Read The Best Australian Poems 2011 Online
Authors: John Tranter
Tags: #The Best Australian Poems 2011, #Black Inc., #John Tranter, #9781921870453
In the night, the gorging begins
again, in the spring
night, in the branches
of the Moreton Bay figs,
that are fully-rigged
as windjammers, and make a flotilla
along the street.
And from the yard-arms
are strung clusters
of hanged sailors,
canvas-wrapped and tarred â
these are the bats, come
for the split fruit, and dangled,
overturned where they land.
It is the tobacco fibrils
in the fruit they seek,
and those berries, when gouged,
are spilt, through the squall
of the crowd, like
a patter of faeces
about the bitumen. This amidst
the cloudy shine
of the saline
streetlamps. In the ripe nights
the bats fumble and waste
what they wrest â
there's a damp paste
upon the road,
which dries to matted
sawdust, soon after the day's
steam has reared; it is scraped
up by the shovel-load.
The bats are uncorked
like musty vapour, at dusk,
or there is loosed a fractured
skein of smoke, across
the embossed lights
of the city. The moon is lost,
to an underhanded
flicked long brush-load of paint.
You think of the uncouth ride
of the Khan and his horde,
their dragon-backed shape
grinding the moon
beneath its feet.
And then, of an American
anthem, the helicopters
that arrive with their
whomp whomp
whomp
. I'm woken
by the bats still carrying on
in the early hours,
by the outraged screech,
the chittering
and thrashing about
where they clamber heavily,
as beetles do, on each other's backs.
They are Leonardo
contraptions. They extend
a prosthetic limb,
snarl, and knuckle-walk
like simians, step
each other under
and chest-beat, although
hampered with a cape. In sleep
I trample the bedsheet
off, and call out
âTake that!' (I am told),
punching the pillow in the heat.
I see the fanged shriek,
and the drip
of their syringes,
those faces with the scowl
of a walnut kernel.
It's some other type of bat
I think of: these, in books,
where I looked them up,
have a face you can imagine
if you recall how you'd whittle
finely at a pencil
and moisten the lead
with the tongue-tip â
a little face that belies its greed,
like that of an infant.
All partly autonomous things
trample others down,
even what is their own,
and the whole earth throbs
and smoulders
with pain. No comfort for us that
in the nights I have seen
how the living pass
about the earth,
that is deep with the ashes
of the dead, and quickly, too,
vanish into dark,
like will o' the wisps
thrown out of the sun.
At three o'clock I gather
our existence
has been a mistake. I would like
to turn my back on
its endless strife;
but when I look out
at the night, I am offered
otherwise only
the chalk-white, chaste
and lacklustre moon.
The mathematician rises
to explore parabolic form
the Rex cat sleeps
Â
Purl wave ever
the stylish beehive
bum in my face
Â
Bred into delicate
frame⦠running true
the Cornish wrecker
Â
In Hearty Street
where two or three
may gather
Â
Merly the Rex
is assuredly in
the midst of them
He plays an old cicada-shell guitar
his belongings dishevelling a faded blue blanket.
Â
A tape-deck, a pink ice-cream bucket, a tattered glove
(falconer's or biker's?), its leather scarred by talons (gravel?),
Â
and his white Chihuahua elegantly avoiding all eyes â
disdainful as a mannequin to out-mannequin god.
Â
Shopfronts were passing like a glance, a glassy shrug
and I noticed the slithery rail in Brave where dresses hung
Â
like marked-down lungs. I photographed the dog's silvery fur
his hand-knitted jacket of dark arguing wool
Â
snug around torso and haunches â drop-stitched, ragged â
it was a cold winter day to be busking outdoors
Â
near the florist, near the pet shop, near Coles.
Each time the busker played Clapton's âLayla',
Â
the dog's ears twitched with minuscule approval.
Kaiser rolls were steaming in the Daily Bell bakery
Â
but like Pierrot's chiens savants, the Chihuahua was guarding
his master's alms: a demi-baguette, a pink ice-cream bucket
Â
of coins; and the glove tossed on a pale blue blanket
like a hand begging all alone on the sea.
At last, she thought, looking back
through the train's jiggling window,
seeing the Italian countryside
like a Giorgione landscape.
But what was this âat last' â
it was hardly being here
away from family and domestic routine,
though, it's true, she'd longed for that;
for an absence of needing to be
what others required.
And it wasn't this sense of space,
the chance to do as she chose â
yes, she enjoyed it,
looking forward to the galleries
and canals of Venice â the dank smells
and superb gilded horses of San Marco.
No, this sensation was like vertigo
or the stomach dropping into space
on a steep climb â
thinking of the man she'd meet.
It would be ordinary enough
but it would be her own, entirely,
not possessed by children
or the years that had smoothed her marriage
so that even arguments
had lost their heft.
She remembered it â
how once they'd been at loggerheads
for two days, and on the third, had made love
and had barely known each other
or themselves. She'd wanted to keep that â
the not-knowing, the animal life
that had risen. She had wanted
to stay strange to herself.
â Gran Lago, Nicaragua
Â
I find him down by the boathouses,
a white-haired mystic with canine rhythm.
He paces and paces doggedly
and has a zoo look to his face.
His chain leads down from the soursop tree
to a pat of trodden mud and dung
where he guards a pool of runoff
and stares at his face in the gasoline.
He is a pet of one of the boatmen
whose blue and green covered craft
ferry tourists to Las Isletas.
I have travelled out there once
and seen his brethren
swinging high in the balsa trees.
In neat black caps and sheepskin
they hung like anvils in the flowers,
ministering deftly to each other
with fingers fine as Julieta cigars.
Like a penitent I approach him
and offer fruit to his terrible intelligence,
a few lime oranges from my bag
dropped into his calabash.
He turns his pink features to the sun
and shuns my offering, curling
his lyre-bird tail around the leash.
Here we are too far from the islands
and there is nothing I can do for him.
He looks at me with a mendicant air
and dips his paw into coconut cream,
then unhinges a long low howl on needled teeth.
His is the last true religion.
He practises sermons too green to transcribe
on the subject of the Sandinista revolution
to an early choir of sandflies,
then screams like the devil as the boats come in
and packs of gulls on the shoreline
carry on their cheerful scavenging.
My mother brought home
the strangest creatures:
a lamb wearing a big white diaper;
a blind raccoon;
a wolfhound with a broken
hip, spooked by birthday balloons â
Â
Then there was Mary Lou.
Two hundred sixty-five pounds and bruised,
she held a big leather purse,
drank diet pop,
smacked pink gum
and went to the movies alone.
Mother called her a Godsend.
Â
Next, it was Lucy, a little girl
my mother gave violin lessons to
and called
daughter
.
Lucy wore her hair in a bob, took
over my old bedroom.
And then she moved
to sleeping next to my mother,
close to her under the covers
at night, holding her hand
in the big brass bed.
Â
Soon mother kicked all of us out â
gave the seven sick cats
to my sister, found
my father a gritty flat, and took
his van keys. That's when she
brought home the man who beat her,
the Chinese man who broke her nose,
and pushed her all the way down
the shiny maple stairs.
Dear mam last night
We drank a bottle of Tasmania
       I love you a lot only less so
              Pidgin monarch, belligerent fairy
Stone St Kilda the crone 'til she moves namore
Â
We would waft 'cept for the human
              Gravity of density
Rich phlegmatic lungs of autumn belief
       The leaf's concerted flambé,
Black edg'd and separate
                     Digitalia, heaped raunch
Impressionism as we were driven through
       By our pudgy headmistress, whom we tricked to admitting
âI want to be adored.'
Â
Territory and plague :TA CHUANG
Vigorous strength, thunder, arousing heaven
Â
       The rude tunics of the tiny army
Suck into the hollow
                                   Like degenerate dwarf song
Vespers of dusk come on â Monteverdi â
Where gods crawl through trumpets to get here
O mystery gizzrd,    O flunking west!
       O copper boned sopranos of Heidelberg!
Old French
superflueux
by my thin Red-
       thornproof hand
Â
More than temples we'll have left
Wilderstrawberry   shits
                                      Across Gaul
       My coo lipp'd rare
                            hipp'd Prospertine
I'm ovrly fond of the weeds where your street crosses
       my own   your original rigor pasted and pretty
                                   as barbiturates
ride
isobars of clutching muscle
              that on odd days
Â
ferry us to orgasm.
Some people hang these crystals in their homes and cars.
This is called a cobra hood, you can do it silently.
MySpace, yes, Kenny and the Elephants, but who cares?
So these beads are pretty too.
I'm great and
I'm really interested to know you, FUTURE HAPPY BUDDHA.
Â
A zinc finger homeobox transcription factor
acting late in neuronal differentiation:
fake Kenny Rogers Head. Macrobiotic, of course.
So if I was to dig up all these rocks,
I would find dirt on the bottom?
No, just fake Kenny Rogers Heads. All the way down.
At a trash 'n' treasure market,
in an average town,
an old radio
encased in bakelite.
Â
Plugged in and
waiting for the valves to warm
I took to the dial with a frothing sense of urgency,
twisting past horse races and rock and roll,
past right-wing commentary,
            searching for the frequency of God,
long lost in digital audio,
            sure to be found
in the silver soldered
magic of a romanticised time.
Â
            And there
at the end
of the amplitude modulated band,
                        megahertz away from any generic noise,
            a perfect silence.
for Leo Cullen who said: âOnce Celtic tiger Ireland; now no teeth!'
Â
In a doorway from the rain, on Blue Mouse Street,
he was shouting âMiracles! More miracles to come!'
The old beggar with the battered suitcase said,
âYes, I am sure there will be one for you.'
So I walked over, closer to his sign, which said:
Miracles For Sale! Compact and Portable!
Â
He spoke conspiratorially when he saw my coins.
âCome closer,' he said. âTo me, you look a little
worried, as if lacking air, or joie de vivre,
but are lucky anyway. Because I see my suitcase
is going to open for you, and believe that a miracle
might well come out of my suitcase. And I look forward
to knowing how this suitcase miracle will manifest
itself, as I am quite certain now that it will!
Now listen,' he said, âand don't miss out.'
Â
He took a plastic comb, held it to his mouth
and hummed and wheezed dreadfully through it.
âThat tune is called “Our Happiness”,' he said.
It made all the sparrows shake up from the trees.
And made small children run and cry, and the rain fall much harder.
He smiled, twirled and did a little hop and broken dance.
Â
âI love my life,' he said. âI love selling hope and miracles out here
in the rain, to all the passers-by on Blue Mouse Street.
Look,' he said, âI have a pocket full of holes. These are my “loopholes”,
and I pay no tax.' And he pulled his pockets inside out, and showed me.
Â
âI had a pocket full of hope once, but hope or fine illusions,
or any sort of negotiable miracle, all being invisible,
weigh less than a suitcase I carry for a rainy day like this one,
always hoping for a miracle to manifest, for my paying public.
Look!' And I imagined I saw us both standing there,
just then, and something was moving. âYes, I believe
it is already starting to manifest, or snap open,'
Â
he said. And the lid swung up and, inside the case,
I saw an old beggar open a suitcase. And inside that
was a smaller case, and us standing there, leaning
over a case that had just popped open, and so on â¦
but when I turned, he was gone, and so was the suitcase.
Only a muddy puddle where he had stood, but I could still
hear his tune, âOur Happiness', wheezing faintly through the rain.
Â