One Hundred Years of Solitude (35 page)

Macondo was in ruins. In the swampy streets there were the remains of furniture, animal skeletons covered with red lilies, the last memories of the hordes of newcomers who had fled Macondo as wildly as they had arrived. The houses that had been built with such haste during the banana fever
had been abandoned. The banana company tore down its installations. All that remained of the former wired-in city were the ruins. The wooden houses, the cool terraces for breezy card-playing afternoons, seemed to have been blown away in an anticipation of the prophetic wind that years later would wipe Macondo off the face of the earth. The only human trace left by that voracious blast was a glove
belonging to Patricia Brown in an automobile smothered in wild pansies. The enchanted region explored by José Arcadio Buendía in the days of the founding, where later on the banana plantations flourished, was a bog of rotting roots, on the horizon of which one could manage to see the silent foam of the sea.
Aureliano Segundo went through a crisis of affliction on the first Sunday that he put on
dry clothes and went out to renew his acquaintance with the town. The survivors of the catastrophe, the same ones who had been living in Macondo before it had been struck by the banana company hurricane, were sitting in the middle of the street enjoying their first sunshine. They still had the green of the algae on their skin and the musty smell of a corner that had been stamped on them by the rain,
but in their hearts they seemed happy to have recovered the town in which they had been born. The Street of the Turks was again what it had been earlier, in the days when the Arabs with slippers and rings in their ears were going about the world swapping knickknacks for macaws and had found in Macondo a good bend in the road where they could find respite from their age-old lot as wanderers. Having
crossed through to the other side of the rain, the merchandise in the booths was falling apart, the cloths spread over the doors were splotched with mold, the counters undermined by termites, the walls eaten away by dampness, but the Arabs of the third generation were sitting in the same place and in the same position as their fathers and grandfathers, taciturn, dauntless, invulnerable to time
and disaster, as alive or as dead as they had been after the insomnia plague and Colonel Aureliano Buendía’s thirty-two wars. Their strength of spirit in the face of the ruins of the gaming tables, the fritter stands, the shooting galleries, and the alley where they interpreted dreams and predicted the future made Aureliano Segundo ask them with his usual informality what mysterious resources they
had relied upon so as not to have gone awash in the storm, what the devil they had done so as not to drown, and one after the other, from door to door, they returned a crafty smile and a dreamy look, and without any previous consultation they all gave the same answer:

“Swimming.”

Petra Cotes was perhaps the only native who had an Arab
heart. She had seen the final destruction of her stables,
her barns dragged off by the storm, but she had managed to keep her house standing. During the second year she had sent pressing messages to Aureliano Segundo and he had answered that he did not know when he would go back to her house, but that in any case he would bring along a box of gold coins to pave the bedroom floor with. At that time she had dug deep into her heart, searching for the strength
that would allow her to survive the misfortune, and she had discovered a reflective and just rage with which she had sworn to restore the fortune squandered by her lover and then wiped out by the deluge. It was such an unbreakable decision that Aureliano Segundo went back to her house eight months after the last message and found her green, disheveled, with sunken eyelids and skin spangled with
mange, but she was writing out numbers on small pieces of paper to make a raffle. Aureliano Segundo was astonished, and he was so dirty and so solemn that Petra Cotes almost believed that the one who had come to see her was not the lover of all her life but his twin brother.

“You’re crazy,” he told her. “Unless you plan to raffle off bones.”

Then she told him to look in the bedroom and Aureliano
Segundo saw the mule. Its skin was clinging to its bones like that of its mistress, but it was just as alive and resolute as she. Petra Cotes had fed it with her wrath, and when there was no more hay or corn or roots, she had given it shelter in her own bedroom and fed it on the percale sheets, the Persian rugs, the plush bedspreads, the velvet drapes, and the canopy embroidered with gold thread
and silk tassels on the episcopal bed.

Ú
RSULA HAD
to make a great effort to fulfill her promise to die when it cleared. The waves of lucidity that were so scarce during the rains became more frequent after August, when an arid wind began to blow and suffocated the rose bushes and petrified the piles of mud, and ended up scattering over Macondo the burning dust that covered the rusted zinc roofs and the age-old almond trees forever.
Úrsula cried in lamentation when she discovered that for more than three years she had been a plaything for the children. She washed her painted face, took off the strips of brightly colored cloth, the dried lizards and frogs, and the rosaries and old Arab necklaces that they had hung all over her body, and for the first time since the death of Amaranta she got up out of bed without anybody’s
help to join in the family life once
more. The spirit of her invincible heart guided her through the shadows. Those who noticed her stumbling and who bumped into the archangelic arm she kept raised at head level thought that she was having trouble with her body, but they still did not think she was blind. She did not need to see to realize that the flower beds, cultivated with such care since
the first rebuilding, had been destroyed by the rain and ruined by Aureliano Segundo’s excavations, and that the walls and the cement of the floors were cracked, the furniture mushy and discolored, the doors off their hinges, and the family menaced by a spirit of resignation and despair that was inconceivable in her time. Feeling her way along through the empty bedrooms she perceived the continuous
rumble of the termites as they carved the wood, the snipping of the moths in the clothes closets, and the devastating noise of the enormous red ants that had prospered during the deluge and were undermining the foundations of the house. One day she opened the trunk with the saints and had to ask Santa Sofía de la Piedad to get off her body the cockroaches that jumped out and that had already turned
the clothing to dust. “A person can’t live in neglect like this,” she said. “If we go on like this we’ll be devoured by animals.” From then on she did not have a moment of repose. Up before dawn, she would use anybody available, even the children. She put the few articles of clothing that were still usable out into the sun, she drove the cockroaches off with powerful insecticide attacks, she scratched
out the veins that the termites had made on doors and windows and asphyxiated the ants in their anthills with quicklime. The fever of restoration finally brought her to the forgotten rooms. She cleared out the rubble and cobwebs in the room where José Arcadio Buendía had lost his wits looking for the philosopher’s stone, she put the silver shop which had been upset by the soldiers in order,
and lastly she asked for the keys to Melquíades’ room to see what state it was in. Faithful to the wishes of José Arcadio Segundo, who had
forbidden anyone to come in unless there was a clear indication that he had died, Santa Sofía de la Piedad tried all kinds of subterfuges to throw Úrsula off the track. But so inflexible was her determination not to surrender even the most remote corner of
the house to the insects that she knocked down every obstacle in her path, and after three days of insistence she succeeded in getting them to open the door for her. She had to hold on to the doorjamb so that the stench would not knock her over, but she needed only two seconds to remember that the schoolgirls’ seventy-two chamberpots were in there and that on one of the rainy nights a patrol of soldiers
had searched the house looking for José Arcadio Segundo and had been unable to find him.

“Lord save us!” she exclaimed, as if she could see everything. “So much trouble teaching you good manners and you end up living like a pig.”

José Arcadio Segundo was still reading over the parchments. The only thing visible in the intricate tangle of hair was the teeth striped with green slime and his motionless
eyes. When he recognized his great-grandmother’s voice he turned his head toward the door, tried to smile, and without knowing it repeated an old phrase of Úrsula’s.

“What did you expect?” he murmured. “Time passes.”

“That’s how it goes,” Úrsula said, “but not so much.”

When she said it she realized that she was giving the same reply that Colonel Aureliano Buendía had given in his death cell,
and once again she shuddered with the evidence that time was not passing, as she had just admitted, but that it was turning in a circle. But even then she did not give resignation a chance. She scolded José Arcadio Segundo as if he were a child and insisted that he take a bath and shave and lend a hand in fixing up the house. The simple idea of abandoning the room that had given him peace terrified
José Arcadio Segundo. He shouted that there was no human power capable of making him go out because he did not want
to see the train with two hundred cars loaded with dead people which left Macondo every day at dusk on its way to the sea. “They were all of those who were at the station,” he shouted. “Three thousand four hundred eight.” Only then did Úrsula realize that he was in a world of shadows
more impenetrable than hers, as unreachable and solitary as that of his great-grandfather. She left him in the room, but she succeeded in getting them to leave the padlock off, clean it every day, throw the chamberpots away except for one, and to keep José Arcadio Segundo as clean and presentable as his great-grandfather had been during his long captivity under the chestnut tree. At first Fernanda
interpreted that bustle as an attack of senile madness and it was difficult for her to suppress her exasperation. But about that time José Arcadio told her that he planned to come to Macondo from Rome before taking his final vows, and the good news filled her with such enthusiasm that from morning to night she would be seen watering the flowers four times a day so that her son would not have
a bad impression of the house. It was that same incentive which induced her to speed up her correspondence with the invisible doctors and to replace the pots of ferns and oregano and the begonias on the porch even before Úrsula found out that they had been destroyed by Aureliano Segundo’s exterminating fury. Later on she sold the silver service and bought ceramic dishes, pewter bowls and soup spoons,
and alpaca tablecloths, and with them brought poverty to the cupboards that had been accustomed to India Company chinaware and Bohemian crystal. Úrsula always tried to go a step beyond. “Open the windows and the doors,” she shouted. “Cook some meat and fish, buy the largest turtles around, let strangers come and spread their mats in the corners and urinate in the rose bushes and sit down to eat
as many times as they want, and belch and rant and muddy everything with their boots, and let them do whatever they want to us, because that’s the only way to
drive off ruin.” But it was a vain illusion. She was too old then and living on borrowed time to repeat the miracle of the little candy animals, and none of her descendants had inherited her strength. The house stayed closed on Fernanda’s
orders.

Aureliano Segundo, who had taken his trunks back to the house of Petra Cotes, barely had enough means to see that the family did not starve to death. With the raffling of the mule, Petra Cotes and he bought some more animals with which they managed to set up a primitive lottery business. Aureliano Segundo would go from house to house selling the tickets that he himself painted with colored
ink to make them more attractive and convincing, and perhaps he did not realize that many people bought them out of gratitude and most of them out of pity. Nevertheless, even the most pitying purchaser was getting a chance to win a pig for twenty cents or a calf for thirty-two, and they became so hopeful that on Tuesday nights Petra Cotes’s courtyard overflowed with people waiting for the moment
when a child picked at random drew the winning number from a bag. It did not take long to become a weekly fair, for at dusk food and drink stands would be set up in the courtyard and many of those who were favored would slaughter the animals they had won right there on the condition that someone else supply the liquor and music, so that without having wanted to, Aureliano Segundo suddenly found
himself playing the accordion again and participating in modest tourneys of voracity. Those humble replicas of the revelry of former times served to show Aureliano Segundo himself how much his spirits had declined and to what a degree his skill as a masterful carouser had dried up. He was a changed man. The two hundred forty pounds that he had attained during the days when he had been challenged
by The Elephant had been reduced to one hundred fifty-six; the glowing and bloated tortoise face had turned into that of an iguana, and he was always on the verge
of boredom and fatigue. For Petra Cotes, however, he had never been a better man than at that time, perhaps because the pity that he inspired was mixed with love, and because of the feeling of solidarity that misery aroused in both of
them. The broken-down bed ceased to be the scene of wild activities and was changed into an intimate refuge. Freed of the repetitious mirrors, which had been auctioned off to buy animals for the lottery, and from the lewd damasks and velvets, which the mule had eaten, they would stay up very late with the innocence of two sleepless grandparents, taking advantage of the time to draw up accounts and
put away pennies which they formerly wasted just for the sake of it. Sometimes the cock’s crow would find them piling and unpiling coins, taking a bit away from here to put there, so that this bunch would be enough to keep Fernanda happy and that would be for Amaranta Úrsula’s shoes, and that other one for Santa Sofía de la Piedad, who had not had a new dress since the time of all the noise, and
this to order the coffin if Úrsula died, and this for the coffee which was going up a cent a pound in price every three months, and this for the sugar which sweetened less every day, and this for the lumber which was still wet from the rains, and this other one for the paper and the colored ink to make tickets with, and what was left over to pay off the winner of the April calf whose hide they had
miraculously saved when it came down with a symptomatic carbuncle just when all of the numbers in the raffle had already been sold. Those rites of poverty were so pure that they nearly always set aside the largest share for Fernanda, and they did not do so out of remorse or charity, but because her well-being was more important to them than their own. What was really happening to them, although
neither of them realized it, was that they both thought of Fernanda as the daughter that they would have liked to have and never did, to the point where on a certain occasion they resigned themselves to eating crumbs for three days so that she
could buy a Dutch tablecloth. Nevertheless, no matter how much they killed themselves with work, no matter how much money they eked out, and no matter how
many schemes they thought of, their guardian angels were asleep with fatigue while they put in coins and took them out trying to get just enough to live with. During the waking hours when the accounts were bad, they wondered what had happened in the world for the animals not to breed with the same drive as before, why money slipped through their fingers, and why people who a short time before had
burned rolls of bills in the carousing considered it highway robbery to charge twelve cents for a raffle of six hens. Aureliano Segundo thought without saying so that the evil was not in the world but in some hidden place in the mysterious heart of Petra Cotes, where something had happened during the deluge that had turned the animals sterile and made money scarce. Intrigued by that enigma, he
dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then
on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of loving each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out old people
they kept on blooming like little children and playing together like dogs.

The raffles never got very far. At first Aureliano Segundo would spend three days of the week shut up in what had been his rancher’s office drawing ticket after ticket, painting with a
fair skill a red cow, a green pig, or a group of blue hens, according to the animal being raffled, and he would sketch out a good imitation
of printed numbers and the name that Petra Cotes thought good to call the business:
Divine Providence Raffles
. But with time he felt so tired after drawing up to two thousand tickets a week that he had the animals, the name, and the numbers put on rubber stamps, and then the work was reduced to moistening them on pads of different colors. In his last years it occurred to him to substitute riddles
for the numbers so that the prize could be shared by all of those who guessed it, but the system turned out to be so complicated and was open to so much suspicion that he gave it up after the second attempt.

Aureliano Segundo was so busy trying to maintain the prestige of his raffles that he barely had time to see the children. Fernanda put Amaranta Úrsula in a small private school where they
admitted only six girls, but she refused to allow Aureliano to go to public school. She considered that she had already relented too much in letting him leave the room. Besides, the schools in those days accepted only the legitimate offspring of Catholic marriages and on the birth certificate that had been pinned to Aureliano’s clothing when they brought him to the house he was registered as a foundling.
So he remained shut in at the mercy of Santa Sofía de la Piedad’s loving eyes and Úrsula’s mental quirks, learning in the narrow world of the house whatever his grandmothers explained to him. He was delicate, thin, with a curiosity that unnerved the adults, but unlike the inquisitive and sometimes clairvoyant look that the colonel had at his age, his look was blinking and somewhat distracted.
While Amaranta Úrsula was in kindergarten, he would hunt earthworms and torture insects in the garden. But once when Fernanda caught him putting scorpions in a box to put in Úrsula’s bed, she locked him up in Meme’s old room, where he spent his solitary hours looking through the pictures in the
encyclopedia. Úrsula found him there one afternoon when she was going about sprinkling the house with
distilled water and a bunch of nettles, and in spite of the fact that she had been with him many times she asked him who he was.