Songs of Love & Death (10 page)

Dorian had brown eyes.

Reporters had arrived at the police station, snapping pictures and demanding answers. Word had gotten out about the masked man, a new rooftop hero in the city, and they kept asking: What was his power? His name? Had he talked to her? What did he say? They already knew who she was; a witness at the restaurant had told them everything. She wondered what the papers would make of it; she’d been right there and she didn’t know what had happened. The detective told her not to say anything, so she didn’t.

In Dorian’s car on the way to her apartment, she got a second wind.

“You should have seen it; it was amazing, I don’t know who this guy was, and the way the cops were talking I’m not sure if they want to catch the thieves or him. You know, I’d have expected him to be wearing some suit or armor like the other ones do, at least maybe spandex, but no, just jeans, and you know how you joke around because you don’t think those flimsy masks would really hide anyone’s identity? But I can’t for the life of me remember what he looked like. I just saw the mask.”

“You weren’t scared?” He glanced at her.

“Well, yeah, sure.” But she let the thought fade. She only wanted to remember amazing.

Charlotte shared an apartment with several other starving-artist types in too small a space, an arrangement that worked because most of them were gone most of the time, at their theaters or band rehearsals or projects or day jobs. The place was in a part of town that in another ten years would be hip and gentrified, and they were all hoping they’d have made their fortunes by then so they could afford to stay.

He guided her inside, made her put on pajamas, tucked a cup of tea in her hands, and apologized.

“I have to get back to work. I want to tell the DA about this. We’ll get those
guys. We won’t let anything like this happen again.”

Well, that wasn’t nearly as romantic as him rushing to the police station to tend to her emotional wounds. But Dorian was a very dedicated assistant DA. She didn’t feel quite right complaining.

“But… but I’m not sure I want to be alone right now.”

He gave her a quick kiss on the forehead. “I’m sorry, I wouldn’t leave if it wasn’t an emergency. Call me if you need anything, anything at all.”

And there he went, saving the city again. She sighed.

She couldn’t sleep, so she made another cup of tea and sat in a chair by the bedroom window. She half expected to see a shadowed figure running across the rooftops, pausing to strike a heroic pose against a backdrop of city lights. She fell asleep, wrapped in a blanket and leaning against the window, dreaming strange dreams, until one of her roommates came home, nudged her awake, and put her to bed.

H
ER PHONE RANG
early. She had to scramble for it; it was still in the pocket of her jeans, on the floor somewhere.

“Hello?”

“Have you seen the news? Was that really you? Are you okay?”

“Otto?”

“Charlotte, are you all right?”

Muzzy-headed, she rubbed her face. Hadn’t it all been a dream? “Wait a minute. What? How did you—I mean, yeah, I’m okay. How did you hear about what happened?” It was the only conceivable reason Otto would be calling this early in the morning.

“It’s all over the news, hon,” he said. “They’ve been calling the theater. You’re a genius, Charlotte.”

“What are you talking about?”

“As publicity stunts go, this is over the top. I love it.”

“But it wasn’t—”

“I know. I’m teasing. You’re really all right?”

“I—I think so.”

“I know it’s opening night, but if you’re not up to coming out, don’t sweat it.”

Opening night. Almost as terrifying as dangling off a roof. “I’ll be there, I think. I gotta go.”

She clicked him off and went to the computer, to find two roommates already there, ogling over her. And Otto was right, the story was everywhere.
Someone had gotten a cell phone picture of the guy in the mask—and Charlotte, looking flustered and windblown. It was all fairly dramatic. The more sedate Web sites had facts and figures, what had been stolen—a shipment of loose diamonds—and what the police knew, sparsely delivered news. Including Charlotte’s name, her association with the theater, and her profession—playwright. There it was in the news; it had to be true, right?

Her phone rang three times in five minutes, friends wanting to know if she was okay,
really
okay. She put them off as quickly as she could, which probably convinced them that she really wasn’t all right. They’d call again in an hour.

Then Dorian called. “Honey, are you okay?”

“I think so. Hey, do you have time for breakfast or lunch or something?” Anything?

“Well, not really, I’m afraid. I talked the DA into giving me the case. At least, when there is a case, I’ll get it. Isn’t that great? I have to get to the precinct and find out what they’re doing. They’d better not screw this up. This could make my career.”

I almost died
, she wanted to mew. Her phone beeped to tell her of another incoming call. She checked—it was her mother this time. She canceled the call. “But you’ll be there tonight, won’t you?” she said to Dorian.

“Tonight?”

“The play, opening night.” It must have seemed like such a small thing to him.

“Oh, right. Of course I’ll be there. I’ll meet you at the theater.”

“And don’t forget about the party afterward. Otto rented out Napoli’s.”

“Of course I’ll be there.”

After Dorian hung up, the phone rang again, a reporter this time. She told the woman to call the police. Then the police called, telling her to tell reporters to call the police, which was a relief.

Mostly, though, she read everything she could find about what had happened.

....

T
HE MOST HELPFUL
source was a Web site called “Rooftop Watch.” It tracked superhumans and masked vigilantes and villains, recorded sightings, and gleefully spread all manner of gossip.
Her
masked man had been seen two previous times. In both cases, he’d foiled residential robberies by racing in, shining a high-powered flashlight at the would-be burglars as they were breaking into the back doors of houses, then racing out before the thieves could react. Their
cover blown, the burglars ran, and so did the masked man, but by then the owners were awake and on the phone with the police.

They were calling him Blue Collar, which seemed rude. It was a commentary on his wardrobe rather than his powers or personality. Nothing like Speed or Blaze or Comet. There was a lot of speculation about who he was, what he was doing. Most commentators in the know figured he was new and starting small, foiling robberies and break-ins. He’d work up to bigger feats—like snatching young playwrights from certain death. Maybe he’d even get a real uniform someday.

The cell phone picture of him standing with Charlotte was too good not to post all over the Internet a billion times. She hoped someone was getting rich off it. The possibility of prosecuting the case was certainly making Dorian happy.

She arrived at the theater two hours early and crept backstage, unsure if she should gather everyone together for a manic pep talk or hide in a closet. Unable to decide, she paced along an out-of-the-way section of wall backstage, while stagehands and tech crew bustled.

She’d gotten her dress at a fancy consignment shop, which meant she looked much richer than she actually was. Red, sleek, slinky, strapless. She’d even found the heels to go with it in the right size. She’d been in one of her good moods, thinking of the glamorous life and her possible place in it. Now she felt a bit like a dyed poodle. Unnatural, vaguely humiliated.

She’d been in a good mood when she met Dorian at a fund-raising party for an arts-in-the-schools organization. She was there helping run the party, and he was there to rub elbows, see and be seen, and all that. She liked to think that they swept each other off their feet with their mutual romantic notions.

The actors swooped in, Marta last of all, carrying on, and backstage got loud after that.

Marta even rushed over to stage-hug her. “Charlotte, I can’t believe you’re even here after what happened! My God—what happened? Are you all right? If it were me, my nerves would be shot, I’d be traumatized, I’d be in bed for a week, how are you even here? Oh, where’d you get that dress? Nice. Oh my God, what time is it—” And she rushed off again.

Charlotte wondered—should she be more traumatized by what had happened? It really did seem like a dream.

Otto had slipped in earlier, unseen, phantomlike, working his director magic backstage. When he found Charlotte he asked, “Are you all right? Are you
really
all right?” She glared.

“You look great, by the way.”

She still glared.

A half an hour before curtain, she didn’t dare peek into the house to see if anyone was actually there, if anyone had actually deigned to come. And Dorian was going to be late. She had his ticket. They were supposed to sit in the back, cuddled together, watching her big debut. She’d had it all planned out.

But she couldn’t honestly be surprised when her phone buzzed, showing Dorian’s number.

“I’m really sorry, I’m going to be stuck at work for at least another hour. I’ll come see the show another night. I’ll make it up to you.”

“Can you at least come to the party? It probably won’t start till eleven or so.”

“Sure, I’m sure I can make the party. I’ll meet you there. Napoli’s, right?”

“Right.” And he hung up.

Ten minutes before curtain, Otto ran from the wings, beaming. She nearly stumbled away, the sight was so shocking.

“It’s all right,” he said, coming up and taking her hand. “It’s going to be all right.”

“What? What is?”

“We’ve sold out. The house is full. It’s your adventure last night. You’re famous. They’re here because of you.”

That didn’t make her feel any better.

Otto continued backstage to the dressing rooms to tell the cast and jolt them into more spirited performances. Or greater heights of anxiety.

She couldn’t stand it anymore, so she crept to the edge of the curtain and peeked out. And it was true. The house was full, only a handful of empty seats left scattered as the last people filtered in. And those two empty seats in back meant for her and Dorian. The murmurs of the crowd hushed over her.

The theater was full. But what if no one liked it?

Because she couldn’t bear to watch, she waited backstage, pacing. Everything went well, she supposed, but all she heard from the faint voices reciting her lines on stage were the mistakes, awkward phrasing she should have fixed a long time ago, bad delivery that she couldn’t do anything about. From backstage, applause sounded muted and lackluster.

Then it was all over. At last. Otto came at her, grinning and nearly shouting. “There you are! Come on, get out front!”

“What?”

“For the curtain call!” He took her hand and dragged her.

Opening night, of course the director and playwright would come out on
stage as well.

“Smile!” he hissed. She scrounged together what poise she could.

Then they were under the stage lights, the cast around them applauding. Otto gestured, offering Charlotte to the audience, or the audience to her. They were on their feet, the whole audience on its feet, clapping and cheering. Someone pressed long-stemmed roses into her arms. She cradled the bundle like it was an infant.

They must have liked it.

She was still dazed as the curtain closed at last and the cast fell to laughing and embracing. Champagne appeared and Marta herself popped the cork—after shaking the bottle—letting the contents spray everywhere. The stage manager wouldn’t be happy about that. People came to hug Charlotte, and she held them off with the shield of roses and tried to be gracious. She was suddenly exhausted. All that pacing backstage. But everyone else was buzzed and manic as squirrels, and the night was just starting.

She realized that she hadn’t thought this far ahead. It was enough to have her play finished and actually staged, and she hadn’t dared think any further than that, except to assume that it would all be a dismal failure. But, by all appearances, the play was a success. Shouldn’t she be happy?

I
F THE PLAY
had been a failure, the invitation-only opening-night party would have been a wake, and they could have mourned in peace without having to talk to anyone but themselves. Since the play had been successful, it would be the most sensational and sought-after party of the month. Tonight would be a celebration. Charlotte tried to ignore a growing sense of foreboding.

Otto had reserved the restaurant, but Marta had rented the limo for them all to arrive in, them being Marta, the actors, Charlotte, Otto, and Otto’s young actress wife, Helen. Part of why Otto was a good director was because he didn’t automatically cast Helen in everything he did.

“Where’s your handsome lawyer? I didn’t see him at the theater,” Helen asked, and Charlotte blushed.

“Working late.”

Helen acknowledged this happily enough, but Otto gave her a sympathetic, almost pitying smile.

Otto had Helen on one arm and Marta on the other as he swept them up the sidewalk to the door of Napoli’s. Harry and Fred tried to sweep Charlotte the same way, but she resisted, extricating herself from their grips in the restaurant’s lobby.

“Dorian’s meeting me here,” she said, faking confidence.

“Wait for him inside,” Harry said, pouting.

“Just another minute.”

More and more people arrived, passing through the restaurant’s lobby, checking their coats, hugging and kissing cheeks. Many were already drunk, all of them cheerful. There were reporters here, and photographers. Otto would get all the publicity he could hope for. It was fabulous. Charlotte paced. Her steps dragged, and the maître d’ kept asking if he could get her anything. She almost gave up. She almost lost faith.

Then there he was, in his sweeping overcoat and intense face, a man with purpose. He held a bundle of roses.

“You came!” she said, maybe a little too brightly.

“Of course I did. You look wonderful.” He pressed the roses into her arms and leaned in for a quick kiss on her cheek. He’d rushed, she could tell. He was still catching his breath and a faint sheen of sweat lay on his neck. “I’m sorry I missed the play. I’ll make it up to you. How did it go?”