Legal Thriller: Michael Gresham: Secrets Girls Keep: A Courtroom Drama (Michael Gresham Legal Thriller Series Book 2) (4 page)

W
e take
Clark north to South State Street, then jag over west, then north again for several blocks until we reach Wendover Field. On the way over, I receive a call from the Cook County Jail. Tom Meekins has been booked and is currently single-celled. He is under medical watch. The jail psychiatrist and jail physician will see him this evening. I am relieved and end the call.

At Wendover Field, we pull into the parking lot. Police cars and crime scene vans are everywhere. Photographers and CSI's can be seen working in the bright light under the stands where portable light stands have been arranged in a circle. Father Bjorn and I walk up to the east end of the structure, where we encounter crisscrossing yellow crime scene tape and two uniformed officers checking IDs for those seeking entrance to the crime scene. We're given rude once-overs by the cops.

"Hey," I say to the biggest cop, "We're here to check out the crime scene. Can that happen?"

He continues to scowl at me. I look beyond him at the activity under the bleachers.

There are no ambulances and no vehicles from the M.E.'s office, so it's a safe bet that her body has been removed. The M.E.'s group is a tight-knit, proud staff and my guess is that we will get very little, if anything, out of them. As a result of a 1972 referendum, the Office of the Medical Examiner of Cook County was established and the Office of the Coroner was abolished. The Office is the only Medical Examiner system in Illinois and covers half the population of the state. Of all state agencies, it is the most closed-mouthed.

I remove my state bar ID and flip open my wallet. The nearest cop looks over my proffering.

"What is this, counselor," he asks, "some kind of joke?"

I flip my wallet and slip it back inside my suit coat.

'No joke. I'm Michael Gresham. I would like an opportunity to view the scene."

The cop elbows his buddy and they share a laugh.

"Didja hear the one about the lawyer who goes into the bar and asks for a cup of coffee?" says Cop One.

"No," says Cop Two, the stooge.

"Bartender asks him what he orders when he goes to the coffee shop. Lawyer says he orders coffee there. Bartender asks him why he's ordering coffee in a bar. Lawyer says--"

"Wait," I break in. "Is this the one about the lawyers on the bottom of the sea? Or is it the one about how many lawyers it takes to change a light bulb? Is your supervisor around, officer?"

Cop One scowls at me. "Move it back, sir, please. You're impeding the investigation standing there."

"Please use your shoulder mike and get your supervisor over here. I just want to view the crime scene. It's my client who's been arrested. That's all I'm asking for."

He rolls his eyes and speaks into his shoulder mike. He says something to his sergeant and turns back to me. "He's on his way."

Moments later, a uniform with a slash of stripes on his sleeve emerges from back under the bleachers. He's holding a Jungle Bob coffee cup and smoking a cigarette down to the filter.

"Sarge," says Cop One, "This guy's claiming to be a lawyer. I don't know why he has a priest with him since the kid's already dead. They demand to be admitted into our crime scene."

The sergeant is not in a good mood. His eyes are alcohol-rheumy and his suit is rumpled. My best guess has him sleeping anywhere but home last night.

"Sergeant," I say, extending my hand, "my name is Michael Gresham. I've been contacted by the boy that CPD arrested. I only want to look over the crime scene."

"Mr. Gresham, your request is denied. This is a murder scene and nobody but department personnel and medical examiner staff gets in. What else can I do for you?"

I raise my cell phone and snap his picture, all in one quick movement.

"You can give me your name so that I can tell the jury how you refused to cooperate with a simple request to view the murder scene. Give me your name so that I can tell them you refused to allow me to fully prepare to defend my client. Give me your name so I can tell the reporters at the
Tribune
how you blocked me. Your name? Oh, that's right, I already have your name on the name tag I've got from your picture. So, Sarge, let me ask again, still politely. I'd like to just have a quick look around at the crime scene. I promise not to touch anything, not to step on anything, not to take any pictures you don't want me to."

The sergeant removes his hat and runs his right hand back over his closely-shaved skull.

"Fuck it, let 'em in," he says to Cop One, and abruptly turns and heads back under the seats.

Cop One disengages from us and stands to the side. Father Bjorn and I follow the sergeant's path.

We make it back under the bleachers about twenty yards when we arrive at a cordoned-off area where the CSI's are still working under the lights. There are photo tags with numbers scattered throughout the trash and spectator detritus. Techs are on their knees, combing through the grass, plastic, and cardboard with colored lights and special brushes, and snapping close-ups--always the pictures--at every conceivable square inch near where the dead girl was found.

"How long was she dead before they found her?" I ask the CSI's.

"M.E. put it between ten and twelve," says one of the techs without turning around to see who she's speaking to.

"Who found the body?"

"Groundskeeper. A Mexican national on the payroll of our taxpayer-supported public school system."

"That sounds bad for the school," I offer, keeping up my end of the conversation. She still doesn't know she's talking with a civilian.

"It's a big joke. Hell, we've got cops working CPD who aren't even Americans. Go figure."

"How was she killed?"

The CSI turns to look at me.

"Who
are
you?" she asks.

"I'm Michael Gresham. I'm an attorney assigned to the case."

Never mind that I self-assigned. In a way it's true, what I'm telling her. Of course it might sound like I'm with the DA's office. You could always get that confused if you were on your hands and knees combing through grass with a magnifying glass. Father Bjorn, shaking his head at my deceit, wanders off.

"She was garroted."

"Was the strangulation device found?"

She turns again.

"Who did you say you're with? The DA?"

"Not actually. I'm an attorney on the case, however."

"Who sent you here?"

"I sent myself. My client is Jana Emerich."

"I don't know her. Or him. Tell you what. If you have any more questions, why don't you go on over to those two guys by the evidence cart? They're the dicks who caught the case assignment."

I turn away and follow her line of sight. Of the two detectives, one is short and one is very tall. The shorter one looks Hispanic. He's chewing a cigar and spitting. The tall one looks African--very black skin, long neck and maybe six-ten. He's pulling at his necktie and giving me the big eye. I approach and keep my hand extended to shake. I tell them my name and introduce Father Bjorn, who's with me now.

"You are who, exactly?" says the short man.

"Michael Gresham. I represent Jana Emerich."

"What the fuck," exclaims the tall man. "Who let you clowns in here? Hey!" he calls to the same sergeant who cleared the way for us to enter. "Enzo! What the fuck these two civilians doing in my crime scene?"

"I just have a couple of quick questions," I say, hurrying my words as Enzo comes toward us from the far end of the stands.

"I know your questions. We'll cover those in court," says the black man.

"At least give me your card so I can call you," I protest, as Enzo steps into our circle.

The black man rolls his eyes but pulls a business card from his shield case. He passes it to me and I see that his name is Edward Ngo.

"Thank you, Detective," I say to him.

"Clear off my scene, sir," he says. "You're trespassing and I could run you in."

I don't bother to tell him that Sergeant Enzo allowed us inside. No point in getting that guy in bad with the dicks.

"Please," I say, "please allow me to ask one question. What evidence do you have connecting Jana Emerich to this death? Please just answer that and I'll be on my way."

Father Bjorn adds, as if the collar might help, "Detective, I'm Jana's father. It would be a huge service if you would answer this one question."

The detective's lips part in a sneer. "You're thinking that collar works on me, Father? I'm actually a protestant. We kicked the pope's ass out of Nigeria before you were even born. Take that bullshit elsewhere, Father."

"So," says Father Bjorn, "you're Nigerian? I actually served for a year in Niger."

The detective's eyes narrow. He clearly doesn't know whether he should buy it.

"You served in Niger? Doing what?"

"Orphanage. We were trying to locate parents of children abandoned when the war lords came into the villages and killed all the adults."

The detective's face softens. The sneer is replaced by an honest expression of something that maybe even approaches appreciation for the priest's service.

"I was one of those children," says the detective. "I was brought here by your church."

Father Bjorn beams from ear to ear. "I probably knew you way back when. I might even have processed you, Detective Ngo." He pronounces it "Go."

The detective catches himself. "Maybe. But I am going to have to ask you two gentlemen to leave us now. We've got hours of work here and a crime scene that must be kept sterile from civilians. I'm sorry, but that's my job and I must enforce departmental rules. Sergeant Enzo? Please show our guests the fastest way out of here."

Two minutes later we find ourselves ejected and standing outside the bleacher crime scene.

Oh well.

We can and will continue this interview at the preliminary hearing.

Father Bjorn, in his conversation with two detective-supervisors, has learned the identification of the dead girl's father.

His name is Abraham Tanenbaum.

"That would be the mayor?"

"That's right," says Father Bjorn. "Trumps my diocese."

It means there will be no plea offers.

Jana is officially headed to trial.

W
e arrive
at the jail at dusk. Early winter snow flutters up against our faces as we walk the sidewalk along California Avenue from parking Lot A to the Cook County Jail. Jana is being held inside this ninety-acre facility's concrete walls and doors that buzz.

Father Bjorn is wearing a black suit and shirt, white collar, and a heavy black overcoat down to his ankles that I'm guessing was a gift, because the material is definitely cashmere. It makes me happy that he is warm. I cannot say how much I love this man. He has meant so much to me all through my life. As he walks along beside me, I want to scoop him into my arms and save him from the world that is about to inflict so much pain: there is the son and there is the murder. Either one alone would be extremely heart-wrenching from his perspective. Together, they must be unbearable. But I just continue walking, leading him in to meet his offspring. I am tall, and my long gait is difficult for him to pace. He double-times every fifth step in order to stay even with me. It is like our roles are reversed: I am the father guiding his son past the world of jails and dead children. It is an uneasy, harsh path.

"It's weather like this," he says, "that makes me want to shelter away from the world, stay inside by a toasty fire and read Kant."

"So your son is about seventeen years old?"

"I guess that's about right." I can see his gloved fingers curl as he counts years. "Yes, just seventeen in August."

"Has he ever been in trouble before?"

The priest shrugs. "Don't know. Haven't asked, I'm ashamed to say."

We push through the double doors and approach the glassed-in deputy. We show our IDs and she asks our business. I'm easy, I'm the attorney. Father Bjorn gets a little more hassle but finally manages to convince the gatekeeper that he is, in fact, a priest the penitent has asked to see.

We are shown into a conference room by a deputy wearing the liver and chocolate outfit of the Cook County Jail staff. She is polite and silent as she pushes open the heavy steel door and stands to the side. The furnishings are bleak: a metal table bolted to the floor surrounded by four backless metal chairs. Everything is painted the same ubiquitous mint color that threatens to swallow you up.

The prisoner enters five minutes later. Jana Emerich is a wide-eyed boy--young man--who enters the conference room with a bewildered look on his face. He is average height, very thin, very angular in body and face, and he reminds me of the kids who operated the movie projectors back when I was in high school. He stops just inside the door and looks from Father Bjorn to me and back again. You can see the connection as his brain makes it: this is my father, his face says and he almost looks embarrassed. Then there is a look of disbelief that comes into his eyes as he realizes he is seeing his father for the first time in his life. And that his father is seeing him in that same light.

He steps forward and takes the seat across from Father Bjorn and me.

"Let's introduce everyone," I say, and reach out to shake. “I am Michael Gresham. I’m a lawyer.”

He offers me his hand. It is warm and moist and we shake and he then takes his father's hand and shakes again. Flesh of my flesh, say the priest's eyes as their hands grip. Like the son, his look is one of bewilderment. They both fall silent and try not to stare each other down. Clearly it's going to be up to me to start things off.

"Okay," I say with a friendly sigh, "Jana, this is Father Bjorn. He is your father. Notice I didn't say he's your dad. He's not. But he's your father and I want you to get to know him like I do. When you have, you will know that you can trust him with any secret. You can even trust him with your life."

"Let me write that down," says Jana. "Do you have paper and a pen?" he asks me with full-blown sarcasm.

"Just try to work with me here," I tell him. "Right now you need us a hell of a lot more than we need you. Don't forget that."

He sits bolt upright on his stool and gives me a second appraisal.

Both men turn their eyes on each other and then flee back to me.

"We're here because your mother called your father."

Father Bjorn nods and the boy sits there mute, frozen still in disbelief now that the sarcasm has left him wordless. It is surreal to him and he blinks hard several times.

"Your father asked me to come visit with you today. Is it okay that I'm here?"

"I guess."

"Now. You've been arrested and we've heard a very small bit about maybe why you're here. So I'm going to ask you some questions. At first, my questions can be answered yes or no. I'm doing this so that you can feel as comfortable as possible.

He nods weakly, but I see that he has heard and understood.

"Now. Is it true you have been arrested?"

"Yes."

"When were you picked up?"

“I don’t know. Today, maybe around noon.”

"And have they told you why you were arrested?"

"Yes."

"Has someone died or been killed?"

"Yes."

Damn multiple choice questions.

"Killed?"

"Yes."

"Did you kill someone?"

He looks at his father and drops his eyes to the metal table top. He shakes his head as a child might in trying to avoid a spoonful of medicine.

"No."

"Did the police say you killed someone?"

"Yes."

"Why don't you tell me the name of the person they're saying you killed. If you know."

"A freshman. Her name's Amy Tanenbaum."

"Did Amy go to your school?"

"Yes."

"Did you know her?"

"Not really. I know who she is. But I'm a senior."

The implication being that senior boys don't have much truck with freshman girls. Fair enough.

"Have you told the police you killed someone?"

"No."

"All right. Now I'm going to change the rules for a question or two. Try to answer my next question as completely as you can. Here we go: Please tell us what you know about her death."

He swallows hard and belches. He looks up at the ceiling and then takes a darting look at his father, who is sitting fully erect, his hands folded in front of him. His face says he's holding four and drawing to an inside straight, hoping for his son to pull through all this. He's all heart, you can tell by the shallow breath and the soft eyes. He actually loves this kid. See? I want to say to both of them. This isn't so hard.

"Someone told me she was found under the bleachers after the football game. They said she was choked and rolled on her back. I heard they put something in her mouth."

"Who told you these things? Do you remember?"

"Bobby Knupp. He's my best friend. We're partners in physics lab."

"Taking physics your senior year? Do you plan on studying science in college?"

For the first time, there is the slightest recognition of irony in the question. A small smile.

"If I'm not in jail I might."

"What else did Bobby tell you?"

"That's about all I know. But someone put something in her mouth. The police leaked that out."

"When was she found?"

"This morning after it got light. They looked for her all night."

"Why have the police arrested you in connection with Amy's death?"

"I don't know. They didn't tell me that."

"Now I need to ask you the hardest question you will be asked today. Please answer completely if you really want help."

"Okay."

"Were you at the football game with Amy?"

"No. Not with Amy. But I was at the game."

"Did you go under the bleachers with her?"

"No."

"Did you take her body under the bleachers?"

"What?"

"Did you kill her under the bleachers?"

"Hell no."

"Did you kill her somewhere else and take her body there?"

"Hell no."

"Do you know who killed Amy?"

"Probably Rudy Gomez. He's the queerest guy in our school. He loves zombies and vampire shit and he's always doing drawings of people getting whacked."

"Gomez? Spell it, please."

"I don't know. Usual way, I guess."

I file the name away for future reference.

"Was Rudy at the game Thursday night?"

"I don't know. Probably not. He won't even dress out for P.E."

"All right. Now let's switch gears. You can go ahead and ask me or your father questions. We're here to answer, too."

He wrinkles his forehead. "How come you never called me?" he says to Father Bjorn.

The priest slowly shakes his head. "I don't know. I am truly sorr-"

"Didn't you know I was asking to meet you?"

"No. When?"

"Jesus. When I was a little kid, man. I wanted a dad like everyone else."

"Nobody told me."

"So, what, they had to tell you for you to call me?"

Father Bjorn shuffles his feet under the table. He inches down in his chair and the son realizes the man is trying to disappear, to transmute into the steel chair.

"I have failed you in every way possible, Jana. But I'm here to change that. If you'll let me."

"I don't think so. I don't need that father-son shit anymore. Let's just say that train left the station a few years ago."

"I'm sorry to hear--"

"Please. Don't lay the sorry routine on me. If you were really sorry you wouldn't have broken a little kid's heart. So no bullshit, okay? Sorry, shit. You sucked as a dad. Own it."

"I do own it. I've prayed and asked God--"

"Whoa! Save the god shit. That's the
last
shit you want to lay on me. You might believe in those fairy tales but I don't want to hear it. When mom told me my old man was a priest I almost shit a brick. Save that for someone who cares!"

Father Bjorn nods. Then he holds out both hands to his son. "I want you to know I'm here for you. From now on. I will be your father and will fight to do it, if you'll just let me inside."

"Fuck that, man. Mr. Gresher, do I have to take this shit for you to help me?"

"Gresham. No, Jana. I'm going to help you regardless. There's no requirement for anything with your father."

The boy nods and then shakes his head. "That, I can live with. But get this piece of shit out of here before we go ahead."

Father Bjorn heaves himself upright. He struggles to pull on his topcoat.

"Sit down, Father," I tell him. "I want you to look your son in the eye first. Tell him what's in your heart. And Jana, I need you to hear this."

Father Bjorn nods and fixes his eyes on his son's eyes. "Jana, I am your father and I love you. I have acted shamefully and I have hurt you. I am sorry for that and it will never happen again. I only pray that you'll allow me in your life now. I only pray that you can find it within yourself to forgive me."

"Now. Jana?"

"God forgives, dude. Ask him about that."

"I will. I'm sorry."

"Now get your candy ass out of here before I throw up all over that shiny black suit. All right,
Dad
?"

Father Bjorn stands and hammers his fist on the steel door. It swiftly opens and he exits the room.

The jailer sticks her head inside. "Everything cool in here?"

"We're fine," I tell her. "Another ten, please."

"I'll check back. But we're gonna need the room in five minutes. By the way, your request to see Sheriff Meekins has been refused by staff. Your client is being evaluated and won't be available for attorney visits today. Please hurry along now."

"Fine. I'll hurry."

She leaves, the door shuts and the electronic bolts hammer home. We're safely locked away.

I explain to Jana about not speaking to his cell mates or to the police. I explain what will happen next, both in court and in jail. I answer several questions about clothes and books. Evidently he's an avid reader and wants someone to bring his book bag to him. I tell him that will be impossible and he slams the table with the palm of his hand.

Finally, he says to me, "Keep that piece of shit priest away from me, Mr. Gresham. Please don't bring him back here."

"I won't. As long as you're sure."

"What's not to be sure? He's way late to this party, man."

"All right."

We agree without words that our meeting is over. I will next see him in court at his initial appearance, according to the papers he has produced from the pocket of his orange jumpsuit.

I slap the door with my hand and it immediately opens.

"Come with me," the jailer says to Jana.

We step outside.

Father Bjorn is nowhere to be seen.

I cannot say that I blame him. His bubble has been pierced and I'm sure he feels like he has been exposed.

"Wait," Jana tells his jailer. He turns back to me. "Who's paying you?"

"That has yet to be arranged."

"Don't look to me. I'm a kid and I'm broke. My mom doesn't even have a job."

"I won't look to you. I imagine your father will be the responsible one."

"Him? That fucking priest? He doesn't have two nickels to rub together, dude. You'd better get it up front, okay?"

"Okay."

"Okay, well, look, thanks for coming by. I'll see you."

"Yes, we'll talk just before court."

The kid turns and begins following his jailer and I am reminded of a very young colt following its mother across a pasture just because it's his mother and he hasn't yet started thinking for himself.

That's right. He's not even thinking yet.

So how in the world would he ever decide to murder someone?

A sudden chill rolls across the floor as the outside door opens into the staging area. I pull my overcoat across my shoulders and slide my arms into the sleeves. It's freezing outside; winter has come early.

What a terrible day to be seventeen and in jail. What a terrible day to be a sheriff, under arrest, and locked up.

Now my work begins.