Moxyland (12 page)

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Authors: Lauren Beukes

Tags: #Fantasy, #near future, #sf, #Cyberpunk, #Science Fiction

BOOK: Moxyland
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   'You should have called me,' he leers. 'I could have come over. Helped you
sleep
.'
   'The job?' I point at the screen, impatient.
   'You didn't even say anything about the flowers.'
   'They're stunning. Amazing. How did you ever think of such a meaningful and original gesture?'
   'Wow. You are vicious.' He seems hurt, and because I need him to hurry up and get this out of the way, I kiss and make up.
   'I'm sorry, Mpho. I'm ratty when I'm sleepdeprived. You should tell the product designers it should be a hanging mobile rather than a button. You want something the little shit will want to play with, something sparkly or dangly that he'll reach for anyway, and then it just happens to make a cute sound or play a lullaby or whatever.'
   'Rockabye.'
   'Yeah, okay. That too.'
   'That's actually brilliant, Lerato.'
   'I know.'
   'You should be in design. You should be heading up design!'
   'Oh, I know.'
   It takes twenty minutes to work out the details of how the interface needs to work, and then I chase Mpho off so I can focus on the programming. I have an idea I can patch in a fair amount of the code I used in a previous job (the PlayPlay Pterodactyl Robot Friend), but it's still going to take me most of the morning, and I run into trouble with a finicky bit with the voice recognition, getting it to filter out baby's babblings. Of course, the real solution here would be to program it to recognise the different gooing and gurgling and translate it into English for mama. Didn't I read some pushmag thing on the theory of baby communications? If I could figure out baby's language code, that would be a product feature. Let's call it Radio Gaga.
   Toby calls, just as I'm about to crack it. Okay, so I'm nowhere near cracking it, but I tell him it's his fault anyway. He's not sympathetic. 'Don't dump me with your dilemmas. I need serious work-related tech support.'
   'Uh-huh?' I say, carefully neutral, surreptitiously activating privacy on my cubicle so the audio dampeners kick in, just in case he's stupid enough to make any passing reference to the adboard. There still hasn't been an official report. Not that I don't know that invoking privacy means that Seed automatically tags my conversation, all phone calls will be recorded for quality assurance purposes blah blah blah, but I've got misdirects in place. I have a mix of prerecorded conversations, from the polite and cursory catch-ups with my sisters (when Zama can be bothered to call), to a variety of hot and heavy that gives the spyware controllers upstairs something to do with their hands. The only hassle is constantly updating them, so the monitoring boys don't get suspicious. I needn't have bothered on this one. Toby's 'dilemma' is almost a legitimate request. Easy enough. And fucking hilarious.
   'Whenever you're ready, sweetness,' Toby says, put out, which only makes me laugh harder.
   'That's a new record in lame, Toby.'
   'Yeah, let's see how
you
handle getting cut off from your trustfundable by your motherbitch.'
   'Oh nice, Toby. Real nice.' The only thing I ever got from my parents was a kickstart into corporate life.
   'You know what I fucking mean. Don't get touchy.'
   'Fine. But you owe me.'
   'Rack it on my tab.'
   'And you're still king lame.'
   'Love ya, babe. Gotta run, got little kiddies to kill for fun and profit.'
   It takes a minute and a half to reroute Toby's IP address so it looks like he's logging in from Melbourne rather than Cape Town, which should sort out his little problem.
   And then, at last, the adboard call comes in. I'm not technically involved in the maintenance process, but I have access to the job sheets, and it's not unusual for coders at my level to monitor the execution. Yusuf and Petronella get the call as the closest technicians in the vicinity. I couldn't have calibrated it better myself. Yusuf is smart but lazy, and Petronella is just plain lazy. They'll be more worried about the damage Toby and his friends have done to the hardware than any inconsistencies in the software. Assuming my code holds, all will be well.
   And it does. And it is.
   There's a surplus of people who do what I do, to the extent that I'm surprised they don't consider culling. Good programmers are as easy to score as a blowjob on Lower Main Road, and just about as cheap. You really have to distinguish yourself if you're going to make any progress.
   It was easy getting noticed at nineteen, but I'm getting on, and if you haven't cracked management by twenty-eight, your chances of doing so decrease exponentially for every year you add to your CV. I've still got a few years, but I'm not ending up like Jane. Rather be a startling failure than a benign success.
   I figure my options are pretty limited within Communique. But with the penalties for intercorporate poaching running into hundreds of thousands, it's going to be difficult to persuade another corporate that they need me, when they can get fresher and younger talent straight out of the skills institutes for much, much less. Unless I have something to sweeten the deal. Like a backdoor, say, installed in their rival's security software on the adboards that allows you to access Communique's proprietary information, track the data and the response rates. Call it market research. 'Corporate espionage' is so over-dramatic.
   A monarch alights on my keyboard, flexing its wings, flashing the striations of velvety orange and black. Strayed too far from the nest, little guy. They don't like that around here. I crush it delicately under my thumb.
Toby
Digging through my laundry to find something relatively fresh and suitable for public consumption, I happen upon Jasmine's scarf, which she left here after the raid last night. It smells like her, very faintly through the musty wool and the overwhelming notes of Fairtrade caramel butter, cos Jazz isn't the kind of girl to wear perfume, but she's not the great unwashed specimen of activist either, which I appreciate. I take a deep breath of that warm girly goodness, and then trash the thing. Hey, it's not like she's going to be coming back to get it.
   I stagger over to my console, clip the Moxy chip into the game socket and, instantaneously, there are little blobby monsters bouncing around all over my projecta walls and singing. This, after all the sugar, and with the residue ache of being sucker-punched in the face, is a very bad thing, kids. My cheek has turned a bluish-yellow where that bastard Tendeka got me.
   I reduce the display to just one wall, skip the jangle, choose the first character I'm offered (some furry blue thing with oversized paws – RomperStomp, special move the ShakerQuake) and connect to the gameworld along with the 1,487,763 other players currently online, 99% of whom are in the eight-to-twelve demographic. The remainder are like me, gatecrashers cashing in on the system, or maybe paedophiles looking to hook up. I suspect the former group may be the more evil of the two.
   The trip connects, and RomperStomp shimmers into existence in some cheesy-ass neo-classical archway in a candy-coloured jungle, swampy pools burping oily bubbles that pop to release weird little flittering manta rays, and, in the distance, weird looming rock things like you'd get in Vietnam or somewhere, craggy columns with a thatch of greenery on top and a path of floating step blocks leading away. It's vomitously cute.
   I haven't made it two steps from the entry portal, let alone figured out the fucking buttons, when three furry blobs land on top of me, all claws and teeth.
   'Shit! Wait!' The wall blanks suddenly and Moxy fills the screen. Cos Moxy is always watching. He waves a stubby little paw in disapproval.
>>So sorry! You have been booted from Kiwi Pop for bad behaviour! If you promise to play nice and not swear any more, you can play again for sure!
   I'd forgotten the vocal interactions. I turn it off, no sense betraying my age by my voice, and click on the 'I promise to behave' button.
   I respawn in the arch only to be immediately ambushed by the little bastards, who are clearly waiting for me.
>>Hi guys! Will you be my friend? says Romper Stomp, one of the default pre-selects in case you're too lazy to type or vocalise.
>>Die, newbie scum! yells the one called Fluffoki in a little girl's voice brimming with malice.
   I hit back, punching and kicking, but they've got more experience and there're three of them. I've just got the hang of the Shaker-Quake, knocking Fluffoki off her feet and doing some serious damage when one of her little chums takes me out with a blow to the head, KO-ing me one time.
   The screen blanks again.
>>So sorry! You have died. But at least you tried! Would you like to try again? You've still got nine lives out of ten.
This is Unathi's revenge for the chicks dig.
   When I call her for help, Lerato is the antithesis of sympathy, giggling so mega-hysterical, I'm sure she's gonna pop a valve. Which would serve her right. 'That's a new record in lame, Toby,' she says, when she manages to breathe again. But she cuts me some slack and saves my ass.
   It takes genius girl a full minute and a half to circumvent the entrance portal where Fluffoki and Co. are waiting for me in ambush, rerouting home™'s IP address so it looks like I'm logging in from Melbourne with a whole new character. She's done this before on my home™ sys back when we ordered those medical-grade biogen 'shrooms from Thailand. It took three weeks to get the damn things with the bouncing around to fake addresses, but it was so worth it.
   Anyway, thing is, spawning is random the first time you play, but once you touch down in the special hell that is Moxyland, whichever portal you emerge out of becomes your home base. You die, you go back there again and again and again, and if some psycho bratlings are waiting to maul you every time, it gets Sisyphean quick-quick.
   I re-surface as an all-new character, a Popling Ludo, special move the Reverb Roar, in an allnew home base, this one pseudo-Halloween with creepy husks of trees and lumo moss that hangs off the branches like beards, miles away from that little bitch Fluffoki and her crew.
   This time, I'm prepared for any juve delinquents who even think of jumping me. I ditch the greets and wade in bloody as soon as any new character makes an entrance, despite the shaky finger and more trite couplets from Moxy.
>>On your scorecard, here's a blot, for playing mean; that sucks a lot.
   Who writes this shit? And worse, gets financial remuneration for it? I need to get in on that game.
   It takes four and a half hours to battle it out to level six, get to the sacred Maori hideout in the Waitomo caves and beat the pulp out of the guardian spirit, which resembles a giant cuddly platypus, until he surrenders the purple BlinkaStinka.
   Trophy in paw, I invest another hour twenty backtracking to find my original spawn-in spot, and reduce Fluffoki and her little friendlings to so much dead flesh, although sorry to say, it being a kids' game, they die in splatters of sparks rather than bloody gibs. Fluffoki does break out some very bad words, not entirely appropriate for an eight year-old girl.
   And as a finishing touch, I put in a special request to Lerato to trace the little bastards' user names and get them banned from the gamespace for violating protocol. The pretext for locking them out is killer.
   Overage players.

Tendeka

 
We arrive at the Green Point market, to find that Emmie is AWOL. Ashraf tries to convince me we've got the wrong row, but I know exactly where her stall is supposed to be, wedged between the downloads booth and the over-pierced goth girl with her radical handmade fashion, all velvet, lace and PVC with complicated lacings, now also available in Pluslife, according to a sign in dayglo purple highlighting.
   I know we're in the right place, only instead of Emmie with her plastic chickens and wire jewellery, there is an aggro Kenyan punting kangas and cowrie bracelets, and for all I know dodgy defuser interference devices under the counter, who starts screaming at me when I ask why the fuck he's working the stall registered to my wife, Emmie Chinyaka? Especially when Ash paid the full month's rental in advance two days ago.
   'You should look better after your
wife
, hey?' the Kenyan cracks smugly.
   I drop Ashraf's hand abruptly. I would wipe that smirk off his face if it didn't mean I'd have to deal with the cops.
   We cause enough of a fracas that the market manager, who introduces himself as Mr. Hartley, no first name provided, materialises and takes us to his office stadium-side.
   It seems Emmie terminated her contract yesterday, and took a refund on the rent, no problem for management with so many clamouring to fill the space. Only 50% of the eight thousand though, due to last-minute notice clauses. She sold off her wares and her shadecloth to some of the other traders, packed up the scant remains, and left. No, unfortunately, terribly sorry, he doesn't know where she went or why.
   'Have you tried the hospital?' Mr. Hartley says with sugary concern, like we wouldn't have thought of that already. She's not due to pop for another month, unless it's a miscarriage or a premature, both eventualities Ash obsesses about constantly. We don't have a clue who the father is, whether it was some border guard demanding a toll, or a militia rape. Emmie won't talk about it. But Ashraf and I have discussed it, and we believe the kid shouldn't have to carry the karma. This is the chance to make something good out of the worst possible scenario. And soon he'll have two dads. We're going to name him for Ash's father.
   'I'm sure she's at home,' Ash smoothes. 'Thanks for all your help. I'm sorry if there was any misunderstanding.' I hate it when he apologises for me.

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