Sons and Lovers (Barnes & Noble Classics Series) (48 page)

He courted her now like a lover. Often, when he grew hot, she put his face from her, held it between her hands, and looked in his eyes. He could not meet her gaze. Her dark eyes, full of love, earnest and searching, made him turn away. Not for an instant would she let him forget. Back again he had to torture himself into a sense of his responsibility and hers. Never any relaxing, never any leaving himself to the great hunger and impersonality of passion; he must be brought back to a deliberate, reflective creature. As if from a swoon of passion she called him back to the littleness, the personal relationship. He could not bear it. “Leave me alone—leave me alone!” he wanted to cry; but she wanted him to look at her with eyes full of love. His eyes, full of the dark, impersonal fire of desire, did not belong to her.

There was a great crop of cherries at the farm. The trees at the back of the house, very large and tall, hung thick with scarlet and crimson drops, under the dark leaves. Paul and Edgar were gathering the fruit one evening. It had been a hot day, and now the clouds were rolling in the sky, dark and warm. Paul climbed high in the tree, above the scarlet roofs of the buildings. The wind, moaning steadily, made the whole tree rock with a subtle, thrilling motion that stirred the blood. The young man, perched insecurely in the slender branches, rocked till he felt slightly drunk, reached down the boughs, where the scarlet beady cherries hung thick underneath, and tore off handful after handful of the sleek, cool-fleshed fruit. Cherries touched his ears and his neck as he stretched forward, their chill finger-tips sending a flash down his blood. All shades of red, from a golden vermilion to a rich crimson, glowed and met his eyes under a darkness of leaves.

The sun, going down, suddenly caught the broken clouds. Immense piles of gold flared out in the south-east, heaped in soft, glowing yellow right up the sky. The world, till now dusk and grey, reflected the gold glow, astonished. Everywhere the trees, and the grass, and the far-off water, seemed roused from the twilight and shining.

Miriam came out wondering.

“Oh!” Paul heard her mellow voice call, “isn’t it wonderful?”

He looked down. There was a faint gold glimmer on her face, that looked very soft, turned up to him.

“How high you are!” she said.

Beside her, on the rhubarb leaves, were four dead birds, thieves that had been shot. Paul saw some cherry stones hanging quite bleached, like skeletons, picked clear of flesh. He looked down again to Miriam.

“Clouds are on fire,” he said.

“Beautiful!” she cried.

She seemed so small, so soft, so tender, down there. He threw a handful of cherries at her. She was startled and frightened. He laughed with a low, chuckling sound, and pelted her. She ran for shelter, picking up some cherries. Two fine red pairs she hung over her ears; then she looked up again.

“Haven’t you got enough?” she asked.

“Nearly. It is like being on a ship up here.”

“And how long will you stay?”

“While the sunset lasts.”

She went to the fence and sat there, watching the gold clouds fall to pieces, and go in immense, rose-coloured ruin towards the darkness. Gold flamed to scarlet, like pain in its intense brightness. Then the scarlet sank to rose, and rose to crimson, and quickly the passion went out of the sky. All the world was dark grey. Paul scrambled quickly down with his basket, tearing his shirt-sleeve as he did so.

“They are lovely,” said Miriam, fingering the cherries.

“I’ve torn my sleeve,” he answered.

She took the three-cornered rip, saying:

“I shall have to mend it.” It was near the shoulder. She put her fingers through the tear. “How warm!” she said.

He laughed. There was a new, strange note in his voice, one that made her pant.

“Shall we stay out?” he said.

“Won’t it rain?” she asked.

“No, let us walk a little way.”

They went down the fields and into the thick plantation of fir-trees and pines.

“Shall we go in among the trees?” he asked.

“Do you want to?”

“Yes.”

It was very dark among the firs, and the sharp spines pricked her face. She was afraid. Paul was silent and strange.

“I like the darkness,” he said. “I wish it were thicker—good, thick darkness.”

He seemed to be almost unaware of her as a person: she was only to him then a woman. She was afraid.

He stood against a pine-tree trunk and took her in his arms. She relinquished herself to him, but it was a sacrifice in which she felt something of horror. This thick-voiced, oblivious man was a stranger to her.

Later it began to rain. The pine-trees smelled very strong. Paul lay with his head on the ground, on the dead pine needles, listening to the sharp hiss of the rain—a steady, keen noise. His heart was down, very heavy. Now he realised that she had not been with him all the time, that her soul had stood apart, in a sort of horror. He was physically at rest, but no more. Very dreary at heart, very sad, and very tender, his fingers wandered over her face pitifully. Now again she loved him deeply. He was tender and beautiful.

“The rain!” he said.

“Yes—is it coming on you?”

She put her hands over him, on his hair, on his shoulders, to feel if the raindrops fell on him. She loved him dearly. He, as he lay with his face on the dead pine-leaves, felt extraordinarily quiet. He did not mind if the raindrops came on him: he would have lain and got wet through: he felt as if nothing mattered, as if his living were smeared away into the beyond, near and quite lovable. This strange, gentle reaching-out to death was new to him.

“We must go,” said Miriam.

“Yes,” he answered, but did not move.

To him now, life seemed a shadow, day a white shadow; night, and death, and stillness, and inaction, this seemed like being. To be alive, to be urgent and insistent—that was
not-to-be
.
³
The highest of all was to melt out into the darkness and sway there, identified with the great Being.

“The rain is coming in on us,” said Miriam.

He rose, and assisted her.

“It is a pity,” he said.

“What?”

“To have to go. I feel so still.”

“Still!” she repeated.

“Stiller than I have ever been in my life.”

He was walking with his hand in hers. She pressed his fingers, feeling a slight fear. Now he seemed beyond her; she had a fear lest she should lose him.

“The fir-trees are like presences on the darkness: each one only a presence.

She was afraid, and said nothing.

“A sort of hush: the whole night wondering and asleep: I suppose that’s what we do in death—sleep in wonder.”

She had been afraid before of the brute in him: now of the mystic. She trod beside him in silence. The rain fell with a heavy “Hush!” on the trees. At last they gained the cart-shed.

“Let us stay here awhile,” he said.

There was a sound of rain everywhere, smothering everything.

“I feel so strange and still,” he said, “along with everything.”

“Ay,” she answered patiently.

He seemed again unaware of her, though he held her hand close.

“To be rid of our individuality, which is our will, which is our effort—to live effortless, a kind of curious sleep—that is very beautiful, I think; that is our after-lire—our immortality.”

“Yes?”

“Yes—and very beautiful to have.”

“You don’t usually say that.”

“No.”

In a while they went indoors. Everybody looked at them curiously. He still kept the quiet, heavy look in his eyes, the stillness in his voice. Instinctively, they all left him alone.

About this time Miriam’s grandmother, who lived in a tiny cottage in Woodlinton, fell ill, and the girl was sent to keep house. It was a beautiful little place. The cottage had a big garden in front, with red brick walls, against which the plum trees were nailed. At the back another garden was separated from the fields by a tall old hedge. It was very pretty. Miriam had not much to do, so she found time for her beloved reading, and for writing little introspective pieces which interested her.

At the holiday-time her grandmother, being better, was driven to Derby to stay with her daughter for a day or two. She was a crotchety old lady, and might return the second day or the third; so Miriam stayed alone in the cottage, which also pleased her.

Paul used often to cycle over, and they had as a rule peaceful and happy times. He did not embarrass her much; but then on the Monday of the holiday he was to spend a whole day with her.

It was perfect weather. He left his mother, telling her where he was going. She would be alone all the day. It cast a shadow over him; but he had three days that were all his own, when he was going to do as he liked. It was sweet to rush through the morning lanes on his bicycle.

He got to the cottage at about eleven o’clock. Miriam was busy preparing dinner. She looked so perfectly in keeping with the little kitchen, ruddy and busy. He kissed her and sat down to watch. The room was small and cosy. The sofa was covered all over with a sort of linen in squares of red and pale blue, old, much washed, but pretty. There was a stuffed owl in a case over a corner cupboard. The sunlight came through the leaves of the scented geraniums in the window. She was cooking a chicken in his honour. It was their cottage for the day, and they were man and wife. He beat the eggs for her and peeled the potatoes. He thought she gave a feeling of home almost like his mother; and no one could look more beautiful, with her tumbled curls, when she was flushed from the fire.

The dinner was a great success. Like a young husband, he carved. They talked all the time with unflagging zest. Then he wiped the dishes she had washed, and they went out down the fields. There was a bright little brook that ran into a bog at the foot of a very steep bank. Here they wandered, picking still a few marsh-marigolds and many big blue forget-me-nots. Then she sat on the bank with her hands full of flowers, mostly golden water-blobs. As she put her face down into the marigolds, it was all overcast with a yellow shine.

“Your face is bright,” he said, “like a transfiguration.”

She looked at him, questioning. He laughed pleadingly to her, laying his hands on hers. Then he kissed her fingers, then her face.

The world was all steeped in sunshine, and quite still, yet not asleep, but quivering with a kind of expectancy.

“I have never seen anything more beautiful than this,” he said. He held her hand fast all the time.

“And the water singing to itself as it runs—do you love it?” She looked at him full of love. His eyes were very dark, very bright.

“Don’t you think it’s a great day?” he asked.

She murmured her assent. She
was
happy, and he saw it.

“And our day—just between us,” he said.

They lingered a little while. Then they stood up upon the sweet thyme, and he looked down at her simply.

“Will you come?” he asked.

They went back to the house, hand in hand, in silence. The chickens came scampering down the path to her. He locked the door, and they had the little house to themselves.

He never forgot seeing her as she lay on the bed, when he was unfastening his collar. First he saw only her beauty, and was blind with it. She had the most beautiful body he had ever imagined. He stood unable to move or speak, looking at her, his face half-smiling with wonder. And then he wanted her, but as he went forward to her, her hands lifted in a little pleading movement, and he looked at her face, and stopped. Her big brown eyes were watching him, still and resigned and loving; she lay as if she had given herself up to sacrifice: there was her body for him; but the look at the back of her eyes, like a creature awaiting immolation, arrested him, and all his blood fell back.

“You are sure you want me?” he asked, as if a cold shadow had come over him.

“Yes, quite sure.”

She was very quiet, very calm. She only realised that she was doing something for him. He could hardly bear it. She lay to be sacrificed for him because she loved him so much. And he had to sacrifice her. For a second, he wished he were sexless or dead. Then he shut his eyes again to her, and his blood beat back again.

And afterwards he loved her—loved her to the last fibre of his being. He loved her. But he wanted, somehow, to cry. There was something he could not bear for her sake. He stayed with her till quite late at night. As he rode home he felt that he was finally initiated. He was a youth no longer. But why had he the dull pain in his soul? Why did the thought of death, the after-life, seem so sweet and consoling?

He spent the week with Miriam, and wore her out with his passion before it was gone. He had always, almost wilfully, to put her out of count, and act from the brute strength of his own feelings. And he could not do it often, and there remained afterwards always the sense of failure and of death. If he were really with her, he had to put aside himself and his desire. If he would have her, he had to put her aside.

“When I come to you,” he asked her, his eyes dark with pain and shame, “you don’t really want me, do you?”

“Ah, yes!” she replied quickly.

He looked at her.

“Nay,” he said.

She began to tremble.

“You see,” she said, taking his face and shuttling it out against her shoulder—“you see—as we are—how can I get used to you? It would come all right if we were married.”

He lifted her head, and looked at her.

“You mean, now, it is always too much shock?”

“Yes—and—”

“You are always clenched against me.”

She was trembling with agitation.

“You see,” she said, “I’m not used to the thought—”

“You are lately,” he said.

“But all my life, Mother said to me: ‘There is one thing in marriage that is always dreadful, but you have to bear it.’ And I believed it.”