa had been the first lost parent to loom over her hospital bed. When Grace first came out of the coma, his was the first face she saw. She had no idea who he was, where she was, what day it was. More than a week was gone from her memory banks. Carl Vespa ended up sitting in her hospital room for days on end, sleeping in the chair next to her. He made sure that plenty of flowers surrounded her. He made sure that she had a good view, soothing music, enough pain medication, private nursing. He made sure that once Grace was able to eat, the hospital staff didn't give her the standard slop.

He never asked her for details of that night because, in truth, she really could not provide any. Over the next few months they talked for countless hours. He told her stories, mostly about his failures as a father. He had used his connections to get into her hospital room that first night. He had paid off security--interestingly enough, the security firm at the hospital was actually controlled by organized crime--and then he had simply sat with her.

Eventually other parents followed his lead. It was weird. They wanted to be around her. That was all. They found comfort in it. Their child had died in Grace's presence and it was as if maybe a small part of their souls, their forever-lost son or daughter, somehow still lived inside of her. It made no sense and yet Grace thought that maybe she understood.

These heartbroken parents came to talk about their dead children, and Grace listened. She figured that she owed them at least that much. She knew that these relationships were probably unhealthy, but there was no way she could turn them away. The truth was, Grace had no family of her own. She'd thrived, for a little while at least, on the attention. They needed a child; she needed a parent. It wasn't that simple--this malaise of cross-projection--but Grace wasn't sure she could explain it any better.

The limo headed south on the Garden State Parkway now. Cram flipped on the radio. Classical music, a violin concerto from the sound of it, came through the speakers.

Vespa said, "You know, of course, that the anniversary is coming up."

"I do," she said, though she had done her best to ignore it all. Fifteen years. Fifteen years since that awful night at the Boston Garden. The papers had run all the expected "Where Are They Now?" commemorative pieces. The parents and survivors all handled it differently. Most participated because they felt it was one way to keep the memory of what happened alive. There had been heart-wrenching articles on the Garrisons and the Reeds and the Weiders. The security guard, Gordon MacKenzie, who was credited with saving many by forcing open locked emergency exits, now worked as a police captain in Brookline, a Boston suburb. Even Carl Vespa had allowed a picture of him and his wife, Sharon, sitting in their yard, both still looking as if someone had just hollowed out their insides.

Grace had gone the other way. With her art career in full swing, she did not want even the appearance of capitalizing on the tragedy. She had been injured, that was all, and to make more of it than that reminded her of those washed-up actors who come out of the woodwork to shed crocodile tears when a hated costar suddenly died. She wanted no part of it. The attention should be given to the dead and those they left behind.

"He's up for parole again," Vespa said. "Wade Larue, I mean."

She knew, of course.

The stampede that night had been blamed on Wade Larue, currently a resident of Walden Prison outside Albany, New York. He was the one who fired the shots creating the panic. The defense's claim was interesting. They argued that Wade Larue didn't do it--forget the gun residue found on his hands, the gun belonging to him, the bullet match to the gun, the witnesses who saw him fire--but if he did do it, he was too stoned to remember. Oh, and if neither of those rationales floated your boat, Wade Larue couldn't have known that firing a gun would cause the death of eighteen people and the injury of dozens more.

The case proved to be controversial. The prosecutors went for eighteen counts of murder, but the jury didn't see it that way. Larue's lawyer ended up cutting a deal for eighteen counts of manslaughter. Nobody really worried too much about sentencing. Carl Vespa's only son had died that night. Remember what happened when Gotti's son was killed in a car accident? The man driving the car, a family man, has never been heard from again. A similar fate, most agreed, would befall Wade Larue, except this time, the general public would probably applaud the outcome.

For a while, Larue was kept isolated in Walden Prison. Grace didn't follow the story closely, but the parents--parents like Carl Vespa--still called and wrote all the time. They needed to see her every once in a while. As a survivor, she had become a vessel of some sort, carrying the dead. Putting aside the physical recuperation, this emotional pressure--this awesome, impossible responsibility--was a big part of the reason for Grace's going overseas.

Eventually Larue had been put in general population. Rumor had it he was beaten and abused by his fellow inmates, but for whatever reason, he lived. Carl Vespa had decided to forgo the hit. Maybe it was a sign of mercy. Or maybe it was just the opposite. Grace didn't know.

Vespa said, "He finally stopped claiming total innocence. Did you hear that? He admits he fired his gun, but that he just freaked out when the lights went out."

Which made sense. For her part, Grace had seen Wade Larue only once. She had been called to testify, though her testimony had nothing to do with guilt and innocence--she had almost no memory of the stampede, never mind who fired the gun--and everything to do with inflaming the passion of the jury. But Grace didn't need revenge. To her Wade Larue was stoned out of his mind, a souped-up punk more worthy of pity than hate.

"Do you think he'll get out?" she asked.

"He has a new lawyer. She's damn good."

"And if she gets him released?"

Vespa smiled. "Don't believe everything you read about me." Then he added, "Besides, Wade Larue isn't the only one to blame for that night."

"What do you mean?"

He opened his mouth and then fell silent. Then: "It's like I said. I'd rather show you."

Something about his tone told her to change subjects. "You said you were single," Grace said.

"Pardon?"

"You told my friend you were single."

He waved his finger. No ring. "Sharon and I divorced two years ago."

"I'm sorry to hear that."

"It hasn't been right for a long time." He shrugged, looking off. "How is your family?"

"Okay."

"I sense some hesitation."

She may have shrugged.

"On the phone, you said you needed my help."

"I think so."

"So what's wrong?"

"My husband . . ." She stopped. "I think my husband is in trouble."

She told him the story. His eyes stayed straight ahead, avoiding her gaze. He nodded every once in a while, but the nods seemed strangely out of context. His expression didn't change, which was strange. Carl Vespa was usually more animated. After she stopped talking, he didn't say anything for a long time.

"This photograph," Vespa said. "Do you have it with you?"

"Yes." She handed it to him. His hand, she noticed, had a small quake. Vespa stared at the picture for a very long time.

"Can I keep this?" he asked.

"I have copies."

Vespa's eyes were still on the images. "Do you mind if I ask you a few personal questions?" he asked.

"I guess not."

"Do you love your husband?"

"Very much."

"Does he love you?"

"Yes."

Carl Vespa had only met Jack once. He had sent a wedding gift when they got married. He sent gifts on Emma's and Max's birthday too. Grace wrote him thank-you notes and gave the gifts to charity. She didn't mind being connected to him, she guessed, but she didn't want her children . . . what was the phrase? . . . tainted by the association.

"You two met in Paris, right?"

"Southern France, actually. Why?"

"And how did you meet again?"

"What's the difference?"

He hesitated a second too long. "I guess I'm trying to learn how well you know your husband."

"We've been married ten years."

"I understand that." He shifted in his seat. "You were there on vacation when you met?"

"I don't know if I'd call it a vacation exactly."

"You were studying. You were painting."

"Yes."

"And, well, mostly you were running away."

She said nothing.

"And Jack?" Vespa continued. "Why was he there?"

"Same reason, I guess."

"He was running away?"

"Yes."

"From what?"

"I don't know."

"May I state the obvious then?"

She waited.

"Whatever he was running from"--Vespa gestured toward the photograph--"it caught up to him."

The thought had occurred to Grace too. "That was a long time ago."

"So was the Boston Massacre. Your running away. Did it make it go away?"

In the rearview mirror she saw Cram glance at her, waiting for an answer. She kept still.

"Nothing stays in the past, Grace. You know that."

"I love my husband."

He nodded.

"Will you help me?"

"You know I will."

The car veered off the Garden State Parkway. Up ahead, Grace saw an enormous bland structure with a cross on it. It looked like an airplane hangar. A neon sign stated that tickets were still available for the "Concerts with the Lord." A band called Rapture would be playing. Cram pulled the limo into a parking lot big enough to declare statehood.

"What are we doing here?"

"Finding God," Carl Vespa said. "Or maybe His opposite. Let's go inside, I want to show you something."

This was nuts, Charlaine thought.

Her feet moved steadily toward Freddy Sykes's yard without thought or emotion. It had crossed her mind that she could be raising the danger stakes out of desperation, hungry as she was for any kind of drama in her life. But okay, again, so what? Really, when she thought about it, what was the worst that could happen? Suppose Mike did find out. Would he leave her? Would that be so bad?

Did she want to get caught?

Oh, enough with the amateur self-analysis. It wouldn't hurt to knock on Freddy's door, pretend to be neighborly. Two years ago, Mike had put up a four-foot-high stockade fence in the backyard. He had wanted one higher, but the town ordinance wouldn't allow it unless you owned a swimming pool.