Moment Of Vengeance and Other Stories (1956) (10 page)

BOOK: Moment Of Vengeance and Other Stories (1956)
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Verbiest is afraid to open his mouth. His voice would give him away. He's so scared, he can taste it. And Sellers. He'll never believe he's through- and maybe he isn't. He's got his life at stake, plus a government post and two thousand dollars in government silver. The money must have come from selling agency stores. He'll scheme, confident that he'll think of something to pull him out of this. Bonito has nothing to lose. With a hundred warriors, and nothing to lose, he will probably win. Strips of gray light crossed the room from the doorway and the windows. Outside, the moonlight showed the station yard in dim, unmoving stillness, bounded by the adobe wall, a pale line against the darkness beyond. Corsen looked out of the window again, then moved toward Fisher. He saw the dull gleam of a pistol barrel bear on him and he said, "Ed. A word with you."

"Come ahead," Fisher said quietly.

"It'll be dark in a few minutes," Corsen said.

"You'd better give us our guns."

"I'll take my chances for a while."

"You won't be able to watch us in the dark--and you're not going to use a lamp with Bonito outside."

Fisher was silent. Then, "I'm trying to think it out," he said wearily.

"You don't have a choice," Corsen told him.

"Those are Mescaleros. You're old enough to know how they behave when they're up."

"No, I don't. Not the way I know what would happen if you people had guns. Buz and I would turn our backs once--"

"All right," Corsen said. "Then give back all the money you took."

"Tell them I was just kiddin', eh?"

"I'm thinking about two women being here,"

Corsen said, "and a hundred Mescaleros out there.

Make up your mind one way or the other--but do it before it's too late."

The sound came to them gradually. It came faintly, growing out of the darkness, at first a muffled sound, now the unmistakable clop of a horse moving at a slow walk. A chair scraped in the room. Fisher's voice rasped, "Quiet!"

In the stillness Fisher cocked his head, listening, then whispered close to Corsen's cheek, "It's stopped."

Corsen waited. "At the gate," he said.

"It's a trick." Fisher was talking to himself. "A damn Apache trick."

"Maybe it is." Corsen paused. "And maybe it isn't, Ed," he said quietly. "If I was to go out there, would you hold your gun that way?"

"You're crazy."

"Let's find out." Corsen pushed through the screen door without a sound and was moving across the yard. He walked unhurriedly, because if Bonito was behind the wall, running would not make a difference; the yard was open, and gray with moonlight. He reached the gate and stood with his hand on the heavy latch.

Fisher watched him tensely. He felt someone close to him and glanced to see the girl. Billy Teachout was behind her. They looked at Fisher, then out toward the gate, and they did not speak. In the darkness someone said, "What is it?" excitedly. At a window Ernie Ball's voice hissed. "Shhhhh!" They watched Corsen lift the iron latch. Then the shadowy figure pushed against the gate and the squeak of the hinges was a mournful screech with no other sounds in the night. Corsen went through the opening, and for the moment he was out of sight Katie held her breath. Then the gate swung wide and he was there again, leading the larger, darker shadow of a horse. A rider was atop the horse, head down, swaying gently with the movement of the horse's shoulders and flanks. Corsen closed the gate and came on, holding the horse close under the muzzle by a hackamore.

"Who is it?" from inside the doorway.

Fisher was in the yard now. He looked at Corsen, then toward the rider, questioningly.

Corsen went to the rider, raised his arms, and said gently, "Come, viejo. " The small figure toppled hesitantly, stiffly, into Corsen's arms. He heard someone behind him say, "Delgado--"

They carried him inside to a bedroom and eased him down onto the bed. And when the lamp was lighted next to the bed, no one recognized Delgado.

"Mary, Virgin and Mother," Ygenia said, close to Delgado's cheek, kneeling on the floor and stroking her hand gently over his head. When Katie came in with a basin of water, she mopped his face, washing the blood away. She moved the cloth over his eyes very gently and when she took it away she gasped and uttered the name of the Mother of God again. Delgado's face was knife scarred, small marks crisscrossing his cheeks. His nose was broken, that was evident, and his right eye was no longer in the socket.

His head came off the blanket, then fell back as the thin lines of his face tightened. He said, almost inaudibly, "Ross."

"I'm here," Corsen said close to his cheek.

"Don't talk now. Say it in the morning."

Delgado breathed. "Bonito did this to me. There were others who beat at me and stuck me with their knives, but it was Bonito who did this." His hand waved close to his face.

"As I gathered the fresh team, one of them broke away and I went after it afoot because this one was a friend and would come if I approached with gentleness. But this time he went a greater distance. When he was near the pinon he stopped and let me approach, and at that moment the barbarians came from out of the pines. Almost as if this friend had lured me to them--"

Corsen said gently, "Tell this in the morning."

Delgado turned his head, opening his left eye. "If you are here to listen." He waved his hand again.

"Bonito did this to me. He impressed upon me that when he comes he will take the remainder of my sight. I would not like that to happen. He said that you had failed him. Now he will enter this house with the coming of the sun. . . ."

Silence then. Corsen rose as Ygenia began to stroke Delgado's head. Fisher appeared in the doorway.

"Your guns are on the table," he said quietly.

Chapter
Five
.

Corsen pushed his gun belt lower on his hips and picked up the Winchester leaning against the support post. He heard the screen door close softly and peered into the darkness around the coach which they had pushed into the stable shed. A figure was moving along the front of the house toward him. It was Fisher. "There better be two of us out here. The east side of the house is a blind spot. And when the shootin' starts," he added, "I don't hanker to be in the same room with that thievin' government man. He could swing his barrel two feet and let go, easy as not." He looked at Corsen's carbine and holstered pistol. "You had them out here?"

"With the saddle," Corsen said.

"Where's your horse? It was here."

"I took it around to the corral. I'd rather have it run off than hit."

They rolled straw bales from the back wall of the shed to the front and piled them three high for some protection. There were no doors on the stable shed. It was built out from the station house four wagons wide. Ernie's coach was in the first stall nearest the house. Corsen went to the small window at the far end of the shed and Fisher stopped near him, looking out into the night.

"Might they come before dawn?"

"I've never heard of it," Corsen answered. "But don't put that down in your book as a rule. Bonito might have told Delgado dawn to put us off guard."

"That was something, what he did to him."

Corsen said quietly, "Delgado was lucky. Bonito's showing off. He wants us to think he's got full control of the situation. Even to letting a prisoner go, knowing he'll get him back again." "He could convince me."

"I'm not so sure he has." Corsen paused. "If I could talk to Bil-Clin--I don't see how he could help but resent this renegade's coming up and taking over. If we could get Bil-Clin alone. . . ."

Fisher said nothing.

Sometimes when you wait, the time goes slow, Corsen thought, but now it is going fast, so fast it isn't time anymore, but something else. That was a month ago that I told Katie I would come and get her. And Billy was surprised because he hadn't known what was going on. It seems like a month, but it was yesterday afternoon. Now he pictured himself with Katie at night, her face in soft shadows. She was in the room with Ygenia and Delgado, and a pistol. The door was bolted. If they broke through the door, then she would fire the pistol until it was empty. Then, in a timeless time she would pray. Pray that it would not take long for Ygenia and for herself. She would not use the gun on herself to make it quick. Even if he had asked her to, she would not. She doesn't even show this. There may be a little of it in her eyes, but it isn't in her voice. You're lucky, Ross. But how can you be lucky and unlucky at the same time?

But now more time had passed and there was an orange streak in the east and the sky was no longer full dark, and suddenly shadows were coming over the wall. Shadows that were the shapes of men, but without sound and without the gleam of weapons. They dropped and clung close to the wall. Now some were coming forward!

"Oh, my God!" Fisher had seen them.

From the house, "They're coming!" and the hurried report of a rifle. A pause, now a staccato of rifle fire and suddenly the station yard erupted into wild sound--whining gun reports and the fullthroated scream of the Mescalero war cry and the whinnying of horses.

Down the carbine barrel Corsen squinted at three warriors coming zigzagging toward the shed. Then the outside two were out of vision and he fired. The Mescalero fell in his tracks. As he levered, the other two tuned abruptly and were back to the wall as he aimed again. One of them was on the wall, and he brought the barrel up an inch and squeezed the trigger, and the warrior dropped to the other side. The third one was over, out of sight. And as suddenly as the firing had started, it stopped.

Corsen glanced both ways, surprised. Two, three, four of them were down and the rest had retreated. They're feeling us out, he thought. Seeing how many guns we have. Fisher exhaled a long sigh. "We drove them off."

"The first time," Corsen said. "Now Bonito knows what we have and he'll scratch his head till something comes out of it."

Fisher looked up suddenly. "There!"

It was the Apache Corsen had hit first, now crawling toward the wall, dragging his left leg. Fisher raised his pistol.

"Hold it!" Corsen squinted hard at the Apache.

"That's Bil-Clin's boy!"

Corsen waited until Sunshine reached the wall. Then, as the Apache raised himself slowly, painfully, with his weight on his right leg, Corsen raised the carbine and fired.

The bullet sang, ricocheting off the wall, and white dust spattered above the boy's head as he sank down.

Corsen levered a shell into the breech, his eyes on Sunshine. Watch him. Watch him like a hawk. He's got a broken leg, but he can be over that wall in one jump.

The next moment Sunshine was pushing up with his arms and his one good leg. But it was a feint, for he lunged suddenly to the side. Corsen was ready. He swung the barrel and placed the next shot a foot in front of Sunshine. Pieces of adobe splattered on the Apache's hair, and now he sat down and stared toward the shed.

Corsen said, "Watch along the wall, Ed. I'm going out. You edge toward the house."

Fisher said, "What?"

"If this works," Corsen said hurriedly, "I'll give you a signal. When I do, bring the men out. Just the men!"

Sunshine had not moved, and now Corsen said, "Here we go." He handed the Winchester to Fisher and pushed over the straw bales. Going over them, he drew his pistol and walked out into the open yard with the handgun pointed toward Sunshine. When he was in the middle of the yard he stopped.

"Bil-Clin!"

There was no answer, though he knew they were on the other side of the wall.

He shouted again, "Bil-Clin!" Then he said in Spanish, "My gun is on your son!" His eyes shifted above Sunshine. Stillness. A bare line of adobe- and then Bil-Clin was standing a dozen paces to the left, head and shoulders above the wall. Corsen's eyes went to him.

"Come over the wall." Bil-Clin's arms came up and he raised himself to the top of the wall and dropped to the inside. He did not look at his son, but approached Corsen.

"Bil-Clin," Corsen said, "call Bonito and the others."

The Apache said a word in Mescalero and suddenly his warriors were at the wall. They had stood up and were now a line of bare chests and war paint and thick blue-black hair with cloth bands over the foreheads. Bonito stood among them, but he was alone. He lifted his Maynard and rested it on the wall.

"Come in, Bonito," Corsen said. And when the renegade did not move he glanced at Bil-Clin, then cocked his pistol. "Order him to come in--if you're still the chief."

Bil-Clin looked at his son now, for the first time. The boy's eyes, between stripes of yellow paint, were on Corsen. Bil-Clin spoke again in Mescalero and it was evident that his words were for Bonito. But Bonito did not answer.

Corsen tightened. He could feel it in his stomach, but he made his voice sound calm. "Bonito, you are now chief?"

Still the Apache said nothing.

"Yesterday you told me that chieftainship of the Mescalero is not a thing of heredity, but a position earned by the one most capable in war. In fighting. So, Bonito, are you chief?"

Bonito did not move. Corsen was looking at him now, but he glanced away momentarily toward Ed Fisher, and nodded to him.

BOOK: Moment Of Vengeance and Other Stories (1956)
6.18Mb size Format: txt, pdf, ePub
ads

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