Return of the Mountain Man (16 page)

Smoke never found out who he was supposed to meet. Richards toppled over on his side and died.

Smoke looked up at the ridge where the mountain men had gathered.

They were gone, leaving as silently as the wind.

A
fter MacGregor filed his report with the commanding officer at the fort, the Army made only a cursory inspection of what was left of Bury, Idaho Territory, and the burned ranches around it.

Wanted posters were put out for the outlaw and murderer Buck West. MacGregor wrote the description of the man, thus ensuring he would never be found.

A lot of small ranches sprang up around the area. Very prosperous little farms and ranchers. The ladies from the Pink House stayed. They all got married.

Sam married Becky.

The last anyone ever saw of Smoke Jensen and Sally Reynolds, the two of them were riding toward the mountains, toward the High Lonesome, leading two packhorses.

“You think we'll ever see them again?” Becky asked Sam.

Sam did not reply.

But as Nighthawk might have said, “Ummm.”

In the small town where I grew up, there were two movie theaters. The Pavilion was one of those old-timey movie show palaces, built in the heyday of Mary Pickford and Charlie Chaplin—the silent era of the 1920s. By the 1950s, when I was a kid, the Pavilion was a little worn around the edges, but it was still the premier theater in town. They played all those big Technicolor biblical Cecil B. DeMille epics and corny MGM musicals. In Cinemascope.

On the other side of town was the Gem, a somewhat shabby and run-down grind house with sticky floors and torn seats. The Gem booked low-budget “B” pictures (remember the Bowery Boys?), war movies, horror flicks, and Westerns. I liked the Westerns best. I could usually be found every Saturday at the Gem, along with my best friend, Newton Trout, watching Westerns from 10
AM
until my mother or father came looking for me around suppertime. (Sometimes Newton's dad was dispatched to come fetch us.) One time, my dad came to get me right in the middle of
Abilene Trail,
which featured the now-forgotten Whip Wilson. My father became so engrossed in the action he sat down and watched the rest of it with us. We didn't get home until after dark, and my mother's meat loaf was a pan of gray ashes by the time we did. Though my father and I were both in the doghouse the next day, this remains one of my fondest childhood memories. There was John Wayne, Randolph Scott and Joel McCrea, and Wild Bill Elliot, and Gene Autry, and Roy Rogers, and Tim Holt and, a little later, Rod Cameron and Audie Murphy. Of these newcomers, I never missed an Audie Murphy Western, because Audie was sort of an antihero. Sure, he stood for law and order and was an honest man, but sometimes he had to go around the law to uphold it. If he didn't play fair, it was only because he felt ham-strung by the laws of the land. Whatever it took to get the bad guys, Audie did it. There were no finer points of law, no splitting of legal hairs. It was instant justice, devoid of long-winded lawyers, bored or biased jurors, or blackrobed, often corrupt judges.

Steal a man's horse and you were the guest of honor at a necktie party.

Molest a good woman and you got a bullet in the heart or a rope around the gullet. Or at the very least, got the crap beat out of you. Rob a bank and face a hail of bullets or the hang-man's noose.

Saved a lot of time and money, did frontier justice.

That's all gone now, I'm sad to say. Now you hear, “Oh, but he had a bad childhood” or “His mother didn't give him enough love” or “The homecoming queen wouldn't give him a second look and he has an inferiority complex.” Or “cultural rage,” as the politically correct bright boys refer to it. How many times have you heard some self-important defense attorney moan, “The poor kids were only venting their hostilities toward an uncaring society”?

Mule fritters, I say. Nowadays, you can't even call a punk a punk anymore. But don't get me started.

It was “Howdy, ma'am” time too. The good guys, antihero or not, were always respectful to the ladies. They might shoot a bad guy five seconds after tipping their hat to a woman, but the code of the West demanded you be respectful to a lady.

Lots of things have changed since the heyday of the Wild West, haven't they? Some for the good, some for the bad.

I didn't have any idea at the time that I would someday write about the West. I just knew that I was captivated by the Old West.

When I first got the itch to write, back in the early 1970s, I didn't write Westerns. I started by writing horror and action adventure novels. After more than two dozen novels, I began thinking about developing a Western character. From those initial musings came the novel
The Last Mountain Man: Smoke Jensen.
That was followed by
Preacher: The First Mountain Man.
A few years later, I began developing the Last Gunfighter series. Frank Morgan is a legend in his own time, the fastest gun west of the Mississippi…a title and a reputation he never wanted, but can't get rid of.

For me, and for thousands—probably millions—of other people (although many will never publicly admit it), the old Wild West will always be a magic, mysterious place: a place we love to visit through the pages of books; characters we would like to know…from a safe distance; events we would love to take part in, again, from a safe distance. For the old Wild West was not a place for the faint of heart. It was a hard, tough, physically demanding time. There were no police to call if one faced adversity. One faced trouble alone, and handled it alone. It was rugged individualism: something that appeals to many of us.

I am certain that is something that appeals to most readers of Westerns.

I still do on-site research (whenever possible) before starting a Western novel. I have wandered over much of the West, prowling what is left of ghost towns. Stand in the midst of the ruins of these old towns, use a little bit of imagination, and one can conjure up life as it used to be in the Wild West. The rowdy Saturday nights, the tinkling of a piano in a saloon, the laughter of cowboys and miners letting off steam after a week of hard work. Use a little more imagination and one can envision two men standing in the street, facing one another, seconds before the hook and draw of a gunfight. A moment later, one is dead and the other rides away.

The old wild untamed West.

There are still some ghost towns to visit, but they are rapidly vanishing as time and the elements take their toll. If you want to see them, make plans to do so as soon as possible, for in a few years, they will all be gone.

And so will we.

Stand in what is left of the Big Thicket country of east Texas and try to imagine how in the world the pioneers managed to get through that wild tangle. I have wondered that many times and marveled at the courage of the men and women who slowly pushed westward, facing dangers that we can only imagine.

Let me touch briefly on a subject that is very close to me: firearms. There are some so-called historians who are now claiming that firearms played only a very insignificant part in the settlers' lives. They claim that only a few were armed. What utter, stupid nonsense! What do these so-called historians think the pioneers did for food? Do they think the early settlers rode down to the nearest supermarket and bought their meat? Or maybe they think the settlers chased down deer or buffalo on foot and beat the animals to death with a club. I have a news flash for you so-called historians: The settlers used guns to shoot their game. They used guns to defend hearth and home against Indians on the warpath. They used guns to protect themselves from outlaws. Guns are a part of Americana. And always will be.

The mountains of the West and the remains of the ghost towns that dot those areas are some of my favorite subjects to write about. I have done extensive research on the various mountain ranges of the West and go back whenever time permits. I sometimes stand surrounded by the towering mountains and wonder how in the world the pioneers ever made it through. As hard as I try and as often as I try, I simply cannot imagine the hardships those men and women endured over the hard months of their incredible journey. None of us can. It is said that on the Oregon Trail alone, there are at least two bodies in lonely unmarked graves for every mile of that journey. Some students of the West say the number of dead is at least twice that. And nobody knows the exact number of wagons that impatiently started out alone and simply vanished on the way, along with their occupants, never to be seen or heard from again.

Just vanished.

The 150-year-old ruts of the wagon wheels can still be seen in various places along the Oregon Trail. But if you plan to visit those places, do so quickly, for they are slowly disappearing. And when they are gone, they will be lost forever, except in the words of Western writers.

The West will live on as long as there are writers willing to write about it, and publishers willing to publish it. Writing about the West is wide open, just like the old Wild West. Characters abound, as plentiful as the wide-open spaces, as colorful as a sunset on the Painted Desert, as restless as the ever-sighing winds. All one has to do is use a bit of imagination. Take a stroll through the cemetery at Tombstone, Arizona; read the inscriptions. Then walk the main street of that once-famous town around midnight and you might catch a glimpse of the ghosts that still wander the town. They really do. Just ask anyone who lives there. But don't be afraid of the apparitions, they won't hurt you. They're just out for a quiet stroll.

The West lives on. And as long as I am alive, it always will.