Meanwhile Dawn rose up and left her Ocean bed
and soon as her rays have lit the sky, an elite band
of young huntsmen streams out through the gates,
bearing the nets, wide-meshed or tight for traps
and their hunting spears with broad iron heads,
troops of Massylian horsemen galloping hard,
packs of powerful hounds, keen on the scent.
Yet the queen delays, lingering in her chamber
with Carthaginian chiefs expectant at her doors.
And there her proud, mettlesome charger prances
in gold and royal purple, pawing with thunder-hoofs,
champing a foam-flecked bit. At last she comes,
with a great retinue crowding round the queen
who wears a Tyrian cloak with rich embroidered fringe.
Her quiver is gold, her hair drawn up in a golden torque
and a golden buckle clasps her purple robe in folds.
Nor do her Trojan comrades tarry. Out they march,
young Iulus flushed with joy.
Aeneas in command, the handsomest of them all,
advancing as her companion joins his troop with hers.
So vivid. Think of Apollo leaving his Lycian haunts
and Xanthus in winter spate, he’s out to visit Delos,
his mother’s isle, and strike up the dance again
while round the altars swirls a growing throng
of Cretans, Dryopians, Agathyrsians with tattoos,
and a drumming roar goes up as the god himself
strides the Cynthian ridge, his streaming hair
braided with pliant laurel leaves entwined
in twists of gold, and arrows clash on his shoulders.
So no less swiftly Aeneas strides forward now
and his face shines with a glory like the god’s.
Once the huntsmen have reached the trackless lairs
aloft in the foothills, suddenly, look, some wild goats
flushed from a ridge come scampering down the slopes
and lower down a herd of stags goes bounding across
the open country, ranks massed in a cloud of dust,
fleeing the high ground. But young Ascanius,
deep in the valley, rides his eager mount
and relishing every stride, outstrips them all,
now goats, now stags, but his heart is racing, praying—
if only they’d send among this feeble, easy game
some frothing wild boar or a lion stalking down
from the heights and tawny in the sun.
Too late.
The skies have begun to rumble, peals of thunder first
and the storm breaking next, a cloudburst pelting hail
and the troops of hunters scatter up and down the plain,
Tyrian comrades, bands of Dardans, Venus’ grandson Iulus
panicking, running for cover, quick, and down the mountain
gulleys erupt in torrents. Dido and Troy’s commander
make their way to the same cave for shelter now.
Primordial Earth and Juno, Queen of Marriage,
give the signal and lightning torches flare
and the high sky bears witness to the wedding,
nymphs on the mountaintops wail out the wedding hymn.
This was the first day of her death, the first of grief,
the cause of it all. From now on, Dido cares no more
for appearances, nor for her reputation, either.
She no longer thinks to keep the affair a secret,
no, she calls it a marriage,
using the word to cloak her sense of guilt.
Straightway Rumor flies through Libya’s great cities,
Rumor, swiftest of all the evils in the world.
She thrives on speed, stronger for every stride,
slight with fear at first, soon soaring into the air
she treads the ground and hides her head in the clouds.
She is the last, they say, our Mother Earth produced.
Bursting in rage against the gods, she bore a sister
for Coeus and Enceladus: Rumor, quicksilver afoot
and swift on the wing, a monster, horrific, huge
and under every feather on her body—what a marvel—
an eye that never sleeps and as many tongues as eyes
and as many raucous mouths and ears pricked up for news.
By night she flies aloft, between the earth and sky,
whirring across the dark, never closing her lids
in soothing sleep. By day she keeps her watch,
crouched on a peaked roof or palace turret,
terrorizing the great cities, clinging as fast
to her twisted lies as she clings to words of truth.
Now Rumor is in her glory, filling Africa’s ears
with tale on tale of intrigue, bruiting her song
of facts and falsehoods mingled . . .
“Here this Aeneas, born of Trojan blood,
has arrived in Carthage, and lovely Dido deigns
to join the man in wedlock. Even now they warm
the winter, long as it lasts, with obscene desire,
oblivious to their kingdoms, abject thralls of lust.”
Such talk the sordid goddess spreads on the lips of men,
then swerves in her course and heading straight for King Iarbas,
stokes his heart with hearsay, piling fuel on his fire.
Iarbas—son of an African nymph whom Jove had raped—
raised the god a hundred splendid temples across
the king’s wide realm, a hundred altars too,
consecrating the sacred fires
that never died, eternal sentinels of the gods.
The earth was rich with blood of slaughtered herds
and the temple doorways wreathed with riots of flowers.
This Iarbas, driven wild, set ablaze by the bitter rumor,
approached an altar, they say, as the gods hovered round,
and lifting a suppliant’s hands, he poured out prayers to Jove:
“Almighty Jove! Now as the Moors adore you, feasting away
on their gaudy couches, tipping wine in your honor—
do you see this? Or are we all fools, Father,
to dread the bolts you hurl? All aimless then,
your fires high in the clouds that terrify us so?
All empty noise, your peals of grumbling thunder?
That woman, that vagrant! Here in my own land
she founded her paltry city for a pittance.
We tossed her some beach to plow—on my terms—
and then she spurns our offer of marriage, she
embraces Aeneas as lord and master in her realm.
And now this second Paris . . .
leading his troupe of eunuchs, his hair oozing oil,
a Phrygian bonnet tucked up under his chin, he revels
in all that he has filched, while we keep bearing gifts
to your temples—yes, yours—coddling your reputation,
all your hollow show!”
So King Iarbas appealed,
his hand clutching the altar, and Jove Almighty heard
and turned his gaze on the royal walls of Carthage
and the lovers oblivious now to their good name.
He summons Mercury, gives him marching orders:
“Quick, my son, away! Call up the Zephyrs,
glide on wings of the wind. Find the Dardan captain
who now malingers long in Tyrian Carthage, look,
and pays no heed to the cities Fate decrees are his.
Take my commands through the racing winds and tell him
this is not the man his mother, the lovely goddess, promised,
not for
this
did she save him twice from Greek attacks.
Never. He would be the one to master an Italy
rife with leaders, shrill with the cries of war,
to sire a people sprung from Teucer’s noble blood
and bring the entire world beneath the rule of law.
If such a glorious destiny cannot fire his spirit,
if he will not shoulder the task for his own fame,
does the father of Ascanius grudge his son
the walls of Rome? What is he plotting now?
What hope can make him loiter among his foes,
lose sight of Italian offspring still to come
and all the Lavinian fields? Let him set sail!
This is the sum of it. This must be our message.”
Jove had spoken. Mercury made ready at once
to obey the great commands of his almighty father.
First he fastens under his feet the golden sandals,
winged to sweep him over the waves and earth alike
with the rush of gusting winds. Then he seizes the wand
that calls the pallid spirits up from the Underworld
and ushers others down to the grim dark depths,
the wand that lends us sleep or sends it away,
that unseals our eyes in death. Equipped with this,
he spurs the winds and swims through billowing clouds
till in mid-flight he spies the summit and rugged flanks
of Atlas, whose long-enduring peak supports the skies.
Atlas: his pine-covered crown is forever girded
round with black clouds, battered by wind and rain;
driving blizzards cloak his shoulders with snow,
torrents course down from the old Titan’s chin
and shaggy beard that bristles stiff with ice.
Here the god of Cyllene landed first,
banking down to a stop on balanced wings.
From there, headlong down with his full weight
he plunged to the sea as a seahawk skims the waves,
rounding the beaches, rounding cliffs to hunt for fish inshore.
So Mercury of Cyllene flew between the earth and sky
to gain the sandy coast of Libya, cutting the winds
that sweep down from his mother’s father, Atlas.
Soon
as his winged feet touched down on the first huts in sight,
he spots Aeneas founding the city fortifications,
building homes in Carthage. And his sword-hilt
is studded with tawny jasper stars, a cloak
of glowing Tyrian purple drapes his shoulders,
a gift that the wealthy queen had made herself,
weaving into the weft a glinting mesh of gold.
Mercury lashes out at once: “You, so now you lay
foundation stones for the soaring walls of Carthage!
Building her gorgeous city, doting on your wife.
Blind to your own realm, oblivious to your fate!
The King of the Gods, whose power sways earth and sky—
he is the one who sends me down from brilliant Olympus,
bearing commands for you through the racing winds.
What are you plotting now?
Wasting time in Libya—what hope misleads you so?
If such a glorious destiny cannot fire your spirit,
[if you will not shoulder the task for your own fame,]
at least remember Ascanius rising into his prime,
the hopes you lodge in Iulus, your only heir—
you owe him Italy’s realm, the land of Rome!”
This order still on his lips, the god vanished
from sight into empty air.
Then Aeneas
was truly overwhelmed by the vision, stunned,
his hackles bristle with fear, his voice chokes in his throat.
He yearns to be gone, to desert this land he loves,
thunderstruck by the warnings, Jupiter’s command . . .
But what can he do? What can he dare say now
to the queen in all her fury and win her over?
Where to begin, what opening? Thoughts racing,
here, there, probing his options, turning
to this plan, that plan—torn in two until,
at his wits’ end, this answer seems the best.
He summons Mnestheus, Sergestus, staunch Serestus,
gives them orders: “Fit out the fleet, but not a word.
Muster the crews on shore, all tackle set to sail,
but the cause for our new course, you keep it secret.”
Yet he himself, since Dido who means the world to him
knows nothing, never dreaming such a powerful love
could be uprooted—he will try to approach her,
find the moment to break the news gently,
a way to soften the blow that he must leave.
All shipmates snap to commands,
glad to do his orders.
True, but the queen—
who can delude a lover?—soon caught wind
of a plot afoot, the first to sense the Trojans
are on the move . . . She fears everything now,
even with all secure. Rumor, vicious as ever,
brings her word, already distraught, that Trojans
are rigging out their galleys, gearing to set sail.
She rages in helpless frenzy, blazing through
the entire city, raving like some Maenad
driven wild when the women shake the sacred emblems,
when the cyclic orgy, shouts of “Bacchus!” fire her on
and Cithaeron echoes round with maddened midnight cries.
At last she assails Aeneas, before he’s said a word:
“So, you traitor, you really believed you’d keep
this a secret, this great outrage? Steal away
in silence from my shores? Can nothing hold you back?
Not our love? Not the pledge once sealed with our right hands?
Not even the thought of Dido doomed to a cruel death?
Why labor to rig your fleet when the winter’s raw,
to risk the deep when the Northwind’s closing in?
You cruel, heartless—Even if you were not
pursuing alien fields and unknown homes,
even if ancient Troy were standing, still,
who’d sail for Troy across such heaving seas?
You’re running away—from me? Oh, I pray you
by these tears, by the faith in your right hand—
what else have I left myself in all my pain?—
by our wedding vows, the marriage we began,
if I deserve some decency from you now,
if anything mine has ever won your heart,
pity a great house about to fall, I pray you,
if prayers have any place—reject this scheme of yours!
Thanks to you, the African tribes, Numidian warlords
hate me, even my own Tyrians rise against me.
Thanks to you, my sense of honor is gone,
my one and only pathway to the stars,
the renown I once held dear. In whose hands,
my guest, do you leave me here to meet my death?
‘Guest’—that’s all that remains of ‘husband’ now.
But why do I linger on? Until my brother Pygmalion
batters down my walls? Or Iarbas drags me off, his slave?
If only you’d left a baby in my arms—our child—
before you deserted me! Some little Aeneas
playing about our halls, whose features at least
would bring you back to me in spite of all,
I would not feel so totally devastated,
so destroyed.”
The queen stopped but he,
warned by Jupiter now, his gaze held steady,
fought to master the torment in his heart. At last
he ventured a few words: “I . . . you have done me
so many kindnesses, and you could count them all.
I shall never deny what you deserve, my queen,
never regret my memories of Dido, not while I
can recall myself and draw the breath of life.
I’ll state my case in a few words. I never dreamed
I’d keep my flight a secret. Don’t imagine that.
Nor did I once extend a bridegroom’s torch
or enter into a marriage pact with you.
If the Fates had left me free to live my life,
to arrange my own affairs of my own free will,
Troy is the city, first of all, that I’d safeguard,
Troy and all that’s left of my people whom I cherish.
The grand palace of Priam would stand once more,
with my own hands I would fortify a second Troy
to house my Trojans in defeat. But not now.
Grynean Apollo’s oracle says that I must seize
on Italy’s noble land, his Lycian lots say ‘Italy!’
There lies my love, there lies my homeland now.
If you, a Phoenician, fix your eyes on Carthage,
a Libyan stronghold, tell me, why do you grudge
the Trojans their new homes on Italian soil?
What is the crime if
we
seek far-off kingdoms too?