Read Mulch Ado About Nothing Online

Authors: Jill Churchill

Tags: #det_irony

Mulch Ado About Nothing (18 page)

BOOK: Mulch Ado About Nothing
13.01Mb size Format: txt, pdf, ePub
ads
“Stefan didn't look as upset as I expected when they took him away," Shelley said, rummaging in the bottom drawer of Jane's refrigerator looking for cold soft drinks.
“Nor did he seem to feel guilty when he told us. If he were guilty of something, he wouldn't have blurted out that he sent the flowers."
“Unless he'd come up with an innocent explanation in the meantime. Why don't you ever keep real Coke in here? I don't like the diet version."
“I do keep it and I drink it all. I'm sure there's at least one can left," Jane said.
Just then the telephone rang. It was Mel, and Jane listened carefully for a long time before saying, "Thanks for letting us know. You didn't tell him it was Shelley and me that ratted, did you?"
“What! What?" Shelley asked when Jane hung up
“They've let Stefan go. He claimed effectively that he'd just written the note saying 'you're next' because she was the most highly qualified teacher scheduled for the next week's classes. He paid cash for the flowers because it wasn't something he could claim on his job expenses. Mel said he seemed so sincere that no one could doubt him. But there was another connection he also blabbed about without even being asked. Apparently he had been one of Julie's 'escorts' for her charity do's last year. He thought at first she was inviting him to them because she liked him, but he claimed he soon realized it wasn't romance she wanted, just a presentable man."
“Isn't that a suspicious story? Maybe he was heartbroken when he realized."
“Mel said he admitted it freely and with no sign of emotional involvement."
“Mel must be pretty naive to buy that, or maybe Stefan's a better actor than we could have guessed," Shelley said.
“Now who's being cynical and grumpy? You know Mel wouldn't turn him loose and forget all about him if he wasn't absolutely sure the guy was telling the truth. Mel's job is to not believe anything he's told until it's confirmed. He said they took him down to the florist shop for the owner to identify him. And Stefan didn't bat an eye.”
Shelley shrugged. "Okay, okay. Stefan is very good-looking and I can see him dropping Julie when he realized he was just her boy toy. Other women have probably treated him the same way and he might have even been flattered, but got bored with the hoity-toity charity gang. I've been to my share of them with Paul and they're pretty deadly.”
Mike came in the house as she was saying this. "What's deadly?" he asked.
“Me," Jane said.
Before she could launch into a few remarks about mowing the grass, Mike said, "What are all those big boxes in your car, Mrs. Nowack?"
“Your mother's new gigantic television, a VCR, and a table to put it on."
“Morn! You sprung for all this in one day? Have you gotten an inheritance you didn't tell us about? Some mysterious rich great-uncle you never told us about?" Mike asked.
“I just took it out of
your
inheritance," Jane said with a grin. "I deserve this stuff. I want to be a lady of leisure before it's too late. Call Scott and get him to help you carry it upstairs, would you? And I really need the lawn mowed."
“That's why I came home early. You knew I wouldn't forget. I'll even get Willard inside so he doesn't bark me to death. By the way, I brought home a couple bags of nice little river rocks so we can put them in Willard's path and make it look like it was a gardening choice."
“Mike, you are a wonder!" his mother said. "So are you going to buy me my own television?"
“No," Jane said succinctly.
Mike looked as if he was slightly put out. Jane wondered if she'd seriously spoiled her kids by always putting them first and scrimping on her own needs. It must have been a surprise to him to find her spending money on herself for a change.
But Mike did a terrific job with the yard, and the path almost looked like a good idea. To Jane, at least. Willard checked it out and decided it was a dangerous demarcation he didn't dare cross. "He'll cut a new path," Jane said dismally. "We'll end up with concentric rings of paths in the grass.”
Shelley was sitting down in the yard, examining the rocks. "This looks nice, Mike. Maybe later in the summer you can design a path for me with these rocks." She glanced at her watch and said, "I better go fetch the girls. I wonder what horror they learned to cook today.”
Mel called while Scott, Mike's best friend, and Mike were struggling to carry the television up the stairs. Jane almost didn't answer the phone. She was too busy driving the boys insane with her warnings to be careful, not to drop the TV, or let the corners make dents in the wall, or hurt themselves.
“Jane, I'm sorry to tell you this, but you'll see it on the evening news and I thought you should know in advance.”
She went cold, then hot all over. "What's happened?" she asked in a shaky voice. Her first thought was that Shelley had finally had the car accident Jane had anticipated for twenty years and she and the girls were all in a hospital.
“It's nothing personal. Don't worry. I didn't mean to scare you. It's just that we found Dr. Eastman.”
The silence that followed this was frigid. But Jane had to ask, "Is he all right?"
“No. He's dead. He'd been put in the compost pile that's hidden behind that stand of pines in his backyard. Fortunately a neighbor reported anawful smell, and the little boy and his mother weren't the ones that found him.”
Jane made a hearty sigh of relief. "I should be sorrier than I am. I hardly knew the man. I'm just glad it wasn't something awful about Shelley and Katie."
“I'm really sorry I frightened you, Janey." "How did he die?”
Mel paused. "Do you really want to know?" "I guess so."
“He was strangled to death with a tough green twine that he used to tie up plants.”
Twenty Four
“Omelettes!"
Shelley
said
when she
returned
from '. picking up their daughters from the cooking class. "They learned how to make omelettes today. At least it was something more reasonable than a fancy chicken dish. Jane? Are you listen- ing?"
“I have something to tell you, but not with kids swarming the house. Come look at my television first.”
Mike and Scott had gotten it all set up and were lounging on Jane's bed, watching a movie of highly doubtful taste. They frantically flipped to a news channel when Jane and Shelley entered the room.
Shelley clasped her hands and exclaimed, "Isn't that wonderful? Terrific reception. A huge picture. And the cabinet looks great in here. Aren't you glad you decided to do this, Jane?"
“I'm not sure. There's going to be a big temptation to never get out of bed."
“Let's go outside while Mike and Scott dispose of all the rubble. Boys, put all the instructions and warranties in the drawer of the cabinet.”
Mike rolled his eyes. "We'd have never thought of that," he said with sarcasm, softened with a smile.
Shelley was so anxious to hear what Jane had to say that she carried Jane's iced tea out to the patio for her without being asked. Held the back door open for her. Even fluffed up the patio chair cushion.
When they were settled in where their conversation couldn't be overheard, Jane said, "Mel called while you were gone. They've found Eastman. He's dead."
“No! You don't mean this!”
Jane repeated what Mel had told her.
“That's awful. And it really does point to someone in the class. I wouldn't have believed it," Shelley said.
“How do you figure that?"
“Two teachers of the same class in a row, Jane. One violently attacked, the other killed. You can't ignore the connection. And neither can the police."
“But, Shelley, all of the class are pretty normal pleasant people."
“Not exactly. You and I are normal pleasant people, but Charles Jones is an ironing board, Miss Martha Winstead had a long bitter history with Eastman and made no bones about it. And Ursula is a nutcase. And so is Arnie in a different way."
“You're right about Miss Winstead. But she's atiny thing and old. Can you see her overpowering a large man, then hoisting him bodily into a compost bin? And as far as we know, she had nothing against Julie Jackson."
“We don't know that. She knew a lot about Julie and followed her social life in the papers. She might have disliked Julie Jackson as much as she hated Eastman and had the sense to keep quiet about it."
“Maybe. But it still seems physically impossible that she could do it. She's tough-minded, but little and frail. You heard her explain that she has hired men to do the heavy work in her yard. It's not that she's been bulking up by hauling tons of those rocks around herself."
“What about Arnie then?" Shelley suggested.
“That doesn't play. He's very strange, I admit. And probably strong for his age, having once been a firefighter. They have to be fit. But his obsession has nothing to do with either teacher. He can't think about anything except his late wife and trying to pretend she's still alive. He doesn't appear to have any connection with either of the teachers."
“Charles Jones?"
“He comes to our minds because we don't like him, Shelley. He's so stuffy, prim, and dull, but that doesn't mean he's hateful enough to knock someone off. Eastman didn't even make criticisms of Jones's garden. In fact, Eastman seemed to be the only one who slightly approved of Edmund's style of gardening."
“But we have no idea what other relationship Charles and Dr. Eastman might have had, completely outside of gardening tastes."
“They didn't appear to have ever met."
“But maybe they were both concealing their acquaintance for some reason," Shelley said like a dog with a delectable bone to chew on.
Jane gave Shelley her due. "Charles Jones is a cold fish, I admit. A rigid perfectionist from what we've seen of his house and yard and his perfectly ironed and spit-polished personal appearance. And he's not very pleasant. He was complaining to me about Ursula and her garden. Swore there were ticks in her yard and wouldn't set foot beyond the patio. He isn't the least bit likeable, but I just don't see him doing something — anything — in a fit of passion. I don't see him as having the least passion about anything."
“Jane, just remember his garden. He's a very controlling person. Especially in the way he tortured and isolated those plants," Shelley said, getting up and jingling her car keys. "Think about this while I take the girls to the grocery store and show them how to buy eggs that aren't cracked or have dirty shells. They need to know about salmonella.”
Jane propped up her bad foot on a chair and thought about what Shelley said. From their limited knowledge of the class members, none of them was strictly normal. Ursula led the pack in sheer personality disorder. Could she have developed some loony theory that Julie Jackson and Stewart Eastman were part of a dangerous conspiracy that she had to eliminate? It was certainly possible given her bizarre beliefs.
And she was a big woman. If she'd dug up and hauled around those tombstones in her garden by herself, she was strong enough to wrestle a body into a compost bin. On the other hand, she was perpetually cheerful and up front with her views and didn't seem to take the least offense when someone doubted that she was right. And her tending to Jane had been a kindness, however useless and unsolicited.
Jane often prided herself on being able to pierce the veil of people's personalities, but she was striking out this time. She'd spent more time with Ursula than she'd wanted or needed, but still had no idea what really made her tick.
Nor could she figure out Charles Jones. He was a stiff, cranky, overorganized man. Something of a prig, in fact. But what kind of concealed life he might have was entirely unknown to her. He might secretly love Mozart or Jackson Pollock. He could have a sexy lover of either sex. He could be a rabid right-wing fanatic or a secret agent for the Nazi underground. Who could guess what was under that haughty, prim facade?
As for Miss Martha Winstead, she was just as much of a mystery. Had she ever married? Had children? Traveled? What was her background? And most of all, was her hatred of Stewart Eastman legitimate? There was always another side to any story, and maybe his actions had been justified. They'd never hear his version, though.
Miss Winstead's beloved cousin, whom she'd characterized as so meek and sweet, might have actually been a tartar of a woman who was set on dragging her husband's career into the dust out of sheer stupidity or spite. Even the account of his serving divorce papers on her when she was ill could be an exaggeration or even downright untrue. They'd only heard Miss Winstead's highly colored account of the marriage.
Miss Winstead had a steel spine, was highly opinionated, and believed she was always right. And she was also a snoop, not that Jane hadn't done her own share of snooping. But Jane didn't share her gossip and opinions with strangers, only with Shelley. Miss Winstead told them a lot of gossip about the other classmates when she was virtually a stranger to Jane and Shelley.
Still, she was a little woman, probably in her mid-sixties at least, with those small knobby hands and thin arms. How could she possibly have overpowered two larger people?
Come to think about it, what did Julie Jackson and Stewart Eastman have in common? They were both in the plant business in a similar way. They both had local connections, though Eastman spent most of his time elsewhere. They were highly educated and apparently were respected in their fields of endeavor. And Julie Jackson had agreed to lecture, and Stewart Eastman had taken over the class for her.
Was someone suspicious of their relationship, or jealous? Could they have actually conspired against someone? Or did somebody mistakenly assume they had? Jane asked herself, but came up blank. Nobody but Miss Winstead and Charles Jones took gardening seriously. But they weren't entirely obsessed with it. Miss Winstead still volunteered at the library and read the papers and went to lunch with new acquaintances like her and Shelley. Charles had a job that had to do with computers, if Jane was remembering correctly.
BOOK: Mulch Ado About Nothing
13.01Mb size Format: txt, pdf, ePub
ads

Other books

Kipling's Choice by Geert Spillebeen
The Ghost Files 3 by Apryl Baker
Dark Lover by Brenda Joyce
Descendant by Giles, Nichole
Living with Shadows by Annette Heys
The Testaments by Margaret Atwood
Reel Stuff by Don Bruns