The Book of Speculation (3 page)

Then—a wondrous sound.

Heralded by a glorious voice, a troupe of traveling entertainers arrived. A mismatched collection of jugglers, acrobats, fortune-tellers, contortionists, and animals, the band was presided over by Hermelius H. Peabody, self-proclaimed visionary in entertainment and education, who thought the performers and animals (a counting pig deemed learned, a horse of miniature proportions, and a spitting llama) were instruments for improving minds and fattening his purse. On better days Peabody fancied himself professorial, on worse days townsfolk were unreceptive to enlightenment and ran him out of town. The pig wagon, with its freshly painted blue sides proudly declaring the animal’s name, “Toby,” bore scars from unfortunate run-ins with pitchforks.

The boy watched townspeople crowd a green and gold wagon as it rolled into the open central square. Close behind were several duller carts and carriages, some with round tops fashioned from large casks, painted every color in creation, each carrying a hodgepodge of people and animals. The wagons circled and women pulled children to their skirts to keep them from running too close to the wheels. The lead wagon was painted with writing so ornate it was near indecipherable; on it stood an impressive man in flamboyant attire—Peabody. Accustomed to lone traveling jugglers or musicians, the townsfolk had not encountered such a spectacle before.

Never had there been such a man as Hermelius Peabody and he was fond of saying so. Both his height and appearance commanded attention. His beard came to a twisted point that brushed his chest and pristine white hair hung to his shoulders, topped by a curly hat that flirted with disintegration; that it held together at all appeared an act of trickery. His belly blatantly taunted gravity; riding high and round, it dared his waistcoat’s brass buttons to contain it and strained his red velvet jacket to its limit. Yet the most remarkable thing about Hermelius Peabody was his voice, resonating through the valley with a rich rumbling that grew from deep within his stomach.

“Ladies and gentlemen, you are indeed fortuitous!” He motioned to a lean man behind him. The man, who had a thick scar that tugged at the corner of his mouth, whispered into Peabody’s ear. “Virginians,” Peabody shouted. “Before you is the most amazing spectacle you shall ever see. From the East I bring you the greatest Orient contortionist!” A willowy girl scrambled onto a carriage roof, tucked a leg behind her head, and tipped forward to stand on one hand.

The boy was transfixed. He inched from behind his tree.

“From the heart of the Carpathians,” Peabody shouted and lifted his arms to the sky, “shrouded in the depths of Slavic mysticism, raised by wolves and schooled in the ancient arts of fortune-telling, The Madame Ryzhkova.” The crowd murmured as a stooped woman wrapped in a broadloom’s worth of silk emerged from a curved-top wagon and extended a twisted hand.

Peabody’s voice resonated with the wild part of the boy, crooning and soothing. He inched toward the spectators, toward the wagons, snaking between bodies until he found a spot behind a wheel to best view the white-haired man with the voice like a river. He crouched, balanced on the tips of his toes, listening, timing each breath to the man’s.

“Once in a lifetime, ladies and gentlemen. When else will you see a man lift a grown horse using one arm alone? When else, I ask, will you next encounter a girl who can tie herself into a proper sailor’s knot or a seer who will tell you what the Lord himself has destined for you? Never, fine ladies and gentlemen!” With a flurry of movement, the performers hopped back into their carts and wagons, rolled down thick canvas coverings, and pulled shut the doors. Peabody remained, pacing slowly, running a hand over his buttons. “Noon and dusk, ladies and gentlemen. Threepence a look and we’ll happily accept Spanish notes. Noon and dusk!”

The crowd dispersed, returning to carting, washing, marketing, and the ins and outs of Catspawian life. The boy held his position at the cart. Peabody’s sharp blue eyes turned to him.

“Boy,” the voice intoned.

The boy fell backward and a whuff of breath left him. His body refused to heed the command to run.

“That is quite a fine trick you have,” Peabody continued. “The vanishing, the popping in and out. What do you call it? Ephemeral, ephemerae, perhaps? We’ll think of a word or mayhap invent one.”

The boy did not understand the sounds tumbling from the man.
Boy
felt familiar, but the rest was a jumble of beautiful noise. He wanted to feel the material that wrapped around the man’s stomach.

The man approached. “And what do we have here? You are a boy, yes? Yet you seem to be comprised of muck and sticks. Curious creature.” He made a clucking sound. “What say you?” Peabody dropped a hand to the boy’s shoulder. It had been months since the boy had encountered a person. Unused to touch, he shuddered under the weight and, doing what fear and instinct commanded, pissed himself.

“Damnation!” Peabody hopped back. “We’ll need to rid you of that habit.”

The boy blinked. A rasping sound escaped his lips.

Peabody’s face softened, a twitch of his cheek betraying a smile. “Do not worry yourself, lad; we’ll get along famously. In fact, I am relying upon it.” He wrapped a hand around the boy’s arm and pulled him to standing. “Come. Let’s show you about.”

Afraid but fascinated, the boy followed.

Peabody led him to the green and gold wagon where a neatly hinged door opened onto a well-appointed room with a desk, piles of books, a brass lantern, and all the makings of a comfortable home for a traveling man. The boy set foot inside.

Peabody looked him over. “You’re dark enough to pass as a Mussulman or Turk. Here, chin up.” He bent down, hooking a finger under the boy’s jaw for a better view of him. The boy flinched. “No, you’re too wild for that.” Peabody sat heavily on a small three-legged chair. The boy wondered that it didn’t break under the man’s weight.

He watched the man think. The man’s fingers were clean, nails trimmed. Different from the boy’s. Though his size was frightening, there was gentleness to him, the crinkles around his eyes. The boy scurried close to the desk where the man sat, listening to his rumbling.

“We haven’t done India before. India,” Peabody said to himself. “Yes, an Indian savage, I think.” He chuckled. “My new Wild Boy.” He reached down as if to pat the boy’s head, but paused. “Would you like to be a savage?” The boy did not respond. Peabody’s brows lifted. “Can’t you speak?”

The boy pressed his back to the wall. His skin felt itchy and tight. He stared at the intricate ties on the man’s shoes and stretched his toes against the floor.

“No matter, lad. Yours will not be a speaking role.” The corner of his mouth twisted. “More a disappearing act.”

The boy reached to touch the man’s shoes.

“Like those, do you?”

The boy pulled away.

Peabody frowned, an expression discernible by the turn of his moustache. His sharp eyes softened and he spoke quietly. “You’ve not been treated well. We’ll fix that, boy. You’ll stay the night, see if it settles you.”

The boy was given a blanket from a trunk. It was scratchy, but he enjoyed rubbing it across his temple. He huddled against the man’s desk, pulling the blanket around him. Once during the night the man left and the boy feared he’d been abandoned, but a short time later the man returned with bread. The boy tore into it. The man said nothing, but began scribbling in a book. Occasionally his hand would drift down to pull the blanket back over the boy’s shoulder.

As sleep overtook him, the boy decided he would follow this man anywhere.

In the morning Peabody walked the boy through the circled wagons, keeping several paces ahead, and then waiting for him to follow. When they came to an imposing cage affixed to a dray wagon, Peabody stopped.

“I’ve thought on it. This will be yours; you’re to be our Wild Boy.”

The boy examined the cage, unaware of the other eyes that looked from their wagons, watching him. The floor was scattered with straw and wood shavings that kept it warm in the evenings—a good consideration, as the boy would be barefooted and naked. On the outside of the cage hung lavish velvet curtains that Peabody had liberated from his mother’s drawing room. The curtains were weighted by chains—to close out the light, Peabody said—and rigged with pulleys. Peabody demonstrated how to surprise an audience by snapping them open the moment a Wild Boy defecated or committed an equally abhorrent act.

“It was the previous Wild Boy’s, but we’ll make it yours.”

The boy took to the act. He enjoyed the cool metal against his skin, and the act allowed him to observe as much as he was observed. Faces gawked at him, and he stared back without fear. He tried to understand the rolls women wore their hair in, why their hips appeared larger than men’s, and the strange ways that men groomed the hair on their faces. He jumped, crawled, scrambled, ate, and voided where and how he pleased. If he did not like a man, he could sneer and spit without repercussion, and would be rewarded for the privilege. He experienced the beginnings of ease.

Without the boy’s knowledge, Peabody studied and tailored the act, learning the intricacies of the boy’s disappearing, perhaps better than the boy himself understood. If he left the child in the cage for the length of a morning, the boy would crouch low to the floor, his breaths would become shallow until his chest barely moved, and then, quite suddenly, he would vanish. Peabody learned to slowly raise the curtain on the disappeared boy.

“Hush, fine people,” he instructed, sotto voce. “No good can come from frightening a savage beast.”

Lifting the curtain was enough to rouse the boy from dissipation. As spectators drew in close to what they presumed was an empty cage, the boy revealed himself. The abrupt appearance of a savage where there had been none made children shout; beyond that, the boy needed do little more than remain mute and naked to drive a crowd to frenzy. The boy found his new life pleasing. He discovered that if he made his penis bobble or flaunted his testicles, a prim woman or two might swoon, after which Peabody would draw the curtain and declare the act successful. He began searching for ways to frighten, hissing and snarling, letting spittle drip from his mouth. When Peabody patted his shoulder and pronounced, “Well done,” the boy felt fullness in his stomach that was better than food.

*   *   *

Though the Wild Boy cage was his, the boy did not sleep in it. Beneath the sawdust and hay lay a hidden door; after the curtains were drawn he undid the latch and climbed into the dray’s box bottom, where a wool blanket was stored for him; from there he made his way to Peabody’s wagon, where a change of clothing was kept for the prized Wild Boy. Peabody would sit at the far end of the wagon chewing at his pipe while writing and sketching by lantern light, occasionally pausing to give a conspiratorial look.

“Excellent take, my boy,” he’d say. “You’ve got a certain flair. Mayhap the best Wild Boy I’ve had. Did you see the missus faint? Her skirts went over her head.” His belly shook as he clapped the boy on the back. The boy understood that the man liked him. He’d begun to recall words from a time before the woods, words like
boy,
and
horse, bread,
and
water,
and that laughter was good. The more he listened to Peabody talk, the more language began to knit.

Peabody spoke differently to the boy, with a quieter voice than he used with others. The boy did not know that within short weeks of their acquaintance, Hermelius Peabody had begun to think of him as a son.

It began when Peabody did not want the boy to spend an unseasonably cool night in the Wild Boy cage. Perhaps the boy’s thinness inspired pity, but Peabody decided offering the boy a warm place to sleep was a good business investment and would reflect well on his soul. The boy curled up on a straw-stuffed cushion, the same cushion on which Peabody’s son, Zachary, had once slept. Something inside Peabody shifted. Zachary had set out years before to make his fortune, leaving Peabody proud but at a loss. He looked at the sleeping boy and realized his latest acquisition might fill that space. When the boy woke he was greeted by a pile of clothing that was to belong to him. The knee britches and long shirts were no simple castoffs; they had been Zachary’s.

In the evenings, the boy sat on the floor of Peabody’s wagon, listening, picking out names, places, acts.
Nat, Melina, Susanna, Benno, Meixel
. Peabody schooled him little in social niceties, as he deemed them useless, instructing instead in showmanship and confidence born of understanding an audience. At first the boy did not want to know about the people who looked at him through his bars; he was pleased that the cage kept them at a distance, but curiosity sprouted as Peabody made him watch other acts, the tumbler, the bending girl, and the strongman.

“Watch,” he said. “Benno looks at the lady just so, draws her in, and now he’ll pretend he’s about to fall.” The tumbler, balanced on a single hand, wobbled dangerously and a woman gasped. “He’s in no more peril than you or I. He’s done the same trick with that very wobble since I picked him up in Boston. We lure them in, boy, lure them and scare them a little. They like to be frightened. It’s what they pay for.” The boy began to understand that those who watched were
others
. The boy, Peabody, the performers were
we.