Midnight's Children (29 page)

Now offered a chance of demonstrating his loyalty to me, his eyes brightened. 'Jus' show me the lock, man! Lead me to the thing!'

When we were sure we were unobserved, we crept along the driveway between Buckingham Villa and Sonny's Sans Souci; we stood behind my family's old Rover; and I pointed at the boot. 'That's the one,' I stated. 'I need to be able to open it from the outside, and the inside also.'

Sonny's eyes widened. 'Hey, what're you up to, man? You running away from home secretly and all?'

Finger to lips, I adopted a mysterious expression. 'Can't explain, Sonny,' I said solemnly, 'Top-drawer classified information.'

'Wow, man,' Sonny said, and showed me in thirty seconds how to open the boot with the aid of a strip of thin pink plastic. 'Take it, man,' said Sonny Ibrahim, 'You need it more than me.'

Once upon a time there was a mother who, in order to become a mother, had agreed to change her name; who set herself the task of falling in love with her husband bit-by-bit, but who could never manage to love one part, the part, curiously enough, which made possible her motherhood; whose feet were hobbled by verrucas and whose shoulders were stooped beneath the accumulating guilts of the world; whose husband's unlovable organ failed to recover from the effects of a freeze; and who, like her husband, finally succumbed to the mysteries of telephones, spending long minutes listening to the words of wrong-number callers… shortly after my tenth birthday (when I had recovered from the fever which has recently returned to plague me after an interval of nearly twenty-one years), Amina Sinai resumed her recent practice of leaving suddenly, and always immediately after a wrong number, on urgent shopping trips. But now, hidden in the boot of the Rover, there travelled with her a stowaway, who lay hidden and protected by stolen cushions, clutching a thin strip of pink plastic in his hand.

O, the suffering one undergoes in the name of righteousness! The bruising and the bumps! The breathing-in of rubbery boot-air through jolted teeth! And constantly, the fear of discovery… 'Suppose she really does go shopping? Will the boot suddenly fly open? Will live chickens be flung in, feet tied together, wings clipped, fluttery pecky birds invading my hidey-hole? Will she see, my God, I'll have to be silent for a week!' My knees drawn in beneath my chin-which was protected-against knee-bumps by an old faded cushion-I voyaged into the unknown in the vehicle of maternal perfidy. My mother was a cautious driver; she went slowly, and turned corners with care; but afterwards I was bruised black and blue and Mary Pereira berated me soundly for getting into fights: 'Arre God what a thing it's a wonder they didn't smash you to pieces completely my God what will you grow up into you bad black boy you haddi-phaelwan you skin-and-bone wrestler!'

To take my mind off the jolting darkness I entered, with extreme caution, that part of my mother's mind which was in charge of driving operations, and as a result was able to follow our route. (And, also, to discern in my mother's habitually tidy mind an alarming degree of disorder. I was already beginning, in those days, to classify people by their degree of internal tidiness, and to discover that I preferred the messier type, whose thoughts, spilling constantly into one another so that anticipatory images of food interfered with the serious business of earning a living and sexual fantasies were superimposed upon their political musings, bore a closer relationship to my own pell-mell tumble of a brain, in which everything ran into everything else and the white dot of consciousness jumped about like a wild flea from one thing to the next… Amina Sinai, whose assiduous ordering-instincts had provided her with a brain of almost abnormal neatness, was a curious recruit to the ranks of confusion.)

We headed north, past Breach Candy Hospital and Mahalaxmi Temple, north along Horaby Vellard past Vallabhbhai Patel Stadium and Haji Ali's island tomb, north off what had once been (before the dream of the first William Methwold became a reality) the island of Bombay. We were heading towards the anonymous mass of tenements and fishing-villages and textile-plants and film-studios that the city became in these northern zones (not far from here! Not at all far from where I sit within view of local trains!)… an area which was, in those days, utterly unknown to me; I rapidly became disoriented and was then obliged to admit to myself that I was lost. At last, down an unprepossessing side-street full of drainpipe-sleepers and bicycle-repair shops and tattered men and boys, we stopped. Clusters of children assailed my mother as she descended; she, who could never shoo away a fly, handed out small coins, thus enlarging the crowd enormously. Eventually, she struggled away from them and headed down the street; there was a boy pleading, 'Gib the car poliss, Begum? Number one A-class poliss, Begum? I watch car until you come, Begum? I very fine watchman, ask anyone!'… In some panic, I listened in for her reply. How could I get out of this boot under the eyes of a guardian-urchin? There was the embarrassment of it; and besides, my emergence would have created a sensation in the street… my mother said, 'No.' She was disappearing down the street; the would-be polisher and watchman gave up eventually; there was a moment when all eyes turned to watch the passing of a second car, just in case it, too, stopped to disgorge a lady who gave away coins as if they were nuts; and in that instant (I had been looking through several pairs of eyes to help me choose my moment) I performed my trick with the pink plastic and was out in the street beside a closed car-boot in a flash. Setting my lips grimly, and ignoring all outstretched palms, I set off in the direction my mother had taken, a pocket-sized sleuth with the nose of a bloodhound and a loud drum pounding in the place where my heart should have been… and arrived, a few minutes later, at the Pioneer Cafe.

Dirty glass in the window; dirty glasses on the tables-the Pioneer Cafe was not much when compared to the Gaylords and Kwalitys of the city's more glamorous parts; a real rutputty joint, with painted boards proclaiming lovely lassi and funtabulous falooda and bhel-puribombay fashion, with filmi playback music blaring out from a cheap radio by the cash-till, a long narrow greeny room lit by flickering neon, a forbidding world in which broken-toothed men sat at reccine-covered tables with crumpled cards and expressionless eyes. But for all its grimy decrepitude, the Pioneer Cafe was a repository of many dreams. Early each morning, it would be full of the best-looking ne'er-do-wells in the city, all the goondas and taxi-drivers and petty smugglers and racecourse tipsters who had once, long ago, arrived in the city dreaming of film stardom, of grotesquely vulgar homes and black money payments; because every morning at six, the major studios would send minor functionaries to the Pioneer Cafe to rope in extras for the day's shooting. For half an hour each morning, when D. W. Rama Studios and Filmistan Talkies and R К Films were taking their pick, the Pioneer was the focus of all the city's ambitions and hopes; then the studio scouts left, accompanied by the day's lucky ones, and the Cafe emptied into its habitual, neon-lit torpor. Around lunchtime, a different set of dreams walked into the Cafe, to spend the afternoon hunched over cards and Lovely Lassi and rough bins-different men with different hopes: I didn't know it then, but the afternoon Pioneer was a notorious Communist Party hangout.

It was afternoon; I saw my mother enter the Pioneer Cafe; not daring to follow her, I stayed in the street, pressing my nose against a spider-webbed corner of the grubby window-pane; ignoring the curious glances I got-because my whites, although boot-stained, were nevertheless starched; my hair, although boot-rumpled, was well-oiled; my shoes, scuffed as they were, were still the plimsolls of a prosperous child-I followed her with my eyes as she went hesitantly and verruca-hobbled past rickety tables and hard-eyed men; I saw my mother sit down at a shadowed table at the far end of the narrow cavern; and then I saw the man who rose to greet her.

The skin on his face hung in folds which revealed that he had once been overweight; his teeth were stained with paan. He wore a clean white kurta with Lucknow-work around the buttonholes. He had long hair, poetically long, hanging lankly over his ears; but the top of his head was bald and shiny. Forbidden syllables echoed in my ears: Na. Dir. Nadir. I realized that I wished desperately that I'd never resolved to come.

Once upon a time there was an underground husband who fled, leaving loving messages of divorce; a poet whose verses didn't even rhyme, whose life was saved by pie-dogs. After a lost decade he emerged from goodness-knows-where, his skin hanging loose in memory of his erstwhile plumpness; and, like his once-upon-a-time wife, he had acquired a new name… Nadir Khan was now Qasim Khan, official candidate of the official Communist Party of India. Lal Qasim. Qasim the Red. Nothing is without meaning: not without reason are blushes red. My uncle Hanif said, 'Watch out for the Communists!' and my mother turned scarlet; politics and emotions were united in her cheeks… through the dirty, square, glassy cinema-screen of the Pioneer Gate's window, I watched Amina Sinai and the no-longer-Nadir play out their love scene; they performed with the ineptitude of genuine amateurs.

On the reccine-topped table, a packet of cigarettes: State Express 555. Numbers, too, have significance: 420, the name given to frauds; 1001, the number of night, of magic, of alternative realities-a number beloved of poets and detested by politicians, for whom all alternative versions of the world are threats; and 555, which for years I believed to be the most sinister of numbers, the cipher of the Devil, the Great Beast, Shaitan himself! (Cyrus-the-great told me so, and I didn't contemplate the possibility of his being wrong. But he was: the true daemonic number is not 555, but 666: yet, in my mind, a dark aura hangs around the three fives to this day.)… But I am getting carried away. Suffice to say that Nadir-Qasim's preferred brand was the aforesaid State Express; that the figure five was repeated three times on the packet; and that its manufacturers were W.D. & H.O. Wills. Unable to look into my mother's face, I concentrated on the cigarette-packet, cutting from two-shot of lovers to this extreme close-up of nicotine.

But now hands enter the frame-first the hands of Nadir-Qasim, their poetic softness somewhat callused these days; hands flickering like candle-flames, creeping forward across reccine, then jerking back; next a woman's hands, black as jet, inching forwards like elegant spiders; hands lifting up, off reccine tabletop, hands hovering above three fives, beginning the strangest of dances, rising, falling, circling one another, weaving in and out between each other, hands longing for touch, hands outstretching tensing quivering demanding to be-but always at last jerking back, fingertips avoiding fingertips, because what I'm watching here on my dirty glass cinema-screen is, after ail, an Indian movie, in which physical contact is forbidden lest it corrupt the watching flower of Indian youth; and there are feet beneath the table and faces above it, feet advancing towards feet, faces tumbling softly towards faces, but jerking away all of a sudden in a cruel censor's cut… two strangers, each bearing a screen-name which is not the name of their birth, act out their half-unwanted roles. I left the movie before the end, to slip back into the boot of the unpolished unwatched Rover, wishing I hadn't gone to see it, unable to resist wanting to watch it all over again.

What I saw at the very end: my mother's hands raising a half-empty glass of Lovely Lassi; my mother's lips pressing gently, nostalgically against the mottled glass; my mother's hands handing the glass to her Nadir-Qasim; who also applied, to the opposite side of the glass, his own, poetic mouth. So it was that life imitated bad art, and my uncle Hanif's sister brought the eroticism of the indirect kiss into the green neon dinginess of the Pioneer Cafe.

To sum up: in the high summer of 1957, at the peak of an election campaign, Amina Sinai blushed inexplicably at a chance mention of the Communist Party of India. Her son-in whose turbulent thoughts there was still room for one more obsession, because a ten-year-old brain can accommodate any number of fixations-followed her into the north of the city, and spied on a pain-filled scene of impotent love. (Now that Ahmed Sinai was frozen up, Nadir-Qasim didn't even have a sexual disadvantage; torn between a husband who locked himself in an office and cursed mongrels, and an ex-husband who had once, lovingly, played games of hit-the-spittoon, Amina Sinai was reduced to glass-kissery and hand-dances.)

Questions: did I ever, after that time, employ the services of pink plastic? Did I return to the cafe of extras and Marxists? Did I confront my mother with the heinous nature of her offence-because what mother has any business to-never mind about what once-upon-a-time-in full view of her only son, how could she how could she how could she? Answers: I did not; I did not; I did not.

What I did: when she went on 'shopping trips', I lodged myself in her thoughts. No-longer anxious to gain the evidence of my own eyes, I rode in my mother's head, up to the north of the city; in this unlikely incognito, I sat in the Pioneer Cafe and heard conversations about the electoral prospects of Qasim the Red; disembodied but wholly present, I trailed my mother as she accompanied Qasim on his rounds, up and down the tenements of the district (were they the same chawls which my father had recently sold, abandoning his tenants to their fate?), as she helped him to get water-taps fixed and pestered landlords to initiate repairs and disinfections. Amina Sinai moved amongst the destitute on behalf of the Communist Party-a fact which never failed to leave her amazed. Perhaps she did it because of the growing impoverishment of her own life; but at the age of ten I wasn't disposed to be sympathetic; and in my own way, I began to dream dreams of revenge.

The legendary Caliph, Haroun al-Rashid, is said to have enjoyed moving incognito amongst the people of Baghdad; I, Saleem Sinai, have also travelled in secret through the byways of my city, but I can't say I had much fun.

Matter of fact descriptions of the outre and bizarre, and their reverse, namely heightened, stylized versions of the everyday-these techniques, which are also attitudes of mind, I have lifted-or perhaps absorbed-from the most formidable of the midnight children, my rival, my fellow-changeling, the supposed son of Wee Willie Winkie: Shiva-of-the-knees. They were techniques which, in his case, were applied entirely without conscious thought, and their effect was to create a picture of the world of startling uniformity, in which one could mention casually, in passing as it were, the dreadful murders of prostitutes which began to fill the gutter-press in those days (while the bodies filled the gutters), while lingering passionately on the intricate details of a particular hand of cards. Death, and defeat at rummy were all of a piece to Shiva; hence his terrifying, nonchalant violence, which in the end… but to begin with beginnings: