The Bird and the Sword

BOOK: The Bird and the Sword
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The Bird and The Sword

Copyright © 2016 by Amy Harmon

Editing by Karey White

Cover Design by
Hang Le

Formatting by
JT Formatting

Map Design by
Maxime Plasse

 

All rights reserved.

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book.

This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products, bands, and/or restaurants referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.

 

License Notes

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Table of Contents

Title Page

The Land of Jeru

Pronunciation Guide

Epigraph

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Epilogue

Acknowledgments

About the Author

Other Titles

 

 

Jeru – JEH roo

Meshara – Meh SHAH ruh

Lark – Lahrk

Tiras – TEER us

Boojohni – Boo JAH nee

Degn – Dane

Corvyn – COHR vin

Zoltev – ZOHL tehv

Volgar – VOLH gahr

Kjell – Kel

Kilmorda – Kil MOHR da

Bin Dar – BIN Dahr

Drue – Droo

Firi – FEAR ee

Bilwick – BIL wik

Enoch – EE nuk

Quondoon – qwahn DOON

Janda – JAHN da

Jyraen – jeh RAE un

Jeruvian – jeh ROO vee un

Nivea – NI vee uh

 

 

 

 

S
he was so small. The only thing large about her were her eyes, and they filled her face, grey and solemn like the fog on the moors. At five summers, she was the size of children two summers younger, and she was slight in a way that caused me concern. Not unhealthy, exactly. In truth, she’d never been ill. Not even once. But she was delicate, almost fragile, like a tiny bird. Little bones and small features, a pointy chin and elfin ears. Her pale brown hair, heavy and soft, felt like feathers brushing my face when I held her close, furthering the comparison.

She was my little lark. The name had entered my mind the moment I laid eyes on her, and I accepted it, acknowledging it from the Father of all Words, trusting the name was meant to be.

“What are you doing, Lark?” My voice was sharp, as I intended it to be, but my daughter wasn’t afraid, not even a little bit, though she’d been caught in a place where she shouldn’t be. I was worried she would prick her fingers on the sharp spindle of the spinning wheel or fall from the high, open windows overlooking the courtyard. This was my special room, and I loved it here, especially when she was with me. But she’d disobeyed me in entering alone.

“I’m making poppets,” she answered, her husky voice a comical contrast to her tiny frame. Her pink tongue peeked out between pursed lips, indicating great focus. She wrapped a length of string around the wadded piece of cloth in her hands, creating a head, though a misshapen one. She’d already made its legs and arms and had three more poppets, already constructed, lying next to her on the floor.

“Lark, you know you can’t be here alone. It’s not safe for such a little girl. And you can’t use your words when I am not with you,” I reproached.

“But you were gone so long,” she said, raising woeful eyes to mine.

“Don’t look at me like that. That is no excuse for disobedience.”

She bowed her head and her shoulders fell.

“I’m sorry, Mother.”

“Promise me you will remember and obey.”

“I promise I will remember . . . and obey.”

I waited, letting the promise settle on both of us, etching it into the air so she was bound by her words.

“Now . . . tell me about your poppets.”

“This one loves to dance. She pointed at the lumpy doll to her left. “And this one loves to climb—”

“Like a certain little lark I know,” I interrupted tenderly.

“Yes. Like me. And this one loves jumping.” She held up the smallest one.

“And this one?” I pointed to the poppet she’d just finished.

“This one is a prince.”

“Oh?”

“Yes. The Prince of Poppets. And he can fly.”

“Without wings?”

“Yes. You don’t need wings to fly,” she chirped, repeating something I’d told her.

“What do you need, Daughter?” I asked, quizzing her.

“Words,” she answered, her big, grey eyes alight with knowledge.

“Tell me,” I whispered.

She picked up the poppet nearest her and pressed her lips to the place on the poppet’s chest where its heart would be.

“Dance,” Lark whispered, believing it could. She set it down on the floor and we watched together. The little, cloth doll began to twirl and raise its ill-formed arms and legs, leaping and turning across the room. I laughed softly. Little Lark picked up another.

“Jump,” she urged, pressing the word into the poppet’s breast. It leaped from her hand and bounced soundlessly behind the dancing doll.

She repeated the action, giving a word to the remaining poppets, and we watched in fascination as one doll scrambled up the curtains and the Prince of Poppets flew into the air, arms outstretched like lumpy wings, and darted and dived like a happy bird.

She clapped her tiny hands and danced and jumped with her new friends, and I danced with her. We were so delighted and so lost in the experience that I failed to hear the boots in the hall outside the door until it was almost too late. I’d been foolish—carelessly so. That wasn’t like me.

“Lark, take the words away!” I cried, running to lock the door.

Lark grasped the dancing doll and took its word away, the way I’d taught her, breathing the word into its chest, backward.

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