Authors: Derek Walcott
into the steaming troughs of the jostling pen,
then jumped back from the bristling boulders that would crash
against his knees as their wooden gate swung open.
Then Achille scraped the dung-caked cement with a yard
broom, and the clogged shit spidered out into the drain
when he swung the galvanized-iron bucket hard
at the reeking wall, then hurled it harder again
in repetitious rage, the way that combers hit
a braced sea-rock, streaming. Inside, he cursed the screams
of the doomed, panicking swine matted with their shit,
their skidding trotters entered the gate of his dreams.
“I miss the light northern rain, I miss the seasons,”
Maud moaned, implying the climate lacked subtlety.
Some breeze reported the insult, since the monsoon’s
anger coarsened the rain, until between the sty
and water-roped porch grew an impenetrable
jungle that drummed with increasing monotony,
its fraying lianas whipping from each gable,
the galvanized guttering belching with its roar.
Then, soaked like paper, the hills were a Chinese scroll
and she saw a subtlety where none was before.
Bamboo strokes. Wet cloud. Peasant with straw hat and pole.
Fern spray. White mist. Heron crossing fresh waterfall.
The map of heaven was breaking up in nations,
and a soggy nimbus haloed the loaded moon
when Achille saw the mare’s tails, prognostications
of a grumbling sky that underlined each omen—
from the widowed veils of the indigo rainspouts
to candles of egrets screwed on a swaying branch,
then the match of lightning; in irascible knots
freckling the hot glass of the Coleman lanterns
termites singed their glazed wings and fell away as ants.
Then, next day, the stillness. And in it, the bitterns
and the gulls circling inland. Then, in the distance,
the strange yellow light. He went to buy kerosene
from Ma Kilman’s crowded shop, and he was on his way back,
half-blind from her searing gas-lamp, when a blue sheen
lit the roofs and the street widened with a forked crack
of lightning igniting the egrets, splashing the palms
on the cracked plaster sky. Achille dropped the bottle.
Rain on the galvanized night. Helen in his arms.
The wind changed gear like a transport with the throttle
of the racing sea. He picked up the bottle. Before
he could, sprinting to it, fight with the rusted latch,
thudding lances of rain pinned him against the door,
but he shouldered it open, then he heard the crash
of thousands of iron nails poured in a basin
of rain on his tin roof. The cloud galleons warred
with flashing blue broadsides. Achille, soaked to the skin,
filled the lamp and lit it; he angled the brass guard
leeward of the wind and whipped off his shirt in bed.
Shadows writhed from the wick, the plantains in the yard
were wrestling to share the small roof over his head.
After a while, he got used to the heavy sound
on the galvanize. He ate cold jackfish and prayed
that his cold canoe was all right on the high sand.
He imagined the galleon, its ghost, through the frayed
ropes of the hurricane as he lowered the wick.
Hector and Helen. He lay in the dark, awake.
II
Hector wasn’t with Helen. He was with the sea,
trying to save his canoe when its anchor-rope
had loosened, but sheets of black rain mercilessly
spun the bow back in the wave-troughs when he would grope
at the mooring, and in the brown, nut-littered troughs
the hull was swamping as bilge whirlpooled round his feet;
he saw how every wash crashed. Spray high as a house!
Then the long, cannon-loud boom breaking after it,
not seeing land through the rain, thinking it was close
from the sand-chirred water, and then he was afraid
when he saw how they were heading past the lighthouse
that spun in the gusts, with the anchor gone, the boat
keeling to the gunwale, so he shifted his weight,
he paddled hard with the short oar to come about,
but he paddled air, the wave crests brownish-white,
churning with wrenched palm-fronds; he stood up with the oar,
rocking on the keel-board, then he sat, his soul wet
and shaking. He crept to the bow, then dived ashore,
but the spinning stern clubbed him, so he stayed under
the debris to find some calm and depth, but the more
he dived, the faster the current spun him, thunder
and lightning cracked and he saw the canoe founder
without any grief; he rode a trough for a while,
paddling on his back, to measure the right rhythm
of the crests, then slid down a slow-gathering wall
like a surfer: once he caught the beat, he could swim
with the crumbling surf, not against the sea’s will,
letting it spin him if it chose, even if it chose
to treat him like its garbage; then he felt the swirl
of fine sand and staggered up straight in the shallows.
III
The Cyclone, howling because one of the lances
of a flinging palm has narrowly grazed his one eye,
wades knee-deep in troughs. As he blindly advances,
Lightning, his stilt-walking messenger, jiggers the sky
with his forked stride, or he crackles over the troughs
like a split electric wishbone. His wife, Ma Rain,
hurls buckets from the balcony of her upstairs house.
She shakes the sodden mops of the palms and once again
changes her furniture, the cloud-sofas’ grumbling casters
not waking the Sun. The Sun had been working all day
and would sleep through it all. After their disasters
it was he who cleaned up after their goddamned party.
So he went straight to bed at the first sign of a drizzle.
Now, like a large coalpot with headlands for its handles,
the Sea cooks up a storm, raindrops start to sizzle
like grease, there is a brisk business in candles
in Ma Kilman’s shop. Candles, nails, a sudden increase in
the faithful, and a mark-up on matches and bread.
In the grey vertical forest of the hurricane season,
when the dirty sea returns the wreaths of the dead,
all the village could do was listen to the gods in session,
playing any instruments that came into their craniums,
the harp-sighing ripple of a hither-and-zithering sea,
the knucklebone pebbles, the abrupt Shango drums
made Neptune rock in the caves. Fête start! Erzulie
rattling her ra-ra; Ogun, the blacksmith, feeling
No Pain; Damballa winding like a zandoli
lizard, as their huge feet thudded on the ceiling,
as the sea-god, drunk, lurched from wall to wall, saying:
“Mama, this music so loud, I going in seine,”
then throwing up at his pun. People were praying,
but then the gods, who were tired, were throwing a fête,
and their fêtes went on for days, and their music ranged
from polkas of rain to waves dancing La Comète,
and the surf clapped hands whenever the patterns changed.
For the gods aren’t men, they get on well together,
holding a hurricane-party in their cloud-house,
and what brings the gods close is the thunderous weather,
where Ogun can fire one with his partner Zeus.
Achille in his shack heard chac-chac and violin
in the telephone wires, a sound like Helen
moaning, or Seven Seas, blind as a sail in rain.
In the devastated valleys, crumpling brown water
at their prows, headlights on, passenger-vans floated
slowly up roads that were rivers, through the slaughter
of the year’s banana-crop, past stiff cows bloated
from engorging mud as the antlers of trees tossed
past the banks like migrating elk. It was as if
the rivers, envying the sea, tired of being crossed
in one leap, had joined in a power so massive
that it made islands of villages, made bridges
the sieves of a force that shouldered culverts aside.
The rain passed, but people looked up to the ridges
fraying with its return, and the flood, in its pride,
entered the sea; then Achille could hear the tunnels
of brown water roaring in the mangroves; its tide
hid the keels of the canoes, and their wet gunwales
were high with rainwater that could warp them rotten
if they were not bailed. The river was satisfied.
It was a god too. Too much had been forgotten.
Then, a mouse after a fête, its claws curled like moss,
nosing the dew as the lighthouse opened its eye,
the sunlight peeped out, and people surveyed the loss
that the gods had made under a clearing-up sky.
Candles shortened and died. The big yellow tractors
tossed up the salad of trees, in yellow jackets
men straightened the chairs of dead poles, the contractors
in white helmets and slickers heard the castanets
of the waves going up the islands, moving on
from here to Guadeloupe, the beaded wires were still.
They saw the mess the gods made in one night alone,
as Lightning lifted his stilts over the last hill.
Achille bailed out his canoe under an almond
that shuddered with rain. There would be brilliant days still,
till the next storm, and their freshness was wonderful.
Chapter X
I
For Plunkett, despair came with this shitty weather,
from the industrious torrents of mid-July
till the farm was drubbed to a standstill. This year, the
rain was an unshifting thicket, the branched sky
grew downwards like mangroves, or an immense banyan.
The bulbs dangled weakly from the roof of the pens,
their cords sticky with flies, till he, like everyone
else, watched the drifts, hating the separate silence
that settled his labourers when their work was done.
He saw that their view of him would always remain
one of patronage; his roof was over their heads,
as they sat disconsolately watching the rain
erode and dissolve the mounds of Maud’s garden-beds,
their eyes glazed and clouded with some forgotten pain
from the white shambles of lilies, the dripping boards
of rope-twisted water blown from the leaking pen,
while Maud sat embroidering her tapestry of birds
in the lamplit house which each horizontal gust
blew farther from him. He saw her in the windows
and felt she was drifting away, just like the ghost
of the drowned galleon. He bolted up to the house.
He stayed in the house. The ginger tom boxed its paws
at the yarn-knitting window. Hogs ran to slaughter
like infantry tired of trenches and shovels,
and rain-maddened lilies chose a death by water,
like pregnant virgins in Victorian novels.
Maud rescued some. In rain hat and yellow slicker,
she bent over their beds in the gentler drizzles;
then the beds would darken, the drizzles grow thicker
in an even heavier downpour than the last.
Trees and power poles fell. Lamps came on in the house.
A winter besieged them with limp weeklies and tea.
Beyond the orchids she watched the grey-shawled showers
cross the grey lawn, then go down towards the grey sea.
By the crystal teardrop lamp she’d brought from Ireland,
humming then stopping, then humming. Settling the bulbs
of saved lilies in vases with her leaf-veined hand.
Seychelles. Seashells. He watched her, then, with glottal gulps
that maddened her, sucked his tea. He felt murderous
as the monsoon when she started playing some tripe
about “Bendemeer’s stream,” each chord binding the house
with nerves of itching ivy; he crammed in his pipe,
then bit it erect, and in a raw, sodden rage
strode to the unshawled piano and slammed the lid,
missing her fingers. Maud waited. She closed the page
of
Airs from Erin
and, very carefully, hid
it under the velvet of the piano stool,
brushed past him with her shawl, and climbed up the slow stairs,
tugging at her fingers. No fool like an old fool,
the Major raged. The window was streaming with tears,
but none came. When? It was the old wound in his head.
Rubbish. Easy excuse. He never blamed the war.
It was like original sin. Then the Major heard
someone knocking carefully. The voice said: “Major?
Major, we going,” and left. The ginger uncurled
from the dark sofa. He lifted him carefully,
placed him by the window to look out on this world
the way he no longer did. Then, his heart full, he
went up, eased the door: Sleeping. But she never slept
with one elbow over her eyes. Sorrow dissolved
him, and he sat on the bed, and then both of them wept
the forgiving rain of those who have truly loved.
It seemed long as the season, and then the rain stopped.
II
Once the rains passed they took the olive Land Rover
round the shining island, up mornes with red smudges
of fresh immortelles with old things to discover;
the deep-green crescents held African villages
that, over centuries, had roofed their shacks with tins,
erected a square stone church, until by stages,
the shacks would creep down the ridges to become towns.
That was how History saw them. He studied the course
that it offered: the broken roads, the clear rivers