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Authors: The Man Who Invented Christmas: Charles Dickens's

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With that, the Ghost of Christmas Yet To Come snatches Scrooge away, conveying him quickly past his closed-up office and to a churchyard, and thence to a tombstone in it, where the mystery, if it has not yet sunk in, is finally revealed. Our miser stands reading the chiseled name of
EBENEZER SCROOGE
upon the stone in shock, then—enlightened at last—turns to beg his guide for one more chance to mend his ways.

“Oh, tell me I may sponge away the writing on this stone,” cries Scrooge. He lunges for the spectral hand of the phantom, holding tightly to it in supplication…and wakens then to find himself clutching the wooden post of his own bed, daylight flooding the room, and the bedclothes he had seen pawned in a boneyard back in their rightful place.

A breathless Scrooge runs to his window to thrust his head out and call to a shop boy in the streets below. It is but Christmas Day, the boy assures him, and Scrooge marvels that the Spirits have done their work in the space of a single night after all. Overjoyed to find himself still alive, he sends the shop boy off to the poulterer's for a turkey—“Not the little prize Turkey: the big one,” and sends the thing—“twice the size of Tiny Tim”—off to the Cratchits'.

As quickly as he can manage it, he is shaved and dressed and out into the streets, where he meets the do-gooder whom he rebuffed the day before. When he whispers an unspecified amount into the gentleman's ear, it leaves his beneficiary gaping in astonishment.

From that encounter he is off to his nephew Fred's, for dinner, and after that delightful time, returns home for a good night's rest. The next morning he is quickly off to his office morning to await the arrival of Bob Cratchit, who enters in a nervous sweat, a “full eighteen minutes and a half behind his time.”

“I am not going to stand this sort of thing any longer,” Scrooge tells the frightened Cratchit—then claps his clerk jovially on the back. “I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires, and buy another coal-scuttle before you dot another
i,
Bob Cratchit!”

Ever afterwards, we are told, it was always said of Scrooge that he knew how to keep Christmas well, “if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!”

I
n summary,
A Christmas Carol
is a bald-faced parable that underscores Dickens's enduring themes: the deleterious effects of ignorance and want, the necessity for charity, the benefits of goodwill, family unity, and the need for celebration of the life force, including the pleasures of good food and drink, and good company. And, admittedly, Dickens is in some ways repeating concepts that he had put in print before.

But that aside, the accomplishment of this slender story, which more than one critic has termed Dickens's “most perfect” work, is to be found in the details of its rendering. In
A Christmas Carol,
a contemptible gravedigger is replaced by the much more estimable figure of a wealthy businessman. Ebenezer Scrooge is no castoff drunk, but the very emblem of economic achievement. And in place of specious advice to parents who might well want to grieve a lost child at Christmastime, he offers but a chilling vision of the Cratchit family's life without Tiny Tim, then hurries to bring that crippled child back to life again.

Furthermore, the ghosts who assail him are not vaguely drawn creatures from familiar myths. The tripartite Spirits of Christmas, preceded by the shade of Scrooge's dead partner, are as originally conceived as they are powerful in their detailed, quasi-human form. Marley appears looking very nearly as he had in life, save for the fact that “His body was transparent; so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind….[Scrooge] felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before.”

Lest all this frightfulness open the artist to the charge of melodrama, however, Dickens slips in a typically caustic aside: “Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now.”

It is the sort of wit that creeps in throughout, allowing the cynical reader to proceed contentedly through the story alongside the sentimentalist. (It is not surprising, then, that one of the more enjoyable modern interpretations of the tale is performed by the comedian Jonathan Winters, master of the cutting jibe.)

And while only the hardest hearts fail to be moved along with Scrooge by the plight of the Cratchit family and the stiff-upper-lippedness of Tiny Tim, there are also moments in the text when Dickens's powers distinguish him as much as a stylist as he is a master dramatist.

Of the vast, echoing staircase in Scrooge's dimly lit town home, the narrator says, “You may talk vaguely about driving a coach-and-six up a good old flight of stairs, or through a bad young Act of Parliament; but I mean to say you might have got a hearse up that staircase, and taken it broadwise, with the splinter-bar towards the wall and the door toward the ballustrades: and done it easy. There was plenty of width for that, and room to spare; which is perhaps the reason why Scrooge thought he saw a locomotive hearse going on before him in the gloom.”

The cadences, the detail, the wry humor, and the ease with which the narrator shifts from what is real to what is not—these are elements that are sometimes unrevealed to modern audiences who know
A Christmas Carol
only from dramatic adaptations, where the author's descriptive voice is replaced by a camera or by a set designer's vision. But this quality of writing contributes as much to the book's ability to work its magic upon readers as do any number of fine and noble sentiments. In such details lie the reasons why Ebenezer Scrooge and his preposterous self-centeredness would live on through history, and why Gabriel Grub, cut from the same thematic bolt of cloth, would not.

10.

F
or all the strengths that are evident to the modern eye in
A Christmas Carol,
and despite his own confidence in the power of his tale, Dickens had at least two good reasons to be apprehensive as publication day for his story approached. One had to do with the nature of the holiday itself, and the other with the dire financial straits he found himself in.

As for the first, Christmas in 1843 was not at all the premier occasion that it is today, when Christmas stories and their Grinches and elves and Santas abound, when “Christmas stores” purvey Yule decorations the four seasons round, and a marketing effort that begins sometime in mid-October is said to determine the fate of an entire year for retailers.

There were no Christmas cards in 1843 England, no Christmas trees at royal residences or White Houses, no Christmas turkeys, no department-store Santa or his million clones, no outpouring of “Yuletide greetings,” no weeklong cessation of business affairs through the New Year, no orgy of gift-giving, no ubiquitous public display of nativity scenes (or court fights regarding them), no holiday lighting extravaganzas, and no plethora of midnight services celebrating the birth of a savior. In fact, despite all of Dickens's enthusiasms, the holiday was a relatively minor affair that ranked far below Easter, causing little more stir than Memorial Day or St. George's Day does today. In the eyes of the relatively enlightened Anglican Church, moreover, the entire enterprise of celebrating Christmas smacked vaguely of paganism, and were there Puritans still around, acknowledging the holiday might have landed one in the stocks.

In fact, for much of the first two centuries of settlement in New England, Christmas was scarcely celebrated. As Yule scholar Stephen Nissenbaum points out, from 1659 to 1681 there was actually a law on the books in the Massachusetts Colony that forbade the practice and levied a fine of five shillings upon anyone caught in the act. Sitting down with their new native friends for a Thanksgiving feast might have been perfectly acceptable, but when Governor William Bradford discovered a few of his fellow Pilgrims trying to celebrate Christmas the year after their arrival, he broke up the ceremonies and ordered everyone back to their jobs.

Part of the reason that Puritans found the holiday such anathema lies in the holiday's roots in pagan celebrations that date back to Roman times. There is in fact no reference in the Christian gospels to the birth of Jesus taking place on the twenty-fifth of December, or in any specific month at all. When Luke says, “For unto you is born this day in the city of David a Savior,” there is not the slightest indication of what day that might have been. Moreover, as climatologists have pointed out, the typical weather patterns in the high desert region, then as now, make it difficult to believe that shepherds would have been out tending their flocks during frigid, late-December nights, when nighttime lows often dipped below freezing.

For the first several hundred years of Christianity's practice, and while the death and rebirth of Jesus were venerated upon the highest holy day of Easter, the birth of the savior was not celebrated. It was Pope Julius I who, during the fourth century, designated December 25 as the official date for the birth of Jesus, and scholars believe that he chose the date so that Christianity might attract new members by co-opting the lingering sentiments for the ancient festival of Saturnalia, held annually by Romans in honor of their god of agriculture. Beginning the week before the winter solstice (which occurs between December 20 and 23 each year) and for an entire month, Romans turned their ordinary world topsy-turvy and embarked upon an orgy of drinking and feasting, during which businesses and schools were closed, the government of the city was turned over to the peasants, and slaves were relieved of their masters.

The decision to create Christmas (the term derives from the original “dismissal” or “festival,” i.e., “Mass of Christ”), officially celebrating the birth of Jesus for the first time, brought mixed blessings to the Church. Indeed, many pagans found the new religion that embraced their old customs inviting, and the membership rolls grew. On the other hand, Church leaders found that their new Christmas celebrations often got out of hand. As soon as services were over for the day, churchgoers in early modern Europe found it perfectly acceptable to transition directly to a drunken bacchanal, especially if they were part of the disenfranchised class.

One young man of no special standing would be chosen as the “lord of misrule,” and was often provided with a “wife” for the day. The revelers would eagerly make themselves available to carry out his whimsical orders, especially if they involved some mischief at the expense of their true masters. Throngs of the needy and less fortunate would present themselves at the gates of the wealthy, demanding food and drink.

In time, elements of these practices were modified into the custom of Boxing Day in England, during which members of the upper classes would package up some of their castoff goods and clothing as year-end gifts for their servants. And, Nissenbaum points out, even to this day, officers of the British Army are compelled to wait upon their enlisted men at Christmas meals. On this side of the Atlantic, Halloween has become the day when anyone has the right to bang on any door and demand a gift from those inside, and the December issues of popular magazines print “tipping guides” for those who wish to stay in the good graces of their paperboys, manicurists, and barbers for the ensuing year.

By the early 1600s, however, the excesses of “Christmas-keepers” in England had only increased, when such practices as “mumming” had become common. Among other things, mumming men and women were wont to exercise their passion for the season by exchanging their clothing and going from one neighbor's house to the next, engaging in the sorts of behavior that one might expect when undressing and cross-dressing were involved. Such carnality distressed Anglicans such as the Reverend Henry Bourne of Newcastle most grievously; in his eyes, Christmas was “a pretense for Drunkenness, and Rioting, and Wantonness.” His Puritan counterpart in America, Cotton Mather of Boston, whose outrage would carry over to the Salem witch trials, chimed in: “Christ's Nativity is spent in Reveling, Dicing, Carding, Masking and in all Licentious Liberty.”

There might have been practical reasons for men less fortunate or upright to blow off some steam from time to time, but that was of little concern to such church leaders as Bourne and Mather. They may well have understood that the beginning of the winter season was the time when wine and beer were finally fermented and ready to drink, and when meat and game could finally be slaughtered without the fear of spoilage. And of course, who could fail to understand a common man's wish for a bit of bounty and the chance for some fooling around when he spent most of his year grubbing just to stay alive?

But in the eyes of Bourne and Mather and those with similar views of the practice of Christianity, things had simply got out of hand. Father Christmas, an elderly folk figure that had developed as an avuncular emblem of the celebration, was now painted as a blasphemous icon, and these libidinous urges of his fellow-travelers, natural as they might have been, were no different from the natural inclinations of the beasts. If not controlled, they would lead man to his moral and spiritual ruin. Christmas, then—characterized “by mad Mirth, by long Eating, by hard Drinking, by lewd Gaming, by rude Reveling”—must be brought under control.

When Oliver Cromwell and his Puritan adherents took over the government of England in the mid-1600s, they did so with a vow to cleanse the country of its wickedness and excess. Ornate cathedrals, for instance, were no longer seen as testaments to God's power and magnificence, but as temples to human pretention. The lengthy seasonal celebrations leading up to major holidays only encouraged intervening lapses of piety and would have to be eliminated. More effective in reminding man of his proper relationship to his creator would be the steady, day-by-day and week-by-week focus on one's behavior and responsibilities, a practice that would be punctuated every Sabbath day by stern leaders like Mather, conducted in utilitarian “meeting houses” where distractions could be held to a minimum.

As for Christmas, which had been given over utterly to “carnall and sensual delights,” Parliament put it into law in 1644 that December 25 was from then on to be a day of fasting and repentance. Such legislation led to discontent and even rioting in rural corners of the land, but the ban on Christmas would stay in place until Charles II returned in 1660 and the monarchy was restored.

Things might have been bad for Christmas in England in the mid-seventeenth century, but in the United States, conditions were even worse. Puritans had gone so far as to expunge the names of days of the week like Thursday (Thor's Day) and Saturday (Saturn's Day) from their calendars (replacing them with simple numbers) because of their pagan associations. Though Massachusetts was the only colony that had made the observation of Christmas illegal, there was no formalized celebration of the holiday by church or state throughout New England.

In all colonial records, according to Nissenbaum, there appears only one instance of scofflaws flaunting the Massachusetts decree. In 1679, four young men from Salem village were spurned by orchard owner John Rowden when they came caroling, seeking a cup of a fine pear wine that he produced. When they had finished their singing, one of the men called out to Rowden, “How do you like this, father? Is this not worth a cup of perry?”

“I do not like it so well,” Rowden answered, and added, “Pray begone.”

His suggestion led to a riot in which his assailants “threw stones, bones, and other things” at him and his house, keeping up their assault for an hour and a half, during which they “beat down much of the daubing in several places,” stole several bushels of apples from a storage bin, and broke down a considerable length of fence. A “wassail gone bad,” Nissenbaum terms the incident.

If the case was a rare one to reach the courts, the anti-Christmas laws soon came to be honored more in the breach than in the observance, and over time, both in the colonies and in England, it became obvious that an outright ban was a tool of limited reach. In 1684 the Puritan-dominated charter of Massachusetts was revoked by the mother country and a government headed by Edmund Andros, an Anglican, was put in its place. One of Andros's first actions was to permit the celebration of a number of seasonal festivals, including Christmas, by anyone or any group wishing to do so.

But in England as well as the colonies, the new watchword for such celebration was “moderation.” Even Mather and his followers might have been more inclined to suffer the celebration of Christmas—despite the fact that it had not been divinely ordained—if it were not for the “Abominable Things” that were done in its name. By the mid-eighteenth century, almanac makers such as Nathanael Ames and Benjamin Franklin were speaking out in favor of seasonal celebrations like Christmas, so long as they were enjoyed without excess. At this same time, the traditional Bay Psalm Book, a rendition of the Old Testament psalms used by most New England congregations and containing no reference to the birth of Christ, was being replaced by two new versions containing Christmas hymns.

In England, despite the return of Charles II to the throne, the ferocious opposition of Cromwell and his Roundheads to the holiday had sapped something of its vitality. Also, the advances of Enlightenment thinking had weakened adherence to all subjective belief systems, traditional religions and pagan practices included. Doubt had begun to enter the modern mind, and if the hold of the Puritans had begun to slip, the power of Zeus and his Titans and Father Christmas had been reduced to just about nothing at all.

“Enlightened” men were reasonable men, not sentimental ones, and they were not to excuse themselves to a month or so of drinking and licentiousness for the sake of a pagan custom. As the diaries of Samuel Pepys attest, while Christmas had made something of a comeback in the years following the restoration of the monarchy in 1660, the season was no longer the excuse for a monthlong binge. Pepys writes of working late on Christmas Eve, and even on Christmas Day as well, though he did attend church services in the morning and evening. He also partook of the custom of a hearty Christmas meal, including such dishes as roasted pullet, “a mess of brave plum pudding,” a shoulder of mutton, and mince pie.

Though the best-known entries in Pepys's diaries record his observations on the Great Plague of 1665 and the London Fire of 1666, his recollections of everyday life of the times are one of history's most valuable guides to the period. Quite an earthy character, who was willing to speak candidly of his carnal escapades with serving girls, Pepys nevertheless does not attribute such behavior to any license of the Christmas season. He does, however, speak of his participation in a pale vestige of the Christmas ritual of misrule that had persisted into the Restoration period—a parlor game (Bean & Pea) during which guests would draw lots and “become” one or another member of the royal court and play their chosen role for the evening.

Related to such amateur theatricals were mummers' plays, vestiges of the practice of mumming, often staged impromptu in public houses, on the streets, and in private homes. Presentations by “guisers,” or groups of performers in costume, went on the year-round, but they were particularly popular at the Christmas season, when the storylines, such as they were, tended to feature Father Christmas. Though no manuscripts of such plays survive, this re-creation by a modern scholar, Roderick Marshall, provides a sense of what they might have been like. “In comes I, Old Hind before, I comes fust to open your door…. Welcome or welcome not, I hope old Father Christmas will never be forgot,” go the opening lines, as the familiar folk-figure laments his fallen fortunes and reminds his audience that “Christmas comes but once a year, And when it comes, it brings good cheer, Roast beef, plum pudding, strong ale, and mince pie, who likes that better than I?”

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