Master and Margarita (47 page)

CHAPTER 32

Forgiveness and Eternal Refuge

Gods, my gods! How sad the evening earth! How mysterious the mists over the swamps! He who has wandered in these mists, he who has suffered much before death, he who has flown over this earth bearing on himself too heavy a burden, knows it. The weary man knows it. And without regret he leaves the mists of the earth, its swamps and rivers, with a light heart he gives himself into the hands of death, knowing that she alone can bring him peace.

The magical black horses also became tired and carried their riders slowly, and ineluctable night began to overtake them. Sensing it at his back, even the irrepressible Behemoth quieted down and, his claws sunk into the saddle, flew silent and serious, puffing up his tail.

Night began to cover forests and fields with its black shawl, night lit melancholy little lights somewhere far below - now no longer interesting and necessary either for Margarita or for the master — alien lights. Night was outdistancing the cavalcade, it sowed itself over them from above, casting white specks of stars here and there in the saddened sky.

Night thickened, flew alongside, caught at the riders’ cloaks and, tearing them from their shoulders, exposed the deceptions. And when Margarita, blown upon by the cool wind, opened her eyes, she saw how the appearance of them all was changing as they flew to their goal. And when, from beyond the edge of the forest, the crimson and full moon began rising to meet them, all deceptions vanished, fell into the swamp, the unstable magic garments drowned in the mists.

Hardly recognizable as Koroviev-Fagott, the self-appointed interpreter to the mysterious consultant who needed no interpreting, was he who now flew just beside Woland, to the right of the master’s friend. In place of him who had left Sparrow Hills in a ragged circus costume under the name of Koroviev-Fagott, there now rode, softly clinking the golden chains of the bridle, a dark-violet knight with a most gloomy and never-smiling face. He rested his chin on his chest, he did not look at the moon, he was not interested in the earth, he was thinking something of his own, flying beside Woland.

‘Why has he changed so?’ Margarita quietly asked Woland to the whistling of the wind.

This knight once made an unfortunate joke,‘ replied Woland, turning his face with its quietly burning eye to Margarita. ’The pun he thought up, in a discussion about light and darkness, was not altogether good. And after that the knight had to go on joking a bit more and longer than he supposed. But this is one of the nights when accounts are settled. The knight has paid up and closed his account.‘

Night also tore off Behemoth’s fluffy tail, pulled off his fur and scattered it in tufts over the swamps. He who had been a cat, entertaining the prince of darkness, now turned out to be a slim youth, a demon-page, the best jester the world has ever seen. Now he, too, grew quiet and flew noiselessly, setting his young face towards the light that streamed from the moon.

At the far side, the steel of his armour glittering, flew Azazello. The moon also changed his face. The absurd, ugly fang disappeared without a trace, and the albugo on his eye proved false. Azazello’s eyes were both the same, empty and black, and his face was white and cold. Now Azazello flew in his true form, as the demon of the waterless desert, the killer-demon.

Margarita could not see herself, but she saw very well how the master had changed. His hair was now white in the moonlight and gathered behind in a braid, and it flew on the wind. When the wind blew the cloak away from the master’s legs, Margarita saw the stars of spurs on his jackboots, now going out, now lighting up. Like the demon-youth, the master flew with his eyes fixed on the moon, yet smiling to it, as to a close and beloved friend, and, from a habit acquired in room no. 118, murmuring something to himself.

And, finally, Woland also flew in his true image. Margarita could not have said what his horse’s bridle was made of, but thought it might be chains of moonlight, and the horse itself was a mass of darkness, and the horse’s mane a storm cloud, and the rider’s spurs the white flecks of stars.

Thus they flew in silence for a long time, until the place itself began to change below them. The melancholy forests drowned in earthly darkness and drew with them the dim blades of the rivers. Boulders appeared and began to gleam below, with black gaps between them where the moonlight did not penetrate.

Woland reined in his horse on a stony, joyless, flat summit, and the riders then proceeded at a walk, listening to the crunch of flint and stone under the horses’ shoes. Moonlight flooded the platform greenly and brightly, and soon Margarita made out an armchair in this deserted place and in it the white figure of a seated man. Possibly the seated man was deaf, or else too sunk in his own thoughts. He did not hear the stony earth shudder under the horses’ weight, and the riders approached him without disturbing him.

The moon helped Margarita well, it shone better than the best electric lantern, and Margarita saw that the seated man, whose eyes seemed blind, rubbed his hands fitfully, and peered with those same unseeing eyes at the disc of the moon. Now Margarita saw that beside the heavy stone chair, on which sparks glittered in the moonlight, lay a dark, huge, sharp-eared dog, and, like its master, it gazed anxiously at the moon. Pieces of a broken jug were scattered by the seated man’s feet and an undrying black-red puddle spread there.

The riders stopped their horses.

‘Your novel has been read,’ Woland began, turning to the master, ‘and the only thing said about it was that, unfortunately, it is not finished. So, then, I wanted to show you your hero. For about two thousand years he has been sitting on this platform and sleeping, but when the full moon comes, as you see, he is tormented by insomnia. It torments not only him, but also his faithful guardian, the dog. If it is true that cowardice is the most grievous vice, then the dog at least is not guilty of it. Storms were the only thing the brave dog feared. Well, he who loves must share the lot of the one he loves.’

‘What is he saying?’ asked Margarita, and her perfectly calm face clouded over with compassion.

‘He says one and the same thing,’ Woland replied. ‘He says that even the moon gives him no peace, and that his is a bad job. That is what he always says when he is not asleep, and when he sleeps, he dreams one and the same thing: there is a path of moonlight, and he wants to walk down it and talk with the prisoner Ha-Nozri, because, as he insists, he never finished what he was saying that time, long ago, on the fourteenth day of the spring month of Nisan. But, alas, for some reason he never manages to get on to this path, and no one comes to him. Then there’s no help for it, he must talk to himself. However, one does need some diversity, and to his talk about the moon he often adds that of all things in the world, he most hates his immortality and his unheard-of fame. He maintains that he would willingly exchange his lot for that of the ragged tramp Matthew Levi.’

‘Twelve thousand moons for one moon long ago, isn’t that too much?’ asked Margarita.

‘Repeating the story with Frieda?’ said Woland. ‘But don’t trouble yourself here, Margarita. Everything will turn out right, the world is built on that.’

‘Let him go!’ Margarita suddenly cried piercingly, as she had cried once as a witch, and at this cry a stone fell somewhere in the mountains and tumbled down the ledges into the abyss, filling the mountains with rumbling. But Margarita could not have said whether it was the rumbling of its fall or the rumbling of satanic laughter. In any case, Woland was laughing as he glanced at Margarita and said:

‘Don’t shout in the mountains, he’s accustomed to avalanches anyway, and it won’t rouse him. You don’t need to ask for him, Margarita, because the one he so yearns to talk with has already asked for him.’ Here Woland turned to the master and said: ‘Well, now you can finish your novel with one phrase!’

The master seemed to have been expecting this, as he stood motionless and looked at the seated procurator. He cupped his hands to his mouth and cried out so that the echo leaped over the unpeopled and unforested mountains:

‘You’re free! You’re free! He’s waiting for you!’

The mountains turned the master’s voice to thunder, and by this same thunder they were destroyed. The accursed rocky walls collapsed. Only the platform with the stone armchair remained. Over the black abyss into which the walls had gone, a boundless city lit up, dominated by gleaming idols above a garden grown luxuriously over many thousands of moons. The path of moonlight so long awaited by the procurator stretched right to this garden, and the first to rush down it was the sharp-eared dog. The man in the white cloak with blood-red lining rose from the armchair and shouted something in a hoarse, cracked voice. It was impossible to tell whether he was weeping or laughing, or what he shouted. It could only be seen that, following his faithful guardian, he, too, rushed headlong down the path of moonlight.

‘I’m to follow him there?’ the master asked anxiously, holding the bridle.

‘No,’ replied Woland, ‘why run after what is already finished?’

‘There, then?’ the master asked, turning and pointing back, where the recently abandoned city with the gingerbread towers of its convent, with the sun broken to smithereens in its windows, now wove itself behind them.

‘Not there, either,’ replied Woland, and his voice thickened and flowed over the rocks. ‘Romantic master! He, whom the hero you invented and have just set free so yearns to see, has read your novel.’ Here Woland turned to Margarita: ‘Margarita Nikolaevna! It is impossible not to believe that you have tried to think up the best future for the master, but, really, what I am offering you, and what Yeshua has asked for you, is better still! Leave them to each other,’ Woland said, leaning towards the master’s saddle from his own, pointing to where the procurator had gone, ‘let’s not interfere with them. And maybe they’ll still arrive at something.’ Here Woland waved his arm in the direction of Yershalaim, and it went out.

‘And there, too,’ Woland pointed behind them, ‘what are you going to do in the little basement?’ Here the sun broken up in the glass went out. ‘Why?’ Woland went on persuasively and gently, ‘oh, thrice-romantic master, can it be that you don’t want to go strolling with your friend in the daytime under cherry trees just coming into bloom, and in the evening listen to Schubert’s music? Can it be that you won’t like writing with a goose quill by candlelight? Can it be that you don’t want to sit over a retort like Faust, in hopes that you’ll succeed in forming a new homunculus? There! There! The house and the old servant are already waiting for you, the candles are already burning, and soon they will go out, because you will immediately meet the dawn. Down this path, master, this one! Farewell! It’s time for me to go!’

‘Farewell!’ Margarita and the master answered Woland in one cry. Then the black Woland, heedless of any road, threw himself into a gap, and his retinue noisily hurtled down after him. There were no rocks, no platform, no path of moonlight, no Yershalaim around. The black steeds also vanished. The master and Margarita saw the promised dawn. It began straight away, immediately after the midnight moon. The master walked with his friend in the brilliance of the first rays of morning over a mossy little stone bridge. They crossed it. The faithful lovers left the stream behind and walked down the sandy path.

‘Listen to the stillness,’ Margarita said to the master, and the sand rustled under her bare feet, ‘listen and enjoy what you were not given in life — peace. Look, there ahead is your eternal home, which you have been given as a reward. I can already see the Venetian window and the twisting vine, it climbs right up to the roof. Here is your home, your eternal home. I know that in the evenings you will be visited by those you love, those who interest you and who will never trouble you. They will play for you, they will sing for you, you will see what light is in the room when the candles are burning. You will fall asleep, having put on your greasy and eternal nightcap, you will fall asleep with a smile on your lips. Sleep will strengthen you, you will reason wisely. And you will no longer be able to drive me away. I will watch over your sleep.’

Thus spoke Margarita, walking with the master to their eternal home, and it seemed to the master that Margarita’s words flowed in the same way as the stream they had left behind flowed and whispered, and the master’s memory, the master’s anxious, needled memory began to fade. Someone was setting the master free, as he himself had just set free the hero he had created. This hero had gone into the abyss, gone irrevocably, the son of the astrologer-king, forgiven on the eve of Sunday, the cruel fifth procurator of Judea, the equestrian Pontius Pilate.

Epilogue

But all the same — what happened later in Moscow, after that Saturday evening when Woland left the capital, having disappeared from Sparrow Hills at sunset with his retinue?

Of the fact that, for a long time, a dense hum of the most incredible rumours went all over the capital and very quickly spread to remote and forsaken provincial places as well, nothing need be said. It is even nauseating to repeat such rumours.

The writer of these truthful lines himself, personally, on a trip to Feodosiya, heard a story on the train about two thousand persons in Moscow coming out of a theatre stark-naked in the literal sense of the word and in that fashion returning home in taxi-cabs.

The whisper ‘unclean powers’ was heard in queues waiting at dairy stores, in tram-cars, shops, apartments, kitchens, on trains both suburban and long-distance, in stations big and small, at summer resorts and on beaches.

The most developed and cultured people, to be sure, took no part in this tale-telling about the unclean powers that had visited Moscow, even laughed at them and tried to bring the tellers to reason. But all the same a fact, as they say, is a fact, and to brush it aside without explanations is simply impossible: someone had visited the capital. The nice little cinders left over from Griboedov‘s, and many other things as well, confirmed that only too eloquently.

Cultured people adopted the view of the investigation: it had been the work of a gang of hypnotists and ventriloquists with a superb command of their art.

Measures for catching them, in Moscow as well as outside it, were of course immediately and energetically taken, but, most regrettably, produced no results. The one calling himself Woland disappeared with all his company and neither returned to Moscow nor appeared anywhere else, and did not manifest himself in any way. Quite naturally, the suggestion emerged that he had fled abroad, but there, too, he gave no signs of himself.

The investigation of his case continued for a long time. Because, in truth, it was a monstrous case! Not to mention four burned-down buildings and hundreds of people driven mad, there had been murders. Of two this could be said with certainty: of Berlioz, and of that ill-fated employee of the bureau for acquainting foreigners with places of interest in Moscow, the former Baron Meigel. They had been murdered. The charred bones of the latter were discovered in apartment no. 50 on Sadovaya Street after the fire was put out. Yes, there were victims, and these victims called for investigation.

But there were other victims as well, even after Woland left the capital, and these victims, sadly enough, were black cats.

Approximately a hundred of these peaceful and useful animals, devoted to mankind, were shot or otherwise exterminated in various parts of the country. About a dozen cats, some badly disfigured, were delivered to police stations in various cities. For instance, in Armavir one of these perfectly guiltless beasts was brought to the police by some citizen with its front paws tied.

This cat had been ambushed by the citizen at the very moment when the animal, with a thievish look (how can it be helped if cats have this look? It is not because they are depraved, but because they are afraid lest some beings stronger than themselves — dogs or people — cause them some harm or offence. Both are very easy to do, but I assure you there is no credit in doing so, no, none at all!), so, then, with a thievish look the cat was for some reason about to dash into the burdock.

Falling upon the cat and tearing his necktie off to bind it, the citizen muttered venomously and threateningly:

‘Aha! So now you’ve been so good as to come to our Armavir, mister hypnotist? Well, we’re not afraid of you here. Don’t pretend to be dumb! We know what kind of goose you are!’

The citizen brought the cat to the police, dragging the poor beast by its front paws, bound with a green necktie, giving it little kicks to make the cat walk not otherwise than on its hind legs.

‘You quit that,’ cried the citizen, accompanied by whistling boys, ‘quit playing the fool! It won’t do! Kindly walk like everybody else!’

The black cat only rolled its martyred eyes. Being deprived by nature of the gift of speech, it could not vindicate itself in any way. The poor beast owed its salvation first of all to the police, and then to its owner — a venerable old widow. As soon as the cat was delivered to the police station, it was realized that the citizen smelled rather strongly of alcohol, as a result of which his evidence was at once subject to doubt. And the little old lady, having meanwhile learned from neighbours that her cat had been hauled in, rushed to the station and arrived in the nick of time. She gave the most flattering references for the cat, explained that she had known it for five years, since it was a kitten, that she vouched for it as for her own self, and proved that it had never been known to do anything bad and had never been to Moscow. As it had been born in Armavir, so there it had grown up and learned the catching of mice.

The cat was untied and returned to its owner, having tasted grief, it’s true, and having learned by experience the meaning of error and slander.

Besides cats, some minor unpleasantnesses befell certain persons. Detained for a short time were: in Leningrad, the citizens Wolman and Wolper; in Saratov, Kiev and Kharkov, three Volodins; in Kazan, one Volokh; and in Penza — this for totally unknown reasons - doctor of chemical sciences Vetchinkevich. True, he was enormously tall, very swarthy and dark-haired.

In various places, besides that, nine Korovins, four Korovkins and two Karavaevs were caught.

A certain citizen was taken off the Sebastopol train and bound at the Belgorod station. This citizen had decided to entertain his fellow passengers with card tricks.

In Yaroslavl, a citizen came to a restaurant at lunch-time carrying a primus which he had just picked up from being repaired. The moment they saw him, the two doormen abandoned their posts in the coatroom and fled, and after them fled all the restaurant’s customers and personnel. With that, in some inexplicable fashion, the girl at the cash register had all the money disappear on her.

There was much else, but one cannot remember everything.

Again and again justice must be done to the investigation. Every attempt was made not only to catch the criminals, but to explain all their mischief. And it all was explained, and these explanations cannot but be acknowledged as sensible and irrefutable.

Representatives of the investigation and experienced psychiatrists established that members of the criminal gang, or one of them perhaps (suspicion fell mainly on Koroviev), were hypnotists of unprecedented power, who could show themselves not in the place where they actually were, but in imaginary, shifted positions. Along with that, they could freely suggest to those they encountered that certain things or people were where they actually were not, and, contrariwise, could remove from the field of vision things or people that were in fact to be found within that field of vision.

In the light of such explanations, decidedly everything was clear, even what the citizens found most troublesome, the apparently quite inexplicable invulnerability of the cat, shot at in apartment no. 50 during the attempt to put him under arrest.

There had been no cat on the chandelier, naturally, nor had anyone even thought of returning their fire, the shooters had been aiming at an empty spot, while Koroviev, having suggested that the cat was acting up on the chandelier, was free to stand behind the shooters’ backs, mugging and enjoying his enormous, albeit criminally employed, capacity for suggestion. It was he, of course, who had set fire to the apartment by spilling the benzene.

Styopa Likhodeev had, of course, never gone to any Yalta (such a stunt was beyond even Koroviev’s powers), nor had he sent any telegrams from there. After fainting in the jeweller’s wife’s apartment, frightened by a trick of Koroviev‘s, who had shown him a cat holding a pickled mushroom on a fork, he lay there until Koroviev, jeering at him, capped him with a shaggy felt hat and sent him to the Moscow airport, having first suggested to the representatives of the investigation who went to meet Styopa that Styopa would be getting off the plane from Sebastopol.

True, the criminal investigation department in Yalta maintained that they had received the barefoot Styopa, and had sent telegrams concerning Styopa to Moscow, but no copies of these telegrams were found in the files, from which the sad but absolutely invincible conclusion was drawn that the hypnotizing gang was able to hypnotize at an enormous distance, and not only individual persons but even whole groups of them.

Under these circumstances, the criminals were able to drive people of the most sturdy psychic make-up out of their minds. To say nothing of such trifles as the pack of cards in the pocket of someone in the stalls, the women’s disappearing dresses, or the miaowing beret, or other things of that sort! Such stunts can be pulled by any professional hypnotist of average ability on any stage, including the uncomplicated trick of tearing the head off the master of ceremonies. The talking cat was also sheer nonsense. To present people with such a cat, it is enough to have a command of the basic principles of ventriloquism, and scarcely anyone will doubt that Koroviev’s art went significantly beyond those principles.

Yes, the point here lay not at all in packs of cards, or the false letters in Nikanor Ivanovich’s briefcase! These were all trifles! It was he, Koroviev, who had sent Berlioz to certain death under the tram-car. It was he who had driven the poor poet Ivan Homeless crazy, he who had made him have visions, see ancient Yershalaim in tormenting dreams, and sun-scorched, waterless Bald Mountain with three men hanging on posts. It was he and his gang who had made Margarita Nikolaevna and her housekeeper Natasha disappear from Moscow. Incidentally, the investigation considered this matter with special attention. It had to find out if the two women had been abducted by the gang of murderers and arsonists or had fled voluntarily with the criminal company. On the basis of the absurd and incoherent evidence of Nikolai Ivanovich, and considering the strange and insane note Margarita Nikolaevna had left for her husband, the note in which she wrote that she had gone off to become a witch, as well as the circumstance that Natasha had disappeared leaving all her clothes behind, the investigation concluded that both mistress and housekeeper, like many others, had been hypnotized, and had thus been abducted by the band. There also emerged the probably quite correct thought that the criminals had been attracted by the beauty of the two women.

Yet what remained completely unclear to the investigation was the gang’s motive in abducting the mental patient who called himself the master from the psychiatric clinic. This they never succeeded in establishing, nor did they succeed in obtaining the abducted man’s last name. Thus he vanished for ever under the dead alias of number one-eighteen from the first building.

And so, almost everything was explained, and the investigation came to an end, as everything generally comes to an end.

Several years passed, and the citizens began to forget Woland, Koroviev and the rest. Many changes took place in the lives of those who suffered from Woland and his company, and however trifling and insignificant those changes are, they still ought to be noted.

Georges Bengalsky, for instance, after spending three months in the clinic, recovered and left it, but had to give up his work at the Variety, and that at the hottest time, when the public was flocking after tickets: the memory of black magic and its exposure proved very tenacious. Bengalsky left the Variety, for he understood that to appear every night before two thousand people, to be inevitably recognized and endlessly subjected to jeering questions of how he liked it better, with or without his head, was much too painful.

And, besides that, the master of ceremonies had lost a considerable dose of his gaiety, which is so necessary in his profession. He remained with the unpleasant, burdensome habit of falling, every spring during the full moon, into a state of anxiety, suddenly clutching his neck, looking around fearfully and weeping. These fits would pass, but all the same, since he had them, he could not continue in his former occupation, and so the master of ceremonies retired and started living on his savings, which, by his modest reckoning, were enough to last him fifteen years.

He left and never again met Varenukha, who has gained universal popularity and affection by his responsiveness and politeness, incredible even among theatre administrators. The free-pass seekers, for instance, never refer to him otherwise than as father-benefactor. One can call the Variety at any time and always hear in the receiver a soft but sad voice: ‘May I help you?’ And to the request that Varenukha be called to the phone, the same voice hastens to answer: ‘At your service.’ And, oh, how Ivan Savelyevich has suffered from his own politeness!

Styopa Likhodeev was to talk no more over the phone at the Variety. Immediately after his release from the clinic, where he spent eight days, Styopa was transferred to Rostov, taking up the position of manager of a large food store. Rumour has it that he has stopped drinking cheap wine altogether and drinks only vodka with blackcurrant buds, which has greatly improved his health. They say he has become taciturn and keeps away from women.

The removal of Stepan Bogdanovich from the Variety did not bring Rimsky the joy of which he had been so greedily dreaming over the past several years. After the clinic and Kislovodsk, old, old as could be, his head wagging, the findirector submitted a request to be dismissed from the Variety. The interesting thing was that this request was brought to the Variety by Rimsky’s wife. Grigory Danilovich himself found it beyond his strength to visit, even during the daytime, the building where he had seen the cracked window-pane flooded with moonlight and the long arm making its way to the lower latch.

Having left the Variety, the findirector took a job with a children’s marionette theatre in Zamoskvorechye. In this theatre he no longer had to run into the much esteemed Arkady Apollonovich Sempleyarov on matters of acoustics. The latter had been promptly transferred to Briansk and appointed manager of a mushroom cannery. The Muscovites now eat salted and pickled mushrooms and cannot praise them enough, and they rejoice exceedingly over this transfer. Since it is a bygone thing, we may now say that Arkady Apollonovich’s relations with acoustics never worked out very well, and as they had been, so they remained, no matter how he tried to improve them.