Snow Hill (2 page)

Johnny crossed Old Bailey and hurried down Fleet Lane. Weaving through the crowds of office workers on Ludgate Hill would take too long, and he was spurred on by the thought that, even now, Simkins was probably trying to find out what he had been talking to Matt about. Wondering how much his rival had heard of the conversation, he took a short cut through Seacoal Lane—a dark, narrow passage which burrowed under the railway from Holborn Viaduct Station—and emerged into Farringdon Street just before it gave way to Ludgate Circus. He was in the foyer of the
Daily News
before it occurred to him that he hadn’t eaten, so, spinning on his heel, he went straight back out again to the café next door. Three minutes later he was dropping crumbs over the piece of paper that had been preoccupying him all morning.

The newsroom was unusually quiet. Most of the
reporters were out chasing stories or sinking a lunchtime pint in one of the dozen or so pubs that fuelled Fleet Street. A faint cloud of cigarette smoke lingered. Telephones went unanswered. Typewriters remained silent. Johnny preferred the place when, deadlines looming, it buzzed with barely controlled panic. He enjoyed the banter, the friendly rivalry which ensured he always tried his best. Moreover, since he’d found himself all alone in the world, his colleagues had become a sort of surrogate family, keeping the emptiness at bay.

He breathed in the sweet, acrid smell of ink from the presses on the ground floor. For once, it wasn’t mingled with the scent of a hundred sweaty armpits. Even in December, it was always hot in the newsroom. All around him, whirring fans fluttered papers on empty desks. Despite frequent requests from upstairs, no one ever bothered to turn off their fan or angle-poise lamp. The air of ceaseless activity had to be maintained at all times.

No matter how often he entered the newsroom, Johnny just couldn’t get over that sense of stepping out on to a stage. His heart rate would pick up each time he came through the door, and he still experienced the same adrenalin rush he’d felt on his first day in the job.

Four years on, he could not quite believe he had made it to a desk in the newsroom of a national daily. In the scheme of things, his was still a lowly position. In the newsroom, your place in the pecking order was reflected by your location in the vast maze of desks: the closer you were to the centre—where the news editor
held court—the more senior you were. Johnny was only a couple of yards from the door.

Getting a foot in the door had been a struggle. With no connections in the industry, Johnny had had to do it the hard way. On leaving school a week before his fourteenth birthday—the same day Johnny Weissmuller broke his own hundred metres freestyle world record at the Amsterdam Olympics—the young would-be journalist had landed himself a job running editorial and advertising copy down to the typesetters. From Sunday to Friday, he would put in long hours at the day-job, then three nights a week he’d head off to evening classes at the Technical College to get his diploma in Journalism.

With working days that sometimes didn’t finish till after midnight, it had been difficult for Johnny to keep up with the rest of the group even though he was a quick learner. But he’d persevered, and armed with his shiny new diploma he’d secured a job on one of the local rags in Islington. Not that there seemed much call for a diploma; his tasks ranged from listing jumble sales, weddings and funerals; reporting committee meetings and company outings; casting horoscopes; concocting letters to the editor; compiling easy-peasy crosswords; and, most important of all, making tea. In the end it paid off though: his efforts got him the coveted position of junior reporter on the
Daily News.

Much to his dismay, it turned out that his new role entailed doing exactly the same things.

Fortunately for Johnny, he’d been taken in hand by Bill Fox. An old hack with nicotine-stained fingers to
match his yellowing short-back-and-sides, Bill had been in the business for more than forty years, working his beat even through the war years, asthma having kept him out of the army.

Perhaps Bill recognised something of himself in the eighteen-year-old human dynamo, or perhaps he was impressed by Johnny’s sharp mind and fierce ambition, then again, maybe he was just won over by the cheeky grin. Whatever the reason, Bill had begun teaching the newcomer everything he knew, ranging from the intricacies of the
News
’ house style to the tricks of the trade: how to grab a reader by the lapels and not let him go, how to cut and cut until every word was made to work.

Each time Johnny delivered a piece of copy, Bill would lean precariously back in his chair and deliver words of wisdom, punctuating his speech by stabbing the air with the 2B pencil he kept behind his ear: “Remember, Coppernob, with the honourable exceptions of wine and women, less is more.”

But Bill’s advice went beyond the craft of writing and fine-tuning copy. He had covered subjects that Johnny’s Technical College diploma hadn’t touched upon. For him, journalism meant pounding the streets, ferreting out facts and stirring things up. While others his age had opted for a managerial role, sitting behind a desk telling others what to do, Bill preferred a more hands-on approach. He’d been delighted to have Johnny tag along as he demonstrated how to make the most of a lead, and to watch Bill in action was to enjoy a master-class in the art of interviewing reluctant witnesses and
worming the truth out of those who were determined to bury it. Persistence, patience and curiosity were his watchwords.

As a result of this apprenticeship, Johnny learned how to turn to advantage the very things that might have worked against him: his deceptively young looks and short stature. He no longer minded being underestimated—if anything, he encouraged it. His job became so much easier when others lowered their guard.

Fox himself was prone to be underestimated by colleagues who judged him on his lack of promotion or love of booze, but to Johnny, he was a hero. Bill was the only person Johnny would tolerate calling him Coppernob—even though his hair was quite obviously strawberry blond.

The crime desk was, in reality, made up of six desks pushed together in a cramped corner of the third floor. These were occupied by a junior, four reporters—two for the day shift and two for the night—and the crime correspondent. Having made his way up from junior, Johnny was determined to gain his next promotion as soon as possible—preferably before his twenty-third birthday. Under a different boss, he would have been moving up the ladder much faster, but Gustav Patsel was a little bully in an age of bullies. While Hitler in Germany, Franco in Spain and Mussolini in Italy ranted and threw their weight about, Patsel swaggered and held sway in the newsroom. Everything about this cantankerous, capricious bore was round: his piggy-eyes peered out from behind round, wire-rimmed glasses.
His white bald head was reminiscent of a ping-pong ball. His belly seemed to bulge more by the week: probably a result of too much bratwurst. Proud of his German heritage, Patsel was not shy of vaunting the führer’s galvanising effect on his homeland: the Volkswagen “people’s car”, designed by Ferdinand Porsche and launched in February, was the best car in the world; the Berlin Olympics in August had been the best games ever
und so weiter
—though he’d been strangely silent back in March when the Nazis invaded the Rhineland.

His colleagues had unaffectionately dubbed him Pencil and ridiculed him behind his back, but Patsel survived by virtue of a Machiavellian grasp of office politics. Even so, it was an open secret that the humourless Hun was looking to jump ship—he had been at loggerheads with either the night editor or the editor-in-chief ever since Johnny had joined the paper.

As much as he longed for Patsel’s departure, Johnny was terrified by rumours that Simkins might be poached to replace him.

The sooner Johnny got promotion, the more secure he’d be. However, to achieve that he needed to make a splash—and that meant a spectacular exclusive. The one that had made his name was a piece exposing a drugs racket at St Bartholomew’s Hospital. A senior pharmacist had masterminded a scheme whereby he and his cohorts were making a fortune on the black market, selling drugs from the hospital’s pharmacy. At a time when patients were struggling to pay for every pill, his cut-price rates had, he claimed, been an act of charity
—a noble motive undermined by the fact that not many people needed addictive painkillers in wholesale quantities.

The whole thing had been going on under Johnny’s nose for a while before he smelled a story; back then, his mind had been on other things. It was during a visit to his dying mother that he had been surreptitiously offered cheap morphine by a member of the medical staff. He would have accepted, except that the drug was useless when, as in this case, the patient had bone cancer.

Johnny used his rage at his mother’s imminent death to work tirelessly—with Bill’s help—to expose the racket. The finished piece had raised questions in Parliament and renewed demands for the establishment of a National Health Service. However, apart from a few more prison cells being filled, nothing came of it all.

Johnny’s reward had been promotion from office junior to fully-fledged reporter. Unfortunately, thanks to Patsel, that had translated into the dubious distinction of reporting from the Old Bailey.

Court reporters—not to be confused with those that dealt with the affairs of the once German residents of Buckingham Palace—were afforded little respect because their authors were spoon-fed the copy. They did not have to sniff out stories, follow up leads or track down witnesses. They only had to get off their backsides when the judge stood up. Trials dealt with the aftermath of crime in a calm and clinical fashion. There was none of the excitement of the hunt, no vying to get ahead of the pack in pursuit of your quarry.

To make matters worse, Simkins—who was not confined to the courtrooms of the Old Bailey—had just landed a scoop that had eclipsed Johnny’s drug-ring effort, being simpler and juicier.

On the very morning that the police released details of the murder of Margaret Murray, a nineteen-year-old girl who worked for a firm of solicitors, the
Chronicle
had run an interview with the killer’s wife. It was an excellent piece of reporting—except, in Johnny’s indignant opinion, it should never have been written at all. Simkins had come by his exclusive using dubious means.

The moment the tip-off came in from his source inside the Metropolitan Police, Simkins had got on the phone to Scotland Yard. Realising that no information would be forthcoming if he identified himself as a reporter, he’d passed himself off as the concerned spouse of the man in custody. Though his normal speaking voice was tainted with the trademark drawl of an Old Harrovian, Simkins was a master of verbal disguise. Shortly after their first meeting, he had taken to calling Johnny at the crime desk with bogus complaints about his latest report or cock-and-bull tip-offs delivered in a variety of accents ranging from a thick Irish brogue, Welsh lilt or stage Cockney. His ability to mimic women’s voices as well as men’s was uncanny. Nevertheless, Johnny, who was not that wet behind the ears, soon caught on. The pranks had, however, taught him a valuable lesson: it was always advisable to meet informants face-to-face. In the flesh it was easier to be certain that someone was
who they said they were, and he could watch for the tell-tale clues that revealed when they were lying.

Unfortunately the dozy detective Simkins spoke to at the Yard had fallen for the ruse and told him everything he needed to corroborate the story. Having winkled out the address of the arrested man—“He’s told you where we live, has he, officer?”—Simkins had gone straight round there.

Turning up on the poor woman’s doorstep ahead of the local constabulary, he’d given her the impression that he was a plain-clothes detective, and then delivered the news of her dear husband’s arrest.

Until that moment, Mrs Shaw had believed her Arthur, a travelling salesman for a toy company, was away on business in Newcastle. Within minutes she had learned that he’d been unfaithful to her, that he’d got a young secretary not even half his age in the family way and, in the heat of a furious post-coital row about a backstreet abortion, had strangled the poor girl to death. Mrs Shaw had thought the worst she had to fear was a visit from the tallyman. That was before Simkins came along and revealed that her husband of seventeen years was destined for the scaffold.

Simkins’ exclusive had not stinted on the woman’s shock, anger and grief. He had captured in minute detail every aspect, right down to the dreary landscape reproductions on the wall of the spick-and-span parlour where she sat sobbing uncontrollably; the ember-burns on the hearth rug; and the half-excited, half-fearful reactions of the neighbours who, alerted by her cries, had gathered
in glee by the railings, peering through the open door for a glimpse of whatever misfortune had befallen the Shaws.

Part of Johnny admired Simkins’ skill and brass neck, but he’d vowed he would never stoop to such underhand methods. It wasn’t that he was a prig: he simply refused to inflict such pain on another human being—especially when it was for no better cause than the amusement of others. Bill’s motto when it came to composing a report was “titillation with tact”. Well, Simkins had no tact. If he had stopped for one moment to imagine how his mother might have felt if she’d found herself in Mrs Shaw’s position, then Johnny was sure his conscience, however atrophied, would have silenced him.

Johnny had lost his own mother two years ago. Watching her die a long and painful death had knocked the stuffing out of him. An only child with no near relatives, he’d had no one to turn to but a few close friends, like Bill and Matt and Lizzie. It was only afterwards that he’d learned how much they’d been worried about him. Somehow, he’d bounced back. Instead of letting the bitterness overwhelm him, he’d managed to maintain his cheery outlook—in public, at any rate. He had learned how to conceal his emotions. Professional callousness, a prerequisite of the job, often clashed with personal compassion, but the two were not mutually exclusive. The best journalists were those who managed to bring both detachment and compassion into play when writing their copy.