The Beat Goes On: The Complete Rebus Stories (Rebus Collection) (37 page)

He pushed open the tenement door and was in a dimly lit hallway, with worn stone steps curving up. He grasped the banister and started to climb. He didn’t even pause at the second floor, but he could hear music from behind Ribs’s door. And he saw the door was reinforced, just the kind dealers fitted. It gave them those vital extra seconds when the drug squad came calling, sledgehammers and axes their invitations. Seconds were all you needed to flush evidence away, or to swallow it. These days, prior to a house raid, the drugs squad opened up the sewers and had a man stationed there, ready for the flush …

On the top-floor landing, Rebus paused for breath. The door facing him looked hard done by, scarred and chipped and beaten. The nameplate had been hauled off, leaving deep screw holes in the wood. Rebus knocked on the door, ready with excuses and his drunk’s head-down stance. He waited, but there was no answer. He listened, then put his eyes to the letterbox. Darkness. He tried the door handle. It turned, and the door swung inwards. When he thought about it, an unlocked door made sense. Ribs would need to come and go in a hurry, and locks took time.

Rebus stepped quietly into the short hallway. Some of the interior doors were open, bringing with them chinks of streetlight. The place smelt musty and damp, and it was cold. There was no furniture, and the wallpaper had peeled from the walls. Long strips now lay in wrinkled piles, like an old woman’s stockings come to rest at her ankles. Rebus walked on tiptoe. He didn’t know how good the floors were, and he didn’t want anyone below to hear him. He didn’t want Ribs Mackay to hear him.

He went into the living-room. It was identical in shape to the surveillance living-room. There were newspapers on the floor, a carpet rolled up against one wall. Tufts of carpet lay scattered across the floor. Mice had obviously been taking bits for nesting. Rebus went to the window. There was a small gap where two pieces of cardboard didn’t quite meet. Through this gap he had a good view of the surveillance flat. And though the lights were off, the streetlight illuminated the net curtain, so that anyone behind the curtain who moved became a shadow puppet. Someone, Sneddon or Cooper or Bernie Few, was moving just now.

‘You clever little runt,’ Rebus whispered. Then he picked something up off the floor. It was a single-lens reflex camera, with telephoto lens attached. Not the sort of thing you found lying in abandoned flats. He picked it up and focused on the window across the street. There was absolutely no doubt in his mind now. It was so simple. Ribs sneaked up here, watched the surveillance through the telephoto while they thought they were watching him, and at eight o’clock walked smartly out of the tenement and went about his business.

‘You’re as good as gold, Bernie,’ said Rebus. Then he put the camera back just the way he’d found it and tiptoed back through the flat.

‘Where is he?’

Stupid question, considering. Sneddon just shrugged. ‘He had to use the bathroom.’

‘Of course he did,’ said Rebus.

Sneddon led him through to the bathroom. It had a small window high on one wall. The window was open. It led not to the outside, but merely back into the hall near the flat’s stairwell door.

‘He was in here a while, so I came looking. Banged on the door, no answer, managed to force the thing open, but he wasn’t here.’ Sneddon’s face and neck were red with embarrassment; or maybe it was just the exercise. ‘I ran downstairs, but there was no sign of him.’

‘I don’t believe he could have squeezed out of that window,’ Rebus said sceptically. ‘Not even Bernie Few.’ The window was about twelve inches by nine. It could be reached by standing on the rim of the bath, but the walls were white tile, and Rebus couldn’t see any signs of scuff marks. He looked at the toilet. Its lid was down, but didn’t sit level with the pan. Rebus lifted the lid and found himself staring at towels, several of them, stuffed down into the pan.

‘What the …?’ Sneddon couldn’t believe his eyes. But Rebus could. He opened the small airing cupboard beneath the sink. It was empty. A shelf had been lifted out and placed upright in the back of the cupboard. There was just about room inside to make for a hiding place. Rebus smiled at the disbelieving Sneddon.

‘He waited till you’d gone downstairs.’

‘Then what?’ said Sneddon. ‘You mean he’s still in the flat?’

Rebus wondered. ‘No,’ he said at last, shaking his head. ‘But think of what he just told us, about how Ribs was tricking us.’

He led Sneddon out of the flat, but instead of heading down, he climbed up a further flight to the top floor. Set into the ceiling was a skylight, and it too was open.

‘A walk across the rooftops,’ said Rebus.

Sneddon just shook his head. ‘Sorry, sir,’ he offered.

‘Never mind,’ said Rebus, knowing, however, that his boss would.

At seven next morning, Ribs Mackay left his flat and walked jauntily to the corner shop, followed by Sneddon. Then he walked back again, enjoying a cigarette, not a care in the world. He’d shown himself to the surveillance team, and now they had something to tell the new shift, something to occupy them during the changeover.

As usual the changeover happened at eight. And exactly a minute after Jamphlar and Connaught entered the tenement, the door across the street opened and Ribs Mackay flew out.

Rebus and Sneddon, snug in Rebus’s car, watched him go. Then Sneddon got out to follow him. He didn’t look back at Rebus, but he did wave an acknowledgement that his superior had been right. Rebus hoped Sneddon was better as a tail than he was as a watcher. He hoped they’d catch Ribs with the stuff on him, dealing it out perhaps, or taking delivery from his own supplier. That was the plan. That had been the plan throughout.

He started the ignition and drove out on to Buccleuch Street. Scott’s Bar was an early opener, and John Rebus had an appointment there.

He owed Bernie Few a drink.

Death is Not the End

I

Is loss redeemed by memory? Or does memory merely swell the sense of loss, becoming the enemy? The language of loss is the language of memory: remembrance, memorial, momento. People leave our lives all the time: some we met only briefly, others we’d known since birth. They leave us memories – which become skewed through time – and little more.

The silent dance continued. Couples writhed and shuffled, threw back their heads or ran hands through their hair, eyes darting around the dance floor, seeking out future partners maybe, or past loves to make jealous. The TV monitor gave a greasy look to everything.

No sound, just pictures, the tape cutting from dance floor to main bar to second bar to toilet hallway, then entrance foyer, exterior front and exterior back. Exterior back was a puddled alley, full of rubbish bins and a Merc belonging to the club’s owner. Rebus had heard about the alley: a punter had been knifed there the previous summer. Mr Merc had complained about the bloody smear on his passenger-side window. The victim had lived.

The club was called Gaitanos, nobody knew why. The owner just said it sounded American and a bit jazzy. The larger part of the clientele had decided on the nickname ‘Guisers’, and that was what you heard in the pubs on a Friday and Saturday night – ‘Going down Guisers later?’ The young men would be dressed smart-casual, the women scented from heaven and all stations south. They left the pubs around ten or half past – that’s when it would be starting to get lively at Guisers.

Rebus was seated in a small uncomfortable chair which itself sat in a stuffy dimly lit room. The other chair was filled by an audio-visual technician, armed with two remotes. His occasional belches – of which he seemed blissfully ignorant – bespoke a recent snack of spring onion crisps and Irn-Bru.

‘I’m really only interested in the main bar, foyer and out front,’ Rebus said.

‘I could edit them down to another tape, but we’d lose definition. The recording’s duff enough as it is.’ The technician scratched inside the sagging armpit of his black T-shirt.

Rebus leaned forward a little, pointing at the screen. ‘Coming up now.’ They waited. The view jumped from back alley to dance floor. ‘Any second.’ Another cut: main bar, punters queuing three deep. The technician didn’t need to be told, and froze the picture. It wasn’t so much black and white as sepia, the colour of dead photographs. Interior light, the audio-visual wizard had explained. He was adjusting the tracking now, and moving the action along one frame at a time. Rebus moved in on the screen, bending so one knee rested on the floor. His finger was touching a face. He took out the assortment of photos from his pocket and held them against the screen.

‘It’s him,’ he said. ‘I was pretty sure before. You can’t go in a bit closer?’

‘For now, this is as good as it gets. I can work on it later, stick it on the computer. The problem is the source material, to wit: one shitty security video.’

Rebus sat back on his chair. ‘All right,’ he said. ‘Let’s run forward at half-speed.’

The camera stayed with the main bar for another fifteen seconds, then switched to the second bar and all points on the compass. When it returned to the main bar, the crush of drinkers seemed not to have moved. Unbidden, the technician froze the tape again.

‘He’s not there,’ Rebus said. Again he approached the screen, touched it with his finger. ‘He should be there.’

‘Next to the sex goddess.’ The technician belched again.

Yes. Spun silver hair, almost like a cloud of candy-floss, dark eyes and lips. While those around her were either intent on catching the eyes of the bar staff or on the dance floor, she was looking off to one side. There were no shoulders to her dress.

‘Let’s check the foyer,’ Rebus said.

Twenty seconds later, there showed a steady stream entering the club, but no one leaving. Exterior front showed a queue awaiting admittance by the brace of bouncers, and a few passers-by.

‘In the toilet maybe,’ the technician suggested. But Rebus had studied the tape a dozen times already, and though he watched just once more he knew he wouldn’t see the young man again, not at the bar, not on the dance floor, and not back around the table where his mates were waiting – with increasing disbelief and impatience – for him to get his round in.

The young man’s name was Damon Mee and, according to the timer running at the bottom right-hand corner of the screen, he had vanished from the world sometime between 11.44 and 11.45 p.m. on Friday 22 April.

‘Where is this place anyway? I don’t recognise it.’

‘Kirkcaldy,’ Rebus said.

The technician looked at him. ‘How come it ended up here?’

Good question, Rebus thought, but not one he was about to answer. ‘Go back to that bar shot,’ he said. ‘Take it nice and slow again.’

The technician aimed his right-hand remote. ‘Yes, sir, Mr DeMille,’ he said.

April meant still not quite spring in Edinburgh. A few sunny days to be sure, buds getting twitchy, wondering if winter had been paid the ransom. But there was snow still hanging in a sky the colour of chicken bones. Office talk: how Rangers were going to retain the championship; why Hearts and Hibs would never win it – was it finally time for the two local sides to become friends, form one team which might –
might
– stand half a chance? As someone said, their rivalry was part and parcel of the city’s make-up. Hard to imagine Rangers and Celtic thinking of marriage in the same way, or even of a quick poke on the back stairs.

After years of following football only on pub televisions and in the back of the daily tabloid, Rebus was starting to go to matches again. DC Siobhan Clarke was to blame, coaxing him to a Hibs game one dreary afternoon. The men on the green sward weren’t half as interesting as the spectators, who proved by turns sharp-witted, vulgar, perceptive and incorrigible. Siobhan had taken him to her usual spot. Those in the vicinity seemed to know her pretty well. It was a good-humoured afternoon, even if Rebus couldn’t have said who scored the eventual three goals. But Hibs had won: the final-whistle hug from Siobhan was proof of that.

It was interesting to Rebus that, for all the barriers around the ground, this was a place where shields were dropped. After a while, it felt like one of the safest places he’d ever been. He recalled fixtures his father had taken him to in the fifties and early sixties – Cowdenbeath home games, and a crowd numbered in the hundreds; getting there necessitated a change of buses, Rebus and his younger brother fighting over who could hold the roll of tickets. Their mother was dead by then and their father was trying to carry on much as before, like they might not notice she was missing. Those Saturday trips to the football were supposed to fill a gap. You saw a lot of fathers and sons on the terraces but not many mothers, and that in itself was reminder enough. There was a boy of Rebus’s age who stood near them. Rebus had walked over to him one day and blurted out the truth.

‘I don’t have a mum at home.’

The boy had stared at him, saying nothing.

Ever since, football had reminded him of those days and of his mother. He stood on the terraces alone these days and followed the game mostly – movements which could be graceful as ballet or as jagged as free association – but sometimes found that he’d drifted elsewhere, to a place not at all unpleasant, and all the time surrounded by a community of bodies and wills.

‘I’ll tell you how to beat Rangers,’ he said now, addressing the whole office.

‘How?’ Siobhan Clarke offered.

‘Clone Stevie Scoular half a dozen times.’

There were murmurs of agreement, and then the Farmer put his head around the door.

‘John, my office.’

The Farmer – Chief Superintendent Watson to his face – was pouring a mug of coffee from his machine when Rebus knocked at the open door.

‘Sit down, John.’ Rebus sat. The Farmer motioned with an empty mug, but he turned down the offer and waited for his boss to get to his chair and the point both.

‘My birthday’s coming up,’ the Farmer said. This was a new one on Rebus, who kept quiet. ‘I’d like a present.’

‘Not just a card this year then?’

‘What I want, John, is Topper Hamilton.’

Rebus let that sink in. ‘I thought Topper was Mr Clean these days?’

‘Not in my books.’ The Farmer cupped his hands around his coffee mug. ‘He got a fright last time and, granted, he’s been keeping a low profile, but we both know the best villains have got little or no profile at all.’

‘So what’s he been up to?’

‘I heard a story he’s the sleeping partner in a couple of clubs and casinos. I also hear he bought a taxi firm from Big Ger Cafferty when Big Ger went into Barlinnie.’

Rebus was thinking back three years to their big push against Topper Hamilton: they’d set up surveillance, used a bit of pressure here and there, got a few people to talk. In the end, it hadn’t so much amounted to a hill of beans as to a fart in an empty can. The procurator fiscal had decided not to proceed to trial. But then God or Fate, call it what you like, had provided a spin to the story. Not a plague of boils or anything for Topper Hamilton, but a nasty little cancer which had given him more grief than the whole of the Lothian and Borders Police. He’d been in and out of hospital, endured chemo and the whole works, and had emerged a more slender figure in every sense.

The Farmer – who’d once settled an office argument by reeling off the books in both Old and New Testaments – wasn’t yet content that God and life had done their worst to Topper, or that retribution had been meted out in some mysterious divine way. He wanted Topper in court, even if they had to wheel him there on a trolley.

It was a personal thing.

‘Last time I looked,’ Rebus said now, ‘it wasn’t illegal to invest in a casino.’

‘It is if your name hasn’t come up during the vetting procedure. Think Topper could get a gaming licence?’

‘Fair point. But I still don’t see—’

‘Something else I heard. You’ve got a snitch works as a croupier.’

‘So?’

‘Same casino Topper has a finger in.’

Rebus saw it all and started shaking his head. ‘I made him a promise. He’ll tell me about punters, but nothing on the management.’

‘And you’d rather keep that promise than give me a birthday present?’

‘A relationship like that … it’s eggshells.’

The Farmer’s eyes narrowed. ‘You think ours isn’t? Talk to him, John. Get him to do some ferreting.’

‘I could lose a good snitch.’

‘Plenty more bigmouths out there.’ The Farmer watched Rebus get to his feet. ‘I was looking for you earlier. You were in the video room.’

‘A missing person.’

‘Suspicious?’

Rebus shrugged. ‘Could be. He went up to the bar for a round of drinks, never came back.’

‘We’ve all done that in our time.’

‘His parents are worried.’

‘How old is he?’

‘Twenty-three.’

The Farmer thought about it. ‘Then what’s the problem?’

II

The problem was the past. A week before, he’d received a phone call from a ghost.

‘Inspector John Rebus, please.’

‘Speaking.’

‘Oh, hello there. You probably won’t remember me.’ A short laugh. ‘That used to be a bit of a joke at school.’

Rebus, immune to every kind of phone call, had this pegged a crank. ‘Why’s that?’ he asked, wondering which punchline he was walking into.

‘Because it’s my name: Mee.’ The caller spelt it for him. ‘Brian Mee.’

Inside Rebus’s head, a fuzzy photograph took sudden shape – a mouth full of prominent teeth, freckled nose and cheeks, a kitchen-stool haircut. ‘Barney Mee?’ he said.

More laughter on the line. ‘Aye, they used to call me Barney. I’m not sure I ever knew why.’

Rebus could have told him: after Barney Rubble in
The Flintstones
. He could have added, because you were a dense wee bastard. But instead he asked how this ghost from his past was doing.

‘No’ bad, no’ bad.’ The laugh again; Rebus recognised it now as a sign of nerves.

‘So what can I do for you, Brian?’

‘Well, me and Janis, we thought … Well, it was my mum’s idea actually. She knew your dad. Both my mum and dad knew him, only my dad passed away, like. They all used to drink at the Goth.’

‘Are you still in Bowhill?’

‘Never quite escaped. Ach, it’s all right really. I work in Glenrothes though. Lucky to have a job these days, eh? Mind, you’ve done well for yourself, Johnny. Do you still get called that?’