The Bone House (2 page)

Lady Haven Fayth
–
Sir Henry
’s headstrong and mercurial niece.

Sir Henry Fayth, Lord Castlemain
- member of the Royal Society, staunch friend and ally of
Cosimo
.
Haven
’s uncle.

Jakub Arnostovi
–
Wilhelmina
’s landlord and business partner.

Snipe
– Feral child, and malignant aide to
Douglas Flinders-Petrie
.

Wilhelmina Klug,
aka
Mina
– In another life, a London baker and
Kit
’s girlfriend. In this life, owns Prague’s Grand Imperial Kaffeehaus with
Etzel
.

Xian-Li
– Wife of
Arthur Flinders-Petrie
and mother of
Benedict
. Daughter of the tattooist
Wu Chen Hu
of Macao.

Previously

O
ur story thus far concerns an underemployed but agreeable young fellow named Cosimo Christopher Livingstone, who much prefers to go by the name of Kit. He is related by birth to an anachronistic old gentleman named Cosimo, who is in fact his long-lost great-grandfather: long lost in that, owing to circumstances arising from the phenomenon known as ley travel (about which, more later), he disappeared more than a hundred years or so ago while on a routine visit to the local shops.

Cosimo’s return was greeted by Kit with disbelief, astonishment, and chagrin. The elder relation’s insistence that Kit should accompany him on a quest of great significance was rebuffed and, after a fleeting taste of this heretofore unheard of ley travel, Kit retreated to the arms of his unpleasant girlfriend, Wilhelmina Klug. Due to the time drift involved in ley journeys, he arrived quite late for a long-promised shopping excursion.

When the explanation for his tardiness failed to convince this young woman, Kit endeavoured to provide her with a practical demonstration. Owing to his inexperience, the demo went horribly wrong and poor Wilhelmina was lost in the transition. However, Kit was found once more by Cosimo, who introduced him to a stalwart colleague by the name of Sir Henry Fayth. Together the three of them set out to find Wilhelmina and return her to her proper place and time.

Laudable as their concern may have been, it ultimately proved misplaced. Wilhelmina landed on her feet in seventeenth-century Prague, where she was befriended by a kindly soul named Engelbert “Etzel” Stiffelbeam, a baker from Rosenheim who had travelled to Bohemia to seek his fortune. The two joined forces and opened a bakery, the success of which remained elusive until they introduced an as-yet-unheard-of commodity to the capital: coffee. The Grand Imperial Kaffeehaus was an immediate success, and soon all of Old Prague was abuzz over the latest sensation.

The coffeehouse brought Wilhelmina into contact with members of the court of Emperor Rudolf II, and among these a coterie of alchemists who were dutifully employed in the pursuit of arcane studies in what is to this day known as the Magick Court.

Now we come to the concept of ley travel, or ley leaping as Lady Fayth, Sir Henry’s mercurial niece, is wont to call it. Ley travel consists of utilising, or manipulating, lines of electromagnetic force that are to be found embedded in the earth, thereby employing these lines of force by methods yet to be described by science to effect great leaps in not only distance but dimensional reality and, consequently, time as well. The reader is asked to bear in mind that
ley
travel is not the same as
time
travel, strictly speaking. Although it must be admitted that, owing to the fact that time is relative to the reality being visited, ley travellers do come unstuck in time, which leads to a sort of chronological dislocation—an unavoidable side effect of ley leaping. It would be pleasant to report that all times everywhere in the universe are the same and that each reality links up perfectly end-to-end, but that is not the case. For reasons described below, each separate reality has its own history and progression in its own time. Thus, travelling to a different dimension involves a sideways slip in time as well as place, but that is not the same as travelling backwards or forwards along a single timeline in a discrete reality.

How many ley lines there are and where they lead, nobody really knows. Nor is it known how they are produced, or why. But one man knew more than most: the explorer Arthur Flinders-Petrie, an intrepid soul who made countless trips to other worlds and meticulously recorded his discoveries on a map. So that he could always find his way home again and so that he could never be separated from his map, he had it tattooed onto his torso in the form of coded symbols—not the most original plan, of course, but highly effective and productive too, in that it allowed him to meet and marry his Chinese tattooist’s charming daughter, Xian-Li. Arthur shared with his new wife his passion for exploration, introducing her to the arcane secrets of ley travel. On one such early trip to Egypt, tragedy struck in the form of Nile fever, and the stricken Xian-Li succumbed and died.

At some later time, Arthur died also, and in order that his discoveries should not die with him the map was removed and carefully preserved; for among the many wonders he encountered in his travels there was one that was so amazing, so staggeringly important, that Arthur kept it a close-guarded secret from all but his nearest and dearest kin. Through circumstances yet to be explained, the map was divided into sections, and those sections scattered across the multi-verse. Happily, the Skin Map and its tantalising secret endure.

Flinders-Petrie has a nemesis—Archelaeus Burleigh, the Earl of Sutherland—an unscrupulous dastard who is wholly obsessed with possessing the map and learning its secrets. He and his nefarious crew will stop at nothing to discover the treasure.

At the end of our first instalment of this tale, Kit and his companion Giles were facing imminent demise in the tomb of Anen at the hands of Lord Burleigh—the same tomb that had already claimed the lives of dear old Cosimo and Sir Henry. Wilhelmina, whose presence in the chase had been understated up to that point, made a sudden and welcome appearance—all the more so because Lady Fayth had proved too fickle. Loyalty, it seems, is a rare and precious commodity in whichever reality one occupies.

With those things remembered, we return to our story, in which some things are best forgotten.

PART ONE
The Book of
Forbidden Secrets

CHAPTER 1
In Which Some Things
Are Best Forgotten

F
rom a snug in the corner of the Museum Tavern, Douglas Flinders-Petrie dipped a sop of bread into the gravy of his steak and kidney pudding and watched the entrance to the British Museum across the street. The great edifice was dark, the building closed to the public for over three hours. The employees had gone home, the charwomen had finished their cleaning, and the high iron gates were locked behind them. The courtyard was empty and, outside the gates, there were fewer people on the street now than an hour ago. He felt no sense of urgency: only keen anticipation, which he savoured as he took another draught of London Pride. He had spent most of the afternoon in the museum, once more marking the doors and exits, the blind spots, the rooms where a person might hide and remain unseen by the night watchmen, of which there were but three to cover the entire acreage of the sprawling institution.

Douglas knew from his researches that at eleven each night the head watchman retired to his office on the ground floor to make tea. He would be duly joined by his two underling guards, and the three would enter their observations in the logbook and then spend an enjoyable thirty minutes drinking their tea, eating pies, and exchanging gossip.

While they were thus occupied, he would strike.

The pub was quiet tonight, even for a damp Thursday in late November. There were only five other patrons in the place: three at the rail and two at tables. He would have preferred more people—if only so his own presence would not be so noticeable—but he doubted it would make much difference. In any event, there was nothing he could do about it.

“Everything all right, sir?”

Douglas turned from the window and looked up. The landlord, having little to do this evening, was making the rounds and chatting with his customers.

“Never better,” replied Douglas in a tone he hoped would dismiss further intrusion. But the man remained hovering over the table.

“Mr. Flinders-Petrie, is it not, sir?”

“Indeed so.” He offered a bland smile to cover his annoyance at being recognised on this night of all nights. “I fear you have me at a disadvantage. I was not aware that my name would be common knowledge.”

The landlord chuckled. “No, I suppose not. But do you not recognise me, sir?”

Douglas looked more closely at him. There was a vague familiarity about the fellow, but . . . no, he could not place him.

“Cumberbatch, sir,” the landlord volunteered. “I worked for your father, I did. Oh, quite a few years ago.” At Douglas’ dubious expression, he said, “I was his footman—Silas.”

“Silas! Certainly, I remember you,” Douglas lied. “Do forgive me. Yes, of course, now that you remind me.”

“’Course, I was younger then, and you were away at school and university and whatnot.” The landlord wiped his hands on the towel around his waist and smoothed it out as if this put the matter to rest. “Happy days they were.”

“Yes, yes,” agreed Douglas amiably. He was aware that the other patrons were watching them, and actually relieved now that the place was not more crowded. “Happy times, indeed.”

“Pardon my asking, sir,” said Cumberbatch, leaning nearer the table. He lowered his voice. “If you don’t mind, there’s something that I’ve always wanted to know. I’d be most obliged.”

“I’d be happy to help if I can, Silas. What is it?”

“Did they ever find the man who killed your father?”

To buy himself a little space to think, Douglas took a drink of his ale, then, placing the glass carefully on the table, said, “I am sorry to say they never did.”

“Oh dear, oh dear.” Cumberbatch shook his head. “That’s a right pity. Did they never have a suspicion, then?”

“Suspicions, yes,” replied Douglas, “but nothing more. The coroner’s verdict at the time of the inquest reads ‘unlawful killing by person or persons unknown.’ At this late date, I fear it is likely to remain a mystery.”

“Ah, dear me,” sighed Cumberbatch. “That is a shame, that is. He was a good man, your father—a very decent chap, if you don’t mind my saying. A solid and upright fellow—always treated me well, and that’s a fact, that is.”

“Yes, well, as you say it was all a long time ago. Perhaps it is best forgotten.”

“No doubt, sir. I’m with you there.” Cumberbatch brightened once more. “But it is good to see you, Mr. Flinders-Petrie. Here, now, can I get you another pint?”

“Thank you, but no, I—”

“On the house, sir—for old time’s sake. It would please me no end.”

“Very well, then. Thank you, Silas. I would enjoy that.”

“Coming right up, sir.”

The landlord beetled off to pull the pint. Douglas drew his pocket-watch from his waistcoat and flipped it open. It was half past nine. In another hour he would make his move. Until then, he had a warm place to wait and watch. The landlord returned with his pint and, after another brief exchange, he was left alone to finish it and his meal in peace.

It was after ten thirty when he finally rose and, promising to return for another visit next time he was in the neighbourhood, retrieved his black cape from the coatrack and went out into the mist and drizzle. The weather was perfect for his purposes—a miserable night meant fewer folk around to notice any peculiar comings and goings. The gas lamps hissed and fluttered, pale orbs that did little to cut the all-pervading fog. Perfect.

He smiled to himself as he walked to the corner of Montague Street, turned, and proceeded along the side of the museum to where the service alley joined the street at the rear of the building. There he paused to observe the street one last time; a lone hansom cab rattled away in the opposite direction, and two men in top hats staggered along—one in the gutter, the other on the pavement—oblivious of their surroundings, singing their way home from an evening’s celebration.

Satisfied, he ducked into the alleyway and hurried quickly and unerringly in the dark to the back of a town house opposite the rear of the museum. There, lying in the lane beside the house, was the wooden ladder. With swift efficiency, he placed it against the high iron railing, climbed to the top of the fence, balanced on the upper bar while he pulled over the ladder, then climbed down. Once on the ground, he hurried to a window near the corner of the enormous building where even the lowest windows were eight feet off the ground. Positioning the ladder, he climbed up and rapped on the glass, counted to ten, and then rapped again.

As he finished the second tap, the window slid open from inside and a pale face, round like a solemn little moon, appeared in the darkness of the opening.

“Well done, Snipe,” said Douglas. “Hand me in.”

The stocky boy reached out and, with strong arms, pulled his master through the open window.

“Now then,” said Douglas, drawing a small tin from his pocket. He flipped open the lid and shook out a few congreves, selected one, and swiped the head against the roughened top of the tin. The slender stick of soft pine erupted with a pop and spluttering red flame. “The lantern, Snipe.”