The Apple Tree (31 page)

Read The Apple Tree Online

Authors: Daphne Du Maurier

BOOK: The Apple Tree
2.05Mb size Format: txt, pdf, ePub

"It's the colour of our uniform," said the fellow. "You can spot it in the dark."

They went on laughing in that way. I lighted up a cigarette, but my girl wouldn't have one.

"I blame the war for all that's gone wrong with the women," said the coffee-stall bloke, wiping a cup and hanging it up behind. "Turned a lot of them balmy, in my opinion. They don't know the difference between right or wrong."

"'Tisn't that, it's sport that's the trouble," said the conductor. "Develops their muscles and that, what weren't never meant to be developed. Take my two youngsters, f'r instance. The girl can knock the boy down any time, she's a proper little bully. Makes you think."

"That's right," agreed the driver, "equality of the sexes, they call it, don't they? It's the vote that did it. We ought never to have given them the vote."

"Garn," said the Air Force chap, "giving them the vote didn't turn the women balmy. They've always been the same, under the skin. The people out East know how to treat 'em. They keep 'em shut up, out there. That's the answer. Then you don't get any trouble."

"I don't know what my old woman would say if I tried to shut her up," said the driver. And they all started laughing again.

My girl plucked at my sleeve and I saw she had finished her coffee. She motioned with her head towards the street.

"Want to go home?" I said.

Silly. I somehow wanted the others to believe we were going home. She didn't answer. She just went striding off, her hands in the pockets of her mac. I said good-night and followed her, but not before I noticed the Air Force fellow staring after her over his cup of tea.

She walked off along the street, and it was still raining, dreary somehow, made you want to be sitting over a fire somewhere snug, and when she had crossed the street, and had come to the railings outside the cemetery she stopped, and looked up at me, and smiled.

"What now?" I said.

"Tomb-stones are flat," she said, "sometimes."

"What if they are?" I asked, bewildered-like.

"You can lie down on them," she said.

She turned and strolled along, looking at the railings, and then she came to one that was bent wide, and the next beside it broken, and she glanced up at me and smiled again.

"It's always the same," she said. "You're bound to find a gap if you look long enough."

She was through that gap in the railings as quick as a knife through butter. You could have knocked me flat.

"Here, hold on," I said, "I'm not as small as you."

But she was off and away, wandering among the graves. I got through the gap, puffing and blowing a bit, and then I looked around, and bless me if she wasn't lying on a long flat grave—stone, with her arms under her head and her eyes closed.

Well, I wasn't expecting anything. I mean, it had been in my mind to see her home and that. Date her up for the next evening. Of course, seeing as it was late, we could have stopped a bit when we came to the doorway of her place. She needn't have gone in right away. But lying there on the gravestone wasn't hardly natural.

I sat down, and took her hand.

"You'll get wet lying there," I said. Feeble, but I didn't know what else to say.

"I'm used to that," she said.

She opened her eyes and looked at me. There was a street light not far away, outside the railings, so it wasn't all that dark, and anyway in spite of the rain the night wasn't pitch black, more murky somehow. I wish I knew how to tell about her eyes, but I'm not one for fancy talk. You know how a luminous watch shines in the dark. I've got one myself. When you wake up in the night, there it is on your wrist, like a friend. Somehow my girl's eyes shone like that, but they were lovely too. And they weren't lazy cat's eyes any more. They were loving and gentle, and they were sad, too, all at the same time.

"Used to lying in the rain?" I said.

"Brought up to it," she answered. "They gave us a name in the shelters. The dead—end kids, they used to call us, in the war days."

"Weren't you never evacuated? " I asked.

"Not me," she said. "I never could stop any place. I always came back."

"Parents living?"

"No. Both of them killed by the bomb that smashed my home." She didn't speak tragic-like. Just ordinary.

"Bad luck," I said.

She didn't answer that one. And I sat there, holding her hand, wanting to take her home.

"You been on your job some time, at the picture-house?" I asked.

"About three weeks," she said. "I don't stop anywhere long. I'll be moving on again soon."

"Why's that?"

"Restless," she said.

She put up her hands suddenly and took my face and held it. It was gentle the way she did it, not as you'd think.

"You've got a good kind face. I like it," she said to me.

It was queer. The way she said it made me feel daft and soft, not sort of excited like I had been in the 'bus, and I thought to myself, well, maybe this is it, I've found a girl at last I really want. But not for an evening, casual. For going steady.

"Got a bloke?" I asked.

"No," she said.

"I mean, regular."

"No, never."

It was a funny line of talk to be having in a cemetery, and she lying there like some figure carved on the old tombstone.

"I haven't got a girl either," I said. "Never think about it, the way other chaps do. Faddy, I guess. And then I'm keen on my job. Work in a garage, mechanic you know, repairs, anything that's going. Good pay. I've saved a bit, besides what I send my old Mum. I live in digs. Nice people, Mr. and Mrs. Thompson, and my boss at the garage is a nice chap too. I've never been lonely, and I'm not lonely now. But since I've seen you, it's made me think. You know, it's not going to be the same any more."

She never interrupted once, and somehow it was like speaking my thoughts aloud.

"Going home to the Thompsons is all very pleasant and nice," I said, "and you couldn't wish for kinder people. Good grub too, and we chat a bit after supper, and listen to the wireless. But d'you know, what I want now is different. I want to come along and fetch you from the cinema, when the programme's over, and you'd be standing there by the curtains, seeing the people out, and you'd give me a bit of a wink to show me you'd be going through to change your clothes and I could wait for you. And then you'd come out into the street, like you did to-night, but you wouldn't go off on your own, you'd take my arm, and if you didn't want to wear your coat I'd carry it for you, or a parcel maybe, or whatever you had. Then we'd go off to the Corner House or some place for supper, handy. We'd have a table reserved—they'd know us, the waitresses and them; they'd keep back something special, just for us."

I could picture it too, clear as anything. The table with the ticket on "Reserved." The waitress nodding at us, "Got curried eggs to-night." And we going through to get our trays, and my girl acting like she didn't know me, and me laughing to myself.

"D'you see what I mean?" I said to her. "It's not just being friends, it's more than that."

I don't know if she heard. She lay there looking up at me, touching my ear and my chin in that funny, gentle way. You'd say she was sorry for me.

"I'd like to buy you things," I said, "flowers sometimes. It's nice to see a girl with a flower tucked in her dress, it looks clean and fresh. And for special occasions, birthdays, Christmas, and that, something you'd seen in a shop window, and wanted, but hadn't liked to go in and ask the price. A brooch perhaps, or a bracelet, something pretty. And I'd go in and get it when you weren't with me, and it'd cost much more than my week's pay, but I wouldn't mind."

I could see the expression on her face, opening the parcel. And she'd put it on, what I'd bought, and we'd go out together, and she'd be dressed up a bit for the purpose, nothing glaring I don't mean, but something that took the eye. You know, saucy.

"It's not fair to talk about getting married," I said, "not in these days, when everything's uncertain. A fellow doesn't mind the uncertainty, but it's hard on a girl. Cooped up in a couple of rooms maybe, and queueing and rations and all. They like their freedom, and being in a job, and not being tied down, the same as us. But it's nonsense the way they were talking back in the coffee stall just now. About girls not being the same as in old days, and the war to blame. As for the way they treat them out East—I've seen some of it. I suppose that fellow meant to be funny, they're all smart Alicks in the Air Force, but it was a silly line of talk, I thought."

She dropped her hands to her side and closed her eyes. It was getting quite wet there on the tomb-stone, I was worried for her, though she had her mac of course, but her legs and feet were damp in her thin stockings and shoes.

"You weren't ever in the Air Force, were you? " she said.

Queer. Her voice had gone quite hard. Sharp, and different. Like as if she was anxious about something, scared even.

"Not me," I said, "I served my time with R.E.M.E. Proper lot they were. No swank, no nonsense. You know where you are with them."

"I'm glad," she said. "You're good and kind. I'm glad."

I wondered if she'd known some fellow in the R.A.F. who had let her down. They're a wild crowd, the ones I've come across. And I remembered the way she'd looked at the boy drinking his tea at the stall. Reflective, somehow. As if she was thinking back. I couldn't expect her not to have been around a bit, with her looks, and then brought up to play about the shelters, without parents, like she said. But I didn't want to think of her being hurt by anyone.

"Why, what's wrong with them?" I said. "What's the R.A.F. done to you?"

"They smashed my home," she said.

"That was the Germans, not our fellows."

"It's all the same, they're killers, aren't they?" she said.

I looked down at her, lying on the tomb-stone, and her voice wasn't hard any more, like when she'd asked me if I'd been in the Air Force, but it was tired, and sad, and oddly lonely, and it did something queer to my stomach, right in the pit of it, so that I wanted to do the darndest silliest thing and take her home with me, back to where I lived with Mr. and Mrs. Thompson, and say to Mrs. Thompson—she was a kind old soul, she wouldn't mind—"Look, this is my girl. Look after her." Then I'd know she'd be safe, she'd be all right, nobody could do anything to hurt her. That was the thing I was afraid of suddenly, that someone would come along and hurt my girl.

I bent down and put my arms round her and lifted her up close.

"Listen," I said, "it's raining hard. I'm going to take you home. You'll catch your death, lying here on the wet stone."

"No," she said, her hands on my shoulders, "nobody ever sees me home. You're going back where you belong, alone."

"I won't leave you here," I said.

"Yes, that's what I want you to do. If you refuse I shall be angry. You wouldn't want that, would you?"

I stared at her, puzzled. And her face was queer in the murky old light there, whiter than before, but it was beautiful, Jesus Christ, it was beautiful. That's blasphemy. But I can't say it no other way.

"What do you want me to do?" I asked.

"I want you to go and leave me here, and not look back," she said, "like someone dreaming, sleep-walking, they call it. Go back walking through the rain. It will take you hours. It doesn't matter, you're young and strong and you've got long legs. Go back to your room, wherever it is, and get into bed, and go to sleep, and wake and have your breakfast in the morning, and go off to work, the same as you always do."

"What about you?"

"Never mind about me. just go."

"Can I call for you at the cinema tomorrow night? Can it be like what I was telling you, you know... going steady?"

She didn't answer. She only smiled. She sat quite still, looking in my face, and then she closed her eyes and threw back her head and said, "Kiss me again, stranger."

I left her, like she said. I didn't look back. I climbed through the railings of the cemetery, out on to the road. No one seemed to be about, and the coffee stall by the 'bus stop had closed down, the boards were up.

I started walking the way the 'bus had brought us. The road was straight, going on for ever. A High Street it must have been. There were shops on either side, and it was right away north-east of London, nowhere I'd ever been before. I was proper lost, but it didn't seem to matter. I felt like a sleep-walker, just as she said.

I kept thinking of her all the time. There was nothing else, only her face in front of me as I walked. They had a word for it in the army, when a girl gets a fellow that way, so he can't see straight or hear right or know what he's doing; and I thought it a lot of cock, or it only happened to drunks, and now I knew it was true and it had happened to me. I wasn't going to worry any more about how she'd get home; she'd told me not to, and she must have lived handy, she'd never have ridden out so far else, though it was funny living such a way from her work. But maybe in time she'd tell me more, bit by bit. I wouldn't drag it from her. I had one thing fixed in my mind, and that was to pick her up the next evening from the picture palace. It was firm and set, and nothing would budge me from that. The hours in between would just be a blank for me until ten p.m. came round.

I went on walking in the rain, and presently a lorry came along and I thumbed a lift, and the driver took me a good part of the way before he had to turn left in the other direction, and so I got down and walked again, and it must have been close on three when I got home.

I would have felt bad, in an ordinary way, knocking up Mr. Thompson to let me in, and it had never happened before either, but I was all lit up inside from loving my girl, and I didn't seem to mind. He came down at last and opened the door. I had to ring several times before he heard, and there he was, grey with sleep, poor old chap, his pyjamas all crumpled from the bed.

"Whatever happened to you?" he said. "We've been worried, the wife and me. We thought you'd been knocked down, run over. We came back here and found the house empty and your supper not touched."

"I went to the pictures," I said.

Other books

The Dom With a Safeword by Silverwood, Cari, Shaw, Leia, Black, Sorcha
Hillerman, Tony - [Leaphorn & Chee 05] by The Dark Wind (v1.1) [html]
The Flemish House by Georges Simenon, Georges Simenon; Translated by Shaun Whiteside
Angels Blood by Gerard Bond
Promise Bridge by Eileen Clymer Schwab
Wicked Witch Murder by Leslie Meier
Trouble In Dixie by Becky McGraw