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Authors: Ridley Pearson

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BOOK: The Art of Deception
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As the civilian director of SID, Lofgrin had worked cases with Boldt for more than a decade, his forensics lab supplying the technical pieces of the puzzle so necessary to an investigation and the subsequent prosecution. An arrest might come from information supplied by a snitch or a witness, but convictions came from evidence supplied by the lab. Where some detectives worked their contacts, their informants, their resources, Boldt chose to rebuild the life of the victim just before death, and to rely upon the physical evidence to tell the real story of what had happened. Every investigator did this to some degree, but Boldt had made his own science of it, and as such, had formed both a partnership and a deep friendship with Lofgrin. Both jazz aficionados, the currency of their exchanged favors was rare recordings or treasured masterpieces. Building one’s collection was as important as growing one’s IRA. Boldt’s collection of more than ten thousand LPs dwarfed that of Lofgrin or Doc Dixon, and as he was typically the one in need of favors at the office, his cassette recorder was the one that was more active.

Lofgrin loved to hear himself talk. He was meant more for the university than the laboratory. “We patched together a full set of latents from the one hundred and thirty-seven lifts we developed down there. You can be fairly confident that a high percentage of those are all from the same individual. More to come.

“There was no apparent effort to keep the place wiped down,” he continued. “Your resident wasn’t thinking he’d have visitors. And yes, we’re running the latents through the state database and we’re passing them on to the nationals as well.” He recited, “If this guy’s ever been printed, we’re going to know about it.” His stained smile revealed he’d taken up smoking again. The smoking concerned Boldt: Lofgrin’s heart suffered inside a nervous, agitated body.

SID had failed to locate the suspect’s escape route out of the Underground, leaving more questions than answers.

“Did we check the prints against—”

“Ferrell Walker?” Lofgrin interrupted. “I read my e-mails, Lou. The answer is yes, Matthews got Walker to roll some prints for us. If he was ever in that lair we’re never going to prove it. The prints aren’t his.”

Lofgrin gained energy when Boldt took notes, so sometimes Boldt scribbled things into his notebook just to appear active, as was the case now.

Boldt said, “At this point it wouldn’t surprise me if this guy Walker goes down for
several
of our open cases. The more we look at him, the more it looks that way—to me, to LaMoia, even Daffy.” When an investigator pushed the lab in one direction, it tended to prejudice and speed up results, but Boldt—who rarely used such ploys—couldn’t be sure if Lofgrin had even heard him.

“I won’t bother you with the Home and Garden tour, but I’m telling you: The prints aren’t his. It was pure oxygen in those
tanks as you suspected. It’s your job to find out where he stole them.”

“Could they be one-half of an oxyacetylene rig?” Boldt asked.

“Welding? Absolutely.”

“As in construction sites?”

“Are you going somewhere with this?” Lofgrin asked.

“Our hotel peeper … the construction site.”

Lofgrin nodded slowly. “Ah-so,” he said.

Boldt’s scribbling was for real, as he made a note to check all recent downtown construction sites for reports of stolen oxygen. When things began to come together on a case, an investigator could feel the momentum shift his way. It brought on an almost childish giddiness sometimes—a visceral high that was one of those things you lived for, the way a marathon runner knew when he’d hit his stride and the training was finally paying off. The Big Mo was in this lab with him, and Boldt took it for a ride.

“Go,” he encouraged.

“Hairs and fibers workup,” Lofgrin said, aiming his distorted eyes toward Boldt. “I caution that this is all prelim, but we did lift seventeen black hairs from a five-gallon tub of wastewater, presumably where this guy washed up. Head hairs. We also ran all the clothing we found into the scrape room and collected a sizeable amount of fiber evidence. Initial examination of the black head hairs was conducted both macroscopically and microscopically. Cell structure confirms they’re from an Asian. We picked up chromosomes on the sheath material from one sample that confirms it’s male hair. This particular Asian male had smoked pot within the last month. That shouldn’t be too hard to confirm for your Mr. Chen, should it?” Boldt’s pen went to work. “We’ve asked Dixie for comparison head hair samples from Chen. If we get a good probability, and I think we will,
then we’ll perform STR—short tandem repeat—DNA analysis. It’s quick and reliable, and cheaper than the old RFPL. I could have something for you by tomorrow or the next day.”

Boldt mentally assembled the pieces. In all likelihood Chen had had physical contact with whomever had been in residence at the underground hideout. This, in turn, implied the obvious. He asked, “Blood evidence?”

“You’re a pushy son of a bitch. You know that? Phenol-phthalein test was positive. And check out the Luminol.” He handed Boldt a color photo that showed blobs of blue where the Luminol had reacted with any residual blood in the converted storage room. A special fluorescent light was used to highlight the Luminol. The pattern suggested footprints.

“These were developed by the doorway?” Boldt asked.

“We fluoresced the whole room, but yes, this photo was shot near the door. The blood had been washed with soap and water or maybe something a little stronger.” He presented another photo, also revealing Luminol stains on the lip of a container. “Again, this is the same wastewater plastic tub.”

Boldt said, “He washed his hands of the blood and some hair came off in the process.”

Lofgrin nodded.

“If you were a woman, I’d kiss you.”

“I’d file for harassment.” Lofgrin handed Boldt yet another photo, this time showing a pair of workman’s coveralls, also photographed in the dark under the illumination of fluorescent black light. The discoloring indicated blood splatter, like a volley of cascading tears.

“Oh, God,” Boldt muttered.

“Yes. Exactly. Jackson Pollock this isn’t.” Before Boldt could ask, Lofgrin answered. “This was also washed, but in a heavy detergent. No way to type it, no chance for DNA. Could be the guy butchered an elk.”

“Or a couple missing women,” Boldt said.

Lofgrin said, “He wears size ten-and-a-half shoes. About six feet tall. Hair color brown, but it’s dyed—from a sandy blond. He’s on a strong dose of doxycycline.”

Lofgrin was probably not describing Ferrell Walker, Boldt realized. Dyed hair? Nathan Prair, perhaps—although that also felt like a stretch.

“Are you telling me we found a ‘script bottle down there? Are you holding out on me, Bernie? Do you happen to have
a name
from that prescription?”

“No prescription, no bottle, either. His hair, the dyed hair, the predominant hair sample found down there in that room,” Lofgrin answered, “revealed the doxycycline. You are what you ingest. Most of it goes into your hair.”

“He’s fighting an infection,” Boldt said. The use of hair coloring bothered the detective in him. Women, sure. But a man using hair coloring suggested more than vanity to a cop—if the occupant of that room had changed his looks, the possibility existed that he’d done so in an effort to outrun a criminal record. Boldt’s pen wrote down:
Ex-con? Escapee?

“Are we done here?” Boldt asked, anxious to work the evidence.

“What do you think?” It was Lofgrin’s way to hold some cherry for the end of such prelims. The hair coloring and doxy-cycline had seemed the punctuation mark to Boldt—the exclamation point—but the lack of Lofgrin’s proud-as-a-peacock, I’m-smarter-than-you superior attitude had left him thinking there might be more.

“Out in the hallways as we were looking for his escape route we came across some recent bus ticket stubs.”

“I entered through the bus tunnel emergency route, Bernie. We already know he had access.” Boldt added, “And you knew that, too, because it’s how your guys got in there, so what’s
going on?” Lofgrin appreciated being challenged, or Boldt wouldn’t have been so aggressive. Friendships within the department were both a curse and a blessing.

Lofgrin dug around on the lab bench and produced an evidence bag that contained a rectangular piece of paper—a receipt, or stub. “ATM receipt. SeaTel.” Boldt knew that SeaTel was the bank on the corner, the basement of which he’d toured with the maintenance man. “You’re interested in the date.”

Boldt snatched the bag from Lofgrin, his chest tight. He pressed the plastic of the bag against the receipt, trying to read the date. He fumbled and dropped the bag. Lofgrin spoke as Boldt collected the bag off the floor. “One of my guys—Michael Yei—his sister’s a teller at SeaTel over in Capitol Hill. The account comes back a sixty-year-old woman named Veronica Shepherd. I doubt seriously Ms. Shepherd is living below Third Avenue.”

Boldt had the bag in hand again. He pressed, and the date printed on the receipt came into focus. It was a date emblazoned in Boldt’s memory, the date Susan Hebringer had gone missing. Boldt experienced both a pang of hurt and one of exhilaration simultaneously.

“Cash machines,” Boldt said hoarsely, his voice choked with emotion. He’d found the connection between the tourists who’d been peeped and the two missing women. “The common denominator is cash machines.”

He was out the door before he had a chance to witness Lofgrin’s self-satisfied grin.

Boldt double-parked the department-issue Crown Vic, its emergency flashers going, on the steep incline outside SeaTel. He approached the corner entrance to the bank at a run, but stopped
abruptly at sight of the small lighted sign: ATM. Any investigator worth his salt questioned himself when the facts became known. You wondered why and how something so obvious now had seemed so insignificant then, how the brain could overlook something so important, so glaring.

It was a small glassed-in room—a glorified booth—that fronted Columbia Street and contained two ATM machines side by side, a wall clock, and a small blue shelf with pens attached to chains. Mounted to the doorjamb, an electronic credit card reader provided restricted access for the sake of security, admitting only legitimate cardholders.

Boldt pressed his face to the glass, cupping his eyes. Littered across the floor at the foot of both machines he saw several paper receipts, their size and shape now familiar to him.

Of all things, he didn’t own an ATM card—he still cashed checks at the teller window—and therefore couldn’t gain access.

He caused a brief moment of alarm inside the bank as he pushed to the front of a small line, polite but determined to gain admittance to that room. Now that he’d seen the room, he could also picture Susan Hebringer inside it, her purse slung over her arm, her bank card slipping into a slot on one of the two machines.

Already planning his next move, Boldt intended to pull whatever favors necessary to gain immediate access to Hebringer’s and Randolf’s bank records. It seemed inconceivable to him that both women might have used their ATM cards on the dates they disappeared without him knowing about it. He felt like a burst dam, unable to contain himself, spilling out a flood of anger and confusion. His people had run the financials on both victims—he knew this absolutely. So where had the mistake been? How could they have missed this?

A nervous bank officer swiped a card through the outdoor reader. Boldt entered a warm room that smelled bitter. Initially
he dismissed the bank officer but then quickly changed his mind and asked him to stand outside and prevent anyone from coming in and disturbing him.

Boldt then studied the room, including the two wall-mounted cash machines, their small screens glowing with a welcome message. He noted the alarmed exit door in the corner, leading into the building—a fire code requirement. He collected himself, slowing his breathing, trying to get beyond the emotion of the moment. He focused on those two machines and tried to put Susan Hebringer into this room. The imagined scene then played before his eyes, black-and-white and jittery. He saw her from the back, dressed in the clothes that she’d been described wearing by both her husband and coworkers on the day of her disappearance. He saw her remove her ATM card from her purse, look up as she heard a man come through that door through which she herself had just entered. Would she have said hello? He thought not. She’d gone about her business.

But who? A street punk wanting the cash? A well-dressed man in a suit—someone she’d never suspect of the foul play that was to come? A bank officer? A deputy sheriff?

He took a step closer to the machines but stopped as he felt
something stuck to the bottom of his shoe.
He picked the receipt off his shoe sole, knowing then how one could find its way into the Underground, and immediately lifted his eyes to the alarmed exit door.

He recalled the steel exit door in the hallway on his earlier tour. “It sounds an alarm,” the maintenance man had warned. He got the bank officer to open it for him.

“Let me guess,” Boldt said as the man searched a cluttered key ring for the proper key, “you—bank officers, that is—and your security guards both have keys to these alarmed doors. Who else? Housecleaning?”

BOOK: The Art of Deception
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