Ocean: The Awakening

Smashwords Edition - 2013

WordFire Press
www.wordfire.com

eBook ISBN: 978-1-61475-110-6

Copyright © 2013 DreamStar, Inc.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the express written permission of the copyright holder, except where permitted by law. This novel is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination, or, if real, used fictitiously.

Book Design by RuneWright, LLC
www.RuneWright.com

Published by
WordFire Press, an imprint of
WordFire, Inc.
PO Box 1840
Monument CO 80132

Electronic Version by Baen Ebooks

http://www.baen.com

***

Dedication

For our grandchildren and great-grandchildren—may you share our love for the beauty and majesty of the ocean, and for the fascinating creatures inhabiting those waters.

***

Acknowledgments

Our special thanks go to Kevin J. Anderson, Rebecca Moesta, Peter J. Wacks, Jessyca Hogue, Keith J. Olexa, Quincy Allen, and Diane Jones of WordFire Press, and our agent John Silbersack.

***

Introduction

One day several years ago, my wife Jan returned from a trip to Hawaii, and she had an idea for a novel that was simple yet large in scope—as many great ideas are—a story about problems in the ocean that she’d been wanting to write for years.

I spent some time brainstorming with her, and in a spiral notebook I made notes about the setting, characterizations, and plot. Then I began typing it up—a story set in Hawaii that had the ocean (and its problems) in the background. She read what I handed her, and then said, diplomatically, “This is good, Brian, but I was thinking more along the line that the ocean is fighting back against humans. What if the ocean is an entity in itself, and is not going to put up with any more abuse from human beings, and decides to take strong action against the violators? What if it declares war on our civilization?”

And she had a title in mind, one that was simple and clean:
Ocean
.

“Oh,” I said, finally understanding. So I set about creating a new main storyline centered on the ocean, discussing it with Jan as I worked on it, showing her chapters that I had written, and obtaining her suggestions. As I got into the book, discussing it with her constantly, the characters and plot seemed to come alive, and I wrote more than 165,000 words in only a few months of intense work—quite a pace for me. You have before you a slightly longer version than that, after the manuscript went through several drafts, improving it each time.

Over the years, I have dedicated many books to Jan. She has always read my material when it was in progress and commented on it, and she did that on this novel as well. But this time I knew in my heart that it was not enough to give her yet another dedication, or even a long introduction such as this one. Truly, she deserved to be the co-author of the book, because this was
her
book, her fantastic concept. These pages reflect the love Jan feels for the ocean and the incredible creatures that inhabit it, marine animals that have sentience, feelings, and souls. She was the inspiration for this project, and the continuing light that enabled me to proceed with it, and to stay on the right track.

I have often said that I could never write unless Jan permitted me to do so. She has always given me the space for my creativity, has always said that it didn’t matter if we had any money at all, that if I ever wanted to sell everything and live somewhere simple, without the daily pressures of owning things and paying bills, she would support me.

For years we have been a creative team—Jan with her painting and photography and me with my writing. On trips to distant lands, we often find places to go where she paints and I write. We sit outside, or in some other place where the creative energy is good around us, and we do our separate projects, with me critiquing her art, and her critiquing my writing. I’ve always known that she was intelligent, but after she brought me the idea for this novel about the ocean, I realized that she is brilliant. Jan is not only the shining light in my life; she is much more. And truly she deserves credit for this novel, because
Ocean
is her story.

Brian Herbert

Seattle, Washington

***

Preface

Because of the passage of more than four hundred years since the great War of Ocean Liberation, some of the details have been lost to history. The part-fish, part-human Sea Warriors who led the revolt did not find it convenient—or necessary—to write everything down during a time of tremendous turmoil and upheaval. Nonetheless, certain over-arching facts are indisputable, dominated by one: This heroic group sought to gain control over the entire world ocean, so that they could give it back to the sea creatures inhabiting it.

All of us know the results of that war, but other details are sketchy, and subject to discussion. Owing to a lack of information about the day-to-day actions of the principals in this fantastic saga (especially with respect to Kimo Pohaku, Alicia Ellsworth, and Gwyneth McDevitt), this is a historical novel that draws upon news reports of the time, eyewitness accounts of their lives, and family journals that have survived the decades—in all, reports by people who were able to obtain some of the details of what was occurring beneath the ocean waves of the planet.

We can say with a certainty that the account you are about to read accurately reflects the personalities of Kimo, Alicia, and Gwyneth, and correctly portrays many of the events in their epic struggle—although for the purpose of telling such an important story, the authors have found it necessary to make educated assumptions about certain specifics, with a minimum of added material.

This, then, is their story, and the story of their brave followers—sea creatures, human-marine hybrids, and untransformed human beings—all of whom dedicated themselves to the cause of ocean liberation.

Let us go back in time now, more than four centuries to the year 2024….

***

Chapter 1

Just beneath the surface of the aquamarine sea, the man swam more than two miles without surfacing for air, though he wore no breathing equipment. His arm strokes and leg movements were smooth, propelling him rapidly through the warm water. He had splendid tattoos of marine animals on his body—a tiger shark on one bicep and a bottlenose dolphin on the other, with a giant octopus tattoo adorning his back, and the image of a moray eel that looked as if the animal was draped over his shoulders. One leg bore the tattoo of a hawksbill turtle, and the other a Portuguese Man-of-War. Even the backs of his hands were tattooed—a marlin on one and a starfish on the other.

Following Kimo Pohaku were immense white sharks, spotted stingrays, barracudas, and swordfish, all thick in a “vee” formation, turning whenever he did, staying with him. He thought it was strikingly beautiful in this underwater realm, where sunlight filtered down from the shimmering surface above, and he had his aquatic friends.

Kimo often felt like a child when he swam, filling his eyes and other senses with the wonders of the sea. But he felt great responsibilities as well, and had learned many important things. He knew the Hawaiian names of the species with him:
niuhi
,
hihimanu
,
kaku
, and
a’uku
. All of these animals were potentially deadly, but he had no fear in their presence, knowing they would not harm him.

Aside from his abundance of tattoos, Kimo looked like an ordinary human being, a young, dark-skinned Hawaiian land dweller—but his appearance concealed functional gills behind the ears, under the hairline. He had other special characteristics as well, including a swim bladder that enabled him to dive deep in the water, and an ability to navigate by identifying variations in the Earth’s magnetic field—things he kept secret from people he knew on the land, except for his own small family. Underwater, he could also hear things beyond the auditory range of a human being—including the low- and high-frequency sounds that marine animals made when communicating with one another or looking for prey.

Due to his enhanced body, Kimo could remain immersed in the sea indefinitely, and dive as far down as he wanted—thousands of meters if he wished to do so—all the way to the deepest regions of the ocean without being harmed by the very cold water, or crushed by the extreme pressures at those depths.

Ahead, he saw the white and iridescent blue of a huge lion’s mane jellyfish, in apparent distress. Slowing as he approached it, he let the creature enfold him in its long tentacles—organs that could sting and kill with lethal toxin in a matter of minutes. As expected, the animal did not harm him—instead, it caressed him gently, then let him go and swam away. But not rapidly, and not with a natural motion. Kimo also noticed that the creatures accompanying him now were troubled and erratic in their movements, not swimming in their usual effortless manner.

Troubled by this, Kimo dove deeper, surging into the depths with powerful underwater strokes, leaving the bright tropical sunlight above him and entering darker, cooler water. At first his companions stayed on his tail, but then he noticed some of them beginning to struggle, and falling out of formation.

He’d been in possession of extraordinary swimming abilities since his earliest memories, and he used to wonder if he was a member of a unique species of human beings with gills and other disguised improvements. But he’d never met anyone like himself. He’d been born in these very waters after a sudden storm capsized a small boat his pregnant mother had been aboard. She had perished during child delivery in the wind-tossed sea, leaving the newborn boy floating beside her body, helpless in the water and connected by the umbilical cord.

Strange and mysterious events had occurred that day, things Kimo thought of often. As a baby he should have died along with his mother, but miraculously he had survived, and had been able to see clearly quite quickly. He remembered his own umbilical cord being cut by a swordfish, while sharks swam around him protectively. Later he would realize that his umbilical cord was tied tightly against his belly, in perfect fashion, but it was a detail he did not see happen, or at least, he could not recall it.…

As a result of his unusual birth and ensuing incidents, Kimo had a very special connection with the sea and the life forms inhabiting it, enabling him to notice the strange behavior of marine animals. In recent weeks this had been increasingly evident in the waters around the Hawaiian islands, where fish and other sea creatures were showing signs of sluggishness, agitation, disorientation, and diminished reproduction. It particularly troubled him that humpback whales had not come to the warm, shallow waters around the island of Loa’kai in the winter to give birth to their young, the first time they had missed doing that in Kimo’s lifetime.

The local news had not been carrying stories about any of this, and Kimo knew why. The influential tourism industry was keeping it under wraps, hoping the problem would go away—and business leaders had the Hawaiian press in their pockets. But Kimo knew the truth, and so did his adoptive father, who lay gravely ill at home.

Just that morning from his sickbed, Tiny Pohaku had spoken about bleached, dying coral reefs, global warming, species depletion, pollution, and other problems that adversely affected the world’s ocean, a vast body of water that covered most of the Earth’s surface. Then the old fisherman drew a disturbing analogy when he said, “I don’t have long to live, and neither does the sea. I feel myself dying with it.”

Now, swimming back toward the surface through the increasing brightness of sunlight in the water, Kimo noticed a male porpoise going in slow circles just beneath the surface, waiting for him. He could tell that, and quickly he noticed why. The animal had a bloody, injured dorsal fin, and Kimo could only speculate on what had happened. The propeller of a tourist boat might have struck it; the vessels were always trying to get close to sea life for viewing.

Kimo broke away from the formation with the other sea creatures, and for a time he swam alongside the porpoise. Reaching over, he stroked its back, taking care to avoid touching the injury. Then, as the two of them slowed in the water and drifted upward toward the light, Kimo touched the injured area gently, and spoke to the animal soothingly, transmitting his thoughts through the water as he always did. The creature did not show any fear. It became very calm, and presently Kimo saw the skin healing over, leaving no sign of the injury. He had done this numerous times.

Moments later the porpoise darted away, testing the repair that Kimo had performed.

He only wished he could do the same for his father, but that was not possible, because the dying man was a land creature.

***