Authors: Schulberg
Moving Pictures (77 page)
Schulberg, Sarah (grandmother),
5
,
457-58
Schulberg, Simon,
5-6
,
25
,
38
,
116
Schulberg, Sonya (sister),
44-45
,
193
,
198-99
,
225-26
,
228
,
254-55
,
281
,
296
,
313
,
374
,
398
,
405
,
438
,
446
,
464
,
468
,
473
,
487-88
Schulberg, Stuart (brother),
254-55
,
313
,
331
,
374
,
416
,
464
,
487-88
Scottsboro Boys,
420-21
Selig, Colonel William N.,
18
,
114
,
116-19
Selznick, David,
61
,
69
,
306
,
360
,
396-400
,
480-82
Selznick, Irene (wife of David),
396-98
,
480
.
See also
Mayer, Irene
Selznick, Lewis J.,
61-69
,
100
,
396
Selznick, Myron (brother of David),
67-69
,
396
,
446-47
Shadows
,
132-34
Shannon, Peggy,
367
Shearer, Norma,
148
,
212
,
291
,
318
,
398
Sidney, Sylvia,
351
,
353-56
,
358
,
373-75
,
381
,
382-84
,
393
,
424
,
431
,
439
,
443
,
444
,
459
,
461
,
487
Skippy
,
347
Smith, Gladys.
See
Pickford, Mary
Stalin, Joseph,
422-24
Stammering (by author),
53-55
,
62
,
100
,
164
,
317
,
330-34
,
411
,
438
Stanton, Mrs. (U.S.C. professor),
384
,
416
,
492
Star is Born, A
,
366
Steffens, Lincoln,
370
,
406
,
420
,
438
,
479
Stevenson, Robert Louis,
165
,
248
,
358-59
Stewart, Anita,
90
,
93
,
100
,
121-22
,
125
Strange Case of Dr. Jekyll and Mr. Hyde, The
,
358-59
,
366
,
428
Swanson, Gloria,
93
,
121
,
259
,
304
,
371
Talmadge, Constance and Norma,
64
Tarbell, Eaton (Deerfield student),
411-12
,
455
Tashman, Lilyan,
308-9
Taylor, Elizabeth,
130-31
Taylor, William Desmond,
90
,
150
Temple B’nai B’rith,
189
,
191
,
232-38
Tess of the D’Urbervilles
(film),
149
,
153
Tess of the Storm Country
,
8
Thalberg, Irving,
51
,
65
,
136
,
138-39
,
148-49
,
265
,
304-6
,
318
,
360
,
380
,
398
Thirty-Odd Years
(B.P.’s unfinished novel),
vii
Thomas, A. W. (writer),
7
Thomas, Olive (stage name),
64
,
67-9
Tolstoy, Leo,
189
Trust, The.
See
Film Trust
Twain, Mark,
358
20
th
Century Limited
(train),
81-83
,
395
,
450
,
459
“Ugly” (author’s short story),
198
,
273
,
384
,
416
United Artists,
76-78
,
86-87
,
95-98
,
100
Universal Film Manufacturing Company,
19
,
62-63
,
69
,
92
,
96
Unsell, Eve (writer),
132
,
133
,
188
Urban Military Academy,
202-3
Vidor, King,
282
von Sternberg, Joseph,
220
,
241-44
,
265
,
275-79
,
291
,
318
,
451
von Stroheim, Erich,
51
,
121
,
139
,
149-50
,
153-54
,
212
,
215-21
Warner Brothers,
204
Wayne, John (stage name),
134
,
202
,
365-66
Wellman, William (Wild Bill),
265-66
,
269-71
West, Mae,
487
Wilkerson, Billy (publisher),
144-45
,
479-80
Wilma (governess),
44-47
,
188
,
281-83
Wolfe, Thomas,
396
Wright, William Lord (writer),
18-19
Young, Clara Kimbell,
63
,
69
,
100
Young, Felix (producer),
305-6
,
373-74
,
380
,
431
,
443
,
463
Zanuch, Darryl,
301-2
Zeidman, Benny (writer),
481-82
Zeleznick, L. J.
See
Selznick, L. J.
Zukor, Adolph,
8
,
11
,
25-34
,
36-40
,
43
,
48-50
,
57-58
,
60-61
,
65-69
,
71-75
,
98
,
187-88
,
270-71
,
350
,
357
,
376
,
391-92
,
486
B
ACKGROUND MATERIAL FOR THIS
work, particularly in the early chapters, has been drawn from B. P. Schulberg’s unpublished manuscript,
Thirty-Odd Years.
In the course of writing this book, the author has received invaluable editorial suggestions, at first from his late wife, Geraldine Brooks, and later from Jeanne Bernkopf, Maurice Rapf, Betsy Langman Schulberg, Alyss Dorese, and Sol Stein.
Over the years, Stan Silverman unselfishly has read and reread the manuscript with both friendly heart and critical eye, a combination that has aided and greatly encouraged its progress. The writer is also grateful to Mabel Nowark, whose magic fingers typed and retyped the manuscript around the clock, oblivious of weekends. To all the above, and to others who helped along the way—as we say in Mexico—“a thousand thank-you’s.”
—Brookside, February 1981
Budd Schulberg (1914–2009) was a celebrated screenwriter, novelist, playwright, and journalist best remembered for his classic novel
What Makes Sammy Run?
(1941) and his Academy Award–winning screenplay for
On the Waterfront
. Schulberg was the first major American novelist to grow up in Hollywood, a town with which he had a complex and sometimes contentious relationship.
Born Seymour Wilson Schulberg on March 27, 1914, in New York City, Schulberg and his family relocated to Los Angeles a few years later. His father, Ben “B. P.” Schulberg, became one of the most prominent movie producers in the 1920s and ’30s, so Schulberg grew up among movie stars and powerful studio executives. His mother, Adeline Jaffe, was a talent agent who later became one of the first female literary agents. Both of Schulberg’s parents valued authors and literature, and cultivated Schulberg’s literary ambitions throughout his childhood. More than acting, though, Schulberg revered boxing; his father introduced him to the sport and to some of the era’s champions. His fascination with boxing would influence much of his writing career, including his 1947 novel
The Harder They Fall.
Schulberg attended Dartmouth College and graduated in 1936. He then worked in Hollywood as a writer (collaborating with F. Scott Fitzgerald, among others) while working on his first novel,
What Makes Sammy Run?
Once it was published, the book set off shockwaves with its frank exposure of the dark side of Hollywood’s golden era. The novel angered real-life industry heads and damaged his own father’s career. Schulberg was fired from his scriptwriting job with Samuel Goldwyn and nearly blacklisted in the filmmaking business.
During World War II, Schulberg worked for the OSS, the predecessor of the CIA. In 1945, director John Ford tasked him to help assemble film evidence of the horrors of the Nazi concentration camps to be used during the Nuremberg trials. This was the first time that film evidence was used in a trial to convict. He compiled footage shot by German filmmakers, including Leni Riefenstahl, who was arrested by Schulberg himself and brought to Nuremberg to help aid the prosecution.
In 1951, Schulberg was called before the House Un-American Activities Committee to testify about his former involvement with the Communist Party. Though he had been a member of the party for six years, he had quit after a bitter disagreement with party members who wanted to vet his script for
What Makes Sammy Run?
. During his testimony, he identified several fellow Hollywood figures as Communists. The HUAC trials caused another rift between Schulberg and the film industry, with many feeling that his testimony betrayed friends and colleagues.
Despite this setback, Schulberg soon had his greatest film success, with his screenplay for
On the Waterfront
, directed by Elia Kazan. The movie, about New Jersey longshoremen whose lives are controlled by the Mob, won eight Academy Awards and also evolved into a novel (1955) and a play (1988), both written by Schulberg. He soon reunited with Kazan, turning the title story from his collection
Some Faces in the Crowd
(1954) into a screenplay for the influential film
A Face in the Crowd
(1957), which launched the career of actor Andy Griffith.
Throughout his career, Schulberg worked as a journalist and essayist, often writing about boxing, a lifelong passion. Many of his writings on the sport are collected in
Sparring with Hemingway
(1995) and
Ringside
(2006). Other highlights from Schulberg’s nonfiction career include
Moving Pictures
(1981), an account of his upbringing in Hollywood, and
Writers in America
(1973), a glimpse of some of the famous novelists he met early in his career.
Schulberg married four times and had five children. He died at his home on Long Island in 2009.
Schulberg’s parents, Adeline and B. P. Schulberg, hold an infant Budd in this early family portrait.
Schulberg and his fourth wife, Betsy Schulberg, in Westhampton Beach, New York, in 2003. © 2003 Ken Regan