Pandora's Key (2 page)

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Authors: Nancy Richardson Fischer

Tags: #Fantasy, #Contemporary, #Fiction

BOOK: Pandora's Key
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NANCY
RICHARDSON
FISCHER
THE KEY TRILOGY • BOOK ONE
Contents

Dedication

Epigraph

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

Chapter Twenty-eight

Chapter Twenty-nine

Chapter Thirty

Chapter Thirty-one

Chapter Thirty-two

Chapter Thirty-three

Chapter Thirty-four

Chapter Thirty-five

Chapter Thirty-six

Chapter Thirty-seven

Chapter Thirty-eight

Chapter Thirty-nine

Chapter Forty

Chapter Forty-one

Chapter Forty-two

Chapter Forty-three

Chapter Forty-four

Chapter Forty-five

Chapter Forty-six

Chapter Forty-seven

Chapter Forty-eight

Epilogue

Acknowledgments

About the Author

More by This Author

Coming Soon From Nancy Fischer Richardson

Copyright

This book is for Henry—
my best friend, husband, and partner in adventure and magic.

 

“We must be willing to let go of the life we planned so as to have the life that is waiting for us.”

—Joseph Campbell

Prologue

Thousands of years ago the Gods and Goddesses of Mount Olympus created the first woman and named her Pandora. Each God gave Pandora a magical gift. Aphrodite, Goddess of Love and Beauty, bestowed beauty. Poseidon, God of the Sea, bequeathed black pearls so Pandora would never drown. Haephestus, God of Fire and Metalworking, gave Pandora the ability to create reality from imagination. Apollo, God of the Sun and the Arts, granted her musical prowess. Athena, the warrior Goddess, contributed the ability to kill, and Demeter, Goddess of the Harvest, tempered that attribute with healing powers. The Messenger God, Hermes, gave Pandora the trait of cunning.

Not to be outdone, Zeus, King of the Gods, gave Pandora two gifts. First, he endowed her with curiosity. And, second, he gave her an intricately carved gold box that emanated a soft rose-colored glow as a gift for mankind designed to punish them for accepting stolen fire from Mount Olympus. The box was filled with five Furies: Plagues, Natural Disasters, Hatred, Jealousy, and the most horrific fifth Fury, Annihilation. Zeus reasoned that curious Pandora would open the box and the Furies would be released to torment mankind for eternity. He allowed his wife, Hera, Goddess of Women and Marriage, to add Hope to the box before he closed it, because men would need a reason to live once the Furies had been released.

At the last moment, Hades, God of the Underworld, placed a delicate chain around innocent Pandora’s neck. Dangling from it was a small key fashioned from iridescent onyx. If curious Pandora was cunning enough to close the box before the most devastating fifth Fury escaped, she could use the key to keep it locked away. The Gods added a few more twists and turns to ensure their amusement and then sent their lovely creation and her poisonous gift down to earth.

Over the ensuing tens-of-centuries, the onyx key was preserved, but all memory of its history and of the box faded until only a handful of people knew the truth. Some of those people were innocents, as Pandora had been. Some were devious and lethal when crossed. And some were evil or simply insane.

Chapter One

It was a cold May in the Pacific Northwest, but in one backyard bulbs had already pushed through untended soil and opened their petals, revealing cheerful yellow daffodils and snow-white tulips. In adjacent yards, spring flowers had yet to peek out of soil tilled and fertilized by professional gardening services.

Perhaps the early blooms were what made this particular backyard feel bewitched. Or maybe it was the hummingbirds, which would not be seen anywhere else in Oregon for several months, hovering over honeysuckle that shouldn’t be blooming until July. But the other-worldly effect could simply have been the result of the shadows and weak gleam of moonlight casting a silver net over the premises.

Two men slipped through the backyard’s white picket gate. They were dressed in black and wore woolen ski masks that revealed only the drooping hooked nose of the taller one and the almond-shaped eyes of the second, much shorter, but broader, man. The men moved soundlessly to the pale-yellow house, the taller man inserting a thin rod into the seam of the sliding glass door. There was a clicking sound as the lock opened.

The second man slid a compact gun from his side and released the safety. With his free hand he eased the slider open, then hesitated and looked down at his chest where a red flower suddenly bloomed. His knees buckled and the taller man whirled around to help…but it was already too late. The arc of a curved blade caught his neck just below the ski mask and sliced it cleanly, sending up a spray of fine blood. Hands caught both men before they hit the ground. Silently, they were dragged away.

The only witness to the bloody scene was an orange and white tabby who sat unblinking in the picture window.

Chapter Two

Evangeline climbed a rickety wooden ladder into the hayloft. She wore a cotton nightgown she’d never seen before—ivory-colored with tiny pink roses, long enough to brush the tops of her bare feet…except they weren’t her feet, because they were too small and delicate and the nails were painted cherry-red.

When she reached the loft, she found a lantern on the floor. Raising the glass top, she lit the wick with a match she hadn’t known she carried, and then turned the brass knob. The lantern glowed, illumining lazy dust motes, bales of yellowed hay, and a thick rope coiled in the corner.

Evangeline tossed the free end of the rope over a rafter. She braced herself, leaned out from the ladder, and grabbed the dangling rope. Slowly her hands, which were not her hands because there was a pear-shaped diamond ring on the left ring finger, fashioned the end of the rope into a noose.
I don’t know how to make a noose
, Evangeline thought as she slid it over her head and tightened it around her neck.

Evangeline watched her pale feet shuffle along the uneven, slatted floor toward the edge of the hayloft. Her pulse raced.
This isn’t happening.
But she could smell the thick, cloying sweetness of the hay.
This can’t be real.
But she felt a splinter from the rough wood bite into her heel.
Stop!
And then she stepped into space, stomach hurtling into her mouth—terror numbing her body—rope tightening—legs kicking…

• • •

Evangeline struggled to consciousness. Her heart thudded painfully and a thin film of sweat coated her face. She looked down—blue flannel PJ’s. No diamond ring. Size ten feet—no nail polish—poking from beneath her down comforter. Her fingers slid along the smooth skin of her neck, feeling for rope burns—none.

“It was only a nightmare,” Evangeline whispered. But it had felt incredibly real and it took some time to slow her pulse and banish the strange dream from her mind.
And that’s all it was
, she told herself, sitting up and wiping her face—
just a stupid dream.

Rolling out of bed, she shuffled down the hall. She walked through her mom’s bedroom with its queen-sized bed covered with the hand-made quilt of yellow and orange squares that her mother’s agent, Samantha, had given her. She sidestepped the rocking chair and her mom’s beat-up guitar, and passed an antique bureau topped by an oval mirror whose gold border framed glass hazy with age.

Stepping through the open door of the bathroom, Evangeline watched her mom brushing her teeth. Olivia Theopolis, dressed in a paint-splattered T-shirt and worn Levis, had probably already been working for hours on the new painting she’d refused to show her daughter. Evangeline couldn’t help noticing that her white-blonde hair was perfectly smooth and straight compared to her own shoulder-length locks that always curled out of control. Self-conscious, she tried to press her hair down and her mom noticed her rumpled reflection in the mirror.

“H-phy-b-fdy,” she said, before spitting out a mouthful of toothpaste. “Evangel—” Suddenly, her mom’s knees buckled and she grabbed the edge of the pedestal sink to keep from falling. She leaned forward, peering into the porcelain bowl.

“Blood,” she whispered, confused. And then she looked into the mirror, mouth open wide, shaking fingers running over her teeth. “My teeth—”

The back of Evangeline’s neck prickled. “Mom?”

Her mother turned—her flawless skin pale. “I don’t understand. My teeth are falling out and there’s blood in the sink.”

A chill slithered down Evangeline’s spine as she walked to the sink and peered nervously into it. The porcelain was pure white with a few rivulets of the aqua-colored toothpaste her mom had spit out moments ago.
No blood—no blood anywhere. What is she talking about?

Evangeline released the breath she’d been holding. “Mom, I don’t understand—there’s nothing in the sink but toothpaste.” She looked at her mom’s frightened face and suddenly she was scared. “Your teeth are all there,” Evangeline said and gently turned her mother around to look.

Slowly the color came back to the woman’s cheeks and she was again Evangeline’s beautiful, young mother. The mom all the boys in her class stared at when she picked up E from school. The one who made them all whisper about how the apple had fallen so far from the tree. And it had. Olivia had bowed pink lips, stunning sky-blue eyes, the body of a gazelle. Evangeline was a giraffe—long neck, gangly limbs, eerie blue-black eyes, and an impossibly wide mouth.

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