Split Code
Split Code
First published in 1976
© Estate of Dorothy Dunnett; House of Stratus 1976-2012
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
The right of Dorothy Dunnett to be identified as the author of this work has been asserted.
This edition published in 2012 by House of Stratus, an imprint of
Stratus Books Ltd., Lisandra House, Fore Street, Looe,
Cornwall, PL13 1AD, UK.
Typeset by House of Stratus.
A catalogue record for this book is available from the British Library and the Library of Congress.
ISBN: 0755131592 EAN 9780755131594
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This is a fictional work and all characters are drawn from the author's imagination.
Any resemblance or similarities to persons either living or dead are entirely coincidental.
The Dorothy Dunnett Society can be contacted via
http://dorothydunnett.org
Dorothy, Lady Dunnett, was born in Dunfermline, Scotland in 1923, the only daughter of an engineer, Alexander Halliday, and his wife Dorothy. Whilst gifted academically and musically, she was not encouraged to further her talents by attending university, and instead joined the civil service in Scotland as an assistant press officer. In 1946, she married Alastair Dunnett, who was at the time the chief press officer to the Secretary of State for Scotland. He went on to become editor of
The Scotsman
newspaper, whilst she later worked on a statistics handbook for the Board of Trade.
After a brief spell in Glasgow, the couple settled in Edinburgh where their home became a centre for hospitality and entertaining, mostly in support of Scottish art and culture. Dunnett had also taken evening classes at the Edinburgh College of Art and the Glasgow School of Art, and from 1950 onwards she established a prominent career as a portrait painter, being exhibited at both the Royal Scottish Academy and the Royal Academy. She was also an accomplished sculptress.
Her interest in writing developed during the 1950’s. Her own tastes took her to historical novels and it was her husband who eventually suggested she write one of her own, after she had complained of running out of reading material. The result was
The Game of Kings
, an account of political and military turmoil in sixteenth-century Scotland. Whilst turned down for publication in the UK, it was eventually published in the USA where it became an instant best seller. Other titles, such as the
Lymond Chronicles
and
House of Niccolo
series followed and which established her international reputation.
She also successfully turned her hand to crime, with the
Johnson Johnson
series. He is an eccentric artist, famous for bifocals, and of course amateur detective. All of the titles in the series somehow also feature the yacht ‘Dolly’, despite ranging widely in location from Scotland, to Ibiza, Rome, Marrakesh, Canada, Yugoslavia, Madeira and The Bahamas. There is plenty of sailing lore for the enthusiast, but not so much it detracts from the stories genre; crime. Each of them is told by a woman whose profession explains her role in the mystery and we learn very little about
Johnson
himself, save for the fact he is somewhat dishevelled in appearance.
Dorothy Dunnett somehow fitted in her many careers and voluntary work, along with supporting her husband’s endeavours, yet still found the time to correspond widely with her readers from all over the world, and was often delighted to meet with them personally. She held the rare distinction of having a Dorothy Dunnett Readers' Association formed during her lifetime and collaborated with it as much as possible. A writer who has been described as one of great wit, charm, and humanity, yet whose work displayed toughness, precision, and humour, she was appointed to an OBE in 1992 for services to literature and became Lady Dunnett in 1995 when her husband was knighted. She died in 2001, being survived by her two sons; Ninian and Mungo.
Dear Elizabeth, dear Edna, dear Sue:
This book is for you, and for all those other friends of the young who left, carrying with you the love of two generations. It is also, of course, for your children.
Everyone knows three boring facts about Eskimos. I’ll tell you another. Whenever I think about Eskimos, I think about bifocal spectacles.
Ever since last winter, that is; when I was supposed to be between jobs and spent a week glacier-skiing in Canada. My college friend Charlotte Medleycott came along with me. Charlie had a job in New York and maintained boyfriends, like Barclay-cards, in every country with a cheap postal system. When we set off to this party in Winnipeg, no fewer than six of them asked to fly with us.
One of them, I have cause to remember, was an ice hockey genius called Donovan, acquired from an organization entitled Data-Mate. He was large, long-haired and bracing, as if scoured and hosed-down with ice slush.
We borrowed a plane and Donovan flew it to Winnipeg. It turned out that he’d just passed the test for his pilot’s licence at the fifth time of asking. In my opinion, he should have asked a bit more before someone answered. We landed at the airport in tingling silence and he made straight for the loo bearing three brimming bags
pour la nausée,
and they weren’t all his, I can tell you.
Winnipeg stands in the flat, frozen prairie bang in the centre of Canada, and even the city highways were deep in hard snow. The neon signs said Ten, which means degrees Fahrenheit, and the cab radio was also keen to spread the good news. ‘Bundle up folks,’ it kept saying. ‘We’ve a low coming of fifteen to twenty below.’
We suspected. I could see Charlotte’s pinched face over her FunFur and the escorts were all done up in Raccoon and Tibetan Yak and Scimmia and Alaskan Timberwolf and Natural Unplucked Nutria. We arrived at Government House and the Aide simply stood there crying, ‘My God, the Wombles.’
I could tell he was pleased. Once a year the State of Manitoba holds an art show of Canadian Primitives, and celebrates the opening with a bang at the Governor-General’s. Tonight was the bang, and Charlotte and I and the six Huskies were there to make sure it wasn’t a whimper.
It worked, too. Charlotte, in lumps of Willie Woo and a dress slit to her armpits, brought joy to the Senior Citizens in between pointing me out all the richest, most unmarried Americans. The handsomest man in the room, it proved, wasn’t American at all, but English like us. ‘Simon Booker-Readman,’ said Charlotte, consulted. ‘Simply gorgeous, I do agree with you. But Married to Money, name of Rosamund. She’s currently in England, producing.’
‘Oh?’ I said.
‘But I guarantee, totally organized,’ Charlie said. ‘My dear, even the midwife will have a title. The Booker-Readman home is in New York. He runs an art gallery. Sultry Simon, they call him. . . You
are
a bitch, spending that kind of money on Italian knits. How do you do it?’
She didn’t really expect to be answered. Which was just as well, under the circumstances.
After that, I worked quite hard for a bit among the City Council and the Legislature and then hunted out some of the exhibitors, who talked about quilting and Raku ceramics and splatter work. Ethnologists adore Winnipeg, which is a social porridge of Red Indians, Ukrainians, Eskimos, Japanese and what have you, which makes for a change at least in the chit-chat. I kept seeing the flaxen hair and god-like profile of Simon Booker-Readman, but I gave myself a full hour before making tracks for him. I fell hard once before for a married man, and I still remembered the pangs. I wasn’t going overboard for Simon Booker-Readman, whose wife was in England, producing.
He was speaking to Charlotte, and since he was Married to Money I couldn’t be accused of poaching. In fact, he turned his incredible jaw line and said, ‘You’re Joanna Emerson, a sort of niece of the Governor. Charlotte tells me she’s staying with you.’
‘Well, with my aunt in Toronto,’ I said. He was tall and slim, and his eyelashes were stupendous. ‘We missed the show, flying in late. Have you bought any Primitives?’
He opened his eyes. ‘Booker-Readman is better known than I bargained for. You know the gallery, do you? Actually, whisper it, I come mainly to chase up some ikons for a mad collector. But I did mark down one or two useful Primitives. And taped the opening speech. You made a mistake missing that.’
Several people had told me I had made a mistake, missing that. It had apparently gone down as the most hilarious opening speech in the history of the Winnipeg Art Gallery, which would have thrilled me if I’d known whether or not Bob Hope opened it last time. I had opened my mouth to say something when a voice behind me said, ‘Having fun, Simon darling? He’s sicked up his disgusting feed, so I’ve left him with Lady Carrington’s girl. I want a very strong whisky, and some sympathy.’
Rosamund Booker-Readman wasn’t in England producing. She was here, having produced, and the product, no doubt, was upstairs in a basket. She was, moreover, a very upper-class lady, being at least five feet ten, and thin, and negligent, with brown Nefertiti hair tucked behind her ringed ears and beads falling in tiers to her kneecaps. She looked straight at Charlie and said, ‘I’ve seen you before, haven’t I?’
‘Charlotte Medleycott,’ said Charlie Medleycott, smiling sweetly.
If she thought that was going to get her off the hook, she was mistaken. ‘I have. At the Embassy. You’re with the Mallards!’ said Mrs Booker-Readman, a little fretfully. ‘I don’t suppose by any God-like chance, you’re free, are you?’