Sandalwood Death (49 page)

I peeled back the paper wrapping and counted the gnarled brown roots whose necks were tied together with a red string: one, two, three . . . five . . . eight altogether, each as thick as a chopstick at the top and as thin as a bean stalk at the end, from which a beard of fine hairs fluttered in the slightest breeze. Half a jin? I don’t believe it. I gave the man a cold glare. Well, the bastard bent at the waist and, with an unctuous smile, said softly:

“Nothing gets past the gentleman’s eyes. These eight roots only weigh four liang, not eight, but that is all Qin Seven had in his shop. He said you could boil them in water, pour the liquid into a dead man’s mouth, and he’d jump out of his coffin—do you think, sir . . .”

I waved him off without saying a word. What was I supposed to say? Chief yayi like him are craftier than demons and sneakier than a monkey. He got down on one knee to pay his respects. That, he thought, made up for the shortage. The swine was getting away with at least fifty liang of silver from the ginseng alone. But then he took a small chunk of silver out from under his clothes and said:

“This, old squire, is what your humble servant was given to buy pork, but it occurred to me that one does not fertilize another’s field, and since you have someone here in your home who slaughters pigs, why go elsewhere? This should be yours.”

Now, I knew that this little bit of silver was worth far less than what he had skimmed from the ginseng, but I thanked him anyway. “You put a great deal of thought into this,” I said, “so take the silver and divide it among your fellow yayi as a little bonus.”

“We thank the old squire!” He bowed again, as did the men who had come with him.

Money talks! A tiny bit of silver had that bastard calling me “old squire” instead of the vapid “sir.” If I’d given him a gold ingot, he’d be down on all fours, banging his head on the ground and calling me Daddy! Again I waved my hand, this time for him to get up, and without a trace of emotion, as if commanding a dog, said: “Go now. You and your men take all these things to the execution site, where you are to set up a big cook stove. Dump the sesame oil into the cauldron, fill the belly of the stove with kindling, and light it. Then set up a smaller stove for stewing the beef. After that, put up a mat shed near the stoves, place a vat inside, and fill it with water—be sure it’s fresh drinking water. And ready an earthen pot for herbal medicine along with a hollow horn used to medicate livestock. Carpet the ground in the shed with a thick layer of this year’s dry wheat straw. Then I want you personally to carry in my chair—you know its background, I take it. That master of yours and the Provincial Governor, Excellency Yuan, both got down on their knees and performed the rite of three bows and nine kowtows in front of it, so be very careful. If you so much as knock off a chip of paint, Excellency Yuan will skin you like a dog. Everything I’ve told you must be ready precisely at noon. If you are missing anything, go see your laoye.” The man bowed and proclaimed loudly:

“It will be as you say, Laoye.”

After they left, I checked off the remaining objects in the yard again: the sandalwood stake—the single most important item—would require much painstaking work, but nothing I would let those bastards watch, not with their unclean eyes, for that would spoil the effect. Nor would I let them hold the rooster, not with their dirty hands, for that would sap its power. I shut the gate; two armed yayi were posted to keep people out. Apparently our Magistrate Qian had seen to everything. Of course, I knew it was all for Excellency Yuan’s benefit. Oh, how he hated me, but my gums still bled from losing two teeth, and to teach the dog a lesson I needed to let him know who he was dealing with. I must not demean myself. I was not putting on airs or throwing my weight around, flaunting the fact that I had been favored by gifts from the Empress Dowager and the Emperor. And this assuredly was not a case of abusing public power to avenge a personal slight. It was a matter of national honor. Since I had been chosen to end the life of a man whose shocking criminal acts had gained worldwide attention, an extravagant display was both proper and necessary. The extravagance would belong not to me, but to the Great Qing Empire. Being laughed at by foreigners could not be tolerated.

Damn you, von Ketteler, I know you Europeans have used wooden stakes on people, but that is simply nailing someone to a crossbar and leaving him to die. I am going to let you see what a real punishment is like, one that is so exquisite, so refined, that the name alone reveals its resounding elegance:
sandal—wood—death
, a term with a rough exterior but an aesthetic core, displaying the patina and aura of antiquity. It is a form of punishment beyond the imagination of any European. Out on the street, my neighbors, all hopelessly rustic and shortsighted, craned their necks to get a peek into my yard. The looks on their faces revealed envy and admiration. Attracted by wealth, they were blind to the dangers that lay behind it, and my son was no less wooly-headed than they, though his muddled mind had its endearing qualities. Hearing my shifu tell how he had dismembered the woman with skin like pure snow had brought an end to my sexual life. Not even the lascivious women of the capital’s infamous Eight Lanes, who oozed lust, had the power to arouse me. At some point—when I cannot say—my beard stopped growing, and I was reminded of Grandma Yu: “My sons,” he said, “people in our profession are like palace eunuchs: Their potency has been excised with a knife, but their desire lives on. Our physical maleness remains intact, but our hearts have been purged of desire.” Grandma Yu said that when the day comes that the sight of a woman has no effect on you, when even the thought does not cross your mind, you are on the verge of becoming a totally accomplished executioner. Some decades ago, when I came home from an assignment and went to bed, a hint of potency remained, and I somehow sired a foolish but not totally worthless offspring, something hard to imagine, on the order of producing a stalk of sorghum from a fried seed. The reason I tried so hard to retire and return to my native home was that I had a son to return to, someone I wanted to train to become the Great Qing Empire’s next preeminent executioner. The Empress Dowager Herself once said that every profession has its zhuangyuan. I was one, and my son would follow in my footsteps. My daughter-in-law was a spirited woman who kept Qian Ding’s bed warm and subjected me to humiliation. But heaven has eyes, and saw to it that my qinjia fell into my hands. I laughed as I said to her: “Daughter-in-law, I must show him some favor, since we are related. All these things you see here are for him.”

She glared at me, eyes wide open, mouth agape, face pale with fright, unable to say a word in response. My son, who was crouching in front of the rooster, cackled as he asked:

“Will we be able to keep this rooster, Dieh?”

“Yes, we can keep it.”

“How about all this rice and flour and meat?”

“Yes, we can keep it all.”

“Ha-ha . . .”

He laughed happily. That son of mine may have looked like a fool, but knowing the value of good things kept him from being one. “All this will be ours to keep, son, but we have a job to do for the nation. Tomorrow at this time will be our moment to shine.”

“Are you really going to kill my dieh?” my daughter-in-law asked piteously. A face that had always been radiant and sleek seemed suddenly covered by a coat of rust.

“That is his good fortune!”

“How do you plan to kill him?”

“With a sandalwood stake.”

“Swine . . .” Her shouts were eerie. “You bastard . . .”

She yanked open the gate and burst out of the compound, swaying her hips.

I sent the crazed young woman off with a resounding comment: “Dear daughter-in-law, I am going to see that your dieh’s name will live forever, that his legend will become the stuff of grand opera, just you wait and see!”

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2

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I told my son to shut the gate as I placed the length of sandalwood on top of the flesh-and-blood-stained slaughtering rack, and had him fetch a saw, which I used to cut the wood in two lengthwise. Saw teeth biting into the wood produced the harsh, ear-piercing sound of metal on metal; sparks flew from the blade, which was too hot to touch, and a strange burning odor assailed my nose. Picking up a plane, I then painstakingly shaved the two halves into stakes with blunted tips and tapered edges, slightly rounded, like the leaves of a chive plant. Once that was done, I used sandpaper, coarse at first, then fine, turning the stakes over and over as I worked, until they shone like mirrors. True, I had never carried out a sandalwood execution, but I knew instinctively that success in this epochal event lay in the quality of the instrument. A job of this magnitude required meticulous preparation, something I had learned from Grandma Yu. The sanding alone took me half the day—a sharp ax makes the best kindling, or, as the adage goes, “The best work requires the finest tools.” I had no sooner sanded the two treasures to perfection than a yayi knocked at the gate to report that Gaomi County Magistrate Qian Ding’s workers had erected something called an Ascension Platform on the parade ground in front of the Tongde Academy in the center of town, one that adhered to my specifications and was sure to become the stuff of legend for a century or more. The mat shed I had requested was also in place, and sesame oil was churning in the large cauldron, while beef stewed in its smaller companion. I sniffed the air, and there it was, the heavy fragrance of sesame oil and meat carried on the autumn wind.

After running out early in the morning, my son’s wife still had not returned. I could understand what was troubling her—it was, after all, her dieh who was to be executed, and she had to be experiencing emotional, even physical, pain because of it. But where could she have gone? To plead her case with her gandieh, Magistrate Qian? Maybe, but my dear daughter-in-law, your gandieh is like a clay bodhisattva who must worry about its own survival while crossing the river. I do not intend to curse him by predicting that the day your dieh breathes his last will also see his downfall.

I changed into a new set of official clothes: a black robe cinched with a red sash, a red felt cap with red tassels, and black leather boots. There is truth in the adage that “People are known by their clothes, horses by their saddles.” With new clothes, I was no longer an ordinary man. With a grin, my son asked me:

“What are we going to do, Dieh, sing Maoqiang opera?”

Maoqiang? Songs from your idiotic dog opera, maybe! I cursed inwardly. Talking to him was a waste of time, so I simply told him to get out of his greasy clothes, which were stained with pig fat and dog blood. Guess what he said to me.

“Close your eyes, Dieh, don’t look. That’s what she tells me to do when she changes clothes.”

Keeping my eyes slitted, I watched him take off his clothes. He had a coarse, ugly body, and that thing drooping above his scrotum was an obviously useless appendage.

Yet in his high-topped, soft-soled black leather boots, red waist sash, and red-tasseled cap, his size gave him a formidable, martial appearance. But then he made a face, tugged at his ear, and scratched his cheek, and he was just another monkey in human form.

With the two stakes over my shoulders, I told him to pick up the rooster and follow me out the gate on our way to the Tongde Academy. The streets were lined with would-be spectators, men and women, young and old, all standing wide-eyed and open-mouthed, like fish sucking air above water. With my head up and my chest thrown out, I appeared to be oblivious to their presence, though in fact I saw everything out of the corner of my eye. My son, on the other hand, kept looking right and left and greeting the crowds with a foolish grin, as the rooster struggled to get free, squawking frantically. The dull-witted people gaped as we passed. Xiaojia was stupid, all right, but the people were worse. The show hasn’t even begun, you clods, and if that’s how you look now, what are you going to be like tomorrow during the grand performance? It’s your good fortune to have a man like me in your midst. The finest play ever staged cannot compete with the spectacle of an execution, and no execution on earth can begin to compare with the sandalwood death. And where in China will you find another executioner talented enough to kill a man with it? With me in your midst, you will be treated to a show the likes of which no one has ever seen, nor likely ever will again. If that is not good fortune, what is? I ask you, if that is not good fortune, what is?

Old Zhao Jia walks with his stakes and says with respect to the gathered fold, I carry the law of the nation in my arms; it is weightier than gold. I call out to my son to pick up the pace and stop gawking like a fool. Tomorrow we will show them who we are, like carp transformed into dragons so bold. Three steps instead of two, two steps outpacing one, strides faster than a shooting star—the Tongde Academy awaits.

We look up, ahead is the parade ground, flat and even, its sand white and cold. An opera stage on one side, where Pear Garden actors will come to play. Kings and princes, generals and ministers, heroes and warriors, scholars and beauties, three religions and nine schools of thought . . . all brought together like a running-horse lantern of old.

There, in front of the stage, the County Magistrate has erected an Ascension Platform, fronted by soldiers, our presence to behold. Black and red batons on the shoulders of some, broadswords in the hands of others. In front of the platform, a mat shed secured with rush rises behind a cauldron in which sesame oil churns. Fellow countrymen, the grand opera is about to begin, the story to be told!

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3

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I tied the rooster to a shed post. The creature cocked its head and looked up at me, its eyes the color of yellow gold, sparkling and blinding bright. I turned to my son. “Xiaojia,” I said, “knead some dough with fresh water.” He cocked his head to look at me, gawking like the rooster.

“What for?”

“Do as I say, and don’t ask questions.”

I studied the shed while he was kneading the dough. The front was open, the back closed. It stood opposite the opera stage. Perfect, just the way I wanted it. The floor was laid well enough, with a gold-colored rush mat on top of the noisy layer of wheat stalks. New wheat, new rush, both exuding a fresh aroma. My sandalwood chair had been placed in the center of the tent, enticing my backside to sit in it. I went first to the cauldron, where I dropped the two spear-shaped stakes into the fragrant oil. They sank straight to the bottom, with only the squared-off butt ends floating to the top and breaking the surface. Ideally they should cook for three days and nights, but I did not have three days. A day and a night would work, since sandalwood this smooth would soak up little blood even without being cooked in oil. Fate has smiled on you, Qinjia, by allowing this to be the instrument of your death. I sat in my chair and looked up at the red sun setting in the west, ushering in dusk. The Ascension Platform, built of thick red pine, had a gloomy appearance in the twilight and exuded the aura of death, like a great frowning idol. I could not fault the County Magistrate’s preparations; the platform, encircled in mist and hooded by somber clouds, fairly epitomized the solemnity of the occasion. Magistrate Qian, you should take your rightful place in the Board of Public Works as a supervisor of grand projects. Your talents are hopelessly stifled in piddling little Gaomi County. Sun Bing, Qinjia, you too are one of Northeast Gaomi Township’s outstanding individuals, and though I do not like you, I cannot deny that you are a dragon among men, or perhaps a phoenix; it would be a crime for you not to die in spectacular fashion. Anything less than the sandalwood death, and this Ascension Platform would not be worthy of you. Sun Bing, your cultivation in a previous life has brought you the good fortune of falling into my hands, for I will immortalize your name and make you a hero for the ages.