Authors: Elizabeth Bishop
The following list indicates first publications and the location of unpublished Bishop manuscripts:
ABBREVIATIONS AND REFERENCES USED IN THE NOTES
CPr:
Elizabeth Bishop,
Collected Prose,
edited with and introduction by Robert Giroux, Farrar, Straus and Giroux, 1984
Vassar: Vassar College Libraries for Special Collections
The Blue Pencil
is the student literary magazine at the Walnut Hill School
Con Spirito
was a Vassar undergraduate magazine founded and edited by Elizabeth Bishop, Eunice and Eleanor Clark, and Mary McCarthy; the publications were anonymous
STORIES AND MEMOIRS
Facsimile: IN THE VILLAGE & OTHER STORIES table of contents (n.d.; Vassar)
“The Baptism” (
Life and Letters To-day,
Spring 1937)
“The Sea and Its Shore” (
Life and Letters To-day,
Winter 1937)
“In Prison” (
Partisan Review,
March 1938)
“Gregorio Valdes, 1879â1939” (
Partisan Review,
Summer 1939)
“Mercedes Hospital” (1941;
CPr
)
“The Farmer's Children” (
Harper's Bazaar,
February 1948)
“The Housekeeper” (
The New Yorker,
September 11, 1948, under the name Sarah Foster)
“Gwendolyn” (
The New Yorker,
June 27, 1953)
“In the Village” (
The New Yorker,
December 19, 1953)
“Primer Class” (c. 1960;
CPr
)
“The Country Mouse” (1961;
CPr
)
“The U.S.A. School of Writing” (1966;
CPr
)
“A Trip to Vigia” (1967;
CPr
)
“Efforts of Affection: A Memoir of Marianne Moore” (c. 1969;
CPr
)
“To the Botequim & Back” (1970;
CPr
)
“Memories of Uncle Neddy” (
Southern Review,
Fall 1977)
BRAZIL
Facsimile:
Brazil
table of contents (Vassar)
(Time Incorporated, 1962; typescript: Vassar; Bishop's annotated copy: Houghton Library, Harvard)
ESSAYS, REVIEWS, AND TRIBUTES
Facsimile: IF YOU WANT TO WRITE
WELL
ALWAYS AVOID THESE WORDS (Vassar, 1975)
“As We Like It: Miss Moore and the Delight of Imitation” (
Quarterly Review of Literature,
Spring 1948)
Review of
Annie Allen
by Gwendolyn Brooks (
United States Quarterly Book Review,
March 1950)
Review of
XAIPE: 71 Poems
by E. E. Cummings (
United States Quarterly Book Review,
June 1950)
“Love from Emily” (
The New Republic,
August 27, 1951)
Review of
The Riddle of Emily Dickinson
(c. 1951; Vassar)
“What the Young Man Said to the Psalmist” (
Poetry,
January 1952)
“The Manipulation of Mirrors” (
The New Republic,
November 19, 1956)
Introduction to
The Diary of “Helena Morley”
(Farrar, Straus and Cudahy, 1957)
“A New Capital, Aldous Huxley, and Some Indians” (Vassar, 1958;
Yale Review,
July 2006)
“I Was But Just Awake” (
Poetry,
October 1958)
Robert Lowell's
Life Studies
(jacket copy, Farrar, Straus and Cudahy, 1959)
“Writing poetry is an unnatural act⦔ (late 1950sâearly 1960s?; Vassar;
Edgar Allan Poe & The Juke-Box,
ed. Alice Quinn, Farrar, Straus and Giroux, 2006)
“Some Notes on Robert Lowell” (originally published as “Algumas Notas Sobre Robert Lowell,” in Robert Lowell,
Quatro Poemas,
Série Cadernos Brasileiros, Rio de Janeiro, 1962; English translation by George Monteiro,
Elizabeth Bishop Bulletin,
Summer 1998)
“A Sentimental Tribute” (
Bryn Mawr Alumnae Bulletin,
Spring 1962)
“Flannery O'Connor: 1925â1964” (
The New York Review of Books,
October 8, 1964)
“On the Railroad Named Delight” (
The New York Times Magazine,
May 7, 1965)
Gallery Note for Wesley Wehr (March 1967; Vassar; Elizabeth Bishop,
Poems, Prose, Letters,
edited by Robert Giroux and Lloyd Schwartz, Library of America, 2008)
“An Inadequate Tribute” (
Randall Jarrell 1914â1965,
ed. Robert Lowell, Farrar, Straus and Giroux, 1967)
Introduction to
An Anthology of Twentieth-Century Brazilian Poetry
(Wesleyan University Press, 1972)
“A Brief Reminiscence and a Brief Tribute: W. H. Auden 1907â1973” (
Harvard Advocate,
vol. 108, 1974)
TRANSLATIONS
From
The Diary of “Helena Morley”
(
Harper's Bazaar,
December 1957)
Clarice Lispector, “The Smallest Woman in the World,” “A Hen,” “Marmosets” (
Kenyon Review,
Summer 1964)
CORRESPONDENCE
Elizabeth Bishop and Anne Stevenson (1963â1965; Modern Literature Collection/Manuscripts, Washington University)
APPENDIX: EARLY PROSE
“On Being Alone” (
The Blue Pencil,
June 1929)
“A Mouse and Mice” (
The Blue Pencil,
1929)
“The Thumb” (
The Blue Pencil,
1930)
“Then Came the Poor” (
Con Spirito,
February 1933)
From “Time's Andromedas” (
Vassar Journal of Undergraduate Studies,
1933)
“Gerard Manley Hopkins” (
Vassar Review,
February 1934)
“The Last Animal” (
Vassar Review,
April 1934)
“Dimensions for a Novel” (
Vassar Journal of Undergraduate Studies,
May 1934)
The index that appeared in the print version of this title does not match the pages in your eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that appear in the print index are listed below.
A
Abreu, Casimiro de
Adams, Franklin P.
Aesop
Aiken, Conrad
“Aleijadinho” (Antônio Francisco Lisboa)
Alencar, José de
Alves, Castro: “The Slave Ship”
Alves, Rodrigues
Amy Lowell Poetry Travelling Scholarship
“Anaphora” (EB)
Andrade, Mário de;
Hallucinated City
Andrade, Oswald de;
Brazilwood;
“Last Ride of a Tubercular through the City by Streetcar”
Annie Allen
(Brooks): reviewed by EB
Anthology of Brazilian Poets of the Romantic Past
Anthology of Twentieth-Century Brazilian Poetry:
Introduction by EB
Anthon, Kate
Appletree, Gwendolyn
“Armadillo, The”
Armstrong, Phyllis
Artists' Gallery, New York
Assis, Armando
“As We Like It: Miss Moore and the Delight of Imitation” (EB)
As You Like It
(Shakespeare)
“At the Fishhouses” (EB)
Auden, W. H.; “A Brief Reminiscence and a Brief Tribute” (EB, on Auden); “Refugee Blues”; “Spain”
Azevedo, Ãlvares de
B
Babel, Isaac
Baez, Joan
Bahia, Brazil
Ballad of Reading Gaol
(Wilde)
Bandeira, Manuel;
Anthology of Brazilian Poets of the Romantic Past;
Ash of the Hours
Banville, Théodore de
“Baptism, The” (EB)
Barbosa, Rui
Bardot, Brigitte
Barnes, Djuna
Barton, Emma
Batista do Vale, João
Baudelaire, Charles;
Le Balcon
Beach, Sylvia
Beerbohm, Max:
Zuleika Dobson
Belém, Brazil
Belitt, Ben
Bell, Alexander Graham
Belo Horizonte, Brazil
Benicio de Loyola, Manoel
Berhing, Edith
Berlin, the City, and the Court
(Laforgue)
Bernanos, George
Bernardes, Artur
Bernardes, Sérgio
Berryman, John
“Bight, The” (EB)
Bilac, Olavo
Biographia Literaria
Biribiri, Brazil
Bishop, Elizabeth: biographical information; COLLECTED POEMS MENTIONED IN HER PROSE WRITINGS:
A Cold Spring;
Questions of Travel;
CORRESPONDENCE: EB AND ANNE STEVENSON; EARLY PROSE: “Dimensions for a Novel”; “Gerard Manley Hopkins: Notes on Timing in His Poetry”; “The Last Animal”; “A Mouse and Mice”; “On Being Alone”; “Then Came the Poor”; “The Thumb”; From “Time's Andromedas”; ESSAYS, REVIEWS, AND TRIBUTES: “A Brief Reminiscence and a Brief Tribute: W. H. Auden”; “As We Like It: Miss Moore and the Delight of Imitation”; “Flannery O'Connor: 1925â1964”; “Gallery Note for Wesley Wehr”; “An Inadequate Tribute” (Randall Jarrell); “Introduction to
An Anthology of Twentieth-Century Brazilian Poetry
”; “Introduction to
The Diary of âHelena Morley'
”; “âI Was But Just Awake'” (Walter de la Mare); “Love from Emily: Review of Emily Dickinson's Letters”; “The Manipulation of Mirrors” (Jules Laforgue); “A New Capital, Aldous Huxley, and Some Indians”; “On the Railroad Named Delight”; “Review of
Annie Allen
by Gwendolyn Brooks”; “Review of
The Riddle of Emily Dickinson
” (Rebecca Patterson); “Review of
XAIPE: 71 Poems
by E. E. Cummings”; Robert Lowell's
Life Studies
(jacket blurb); “A Sentimental Tribute” (Marianne Moore); “Some Notes on Robert Lowell”; “What the Young Man Said to the Psalmist” (Wallace Fowlie); “âWriting poetry is an unnatural actâ¦'”; POEMS MENTIONED IN HER PROSE WRITINGS: “Anaphora”; “The Armadillo”; “At the Fishhouses”; “The Bight”; “Brazil January 1”; “Cape Breton”; “Chemin de Fer”; “Cirque d'Hiver”; “The Colder the Air”; “A Cold Spring”; “Cootchie”; “Exchanging Hats”; “Faustina”; “The Fish”; “Florida”; “From the Country to the City”; “The Gentleman of Shalott”; “The Imaginary Iceberg”; “Insomnia”; “Invitation to Miss Marianne Moore”; “Jerónimo's House”; “Large Bad Picture”; “Love Lies Sleeping”; “The Man-Moth”; “Manners (for a Child of 1918)”; “Manuelzinho”; “The Map”; “A Miracle for Breakfast”; “The Monument”; “Over 2,000 Illustrations and a Complete Concordance”; “Paris, 7 A.M.”; “Quai D'Orleans”; “Questions of Travel”; “Rain Towards Morning”; “The Riverman”; “Roosters”; “Valentines”; “Varick Street”; “Visits to St. Elizabeths”; “Wading at Wellfleet”; “The Weed”; STORIES AND MEMOIRS: “The Baptism”; “The Country Mouse”; “Efforts of Affection: A Memoir of Marianne Moore”; “The Farmer's Children”; “Gregorio Valdes, 1879â1939”; “Gwendolyn”; “The Housekeeper”; “In Prison”; “In the Village”; “Memories of Uncle Neddy”; “Mercedes Hospital”; “Primer Class”; “The Sea and Its Shore”; “To the Botequim & Back”; “A Trip to Vigia”; “The U.S.A. School of Writing”; TRANSLATIONS: “From
The Diary of âHelena Morley'
” (excerpt); stories by Clarice Lispector
Bishop, Gertrude Bulmer (EB's mother)
Bishop, J. W. (EB's paternal grandfather)
Bishop, William Thomas (EB's father)
Bissier, Julius
Black Orpheus
(movie)
Blake, William
Blyth, R. H.
Bogan, Louise
Bolislavsky, Richard:
Acting
BolÃvar, Simón
Bonifácio, José
Booth, Philip
Borden, Fanny
Bosco, Saint John
Bowers, Grace Bulmer (EB's aunt Grace)
Brandt, Carl
Brant, Alice Dayrell (“Helena Morley”): in excerpt from
The Diary of “Helena Morley”;
in Introduction to
The Diary of “Helena Morley”
Brant, Dr. Augusto Mario
Brasil, Emanuel
BrasÃlia
Brazil: agricultural economy; architecture in; arts and handcrafts; background; Carnival in Rio de Janeiro; characteristics of Brazilians; Christmas in; coffee production; colonial rule under Portugal; currency in; discovery by Cabral; geography; government after fall of monarchy; history; inflation in; “Introduction to
An Anthology of Twentieth-Century Brazilian Poetry
”; language in; mineral resources; modernism; monarchy in; music in; “A New Capital, Aldous Huxley, and Some Indians”; “On the Railroad Named Delight”; painting in; poetry in; race relations in; relationship with United States; rubber production; sports in; staple diet; sugar production; war against Paraguay; women's rights in
Brazil
(Time-Life World Library)
“Brazil, January 1” (EB)
Brazilwood
(Oswald de Andrade)
Brecheret, Victor
Brecht, Bertolt
Breton, André
Bridges, Robert
“Brief Reminiscence and a Brief Tribute, A” (EB, on Auden)
Brooks, Gwendolyn:
Annie Allen
Brown, Ashley
Browning, Robert
Buber, Martin
Bulmer, Aunt Grace,
see
Bowers, Grace Bulmer (EB's aunt Grace)
Bulmer, Aunt Mary,
see
Ross, Mary Bulmer (EB's aunt Mary)
Bulmer, Aunt Maud
Bulmer, Gertrude,
see
Bishop, Gertrude Bulmer (EB's mother)
Bulmer, Uncle Arthur
Bulmer, William Brown (EB's maternal grandfather)
Bulmer family
Burle Marx, Roberto