Playing Dead (5 page)

Rocco got back to the apartment at six. He’d wasted as much time as he could, walking around, just kicking his heels, but finally he
had
to go home.

‘Where have you been?’ Cara called from the bedroom the instant he walked through the door.

‘I had some business to attend to,’ said Rocco, coming to stand in the open doorway. His expression was closed-off, guarded. She was sitting at her dressing table, brushing her hair, wearing a raspberry-pink silk negligee and matching peignoir.

‘Oh.’ Cara stared at him in the mirror until he looked away.

Did she suspect anything? No, he was sure she didn’t. She turned away, yanking the brush through her long blonde hair and Rocco took the opportunity to stare at his wife. Her hair was beautiful;
she
was beautiful. But there was an unsatisfied pout to her mouth, and an avaricious look to her dreamy blue eyes that said,
Whatever it is, I want it
.
Right now.
Her body was splendid: tall, statuesque. He ought to be a happy man. But he wasn’t.

‘Annie’s going to have a baby,’ said Cara, her lips growing thin.

‘Oh?’ Rocco sat down on the bed. ‘Your father must be pleased.’

‘Pleased?’ Cara gave him a disgusted look. ‘Really, I think he must have lost his mind, marrying that foreigner.’

Rocco said nothing. He was indifferent to his father-in-law’s second wife, but she seemed to make the Don happy, and wasn’t that what counted most?

Cara put the brush down and stood up with a hiss of silk. She came over to the bed and sat down next to him. ‘My lovely husband,’ she said, smiling, and leaned in and grasped his lightly stubbled chin in one elegantly manicured hand. ‘You need a shave,’ she purred, rubbing her fingers over his chin. ‘We’re going out tonight.’

As usual
, thought Rocco.

‘To visit the expectant mama,’ said Cara.

Rocco looked at Cara in surprise. She shrugged. ‘We have to keep my father sweet.’

Of course. Rocco knew that the Don’s family hated the Englishwoman, but they had to be seen to fawn over her. Cara’s face was inches from his own. She
was
beautiful. He leaned forward a little, lightly brushed his lips over hers. Cara gave a smile.

‘So you were busy with work?’ she murmured against his mouth. ‘All day?’

Rocco nodded.

Liar
, thought Cara.

She’d already taken a call from Saul Jury. Cara knew exactly where Rocco had been today, and with whom. That woman called Frances Ducane again. Hadn’t there been a film star once, Rick Ducane? Maybe some relative, but who cared? What concerned her now was that soon, very soon, Jury would have all the information she needed to hang Rocco out to dry.

Chapter 8

1950

Rick Ducane was the toast of Hollywood, an action hero with a Brylcreemed slick of British smoothness who could hold his own alongside Flynn and Lancaster. The audiences loved him, like they loved to hear about the young Princess Elizabeth having her second child, a daughter named Anne.

‘The Yanks love all things English,’ said LaLa. ‘We have to capitalize on that.’

Rick knew she was right.

The studio loved him too. He wasn’t beset by women trouble like Flynn, he wasn’t egotistical like Lancaster; he was easy to manage, a workhorse. He arrived promptly for his read-throughs, learning his lines with punctilious care.

Born in poverty, he adored and quickly became adapted to the high life – the private planes, the twenty-four-hour limos and bodyguards, the great house and the swimming pool high up in the Hollywood hills; he’d
earned
it.

The only slight shadow upon his otherwise dazzling life was his wife, Vivienne – and his son, Frances – now installed in a wing of his palatial house in the Hollywood hills. Vivienne drank to while away the time in her comfy Hollywood prison. She had started having drinking buddies in – Christ alone knew where she met them. That disturbed Rick. Suppose Viv got legless and told one of these wasters who she was married to? The studio would string him up by the balls. But Rick was away so much on location that he frequently – and blissfully – forgot that his wife and son were there at all.

When he did come home he was harangued by Viv for being late, absent, uncaring.

‘You’ve got a child,’ she ranted at him, gin bottle swinging from her hand, her bleached-blonde hair showing an inch of black untended roots and her once-pretty eyes slitted and mean with drunken rage. ‘Don’t that mean a thing to you, you cocksucker?’

Rick cast a look at the child. Nearly ten years old now, and watching them with hunted eyes as they shouted and swore over his head.

Actually, it didn’t mean much to Rick. He’d been brought up by a chilly, unmaternal woman, and as a consequence he didn’t feel particularly bothered about kids. He’d had her, she’d got pregnant: the luck of the draw.

Or not, depending on your viewpoint.

His viewpoint was that he wished he had never met her, wished he had never stuck his dick up her in the first place; then there would be no Viv staggering around the place night and day giving him earache, when all he wanted was peace and quiet after a hard day’s work, and no kid skulking in corners watching him with hostile eyes.

‘You
bastard
,’ she was shouting. ‘We’re just your dirty little secret, aren’t we? You’d rather we didn’t exist at all – wouldn’t you!’

Frances looked on the verge of tears.

Viv was raging.

‘Fuck
this
,’ said Rick.

He turned on his heel, left the house, got back in his car – she followed him out, shrieking and cursing at him as he started the engine and then drove away.

Rick called one of the older, dimming stars he’d once been a walker for at the Oscars. Chloe Kane was no old fart. She was still beautiful, but calls from screenwriters and producers and the press had all but dried up. What the hell – she was forty and everyone knew that once a woman hit the big four-oh in this town, she was done for.

But Jesus, she was still so beautiful, even if her allure was waning. Thick glossy red hair – which must be dyed, but who cared? – and a mouth that still invited trouble. A body that would make a bishop kick a hole through a stained-glass window, even if she had let her personal grooming slide and her bush was a tangle of red and grey that extended down her thighs and up to her navel. But so what? She was stacked, and last time they’d spoken she’d said call me – please.

So here he was, calling her. And she liked that. It soothed his sour mood, how pleased she was to hear from him. When had his wife ever sounded like that? She invited him over. Poor cow had nothing going on except an evening in on her own with her pet pooch for company; he was doing her a favour.

‘Darling,’ she greeted him at the door in that famous, breathy tone she had used to such good effect up on the silver screen. ‘How lovely. Come on in.’

There had followed a wild night in which they had made out in the hall, on the stairs, in her huge, imposing bedroom (‘Strictly for press shots, darling; actually I sleep in a teensy little room down the hall’), much to the pooch’s annoyance.

It was gone two in the morning by the time he got home. He crept in, fearful of waking Viv. The last thing he wanted now was another argument. He was exhausted. Chloe was very demanding.

In the lounge he found empty bottles and upturned bowls of nuts and nibbles that crunched under his feet as he walked.
A thousand-dollar rug and she treats it like this
, he thought. Nat King Cole was stuck singing ‘Mona Lisa, Mona Lisa’ over and over again. He went over and switched Nat off.

Then he went through to the master bedroom. The coverlet was perfectly in place, the bed still made.

Now what the hell?

Had she gone out somewhere? He hoped not. She was a crazy driver in her too-visible red Corvette at the best of times – oh, and the arguments they’d had about that – but today she’d had a skinful. What he didn’t need was her wrapping her damned car around a tree and the press getting wind of her existence. She was just a nobody.

He hurried along the hall, past the closed door of Frances’s room.

That kid. Strange little fellow: he wanted to be an actor when he grew up like his dad, and Rick was flattered by that, but – for fuck’s sake – the kid didn’t have the talent; all he could manage was a few lines of amateurish mimicry. He would deter him from entering the industry if he could – do the kid a favour. Bad enough when you had that special touch of stardust; it was still hard, gruelling work all the way. But without it . . . Hollywood would break your heart. No doubt about that.

He opened the bathroom door.

Maybe she was ill? Puking up all that gin, no doubt. He heard water flowing.

‘Viv? Honey?’ he said softly.

Through the half-open window the moon cast its silvery light into the room. He could see the bath filled to the brim and overflowing. Something was lolling in there, arms akimbo.

Shit! Had she fallen asleep and fucking well drowned? How the hell were they going to hush that up if she had? He felt a spasm of fear at the thought. His career, his fabulous career, in ruins, and for a gormless whore he’d been stupid enough to get the hots for, and marry.

He flicked on the light with a movement that was half panic, half anger, and fell back instantly.

Vivienne was in the bath, but her head was above the water. Her eyes were open, but they weren’t going to see anything, ever again. There was a long gash across her forehead. Her face was a blanched, vacant mask. The water in the bath was bright red.

He made a noise in his throat, horrified.

No. She was just playing dead or something; he couldn’t believe what he was seeing.

But . . . it was true. He reached out, picked up one limp, cold hand. Felt for a pulse and found none.

She was dead. Now how the fuck were they going to keep this quiet?

He heard a movement. Letting out a half-strangled shriek, he turned and saw Frances standing silently in the hall, watching him.

Chapter 9

1971

Constantine Barolli’s estate on Long Island’s stylish Montauk peninsula would be a stunning location for Lucco Barolli’s marriage to Daniella Carlucci. The house itself was massive, clapboarded in soft duck-egg blue-and-white trim; it was fronted by huge decks and terraces that overlooked and led down onto the long white beach and into sand dunes thick with the billowing fronds of marram grass.

Cara had told the men on the gate to expect Saul Jury at four, that he had business with her, and that they were to show him straight in; she’d be waiting in the waterfront lounge. The roar of the Atlantic breakers pounding the beach was a throaty, ominous counterpoint to her black mood.

Saul Jury arrived promptly at the agreed time. He always did; with high-end clients you learned early on not to fuck around too much. Shame her
husband
hadn’t learned the same lesson, because Saul suspected that this was not a lady who’d take betrayal lightly; she didn’t have the look of a gentle, forgiving sort of girl.

As he was shown in to the huge lounge with its big expanse of glass that displayed the ocean out there beyond the white stretch of the beach, Saul felt overawed. He’d had wealthy clients before, but these folks lived like the Rockefellers. Schlepping home to his little apartment in the Bronx, he had often glanced up and wondered about the flashy Manhattan types and the rarefied air they breathed – that special, radiant space they occupied. He knew he was in the presence of great wealth here. But seeing the scary people on the gates and patrolling the grounds, he
also
knew that these were not the sort of people you would ever want to upset. Olive oil and fruit importers, for fuck’s sake. Saul knew what
that
meant. He was starting to feel more than a little sorry for the erring Rocco.

When she’d first taken him on they’d met up in Central Park, neutral territory, but now Saul was seeing Cara in her natural environment, and it made him feel like the small fry he was. Hell, he was
happy
to be small fry. He didn’t want to be up too close and personal with people like this.

She looked vindictive and trigger-happy; he’d thought that the very first time he’d seen her:
Here is a woman who won’t take prisoners.
What if she now decided to shoot the messenger?

Cara stood up as he was shown in by Frederico, who waited around the house when he was not driving for her father. Frederico – or ‘Fredo’ as he was affectionately known by the family – was the son of one of Constantine’s gardeners and a cook. He was her own age and she knew he adored her – he had been making cow-eyes at her ever since kindergarten; but he was beneath her and they both knew it. It was Fredo who had driven her to the meeting with Saul in Central Park. He had asked no questions, but she had seen the curiosity in his eyes.
Idiot
, she’d thought,
as if I would tell you anything.

Dismissing Fredo with a wave, Cara swept imperiously towards Saul – dwarfing him in will and in size too. Cara winced as she shook his limp, ineffectual hand. She hated using the services of this cheap little man, but he was a nobody, he was outside her family’s normal circle of influence, and that was good: she didn’t want any of this getting back to Rocco’s ears before she was ready. ‘What have you found out?’ she asked.

For a split second, Saul thought of saying that he’d found nothing, that Rocco was clean, and high-tailing it out of there; fuck the money. But the thought lasted a split second only, because he
needed
that money. He had a bit of a gambling habit, and yes, both his mother
and
his wife knew about it and nagged him day and night.

There was some professional pride involved here, too. He had caught Rocco red-handed doing the dirty with his fag boyfriend. He had pictures, dates, information, everything gathered together; he’d done a good, thorough job, like he always did. But now, being here, seeing this place, these people, the look in Cara’s eyes, he thought he would just as soon not get involved because what he might be doing by staying out of it was saving Rocco Mancini from a whole heap of trouble.