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Authors: Andrew Peterson

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Nia and Leeli tended to the brothers.

When Janner woke, he ached from head to toe. He knew his wounds were severe because of the look on his mother’s face when she changed his bandages. He lay in bed for days and listened to the creak of the ship and the thump of footsteps overhead. All his life he had dreamed of sailing, and now that he was finally on the open sea, he was confined to a bed. But he had plenty of time to reflect on his journey from Glipwood to Dugtown to the Ice Prairies to the bed where he now lay, and in the end he was grateful.

He also had plenty of time to talk to Tink.

The wolf lay on the bed next to Janner, strapped down with leather cords. He refused to eat soup or even cooked fish but devoured hunks of raw meat that Nia and Leeli tossed into his mouth. He snapped at anyone who came near, and whenever they tried to talk to him, he howled and snarled.

At first Nia tended to him with grief plain on her face. But soon a change came over her, and she kept her back straight and her chin high. She spoke to him firmly and told him, “I love you, Kalmar,” whether or not he growled at her. And every day when she arrived and before she left, she looked him in the eye and asked him his name.

His answer was always violent: “I don’t know,” he would say, or “I have no name.” His howls rattled the windows.

But at night, when moonlight passed through the small, round window and slid across the floor, Janner whispered stories to Kalmar, and Kalmar listened.

“You were fast,” Janner said. “You could outrun me backward if you wanted to. In the summer when the days were long, we would run up the hill to the Blaggus boys’ house and play zibzy until it got too dark to see.”

“What’s zibzy?” Tink whispered, and Janner told him.

“Once, you hid a thwap in Grandpa’s underwear drawer,” Janner said with a hiss of pain because it hurt to laugh.

“Then what happened?” asked the wolf.

“Grandpa jumped so high his head put a hole in the ceiling. You weren’t allowed to play zibzy for a week, but we could tell Grandpa thought it was funny.”

In the morning when Nia and Leeli arrived with breakfast, Nia would ask the Grey Fang his name, and Tink would be all teeth and howls again. His eyes stayed that awful, empty yellow. Janner began to ache for the nighttime so he wouldn’t have to see those wolf eyes watching him. At night he could stare at the moon and tell his brother stories and pretend for a little while that the animal was gone.

More than once, Artham strode into the cabin and spoke to Tink, but whenever he appeared, the wolf was ferocious.

“Your name is Kalmar,” Artham would say with impatience, and Kalmar would howl with pain. Soon, Artham stopped coming at all.

Then one night, something changed.

Janner told his brother of the Fork Factory and his escape through the streets of Dugtown. He told of his decision to rescue Tink from Claxton Weaver’s cage and of the despair he felt when he was too late. There was no moon that night, so all Janner could see of his brother was an outline by the little window.

The wolf spoke, stopping Janner in midsentence.

“I remember,” Tink whispered.

Janner didn’t know what to say, so he lay in the dark for a long time, hardly daring to breathe. The seas were calm, so the waves made little sound against the hull. Then Janner heard, so soft that he thought it might be his imagination, the Grey Fang crying in the dark.

Janner fell asleep with hope in his heart.

In the morning, when Nia and Leeli entered the room, Janner lay still, afraid to open his eyes and find that Tink’s tears had been but a dream, the little Grey Fang as wild and vicious as ever. Janner begged the Maker to answer his prayers.

And the Maker did.

“Good morning, Janner,” Nia said. She sat on his bed and kissed his forehead. “Your grandfather spotted land this morning. He said we’re only two days from the Green Hollows. And good morning to you,” she said to Kalmar. The furry creature stirred. “What’s your name?”

“My name,” the creature said with its eyes still shut, “is Kalmar. My father was Esben Wingfeather, and I am his son, the High King of Anniera.”

If an artist were asked to paint a picture of perfect joy and wonder, it would look exactly like Nia’s face in that moment. She wept. Leeli covered her mouth with both hands and squealed. Janner leapt out of bed and ran to his brother’s side in spite of the pain that shot through his body.

“Tink?” he said.

Kalmar opened his eyes, and they were clear and blue.

A passage from the First Book, as translated in Kimera by Oskar N. Reteep and Nia Igiby Wingfeather:

A traditional Hollish children’s rhyme about the infamous Will, son of Dwayne, from Fencher’s
Scarytales and Spooks

Ouster Will

Ouster Will, Ouster Will.
He breathes on your ankles beneath your bed,
Waits ‘til you’re sleeping and sneaks in your head,
Darkens your dreams ‘til you wish you were dead
Under the ground on the graveyard hill

With Ouster Will, Ouster Will.
He tickles your neck like a spider’s twine,
Smells like the sweat of a snorting swine,
Shivers your bones and rattles your spine,
Grins in the dark on the windowsill.

It’s Ouster Will, Ouster Will!
Open the shutters and brighten the lamp!
Let in the light and wake up the camp!
Your heart is a panic, your forehead is damp!
He’s there in the corner to frighten and kill—

You open the shade, the dark is distilled.
Your eyes roam the room for the wickedy smile,
For the form of the fiend in the laundry pile,
For the shadowy shape of the villain so vile.
Your voice is shrill: “Oh, Ouster Will!”

But it’s only a chill, not Ouster Will!
‘Tis the shade of the tree on the bedroom wall
And the creak of the boards in the basement hall
And the
skritch
of a mouse in the floor, that’s all,
Not Ouster Will. Peace, be still.

Oskar’s Map

A rendering of the whistleharp that belonged to Madia, Queen Sister of Anniera. The same whistleharp later came into the possession of Leeli Wingfeather, Song Maiden of the Shining Isle.

From the sketchbook of Kalmar Wingfeather

About the Author

A
NDREW
P
ETERSON
is the author of
On the Edge of the Dark Sea of Darkness
, Book One in the Wingfeather Saga, and
The Ballad of Matthew’s Begats
. He’s also the critically acclaimed singer-songwriter and recording artist of ten albums, including
Resurrection Letters II
. He and his wife, Jamie, live with their two sons and one daughter in a little house they call The Warren near Nashville, Tennessee.

Visit
wingfeathersaga.com
for more information about Aerwiar and its dangerous creatures
.

N
ORTH
! O
R
B
E
E
ATEN
P
UBLISHED BY
W
ATERBROOK
P
RESS
12265 Oracle Boulevard, Suite 200
Colorado Springs, Colorado 80921

The characters and events in this book are fictional, and any resemblance to actual persons or events is coincidental.

eISBN: 978-0-307-44666-4

Copyright © 2009 by Andrew Peterson
Illustrations © 2009 by Andrew Peterson

Published in association with the literary agency of Alive Communications Inc., 7680 Goddard Street, Suite 200, Colorado Springs, CO,
www.alivecommunications.com
.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher.

Published in the United States by WaterBrook Multnomah, an imprint of the Crown Publishing Group, a division of Random House Inc., New York.

W
ATER
B
ROOK
and its deer colophon are registered trademarks of Random House Inc.

Library of Congress Cataloging-in-Publication Data
Peterson, Andrew.
   North! or be eaten : wild escapes, a desperate journey, and the ghastly Fangs of Dang / Andrew Peterson.—1st ed.
   p. cm.—(The Wingfeather saga; bk. 2)
   Summary: Jealousies and bitterness threaten to tear apart the three Igiby siblings, heirs to a legendary kingdom across the sea, just when they must work together to battle the monsters of Glipwood Forest, the thieving Stranders of the East Bend, and the dreaded Fork Factory.
[1. Brothers and sisters—
Fiction. 2. Adventure and adventurers—Fiction. 3. Fantasy.]
I
. Title.
   PZ7.P4431No 2009
   [Fic]—dc22

2009015368

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